The final result then of our enquiry on this amusing and interesting

subject is, that we have the best grounds for concluding the progress of

the arts originally, and the great perfection to which they were carried

in Greece, to have arisen from natural and moral causes of confessed

efficacy, and not from any casual circumstances, extraneous to and

independent of man: and we deem it reasonable to think that the same

causes, operating as uncontroledly any where else within the extent of

the temperate climates, would most probably again produce the same

effects. Far from indulging any licence of imagination, or from giving

wing to its flights, it has been endeavoured rather carefully to detail

facts than wantonly to invent systems. Of the evidence, which to us has

appeared convincing, the public will judge: of the rectitude of our

intention in producing it we are sure, for it is only to incite public

reward, to encourage study, and labour, and industry.

William Andrews Clark Memorial Library: University of California

THE AUGUSTAN REPRINT SOCIETY

_General Editors_

R. C. BOYS

University of Michigan

VINTON A. DEARING

University of California, Los Angeles

RALPH COHEN

University of California, Los Angeles

LAWRENCE CLARK POWELL

Wm. Andrews Clark Memorial Library

_Corresponding Secretary_: Mrs. EDNA C. DAVIS,

Wm. Andrews Clark Memorial Library

The Society exists to make available inexpensive reprints (usually

facsimile reproductions) of rare seventeenth and eighteenth century

works. The editorial policy of the Society remains unchanged. As in the

past, the editors welcome suggestions concerning publications. All

income of the Society is devoted to defraying cost of publication and

mailing.

All correspondence concerning subscriptions in the United States and

Canada should be addressed to the William Andrews Clark Memorial

Library, 2205 West Adams Boulevard, Los Angeles 18, California.

Correspondence concerning editorial matters may be addressed to any of

the general editors. The membership fee is $3.00 a year for subscribers

in the United States and Canada and 15/- for subscribers in Great

Britain and Europe. British and European subscribers should address B.

H. Blackwell, Broad Street, Oxford, England.

* * * * *

Publications for the eighth year [1953-1954]

(At least six items, most of them from the following list, will be

reprinted.)

JOHN BAILLIE: _An Essay on the Sublime_ (1747). Introduction by

Samuel H. Monk.

Contemporaries of the _Tatler_ and _Spectator_. Introduction by

Richmond P. Bond.

_John Dart and George Ogle on Chaucer._ Introduction by William L.

Alderson.

JOHN T. DESAGULIERS: _The Newtonian System of the World the Best

Model of Government_ (1728). Introduction by Marjorie H. Nicolson.

_Sale Catalogue of Mrs. Piozzi's Effects_ (1816). Introduction by

John Butt.

M. C. SARBIEWSKI: _The Odes of Casimire_ (1646). Introduction by

Maren-Sofie Roestvig.

_Selections from Seventeenth-Century Songs._ Introduction by

Jennifer W. Angel.

_A Sermon Preached at the Cathedral Church of St. Paul_ (1745).

[Probably by Samuel Johnson]. Introduction by James L. Clifford.

Publications for the first seven years (with the exception of Nos. 1-6,

which are out of print) are available at the rate of $3.00 a year.

Prices for individual numbers may be obtained by writing to the Society.

* * * * *

THE AUGUSTAN REPRINT SOCIETY

_WILLIAM ANDREWS CLARK MEMORIAL LIBRARY_

2205 WEST ADAMS BOULEVARD, LOS ANGELES 18, CALIFORNIA

Make check or money order payable to

THE REGENTS OF THE UNIVERSITY OF CALIFORNIA.

PUBLICATIONS OF THE AUGUSTAN REPRINT SOCIETY

FIRST YEAR (1946-1947)

Numbers 1-6 out of print.

SECOND YEAR (1947-1948)

7. John Gay's _The Present State of Wit_ (1711); and a section on

Wit from _The English Theophrastus_ (1702).

8. Rapin's _De Carmine Pastorali_, translated by Creech (1684).

9. T. Hanmer's (?) _Some Remarks on the Tragedy of Hamlet_ (1736).

10. Corbyn Morris' _Essay towards Fixing the True Standards of Wit,

etc._ (1744).

11. Thomas Purney's _Discourse on the Pastoral_ (1717).

12. Essays on the Stage, selected, with an Introduction by Joseph

Wood Krutch.

THIRD YEAR (1948-1949)

13. Sir John Falstaff (pseud.), _The Theatre_ (1720).

14. Edward Moore's _The Gamester_ (1753).

15. John Oldmixon's _Reflections on Dr. Swift's Letter to Harley_

(1712); and Arthur Mainwaring's _The British Academy_ (1712).

16. Nevil Payne's _Fatal Jealousy_ (1673).

17. Nicholas Rowe's _Some Account of the Life of Mr. William

Shakespeare_ (1709).

18. "Of Genius," in _The Occasional Paper_, Vol. III, No. 10

(1719); and Aaron Hill's Preface to _The Creation_ (1720).

FOURTH YEAR (1949-1950)

19. Susanna Centlivre's _The Busie Body_ (1709).

20. Lewis Theobold's _Preface to The Works of Shakespeare_ (1734).

21. _Critical Remarks on Sir Charles Grandison, Clarissa, and

Pamela_ (1754).

22. Samuel Johnson's _The Vanity of Human Wishes_ (1749) and Two

_Rambler_ papers (1750).

23. John Dryden's _His Majesties Declaration Defended_ (1681).

24. Pierre Nicole's _An Essay on True and Apparent Beauty in Which

from Settled Principles is Rendered the Grounds for Choosing and

Rejecting Epigrams_, translated by J. V. Cunningham.

FIFTH YEAR (1950-1951)

25. Thomas Baker's _The Fine Lady's Airs_ (1709).

26. Charles Macklin's _The Man of the World_ (1792).

27. Frances Reynolds' _An Enquiry Concerning the Principles of

Taste, and of the Origin of Our Ideas of Beauty, etc._ (1785).

28. John Evelyn's _An Apologie for the Royal Party_ (1659); and _A

Panegyric to Charles the Second_ (1661).

29. Daniel Defoe's _A Vindication of the Press_ (1718).

30. Essays on Taste from John Gilbert Cooper's _Letters Concerning

Taste_, 3rd edition (1757), & John Armstrong's _Miscellanies_

(1770).

SIXTH YEAR (1951-1952)

31. Thomas Gray's _An Elegy Wrote in a Country Church Yard_ (1751);

and _The Eton College Manuscript_.

32. Prefaces to Fiction; Georges de Scudéry's Preface to _Ibrahim_

(1674), etc.

33. Henry Gally's _A Critical Essay_ on Characteristic-Writings

(1725).

34. Thomas Tyers' A Biographical Sketch of Dr. Samuel Johnson

(1785).

35. James Boswell, Andrew Erskine, and George Dempster. _Critical

Strictures on the New Tragedy of Elvira, Written by Mr. David

Malloch_ (1763).

36. Joseph Harris's _The City Bride_ (1696).

SEVENTH YEAR (1952-1953)

37. Thomas Morrison's _A Pindarick Ode on Painting_ (1767).

38. John Phillips' _A Satyr Against Hypocrites_ (1655).

39. Thomas Warton's _A History of English Poetry_.

40. Edward Bysshe's _The Art of English Poetry_ (1708).

41. Bernard Mandeville's "_A Letter to Dion_" (1732).

42. Prefaces to Four Seventeenth-Century Romances.

* * * * *

Transcriber's note:

Variations in spelling, punctuation and hyphenation have been retained

except in obvious cases of typographical error:

"... joined increased (conveniencies->) conveniences"

"... which nothing imperfect (eould->) would please,"

Footnotes interrupting paragraphs have been moved to the end of

the respective paragraphs.

Dissertation on the Progress of the Fine Arts · 第 3 / 3 段