TEREBINTHINA VULGARIS.

_Crude or Common Turpentine_; F. _Térebenthine commune_; G. _Gemeiner

Terpenthin_.

=Botanical Origin=—The trees which yield Common Turpentine may be

considered in two groups, namely, European and American.

1. _European_—In Finland and Russia Proper, the Scotch Pine, _Pinus

sivestris_ L.; in Austria and Corsica, _P. Laricio_ Poiret; and in

South-western France, _P. Pinaster_ Solander (_P. maritima_ Poiret),

extensively cultivated as the _Pin maritime_, yield turpentine in their

respective countries.

2. _American_—In the United States, the conifers most important for

terebinthinous products are the Swamp Pine, _Pinus australis_ Michaux

(_P. palustris_ Mill.), and the Loblolly Pine, _P. Tæda_ L.

=History=—The resin of pines and firs was well known to the ancients,

who obtained it in much the same manner as that practised at the

present day. The turpentine used in this country has for many years

past been derived from North America. Up to the last century, both

it and the substance called _Common Frankincense_ were imported from

France. The late civil war in the United States and the blockade of the

Southern ports, occasioned a great scarcity of American turpentine; and

terebinthinous substances from all other countries were poured into the

London market. The actual supplies, however, were mainly furnished by

France.

Kopp[2271] quotes a passage showing that the essential oil of

turpentine was known to Marcus Græcus, who termed it _Aqua ardens_.

This almost unknown personage is the reputed inventor of _Greek Fire_,

a dreaded engine of destruction in mediæval warfare.

=Secretion=—The primary formation of resin-ducts in the bark of

coniferous trees has been explained by Dippel,[2272] Müller,[2273] and

Frank.[2274] The subsequent diffusion of the resinous juice through

the heartwood, sapwood, and bark, has been elaborately investigated by

Hugo von Mohl.[2275] From the various forms under which this diffusion

exists in the different species have arisen the diverse methods of

obtaining the terebinthinous resins.

[2271] _Geschichte der Chemie_, iv. (1847) 392.

[2272] _Botanische Zeitung_, 1863.

[2273] Pringsheim, _Jahrb. für wissenschaftl. Botanik._ 1866.

[2274] _Beiträge zur Pflanzenphysiologie_, Leipzig, 1868. 119.

[2275] _Botanische Zeitung_, 1859. 329.

Thus in the wood of the Silver Fir (_Pinua Picea_ L.) resin-ducts are

altogether wanting;—and led by experience, the Alpine peasant collects

the turpentine of this tree by simply puncturing the little cavities

which form under its bark. In the Scotch Pine (_P. silvestris_ L.),

they are more abundant in the wood than in the bark, a fact which

might be anticipated by observing how rarely this tree exudes resin

spontaneously.

Oil of turpentine, like volatile oils in general, undergoes on

exposure to the air certain alterations giving rise to what is called

_resinification_. The formic acid which is produced in small quantity

during this change characterizes it as one of oxidation; the chief

products however are not exactly known, and not one of them has

been proved identical with any natural resin. The common assumption

that resins are produced from volatile oils by simple oxidation, is

consequently not yet entirely justified.

=Extraction=—In the United States[2276] turpentine is obtained to the

largest extent from _Pinus australis_, of which tree there are vast

forests, the piny woods or pine-barrens, extending from Virginia to the

Mexican Gulf, especially through North and South Carolina, Georgia and

Alabama. But it is in North Carolina that the extraction of turpentine

is principally carried on.

In the winter, _i.e._ from November to March, the negroes in a

_Turpentine Orchard_, as the district of forest to be worked is called,

are occupied in making in the trunks of the trees, cavities which

are technically known as _boxes_. For this purpose a long narrow axe

is used, and some skill is required to wield it properly. The boxes

are made from 6 to 12 inches above the ground, and are shaped like a

distended waistcoat-pocket, the bottom being about 4 inches below the

lower lip, and 8 or 10 below the upper. On a tree of medium size, a box

should be made to hold a quart. The less the axe approaches the centre

of the tree the better, as vitality is the less endangered. An expert

workman will make a box in less than 10 minutes. From one to four boxes

are made in each tree, a few inches of bark being left between them.

The greater number of trees from which turpentine is now obtained, are

from 12 to 18 inches in diameter, and have three boxes each.

The boxes having been made, the bark and a little of the wood

immediately beneath it, which are above the box, are _hacked_; and from

this excoriation, the sap begins to flow about the middle of March,

gradually filling the box. Each tree requires to be freshly hacked

every 8 or 10 days, a very slight wound above the last being all that

is needed. The hacking is carried on year after year, until it reaches

12 to 15 feet or more, ladders being used. The turpentine, which is

called _dip_, is removed from the boxes by a spoon or ladle of peculiar

form, and collected into barrels, which are made on the spot and are of

very rude construction. The first year’s flow of a new tree, having but

a small surface to traverse before it reaches the box, is of special

goodness and is termed _Virgin dip_.

[2276] The account here given is taken from F. L. Olmsted’s _Journey in

the Seaboard Slave States_, New York, 1856, p. 338, etc.

The turpentine which concretes upon the trunk is occasionally scraped

off and barrelled by itself, and is known in the market as _scrape_, or

by English druggists as _Common Frankincense_ or _Gum thus_.

Although a large amount of turpentine is shipped to the northern ports

for distillation, a still larger is distilled in the neighbourhood of

the turpentine orchards. Copper stills are used, capable of containing

5 to 20 barrels of turpentine. The turpentine is distilled without

water, the volatile oil as it flows from the worm being received in

the barrel in which it is afterwards sent to market. When all the oil

that can be profitably drawn off has been obtained, a spigot is removed

from an opening in the bottom of the still, and the residual _Rosin_,

appearing as a viscid fluid-like molasses, is allowed to flow out. Only

the first qualities of rosin, as that obtained from _Virgin dip_, are

generally considered worth saving, the less pure sorts being simply

allowed to run to waste. When it is intended to save the rosin, the

latter is drawn off into a vat of water, which separates the chips and

other rubbish, and the rosin is then placed in barrels for the market.

A North Carolina turpentine orchard will remain productive under

ordinary treatment for fifty years.

The collection of turpentine in the departments of the Landes and

Gironde in the south-west of France, is performed in a more rational

manner than in America, inasmuch as the plan of making deep cavities

in the tree for the purpose of receiving the resin, is avoided by

the simple expedient of placing a suitable vessel beneath the lowest

incision.[2277] The turpentine which concretes upon the stem is termed

in France _Galipot_ or _Barras_.

[2277] For further particulars, see Guibourt, _Hist. des drog._ ii.

(1869) 259, also Curie, _Produits résineux du Pin maritime_. Paris

1874. 24 pages, 1 plate; Matthieu, _Flore forestière_ 1860, p. 353.

=Description=—Common turpentine is chiefly of two varieties, namely,

_American_ and _Bordeaux_; the first alone is commonly found in the

English market.

_=American Turpentine=_—A viscid honey-like fluid, of yellowish colour,

somewhat opaque, but becoming transparent by exposure to the air; it

has an agreeable odour and warm bitterish taste. When long kept in a

bottle, it is seen to separate into two layers, the upper clear and

faintly fluorescent, the lower somewhat turbid or granular. When the

latter portion is examined under the microscope, it is found to consist

mainly of minute crystals of peculiar curved or bluntly elliptic form.

These crystals are abietic acid; when the turpentine is warmed, the

crystals are speedily dissolved.

_Bordeaux Turpentine_—in all essential particulars agrees with American

Turpentine; it appears to separate rather more readily than the latter

into two layers,—a transparent and an opaque or crystalline.

=Chemical Composition=—The turpentines are mixtures of resin and

essential oil. The latter, which amounts to from 15 to 30 per cent.,

consists for the greater part of various hydrocarbons, corresponding

to the formula C₁₀H₁₆. Many of the crude turpentine oils, and some of

them even after rectification, are energetically acted on by metallic

sodium. This reaction proves the presence of a certain quantity of

oxygenated oils, not one of which has thus far been isolated.

The turpentine oils, although agreeing in composition, exhibit a

series of physical differences according to their origin. One and the

same tree, indeed, yields from its several organs oils of different

properties. The boiling point varies between 152° and 172° C. The

sp. gr. at mean temperatures ranges from 0·856 to 0·870. Greater

differences are exhibited in the optical properties, some varieties

of the oil turning the plane of polarization to the right, others to

the left. This rotatory power differs in many cases from that of the

turpentine from which the oil was derived.[2278] The odour of oil of

turpentine varies with the species from which it has been obtained.

When crude turpentine is distilled with water, nearly the whole of

the oil passes over, while the resin remains. This resin is called

_Colophony_ or _Rosin_. When it still contains a little water, it is

distinguished in English trade as _Yellow Rosin_; when fully deprived

of water, it becomes what is called _Transparent Rosin_. That of deeper

colour acquired by a still longer application of heat, bears the name

of _Black Rosin_.

Colophony softens at 80° C., and melts completely at 100° into a clear

liquid. At about 150° it forms a somewhat darker liquid, but without

undergoing a loss in weight; at higher temperatures, it gradually

decomposes. Pure colophony has a sp. gr. of 1·07, and is homogeneous,

transparent, amorphous, and very brittle. At temperatures between 15°

and 20° C., it requires for solution 8 parts of dilute alcohol (0·883).

On addition of a caustic alkali, it dissolves in spirit much more

freely. It is plentifully soluble in acetone or benzol.

The composition of colophony agrees with the formula C₄₄H₆₂O₄. By

shaking coarsely powdered colophony with warm dilute alcohol, it is

converted into a crystalline body, _Abietic Acid_, C₄₄H₆₄O₅,—a result

due simply to hydration. Under such treatment, colophony yields 80 to

90 per cent. of abietic acid,[2279] and therefore consists chiefly of

the anhydride of that acid. This is probably the case with the resins

of other conifers. The living tree contains only the anhydride, for

the fresh resinous juice is clear and amorphous after the expulsion

of the oil; and when exposed to the air it loses oil, takes up water

and solidifies as the crystalline acid,—a change which may easily be

traced by the aid of the microscope, in drops taken direct from the

trunk. Amorphous colophony retains its transparency even in a moist

atmosphere, and appears to be capable of passing into the state of

abietic acid, only when the assumption of the needful molecule of

water is aided, in nature by the presence of the essential oil, or

artificially by that of alcohol.

[2278] For some particulars, see my notice in the _Jahresbericht_ of

Wiggers and Husemann for 1869, p. 36.—F. A. F.

[2279] Flückiger in _loc. cit._ 1867. 36.—Most chemists assign to this

acid the formula C₂₀H₃₀O₂, and call it _silvic acid_.

Colophony when boiled with alkaline solutions forms greasy salts of

abietic acid, the so-ccalled _resin-soaps_, which are used as additions

to other soaps.

Siewert’s _Silvic Acid_ is regarded by Maly (1864) as a product of the

decomposition of abietic acid; and the _Pimaric_, _Pinic_ and _Silvic

Acids_ of former investigators, as impure abietic acid. Pimaric acid

however, which is the chief constituent of _Galipot_, appears to be

decidedly different, so far as we can judge from the experiments of

Duvernoy (1865) and of one of ourselves (F.).

Abietic acid, as well as the unaltered coniferous resins, deviate

the ray of polarized light, whereas American colophony, dissolved in

acetone, is devoid of optical power.

=Commerce=—The supplies of turpentine are chiefly derived from the

United States, but the trade has undergone a great change, as shown by

the following figures, which represent the quantities imported in the

several years:—

1869 1870 1871 1872

60,468 cwt. 51,257 cwt. 2,231 cwt. 1,000 cwt.

This greatly diminished importation of the crude article is partially

explained by a larger importation of Oil of Turpentine and Rosin;

but the increase is by no means sufficient to account for the vast

diminution indicated by the above figures. The quantities of these

latter articles imported into the United Kingdom during the year 1872

were as follows:—_Oil of Turpentine_, 220,292 cwt., value £470,085,

six-sevenths being furnished by the United States of America and the

remainder chiefly by France. _Rosin_, 919,494 cwt., value £492,246; of

this quantity, the United States supplied nine-tenths, and France the

larger part of the remainder.[2280]

=Uses=—Turpentine, Common Frankincense and Colophony are ingredients

of certain plasters and ointments. Oil of turpentine is occasionally

administered internally as a vermifuge or diuretic, and applied

externally as a stimulant. But these substances are immeasurably less

important in medicine than in the arts.

Thus Americanum vel vulgare.

This substance, known among druggists as _Common Frankincense_ or _Gum

Thus_, is the resin which, as explained at p. 605, concretes upon the

stems of the pines in the American turpentine orchards, and is there

called _Scrape_. It corresponds to the _Galipot_ or _Barras_ of the

French, which in old times supplied its place.

It is a semi-opaque, softish resin, of a pale yellow colour, smelling

of turpentine; it is generally mixed with pine leaves, bits of wood

and other impurities, so that it requires straining before it is used.

By keeping, it becomes dry and brittle, of deeper colour and milder

odour. Under the microscope, it exhibits a crystalline structure due

to _Abietic Acid_, of which it chiefly consists. It is imported from

America in barrels, but in insignificant quantities and only for

the druggist’s use. Sometimes, however, it is distilled as common

turpentine.

Dry pine resin, of which Common Frankincense is the type, evolves when

heated an agreeable smell; hence in ancient times it was commonly used

in English churches in place of the more costly olibanum. At present it

is scarcely employed except in a few plasters.

[2280] _Annual Statement of the Trade of the U.K. for 1872._ pp. 53.

56. 60. 210.

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