SOUNDING SAND.

Mr. Hugh Miller, the geologist, when in the island of Eigg, in the

Hebrides, observed that a musical sound was produced when he walked

over the white dry sand of the beach. At each step the sand was driven

from his footprint, and the noise was simultaneous with the scattering

of the sand; the cause being either the accumulated vibrations of

the air when struck by the driven sand, or the accumulated sounds

occasioned by the mutual impact of the particles of sand against each

other. If a musket-ball passing through the air emits a whistling note,

each individual particle of sand must do the same, however faint be

the note which it yields; and the accumulation of these infinitesimal

vibrations must constitute an audible sound, varying with the number

and velocity of the moving particles. In like manner, if two plates of

silex or quartz, which are but crystals of sand, give out a musical

sound when mutually struck, the impact or collision of two minute

crystals or particles of sand must do the same, in however inferior a

degree; and the union of all these sounds, though singly imperceptible,

may constitute the musical notes of “the Mountain of the Bell” in

Arabia Petræa, or the lesser sounds of the trodden sea-beach of

Eigg.--_North-British Review_, No. 5.

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