The fetid hellebore (helleborus fœtidus) is not a common plant with us,

but we find it sparingly in one or two places; and though a plant

indigenous to Britain, yet it is not improbable that it has strayed from

cultivation, and become naturalized in many of the places in which we

now find it. Its uses as an herb of celebrity for some complaints of

cattle occasioned its being fostered in many a cottage garden long since

erased, where the good wife was the simple doctress of the village, when

perhaps mortality was not more extensive than in these days of greater

pretension and display. Modern practice yet retains preparations of this

herb, but it appears that, from the powerful manner in which they act,

great discretion is necessary in their administration. This hellebore is

one of our few plants that present us with a dull, unsightly, unpleasing

blossom. We have many with a corolla so small as to be little noticed;

but this plant, and the fetid iris (iris fœtidissima), produce blossoms,

that would generally be considered as darksome and cheerless. There is

no part of a vegetable which we usually admire more than its flowers,

for that endless variety of colors, shades, forms, and odors, with which

they are endowed; yet the utility of the blossom is by no means obvious.

Linnæus calls the corolla the arras, the tapestry of the plant; and we

are perfectly sensible that the blossom in very many instances is

essential in various ways to securing and perfecting the germen; that it

often contains the food of multitudes of insects, which feed on the

pollen, the honey, or the germen; and that the odor emitted by it leads

frequently various creatures to the object in request, and by their

agency the fecundation and perfecting of the seeds are often effected:

but we are astonished at the elaborate mechanism and splendor of some

species, and see the whole race of creation, with the exception of man,

utterly regardless of them. Butterflies and other insects will bask on

expanded flowers, and frequent their disks, but it is in wantonness, or

to feed on the sweet liquors they contain. The carpenter bee,[16] that

every summer cuts its little circular patches in such quantities from my

roses to line its nest in the old garden door, selects the green leaves

only, chiefly from the China, Provence, and damask kinds,[17] passing

over the petals of their blossoms as useless. That splendid insect the

rose-beetle[18] (cetonia aurata), that beds and bathes in sweetness,

will partially eat the flowers of some species of roses, and “lap the

nectar they produce;” and a few others nibble a little; but the

liliaceous tribes, and other glorious flowers, as far as we know,

furnish to insects no supply, but expand, wither, and die, unnoticed but

by the eye of man alone. Flowers that are grand, gay, cheerful or

beautiful, predominate infinitely over those that are of a sombre hue or

gloomy aspect. Employment and occupation were as much the design, as

they are found to be essential to the happiness of human life: we are

not all constituted to soar in the higher regions of scientific

research; our dispositions are as various as our intellects.

Horticulture was the first occupation instituted for man, and he cannot

pursue a more innocent and harmless employ: we were given “every herb,

and every tree upon the face of the earth.” For food, or raiment, the

immediate necessities of man, a very few of them are applicable; but we

can collect them for amusement, in admiration of their beauty. Without

this beauty, they would be no object of research; and man, who is

exclusively sensible of its existence, can alone find pleasure in

viewing it. The mind that is delighted with such admiration, must be

almost insensibly led to an attendant pleasure, the contemplation, the

perception of infinite wisdom and power, manifested in the adornment,

splendor, and formation, of even the simplest flower of the field. I

would not arrogate for man an exclusive right, or make him generally the

sole consideration of the beneficence of Providence; but there are

influences, which his reason can alone perceive, incitements to good

thoughts and worthy actions.

Flowers, in all ages, have been made the representatives of innocence

and purity. We decorate the bride, and strew her path with flowers: we

present the undefiled blossoms, as a similitude of her beauty and

untainted mind; trusting that her destiny through life will be like

theirs, grateful and pleasing to all. We scatter them over the shell,

the bier, and the earth, when we consign our mortal blossoms to the

dust, as emblems of transient joy, fading pleasures, withered hopes; yet

rest in sure and certain trust that each in due season will be renewed

again. All the writers of antiquity make mention of their uses and

application in heathen and pagan ceremonies, whether of the temple, the

banquet, or the tomb—the rites, the pleasures, or the sorrows of man;

and in concord with the usages of the period, the author of the “Book of

Wisdom” says, “Let us crown ourselves with rose-buds and flowers before

they wither.” All orders of creation, “every form of creeping things and

abominable beasts,” have been, perhaps, at one time or another, by some

nation or sect, either the objects of direct worship, or emblems of an

invisible sanctity; but though individuals of the vegetable world may

have veiled the mysteries, and been rendered sacred to particular

deities and purposes, yet in very few instances, we believe, were they

made the representatives of a deified object, or been bowed down to with

divine honors. The worship of the one true Being could never have been

polluted by any symbol suggested by the open flowers and lily-work of

the temple.

The love of flowers seems a naturally implanted passion, without any

alloy or debasing object as a motive: the cottage has its pink, its

rose, its polyanthus; the villa, its geranium, its dahlia, and its

clematis: we cherish them in youth, we admire them in declining days;

but, perhaps, it is the early flowers of spring that always bring with

them the greatest degree of pleasure, and our affections seem

immediately to expand at the sight of the first opening blossom under

the sunny wall, or sheltered bank, however humble its race may be. In

the long and sombre months of winter our love of nature, like the buds

of vegetation, seems closed and torpid; but, like them, it unfolds and

reanimates with the opening year, and we welcome our long-lost

associates with a cordiality, that no other season can excite, as

friends in a foreign clime. The violet of autumn is greeted with none of

the love with which we hail the violet of spring; it is unseasonable,

perhaps it brings with it rather a thought of melancholy than of joy; we

view it with curiosity, not affection: and thus the late is not like the

early rose. It is not intrinsic beauty or splendor that so charms us,

for the fair maids of spring cannot compete with the grander matrons of

the advanced year; they would be unheeded, perhaps lost, in the rosy

bowers of summer and of autumn; no, it is our first meeting with a long-

lost friend, the reviving glow of a natural affection, that so warms us

at this season: to maturity they give pleasure, as a harbinger of the

renewal of life, a signal of awakening nature, or of a higher promise;

to youth, they are expanding being, opening years, hilarity and joy; and

the child, let loose from the house, riots in the flowery mead, and is

“Monarch of all he surveys.”

There is not a prettier emblem of spring than an infant sporting in the

sunny field, with its osier basket wreathed with butter-cups, orchises,

and daisies. With summer flowers we seem to live as with our neighbors,

in harmony and good-will: but spring flowers are cherished as private

friendships.

The amusements and fancies of children, when connected with flowers, are

always pleasing, being generally the conceptions of innocent minds

unbiassed by artifice or pretence; and their love of them seems to

spring from a genuine feeling and admiration, a kind of sympathy with

objects as fair as their own untainted minds: and I think that it is

early flowers which constitute their first natural playthings; though

summer presents a greater number and variety, they are not so fondly

selected. We have our daisies strung and wreathed about our dress; our

coronals of orchises and primroses; our cowslip balls, &c.; and one

application of flowers at this season I have noticed, which, though

perhaps it is local, yet it has a remarkably pretty effect, forming for

the time one of the gayest little shrubs that can be seen. A small

branch or long spray of the white thorn, with all its spines uninjured,

is selected; and on these its alternate thorns, a white and a blue

violet, plucked from their stalks, are stuck upright in succession,

until the thorns are covered, and when placed in a flower-pot of moss,

has perfectly the appearance of a beautiful vernal flowering dwarf

shrub, and as long as it remains fresh is an object of surprise and

delight.

No portion of creation has been resorted to by mankind with more success

for the ornament and decoration of their labors than the vegetable

world. The rites, emblems, and mysteries of religion; national

achievements, eccentric masks, and the capricious visions of fancy, have

all been wrought by the hand of the sculptor, on the temple, the altar,

or the tomb; but plants, their foliage, flowers, or fruits, as the most

graceful, varied, and pleasing objects that meet our view, have been

more universally the object of design, and have supplied the most

beautiful, and perhaps the earliest, embellishments of art. The

pomegranate, the almond, and flowers, were selected, even in the

wilderness, by divine appointment, to give form to the sacred utensils;

the rewards of merit, the wreath of the victor, were arboraceous; in

later periods, the acanthus, the ivy, the lotus, the vine, the palm, and

the oak, flourished under the chisel, or in the loom of the artist; and

in modern days, the vegetable world affords the almost exclusive

decorations of ingenuity and art. The cultivation of flowers is of all

the amusements of mankind the one to be selected and approved as the

most innocent in itself, and most perfectly devoid of injury or

annoyance to others; the employment is not only conducive to health and

peace of mind, but probably more good-will has arisen, and friendships

been founded by the intercourse and communication connected with this

pursuit than from any other whatsoever: the pleasures, the ecstasies of

the horticulturist are harmless and pure; a streak, a tint, a shade,

becomes his triumph, which though often obtained by chance, are secured

alone by morning care, by evening caution, and the vigilance of days: an

employ which, in its various grades, excludes neither the opulent nor

the indigent, and teeming with boundless variety, affords an unceasing

excitement to emulation without contempt or ill-will.

The bouquet may be an exile now; but the revolutions of fashion will

surely return this beautiful ornament to favor again. With us the

nosegay yet retains its station as a decoration to our Sunday beaux; but

at our spring clubs and associations it becomes an essential,

indispensable appointment; a little of the spirit of rivalry seeming to

animate our youths in the choice and magnitude of this adornment. The

superb spike of a Brompton, or a ten weeks’ stock, long cherished in

some sheltered corner for the occasion, surrounded by all the gaiety the

garden can afford, till it presents a very bush of flowers, forms the

appendage of their bosoms, and, with the gay knots in their hats, their

best garments, and the sprightly hilarity of their looks, constitutes a

pleasing village scene, and gives an hour of unencumbered felicity to

common man and rural life, not yet disturbed by refinement and taste.

“Oh, who can hold a fire in his hand

By thinking on the frosty Caucasus?”

And yet the shivering of the aspen, or poplar tree (populus tremula), in

the breeze will give us the sensation of coldness, and communicate an

involuntary shuddering. The construction of the foliage of this tree is

peculiarly adapted for motion: a broad leaf placed upon a long

footstalk, so flexile, as scarcely to be able to support the leaf in an

upright posture: the upper part of this stalk, on which the play or

action seems mainly to depend, is contrary to the nature of footstalks

in general, being perfectly flattened, and, as an eminent botanist and

esteemed gentleman, Dr. I. Stokes, observes, is placed at a right angle

with the leaf, being thus peculiarly fitted to receive the impulse of

every wind that blows. This stalk is furnished with three strong nerves,

placed parallel, and acting in unison with each other; but towards the

base the stalk becomes round, and then the nerves assume a triangular

form, and constitute three distinct supports and counteractions to each

other’s motions. I know no petiole with a similar conformation, or

better calculated for the vibration of a leaf. The leaf-stalks of plants

are very curious constructions; and the nerves and vessels contained in

them, which are the vehicles of a large portion of that nourishment

which plants receive through their foliage from the air, seem in general

differently placed, and fitted for variety of operation. The poplar is a

tree that occasions at times a great deal of trouble in our pasture

lands, by the tendency which it has to extend its roots, and throw out

suckers. Three or four of this species in a hedge-row, bounding a meadow

in my occupation, oblige me every year that the field is mowed, by their

prolificacy, to send a man with his stock-ax to remove their numerous

offspringing; a mere temporary expedient, tending rather to increase the

complaint, as eradication by trenching with the spade can alone

effectually check the encroachments of runners so tenacious of life, and

rapid in growth.

The dyer’s broom[19] (genista tinctoria) abounds with us, and becomes a

perfect encumbrance in our clay-land pastures. It is seldom eaten by

cattle, except in cases of great necessity, and remains untouched, if

other food be obtainable, giving a deceitful appearance of verdure to a

naked pasture. It yet retains a place in some of our dispensatories; but

its medicinal virtues are probably never made trial of in modern

practice, the lenient assuasives of our forefathers seeming unequal to

contention with the constitutions of these days. I know not any use to

which it is applicable but for the dyer. Our poorer people a few years

ago used to collect it by cartloads, about the month of July; and the

season of “woodwaxen” was a little harvest to them: but it interfered

greatly with our haymaking. Women could gain each about two shillings a

day, clear of all expenses, by gathering it; but they complained that it

was a very hard and laborious occupation, the plant being drawn up by

the roots, which are strongly interwoven in the soil. The dyer gave them

eight-pence for a hundred weight; but I fear the amount was greatly

enhanced by the dishonest practice of watering the load, for the

specious purpose of keeping it green; and the old woodwaxers tell me,

that, without the increase of weight which the water gave the article,

they should have had but little reward for their labor. Greediness here,

however, as in most other cases, ruined the trade, the plant becoming so

injured and stinted by repeated pullings, as to be in these parts no

longer an object worth seeking for; and our farmers rather

discountenance the custom, as the “green-weed” preserves and shelters at

its roots a considerable quantity of coarse herbage, which in the winter

and spring months is of great importance to the young cattle browsing in

the pastures. The use of this dyer’s broom is to prepare woollen cloths

for the reception of another color. It communicates to the article a

dull yellow, which will then, by being dipped in another liquor or

composition, according to the shade required, receive a green hue.

Vegetable filaments, cotton, flax, &c., are very differently formed from

those threads afforded by animals, as silk and wool, and are differently

disposed to receive colors. The dye that will give a fine color to the

one, is perhaps rejected by the other; and this plant is rarely or never

used by the dyer for cotton articles. That certain natural productions

receive and retain, and others reject or soon part with artificial

colorings, are in some cases in consequence of the nature of the

substance, and in others by reason of the conformation of the fibre; but

any examination of this kind would only occasion a tedious discussion

and remain very obscure at last. We find certain effects produced and

reason upon them, but so small are the parts operated upon, minute the

agents, and equivocal the connexion, that we can do little more than

theorize upon the subject; but perhaps I may slightly instance the

difference existing in the fibre of flax and silk. The parts which

compose the filaments of the former are generally considered as being

flat and flaky, whereas those of the latter are tubular and round: this

conformation renders silk so soft to the touch, and refracting more

perfectly the rays of light, occasions much of its lustre, and the

brilliancy of its hues. Perhaps we have no art or trade less confined

within the trammels of formulæ than that of the dyer; every professor

appearing to have his own methods of acquiring particular tints and

shades, guided often in his proportions by that mutable sense, the

taste, and regulating the temperature of his compositions, not by the

thermometer, but by the feeling of the hand;—and so capricious are these

tests, so different the sensations of the operator, or the variable

influences of solar light, that success on one day does not insure a

similar result on another.

Color is probably only reflected light; but by what means the absorption

of oxygen increases the lustre is not quite obvious—yet the power of the

sun’s rays, in augmenting the intensity of the hues of many things, is

well known: there is an admirable green color for foliage, to be

obtained by the union of the light Prussian blue with the dark gamboge;

but I could never acquire this clear and lustrous, without compounding

it in the light of the sun. As the young artist will find this a most

useful pigment, I may in addition say, that a small bit of the light

Prussian, with three or four times the quantity of gamboge, must be laid

upon the pallet, or in the saucer, and with a drop or two of water, only

enough to make it work easily, be most thoroughly united and

incorporated by the finger, with the sun shining upon the mixture,

adding more gamboge repeatedly during the operation, until the blue is

subdued and a clear green produced; but if a tedious operation, yet

perseverance will ultimately produce a very brilliant permanent green.

We have our walls in many places here decorated with most of the

varieties of the great snapdragon (antirrhinum majus); the white, the

pink, and the common: and that beautiful deviation, with a white tube

and crimson termination, is slowly wandering from the garden, and mixing

with its congeners. It has not, perhaps, been generally observed, that

the flowers of this plant, “bull-dogs,” as the boys call them, are

perfect insect traps; multitudes of small creatures seek an entrance

into the corolla through the closed lips, which upon a slight pressure

yield a passage, attracted by the sweet liquor that is found at the base

of the germen; but when so admitted, there is no return, the lips are

closed, and all advance to them is impeded by a dense thicket of woolly

matter, which invests the mouth of the lower jaw—

“Smooth lies the road to Pluto’s gloomy shade;

But ’tis a long, unconquerable pain,

To climb to these ethereal realms again.”

But this snapdragon is more merciful than most of our insect traps. The

creature receives no injury when in confinement; but, having consumed

the nectareous liquor, and finding no egress, breaks from its dungeon by

gnawing a hole at the base of the tube, and returns to liberty and

light. The extraordinary manner in which the corolla of this plant is

formed, the elastic force with which the lower limb closes and fits upon

the projection of the upper, manifest the obvious design in the great

Architect, “whose hands bended the rainbow;” and the insects are

probably the destined agents whereby the germen is impregnated, for as

soon as this is effected, the limbs become flaccid, lose their

elasticity, are no longer a place of confinement, but open for the

escape of any thing that might have entered. The little black pismire is

a common plunderer of this honey.

It is a perplexing matter to reconcile our feelings to the rigor, and

our reason to the necessity, of some plants being made the instrument of

destruction to the insect world. Of British plants we have only a few so

constructed, which, having clammy joints and calyxes, entangle them to

death. The sun-dew (droseræ) destroys in a different manner, yet kills

them without torture. But we have one plant in our gardens, a native of

North America, than which none can be more cruelly destructive of animal

life, the dogsbane (apocynum androsæmifolium),[20] which is generally

conducive to the death of every fly that settles upon it. Allured by the

honey on the nectary of the expanded blossom, the instant the trunk is

protruded to feed on it, the filaments close, and, catching the fly by

the extremity of its proboscis, detain the poor prisoner writhing in

protracted struggles till released by death, a death apparently

occasioned by exhaustion alone; the filaments then relax, and the body

falls to the ground. The plant will at times be dusky from the numbers

of imprisoned wretches. This elastic action of the filaments may be

conducive to the fertilizing of the seed by scattering the pollen from

the anthers, as is the case with the berberry; but we are not sensible

that the destruction of the creatures which excite the action is in any

way essential to the wants or perfection of the plant, and our ignorance

favors the idea of a wanton cruelty in the herb; but how little of the

causes and motives of action of created things do we know! and it must

be unlimitable arrogance alone that could question the wisdom of the

mechanism of him “that judgeth rightly;” the operations of a simple

plant confound and humble us, and, like the hand-writing on the wall,

though seen by many, can be explained but by ONE.[21]

The different manner in which vegetables exert their organic powers to

effect the destruction of insects, is not perhaps unworthy of a brief

notice; some, as those above mentioned, accomplish it by means of

elastic or irritable actions, adhesive substances, and so forth; but we

have another plant in our green-houses, the glaucous birthwort (aristol.

glauca), that effects these purposes without any of these means, but

principally by conformation. The whole internal surface of the tubular

flower is beset with minute strong spines, pointing downwards; these

present no impediment to the descent of the animal which may seek for

the sweet liquor lodged upon the nectarium at the base of the blossom,

nor is there any obstruction provided for its return by means of valves

or contractions, the tube remaining open; but the creature cannot crawl

up by reason of the inverted spines, and to prevent its escape by flying

up the tube, the flower makes an extraordinary curve, bending up like a

horn, so that any winged creature must be beaten back by striking

against the roof of this neck as often as it attempts to mount, and

falling back to the bulbous prison at the base of the flower, dies by

confinement and starvation, and there we find them: a certain number of

these perishing, the blossom fades and drops off.

All the varieties of this snapdragon have the power of maintaining a

state of vegetation in great droughts, when most other plants yield to

the influence of the weather; and it is the more remarkable in these

plants, as the places in which they chiefly delight to vegetate are

particularly exposed to the influence of the sun. In that hot dry summer

of 1825, when vegetation was in general burned up and withered away, yet

did this plant continue to exist on parched walls, and draw nutriment

from sources apparently unable to afford it; not in full vigor

certainly, but in a state of verdure beyond any of its associates. The

common burnet (poterium sanguisorba) of our pastures, in a remarkable

degree, likewise possesses this faculty of preserving its verdure, and

flourishing amid surrounding aridity and exhaustion. It is probable that

these plants, and some others, have the power of imbibing that

insensible moisture, which arises from the earth even in the driest

weather, or from the air which passes over them. The immense evaporation

proceeding from the earth, even in the hottest season, supplies the air

constantly with moisture; and as every square foot of this element can

sustain eleven grains of water, an abundant provision is made for every

demand. We can do little more than note these facts: to attempt to

reason upon the causes, why particular plants are endowed with peculiar

faculties, would be mere idleness; yet, in remarking this, we cannot

pass over the conviction, that the continual escape of moisture from one

body, and its imbibition by another, this unremitting motion and

circulation of matter, are parts of that wonderful ordination, whereby

the beneficence and wisdom of Providence are manifested: without the

agency of evaporation, not dwelling on the infinitude of effects and

results, no vegetation could exist, no animal life continue.

Country rambles in England · 第 5 / 29 段