CHAPTER VII.

OUR FRIEND KNOPF.

On the bright summer days people sail joyously up and down the river,

everything sparkles and glitters in the sunlight, and is full of

gladness. Who there thinks how much sorrow, how much weariness,

anguish, and care, dwell within the houses they pass by? Look yonder at

the high-perched village, that seems to rise so prettily out of the

river, and sends to us now the sound of bells; there goes a poor

village schoolmaster, with depressed countenance, from the church to

the school-house. But to-day his face is lighted up, for a faithful

friend stands in front of the schoolhouse, and extends to him his hand.

"Hey! you here, Herr Knopf?" cried the schoolmaster.

"The free Republic of the United States gives me a day's freedom. You

see before you an independent man. Ah, dear Fassbender, I am specially

born to be a teacher of girls; I tell you that previous to the deluge

of their first ball, girls are the choicest blossoms of our planet."

Knopf related to his fellow-teacher how happy he was to have for a

pupil a bright American girl, quick of apprehension; and his homely

countenance, as he spoke, assumed a wholly different expression.

Knopf had, in fact, an ugly face, it was so full of seams. His nose,

mouth, brow, even his eyebrows, which projected somewhat over his

light-blue eyes whenever he wore no spectacles, as was now the case,

all seemed kneaded out of dough. But now, as he spoke of his pupil, his

countenance, was lighted up.

He made known that he had come hither, in order to give Roland's

present instructor some hints concerning the character of his pupil,

and the manner in which he could best be advanced. He had already been

walking since before sunrise, and it was a refreshing walk. He felt now

that it was not needful for him to go to the villa, he would make an

appointment with the tutor to meet him here, and requested that a boy

might carry a note from him to Captain Dournay.

The children came up one after another, and saluted Herr Knopf, whom

they already knew. A curly-headed boy was very happy to be the bearer

of the note to Villa Eden, instead of being obliged to sit in school.

Knopf knew a beautiful spot back of the village, under a linden on the

crown of the hill, where there was a wide prospect on every side.

Strolling thither, he laid himself down under the tree, and surveyed

the landscape with a joyful glance.

"In grass and flowers I love to lie,

And hear afar the flute's sweet sigh,"

he said almost aloud to himself. And since in our steam-puffing times

there is no flute to be heard, Knopf screwed his cane, which was

intended also for a flute, into the right shape, and played upon it the

tune set by Conrad Kreuzer to Uhland's song. He was more pleased at the

thought that others would hear this at a distance, than that he was

hearing it himself.

No boat went up or down the stream that he did not signalize it with a

white handkerchief. What matter if those on board were strangers? He

has given them a sign that he on the height here is happy; they below

there are to be happy too. The signal may tell them that.

Yes, Knopf deserves to be known more intimately.

The son of a poor schoolmaster, Knopf had gone through his university

course with great difficulty, and had passed his examination; but now

he fell into great misfortune. On the very first day of his year of

probation, the boys stamped and hissed, and the more he bade them be

quiet, so much the more noisy were they; and the more enraged he

became, so much the more insolent was their derision. The director came

to his assistance, but as soon as he went away from the schoolroom, the

noise and stamping began afresh. It was granted to Knopf to pass his

year of probation in a distant city; but some invisible sprite must

have spread abroad his mishap, for very soon after he began teaching,

the same thing happened here. And now he gave up entirely the office of

a public school teacher.

Knopf was abundantly liked at the capital as a teacher of girls.

Inasmuch as he was so fabulously ugly, mothers could entrust their

half-grown daughters to his private instruction, without the least

anxiety lest they should fall in love with him. He was conscientious

and painstaking, but he did not succeed. He was liked in all the

families, but no one wished to employ him exclusively, or for any

considerable length of time; he was only a temporary teacher. No other

one had so many deceased scholars as he, for many were committed to his

instruction only after they became ailing.

Knopf had been much at the watering-places, and when the parents could

not go with their children to the baths, he was entrusted with that

service; he was both tutor and attendant. He was also teacher for some

time in an asylum for idiots, and his conscience often reproved him,

then and afterwards, for not remaining in that position; but he

asserted that he was too much a devotee of the beautiful.

Yes, he wanted to explore what kind of humane institutions were

established among the Greeks and Romans. He found that they had very

few children morally and physically diseased. Knopf had a plan, which

he held on to for some time, of establishing an institution for the

care of sick children at some salt-spring; for iodine is the watch-word

of the cultivated, that is, the possessing world, whose humours are

acrid: he hoped to find an associate for the sacred iodine. Meanwhile

he remained a make-shift teacher for girls.

Greek and Roman mythology was his strong point, and it is extremely

important that a maiden in cultivated society should make no mistake in

that. His favorite pursuit was, however, the interpretation of the

poets, especially the romantic. Of course, he was himself a poet, but

modestly, only to himself. There, were probably in the capital few

albums, begun by very young girls and afterwards abandoned, which did

not contain a sonnet, or oftener a triolet, beautifully written by Emil

Knopf for his dear pupil. He had also a musical knowledge sufficient to

direct the private practising of pupils, and he was particularly

strict, yes, even unmerciful, in keeping time. He could also draw

sufficiently well to give assistance in that respect, especially in

drawing flowers. He was also handy and popular in wedding-games,

whenever one of his pupils was married. He not only knew how to make

the maidens speak, in the language of flowers, as "I am the rose," "I

am the violet," but he could bring out jokes and sportive allusions;

and while the players in their fine dresses were declaiming; and

forming charming tableaux, he sat in the prompter's box, and breathed

to them the words. How happy he was, too, at some public dinner, and

how assentingly he nodded, when this or the other speaker recited by

heart, or read from a manuscript, the toast he had himself composed!

Emil Knopf was one of the most serviceable of men; he was proud of

never having advertised in the newspapers; he was recommended from

mouth to mouth, and for the most part from one fair mouth to another,

one mother speaking in his commendation to another, and the fathers

smiling and saying, "Yes, Herr Knopf is a very conscientious teacher."

If he were in a house where smoking was disagreeable, he chewed roasted

coffee-berries, and he was just as contented with that. Knopf liked to

take snuff, but he did it only when he was alone, and very quietly; he

carried a colored and a white pocket-handkerchief, so that the

gentleman and the lady of the house might not notice that he took

snuff. One very peculiar habit he could not break himself of, that of

hitching up the trousers on both legs, as if they were going suddenly

to drop down from his body.

But this is no sufficient reason for his appearing destined to be only

a temporary teacher, nothing but a pedagogical nurse for a few weeks.

Knopf is taken into some family until the stress of sickness or need of

some kind is over, and then he is dismissed with very courteous, very

friendly words; but still always dismissed. Fourteen half-yearly

terms--Knopf always reckoned by the semester, and we must do the same

by him--Knopf lived at the capital; and, during this period, he always

intended to procure a wholesale quantity of a brand of cigars which

should taste right, but he never made up his mind. Fourteen semesters

he smoked, from week's end to week's end, different kinds of cigars on

trial, and was perpetually asking what was the price by the thousand,

but he never succeeded in getting the thousand at one time.

Knopf was, naturally, one of the clumsiest of mortals, but he trained

himself to be one of the best swimmers and gymnastic performers, so

that he was, for a time, assistant teacher of gymnastics. Having been

employed twice in the country, where it is so difficult to procure

piano-tuners, he had been led to learn how to tune pianos himself; but

he would never do it except in the house where he happened to be

temporarily living. Several persons asserted that he could also knit

and do plain sewing, but this was unmitigated slander. He could darn

stockings in a most masterly style, but no one had ever seen him do it,

he always did it secretly by himself.

Knopf had come to Herr Sonnenkamp likewise as a temporary candidate and

temporary teacher; here a longer tarrying seemed to be allotted to him,

and a future free from anxiety. Knopf had an enthusiastic love for

Roland, and although the boy learned nothing thoroughly with him, Knopf

used to say to his crony, the teacher Fassbender,--

"The Gods never learned anything, they had it all in themselves. Who

can tell us the name of Apollo's teacher of music, or with what

chief-butler Ganymede served his apprenticeship? Fine natures have all

in themselves, and do not require instruction. We are only cripples

with all our learning; we are tyrannized over by the four Faculties,

but life is no four-sided figure."

This, then, is our friend Knopf; and he was called "our friend Knopf"

in the best families of the land.

Knopf had just left off playing the flute, and was now sitting with his

writing-tablets upon his knee, looking sometimes, round upon the

landscape, sometimes writing rapidly a few words; then he would put his

pencil in his mouth, and seemed ruminating for some new turn of

expression. One could see the road for a great distance, leading from

the village, by the villa, to the neighboring hamlet. Now Knopf saw a

man on horseback coming towards him. He transformed speedily his flute

into a walking-stick again, concealed his tablets, and then hastened

across the vineyard down to the highway.

"Yes, he who sits a horse so well, he is just the right teacher for

him," said Knopf. He took off his hat; while still at a distance, the

rider nodded to him.

Villa Eden: The Country-House on the Rhine · 第 7 / 33 章