"You can understand that as soon as your dear mamma did me the honor

of asking for a fan, I went round of all the curiosity shops in Paris,

but I found nothing fine enough. I wanted nothing less than a

masterpiece for the dear Presidente, and thought of giving her one

that once belonged to Marie Antoinette, the most beautiful of all

celebrated fans. But yesterday I was dazzled by this divine

_chef-d'oeuvre_, which certainly must have been ordered by Louis XV.

himself. Do you ask how I came to look for fans in the Rue de Lappe,

among an Auvergnat's stock of brass and iron and ormolu furniture?

Well, I myself believe that there is an intelligence in works of art;

they know art-lovers, they call to them--'Cht-tt!'"

Mme. de Marville shrugged her shoulders and looked at her daughter;

Pons did not notice the rapid pantomime.

"I know all those sharpers," continued Pons, "so I asked him,

'Anything fresh to-day, Daddy Monistrol?'--(for he always lets me look

over his lots before the big buyers come)--and at that he began to

tell me how Lienard, that did such beautiful work for the Government

in the Chapelle de Dreux, had been at the Aulnay sale and rescued the

carved panels out of the clutches of the Paris dealers, while their

heads were running on china and inlaid furniture.--'I did not do much

myself,' he went on, 'but I may make my traveling expenses out of

_this_,' and he showed me a what-not; a marvel! Boucher's designs

executed in marquetry, and with such art!--One could have gone down on

one's knees before it.--'Look, sir,' he said, 'I have just found this

fan in a little drawer; it was locked, I had to force it open. You

might tell me where I can sell it'--and with that he brings out this

little carved cherry-wood box.--'See,' says he, 'it is the kind of

Pompadour that looks like decorated Gothic.'--'Yes,' I told him, 'the

box is pretty; the box might suit me; but as for the fan, Monistrol, I

have no Mme. Pons to give the old trinket to, and they make very

pretty new ones nowadays; you can buy miracles of painting on vellum

cheaply enough. There are two thousand painters in Paris, you know.'

--And I opened out the fan carelessly, keeping down my admiration,

looked indifferently at those two exquisite little pictures, touched

off with an ease fit to send you into raptures. I held Mme. de

Pompadour's fan in my hand! Watteau had done his utmost for this.

--'What do you want for the what-not?'--'Oh! a thousand francs; I have

had a bid already.'--I offered him a price for the fan corresponding

with the probable expenses of the journey. We looked each other in the

eyes, and I saw that I had my man. I put the fan back into the box

lest my Auvergnat should begin to look at it, and went into ecstasies

over the box; indeed, it is a jewel.--'If I take it,' said I, 'it is

for the sake of the box; the box tempts me. As for the what-not, you

will get more than a thousand francs for that. Just see how the brass

is wrought; it is a model. There is business in it. . . . It has never

been copied; it is a unique specimen, made solely for Mme. de

Pompadour'--and so on, till my man, all on fire for his what-not,

forgets the fan, and lets me have it for a mere trifle, because I have

pointed out the beauties of his piece of Riesener's furniture. So here

it is; but it needs a great deal of experience to make such a bargain

as that. It is a duel, eye to eye; and who has such eyes as a Jew or

an Auvergnat?"

The old artist's wonderful pantomime, his vivid, eager way of telling

the story of the triumph of his shrewdness over the dealer's

ignorance, would have made a subject for a Dutch painter; but it was

all thrown away upon the audience. Mother and daughter exchanged cold,

contemptuous glances.--"What an oddity!" they seemed to say.

"So it amuses you?" remarked Mme. de Marville. The question sent a

cold chill through Pons; he felt a strong desire to slap the

Presidente.

"Why, my dear cousin, that is the way to hunt down a work of art. You

are face to face with antagonists that dispute the game with you. It

is craft against craft! A work of art in the hands of a Norman, an

Auvergnat, or a Jew, is like a princess guarded by magicians in a

fairy tale."

"And how can you tell that this is by Wat--what do you call him?"

"Watteau, cousin. One of the greatest eighteenth century painters in

France. Look! do you not see that it is his work?" (pointing to a

pastoral scene, court-shepherd swains and shepherdesses dancing in a

ring). "The movement! the life in it! the coloring! There it is--see!

--painted with a stroke of the brush, as a writing-master makes a

flourish with a pen. Not a trace of effort here! And, turn it over,

look!--a ball in a drawing-room. Summer and Winter! And what

ornaments! and how well preserved it is! The hinge-pin is gold, you

see, and on cleaning it, I found a tiny ruby at either side."

"If it is so, cousin, I could not think of accepting such a valuable

present from you. It would be better to lay up the money for

yourself," said Mme. de Marville; but all the same, she asked no

better than to keep the splendid fan.

"It is time that it should pass from the service of Vice into the

hands of Virtue," said the good soul, recovering his assurance. "It

has taken a century to work the miracle. No princess at Court, you may

be sure, will have anything to compare with it; for, unfortunately,

men will do more for a Pompadour than for a virtuous queen, such is

human nature."

"Very well," Mme. de Marville said, laughing, "I will accept your

present.--Cecile, my angel, go to Madeleine and see that dinner is

worthy of your cousin."

Mme. de Marville wished to make matters even. Her request, made aloud,

in defiance of all rules of good taste, sounded so much like an

attempt to repay at once the balance due to the poor cousin, that Pons

flushed red, like a girl found out in fault. The grain of sand was a

little too large; for some moments he could only let it work in his

heart. Cecile, a red-haired young woman, with a touch of pedantic

affectation, combined her father's ponderous manner with a trace of

her mother's hardness. She went and left poor Pons face to face with

the terrible Presidente.

"How nice she is, my little Lili!" said the mother. She still called

her Cecile by this baby name.

"Charming!" said Pons, twirling his thumbs.

"I _cannot_ understand these times in which we live," broke out the

Presidente. "What is the good of having a President of the Court of

Appeal in Paris and a Commander of the Legion of Honor for your

father, and for a grandfather the richest wholesale silk merchant in

Paris, a deputy, and a millionaire that will be a peer of France some

of these days?"

The President's zeal for the new Government had, in fact, recently

been rewarded with a commander's ribbon--thanks to his friendship with

Popinot, said the envious. Popinot himself, modest though he was, had,

as has been seen, accepted the title of count, "for his son's sake,"

he told his numerous friends.

"Men look for nothing but money nowadays," said Cousin Pons. "No one

thinks anything of you unless you are rich, and--"

"What would it have been if Heaven had spared my poor little

Charles!--" cried the lady.

"Oh, with two children you would be poor," returned the cousin. "It

practically means the division of the property. But you need not

trouble yourself, cousin; Cecile is sure to marry sooner or later. She

is the most accomplished girl I know."

To such depths had Pons fallen by adapting himself to the company of

his entertainers! In their houses he echoed their ideas, and said the

obvious thing, after the manner of a chorus in a Greek play. He did

not dare to give free play to the artist's originality, which had

overflowed in bright repartee when he was young; he had effaced

himself, till he had almost lost his individuality; and if the real

Pons appeared, as he had done a moment ago, he was immediately

repressed.

"But I myself was married with only twenty thousand francs for my

portion--"

"In 1819, cousin. And it was _you_, a woman with a head on your

shoulders, and the royal protection of Louis XVIII."

"Be still, my child is a perfect angel. She is clever, she has a warm

heart, she will have a hundred thousand francs on her wedding day, to

say nothing of the most brilliant expectations; and yet she stays on

our hands," and so on and so on. For twenty minutes, Mme. de Marville

talked on about herself and her Cecile, pitying herself after the

manner of mothers in bondage to marriageable daughters.

Pons had dined at the house every week for twenty years, and Camusot

de Marville was the only cousin he had in the world; but he had yet to

hear the first word spoken as to his own affairs--nobody cared to know

how he lived. Here and elsewhere the poor cousin was a kind of sink

down which his relatives poured domestic confidences. His discretion

was well known; indeed, was he not bound over to silence when a single

imprudent word would have shut the door of ten houses upon him? And he

must combine his role of listener with a second part; he must applaud

continually, smile on every one, accuse nobody, defend nobody; from

his point of view, every one must be in the right. And so, in the

house of his kinsman, Pons no longer counted as a man; he was a

digestive apparatus.

In the course of a long tirade, Mme. Camusot de Marville avowed with

due circumspection that she was prepared to take almost any son-in-law

with her eyes shut. She was even disposed to think that at

eight-and-forty or so a man with twenty thousand francs a year was a

good match.

"Cecile is in her twenty-third year. If it should fall out so

unfortunately that she is not married before she is five or

six-and-twenty, it will be extremely hard to marry her at all. When a

girl reaches that age, people want to know why she has been so long on

hand. We are a good deal talked about in our set. We have come to the

end of all the ordinary excuses--'She is so young.--She is so fond of

her father and mother that she doesn't like to leave them.--She is so

happy at home.--She is hard to please, she would like a good name--'

We are beginning to look silly; I feel that distinctly. And besides,

Cecile is tired of waiting, poor child, she suffers--"

"In what way?" Pons was noodle enough to ask.

"Why, because it is humiliating to her to see all her girl friends

married before her," replied the mother, with a duenna's air.

"But, cousin, has anything happened since the last time that I had the

pleasure of dining here? Why do you think of men of eight-and-forty?"

Pons inquired humbly.

"This has happened," returned the Presidente. "We were to have had an

interview with a Court Councillor; his son is thirty years old and

very well-to-do, and M. de Marville would have obtained a post in the

audit-office for him and paid the money. The young man is a

supernumerary there at present. And now they tell us that he has taken

it into his head to rush off to Italy in the train of a duchess from

the Bal Mabille. . . . It is nothing but a refusal in disguise. The

fact is, the young man's mother is dead; he has an income of thirty

thousand francs, and more to come at his father's death, and they

don't care about the match for him. You have just come in in the

middle of all this, dear cousin, so you must excuse our bad temper."

While Pons was casting about for the complimentary answer which

invariably occurred to him too late when he was afraid of his host,

Madeleine came in, handed a folded note to the Presidente, and waited

for an answer. The note ran as follows:

"DEAR MAMMA,--If we pretend that this note comes to you from papa

at the Palais, and that he wants us both to dine with his friend

because proposals have been renewed--then the cousin will go, and

we can carry out our plan of going to the Popinots."

"Who brought the master's note?" the Presidente asked quickly.

"A lad from the Salle du Palais," the withered waiting woman

unblushingly answered, and her mistress knew at once that Madeleine

had woven the plot with Cecile, now at the end of her patience.

"Tell him that we will both be there at half-past five."

Madeleine had no sooner left the room than the Presidente turned to

Cousin Pons with that insincere friendliness which is about as

grateful to a sensitive soul as a mixture of milk and vinegar to the

palate of an epicure.

"Dinner is ordered, dear cousin; you must dine without us; my husband

has just sent word from the court that the question of the marriage

has been reopened, and we are to dine with the Councillor. We need not

stand on ceremony at all. Do just as if you were at home. I have no

secrets from you; I am perfectly open with you, as you see. I am sure

you would not wish to break off the little darling's marriage."

"_I_, cousin? On the contrary, I should like to find some one for her;

but in my circle--"

"Oh, that is not at all likely," said the Presidente, cutting him

short insolently. "Then you will stay, will you not? Cecile will keep

you company while I dress.

"Oh! I can dine somewhere else, cousin."

Cruelly hurt though he was by her way of casting up his poverty to

him, the prospect of being left alone with the servants was even more

alarming.

"But why should you? Dinner is ready; you may just as well have it; if

you do not, the servants will eat it."

At that atrocious speech Pons started up as if he had received a shock

from a galvanic battery, bowed stiffly to the lady, and went to find

his spencer. Now, it so happened that the door of Cecile's bedroom,

beyond the little drawing-room, stood open, and looking into the

mirror, he caught sight of the girl shaking with laughter as she

gesticulated and made signs to her mother. The old artist understood

beyond a doubt that he had been the victim of some cowardly hoax. Pons

went slowly down the stairs; he could not keep back the tears. He

understood that he had been turned out of the house, but why and

wherefore he did not know.

"I am growing too old," he told himself. "The world has a horror of

old age and poverty--two ugly things. After this I will not go

anywhere unless I am asked."

Heroic resolve!

Downstairs the great gate was shut, as it usually is in houses

occupied by the proprietor; the kitchen stood exactly opposite the

porter's lodge, and the door was open. Pons was obliged to listen

while Madeleine told the servants the whole story amid the laughter of

the servants. She had not expected him to leave so soon. The footman

loudly applauded a joke at the expense of a visitor who was always

coming to the house and never gave you more than three francs at the

year's end.

"Yes," put in the cook; "but if he cuts up rough and does not come

back, there will be three francs the less for some of us on New Year's

day."

"Eh! How is he to know?" retorted the footman.

"Pooh!" said Madeleine, "a little sooner or a little later--what

difference does it make? The people at the other houses where he dines

are so tired of him that they are going to turn him out."

"The gate, if you please!"

Madeleine had scarcely uttered the words when they heard the old

musician's call to the porter. It sounded like a cry of pain. There

was a sudden silence in the kitchen.

"He heard!" the footman said.

"Well, and if he did, so much the worser, or rather so much the

better," retorted Madeleine. "He is an arrant skinflint."

Poor Pons had lost none of the talk in the kitchen; he heard it all,

even to the last word. He made his way home along the boulevards, in

the same state, physical and mental, as an old woman after a desperate

struggle with burglars. As he went he talked to himself in quick

spasmodic jerks; his honor had been wounded, and the pain of it drove

him on as a gust of wind whirls away a straw. He found himself at last

in the Boulevard du Temple; how he had come thither he could not tell.

It was five o'clock, and, strange to say, he had completely lost his

appetite.

But if the reader is to understand the revolution which Pons'

unexpected return at that hour was to work in the Rue de Normandie,

the promised biography of Mme. Cibot must be given in this place.

Any one passing along the Rue de Normandie might be pardoned for

thinking that he was in some small provincial town. Grass runs to seed

in the street, everybody knows everybody else, and the sight of a

stranger is an event. The houses date back to the reign of Henry IV.,

when there was a scheme afoot for a quarter in which every street was

to be named after a French province, and all should converge in a

handsome square to which La France should stand godmother. The

Quartier de l'Europe was a revival of the same idea; history repeats

itself everywhere in the world, and even in the world of speculation.

The house in which the two musicians used to live is an old mansion

with a courtyard in front and a garden at the back; but the front part

of the house which gives upon the street is comparatively modern,

built during the eighteenth century when the Marais was a fashionable

quarter. The friends lived at the back, on the second floor of the old

part of the house. The whole building belongs to M. Pillerault, an old

man of eighty, who left matters very much in the hands of M. and Mme.

Cibot, his porters for the past twenty-six years.

Now, as a porter cannot live by his lodge alone, the aforesaid Cibot

had other means of gaining a livelihood; and supplemented his five per

cent on the rental and his faggot from every cartload of wood by his

own earnings as a tailor. In time Cibot ceased to work for the master

tailors; he made a connection among the little trades-people of the

quarter, and enjoyed a monopoly of the repairs, renovations, and fine

drawing of all the coats and trousers in three adjacent streets. The

lodge was spacious and wholesome, and boasted a second room; wherefore

the Cibot couple were looked upon as among the luckiest porters in the

arrondissement.

Cibot, small and stunted, with a complexion almost olive-colored by

reason of sitting day in day out in Turk-fashion on a table level with

the barred window, made about twelve or fourteen francs a week. He

worked still, though he was fifty-eight years old, but fifty-eight is

the porter's golden age; he is used to his lodge, he and his room fit

each other like the shell and the oyster, and "he is known in the

neighborhood."

Mme. Cibot, sometime opener of oysters at the _Cadran Bleu_, after all

the adventures which come unsought to the belle of an oyster-bar, left

her post for love of Cibot at the age of twenty-eight. The beauty of a

woman of the people is short-lived, especially if she is planted

espalier fashion at a restaurant door. Her features are hardened by

puffs of hot air from the kitchen; the color of the heeltaps of

customers' bottles, finished in the company of the waiters, gradually

filters into her complexion--no beauty is full blown so soon as the

beauty of an oyster-opener. Luckily for Mme. Cibot, lawful wedlock and

a portress' life were offered to her just in time; while she still

preserved a comeliness of a masculine order slandered by rivals of the

Rue de Normandie, who called her "a great blowsy thing," Mme. Cibot

might have sat as a model to Rubens. Those flesh tints reminded you of

the appetizing sheen on a pat of Isigny butter; but plump as she was,

no woman went about her work with more agility. Mme. Cibot had

attained the time of life when women of her stamp are obliged to shave

--which is as much as to say that she had reached the age of

forty-eight. A porter's wife with a moustache is one of the best

possible guarantees of respectability and security that a landlord can

have. If Delacroix could have seen Mme. Cibot leaning proudly on her

broom handle, he would assuredly have painted her as Bellona.

Strange as it may seem, the circumstances of the Cibots, man and wife

(in the style of an indictment), were one day to affect the lives of

the two friends; wherefore the chronicler, as in duty bound, must give

some particulars as to the Cibots' lodge.

The house brought in about eight thousand francs for there were three

complete sets of apartments--back and front, on the side nearest the

Rue de Normandie, as well as the three floors in the older mansion

between the courtyard and the garden, and a shop kept by a marine

store-dealer named Remonencq, which fronted on the street. During the

past few months this Remonencq had begun to deal in old curiosities,

and knew the value of Pons' collection so well that he took off his

hat whenever the musician came in or went out.

A sou in the livre on eight thousand francs therefore brought in about

four hundred francs to the Cibots. They had no rent to pay and no

expenses for firing; Cibot's earnings amounted on an average to seven

or eight hundred francs, add tips at New Year, and the pair had

altogether in income of sixteen hundred francs, every penny of which

they spent, for the Cibots lived and fared better than working people

usually do. "One can only live once," La Cibot used to say. She was

born during the Revolution, you see, and had never learned her

Catechism.

The husband of this portress with the unblenching tawny eyes was an

object of envy to the whole fraternity, for La Cibot had not forgotten

the knowledge of cookery picked up at the _Cadran Bleu_. So it had

come to pass that the Cibots had passed the prime of life, and saw

themselves on the threshold of old age without a hundred francs put by

for the future. Well clad and well fed, they enjoyed among the

neighbors, it is true, the respect due to twenty-six years of strict

honesty; for if they had nothing of their own, they "hadn't nothing

belonging to nobody else," according to La Cibot, who was a prodigal

of negatives. "There wasn't never such a love of a man," she would say

to her husband. Do you ask why? You might as well ask the reason of

her indifference in matters of religion.

Both of them were proud of a life lived in open day, of the esteem in

which they were held for six or seven streets round about, and of the

autocratic rule permitted to them by the proprietor ("perprietor,"

they called him); but in private they groaned because they had no

money lying at interest. Cibot complained of pains in his hands and

legs, and his wife would lament that her poor, dear Cibot should be

forced to work at his age; and, indeed, the day is not far distant

when a porter after thirty years of such a life will cry shame upon

the injustice of the Government and clamor for the ribbon of the

Legion of Honor. Every time that the gossip of the quarter brought

news of such and such a servant-maid, left an annuity of three or four

hundred francs after eight or ten years of service, the porters'

lodges would resound with complaints, which may give some idea of the

consuming jealousies in the lowest walks of life in Paris.

"Oh, indeed! It will never happen to the like of us to have our names

mentioned in a will! We have no luck, but we do more than servants,

for all that. We fill a place of trust; we give receipts, we are on

the lookout for squalls, and yet we are treated like dogs, neither

more nor less, and that's the truth!"

"Some find fortune and some miss fortune," said Cibot, coming in with

a coat.

"If I had left Cibot here in his lodge and taken a place as cook, we

should have our thirty thousand francs out at interest," cried Mme.

Cibot, standing chatting with a neighbor, her hands on her prominent

hips. "But I didn't understand how to get on in life; housed inside of

a snug lodge and firing found and want for nothing, but that is all."

In 1836, when the friends took up their abode on the second floor,

they brought about a sort of revolution in the Cibot household. It

befell on this wise. Schmucke, like his friend Pons, usually arranged

that the porter or the porter's wife should undertake the cares of

housekeeping; and being both of one mind on this point when they came

to live in the Rue de Normandie, Mme. Cibot became their housekeeper

at the rate of twenty-five francs per month--twelve francs fifty

centimes for each of them. Before the year was out, the emeritus

portress reigned in the establishment of the two old bachelors, as she

reigned everywhere in the house belonging to M. Pillerault, great

uncle of Mme. le Comtesse Popinot. Their business was her business;

she called them "my gentlemen." And at last, finding the pair of

nutcrackers as mild as lambs, easy to live with, and by no means

suspicious--perfect children, in fact--her heart, the heart of a woman

of the people, prompted her to protect, adore, and serve them with

such thorough devotion, that she read them a lecture now and again,

and saved them from the impositions which swell the cost of living in

Paris. For twenty-five francs a month, the two old bachelors

inadvertently acquired a mother.

Poor Relations · 第 39 / 61 段