"By Jove!" said I, and whistled a little disconsolately as I looked

downward through the bars about the lift-shaft.

"Do you reckon," spoke a voice--a most agreeable voice,--"we are in any

danger?"

The owner of the voice was tall; not even the agitation of the moment

prevented my observing that, big as I am, her eyes were almost on a

level with my shoulder. They were not unpleasant eyes, and a stray

dream or two yet lingered under their heavy lids. The owner of the

voice wore a strange garment that was fluffy and pink,--pale pink like

the lining of a sea-shell--and billows of white and the ends of various

blue ribbons peeped out about her neck. I made mental note of the fact

that disordered hair is not necessarily unbecoming; it sometimes has

the effect of an unusually heavy halo set about the face of a

half-awakened angel.

"It would appear," said I, meditatively, "that, in consideration of our

being on the fifth floor, with the lift-shaft drawing splendidly, and

the stairs winding about it,--except the two lower flights, which have

just fallen in,--and in consideration of the fire department's probable

incompetence to extinguish anything more formidable than a tar-barrel,

--yes, it would appear, I think, that we might go further than

'dangerous' and find a less appropriate adjective to describe the

situation."

"You mean we cannot get down?" The beautiful voice was tremulous.

And my silence made reply.

"Well, then," she suggested, cheerfully, after due reflection, "since

we can't go down, why not go up?"

As a matter of fact, nothing could be more simple. We were on the top

floor of the hotel, and beside us, in the niche corresponding to the

stairs below, was an iron ladder that led to a neatly-whitewashed

trapdoor in the roof. Adopting her suggestion, I pushed against this

trap-door and found that it yielded readily; then, standing at the top

of the ladder, I looked about me on a dim expanse of tiles and

chimneys; yet farther off were the huddled roofs and gables of Liége,

and just a stray glimpse of the Meuse; and above me brooded a clear sky

and the naked glory of the moon.

3

I lowered my head with a distinct sigh of relief.

"I say," I called, "it is infinitely nicer up here--superb view of the

city, and within a minute's drop of the square! Better come up."

"Go first," said she; and subsequently I held for a moment a very

slender hand--a ridiculously small hand for a woman whose eyes were

almost on a level with my shoulder,--and we two stood together on the

roof of the Hôtel Continental. We enjoyed, as I had predicted, an

unobstructed view of Liége and of the square, wherein two toy-like

engines puffed viciously and threw impotent threads of water against

the burning hotel beneath us, and, at times, on the heads of an excited

throng erratically clad.

But I looked down moodily, "That," said I, as a series of small

explosions popped like pistol shots, "is the café; and, oh, Lord! there

goes the only decent Scotch in all Liége!"

"There is Mamma!" she cried, excitedly; "there!" She pointed to a stout

woman, who, with a purple? shawl wrapped about her head, was wringing

her hands as heartily as a bird-cage, held in one of them, would

permit. "And she has saved Bill Bryan!"

"In that case," said I, "I suppose it is clearly my duty to rescue the

remaining member of the family. You see," I continued, in bending over

the trap-door and tugging at the ladder, "this thing is only about

twenty feet long; but the kitchen wing of the hotel is a little less

than that distance from the rear of the house behind it; and with this

as a bridge I think we might make it. In any event, the roof will be

done for in a half-hour, and it is eminently worth trying." I drew the

ladder upward.

Then I dragged this ladder down the gentle slant of the roof, through a

maze of ghostly chimneys and dim skylights, to the kitchen wing, which

was a few feet lower than the main body of the building. I skirted the

chimney and stepped lightly over the eaves, calling, "Now then!" when a

muffled cry, followed by a crash in the courtyard beneath, shook my

heart into my mouth. I turned, gasping; and found the girl lying safe,

but terrified, on the verge of the roof.

"It was a bucket," she laughed, "and I stumbled over it,--and it

fell--and--and I nearly did,--and I am frightened!"

And somehow I was holding her hand in mine, and my mouth was making

irrelevant noises, and I was trembling. "It was close, but--look here,

you must pull yourself together!" I pleaded; "because we haven't, as it

were, the time for airy badinage and repartee--just now."

"I can't," she cried, hysterically. "Oh, I am so frightened! I can't!"

"You see," I said, with careful patience, "we must go on. I hate to

seem too urgent, but we _must_, do you understand?" I waved my hand

toward the east. "Why, look!" said I, as a thin tongue of flame leaped

through the open trap-door and flickered wickedly for a moment against

the paling gray of the sky.

She saw and shuddered. "I'll come," she murmured, listlessly, and rose

to her feet.

4

I heaved another sigh of relief, and waving her aside from the ladder,

dragged it after me to the eaves of the rear wing. As I had foreseen,

this ladder reached easily to the eaves of the house behind the rear

wing, and formed a passable though unsubstantial-looking bridge. I

regarded it disapprovingly.

"It will only bear one," said I; "and we will have to crawl over

separately after all. Are you up to it?"

"Please go first," said she, very quiet. And, after gazing into her

face for a moment, I crept over gingerly, not caring to look down into

the abyss beneath.

Then I spent a century in impotence, watching a fluffy, pink figure

that swayed over a bottomless space and moved forward a hair's breadth

each year. I made no sound during this interval. In fact, I do not

remember drawing a really satisfactory breath from the time I left the

hotel-roof, until I lifted a soft, faint-scented, panting bundle to the

roof of the Councillor von Hollwig.

5

"You are," I cried, with conviction, "the bravest, the most--er--the

bravest woman I ever knew!" I heaved a little sigh, but this time of

content. "For I wonder," said I, in my soul, "if you have any idea what

a beauty you are! what a wonderful, unspeakable beauty you are! Oh, you

are everything that men ever imagined in dreams that left them weeping

for sheer happiness--and more! You are--you, and I have held you in my

arms for a moment; and, before high heaven, to repurchase that

privilege I would consent to the burning of three or four more hotels

and an odd city or so to boot!" But, aloud, I only said, "We are quite

safe now, you know."

She laughed, bewilderingly. "I suppose," said she, "the next thing is

to find a trap-door."

But there were, so far as we could discover, no trapdoors in the roof

of the Councillor von Hollwig, or in the neighbouring roofs; and, after

searching three of them carefully, I suggested the propriety of waiting

till dawn to be melodramatically rescued.

"You see," I pointed out, "everybody is at the fire over yonder. But we

are quite safe here, I would say, with an entire block of houses to

promenade on; moreover, we have cheerful company, eligible central

location in the very heart of the city, and the superb spectacle of a

big fire at exactly the proper distance. Therefore," I continued, and

with severity, "you will please have the kindness to explain your

motives for wandering about the corridors of a burning hotel at four

o'clock in the morning."

She sat down against a chimney and wrapped her gown about her. "I sleep

very soundly," said she, "and we did both museums and six churches and

the Palais de Justice and a deaf and dumb place and the cannon-foundry

today,--and the cries awakened me,--and I reckon Mamma lost her head."

"And left you," thought I, "left you--to save a canary-bird! Good Lord!

And so, you are an American and a Southerner as well."

"And you?" she asked.

"Ah--oh, yes, me!" I awoke sharply from admiration of her trailing

lashes. The burning hotel was developing a splendid light wherein to

see them. "I was writing--and I thought that Russian woman had a few

friends to supper,--and I was looking for a rhyme when I found you," I

concluded, with a fine coherence.

She looked up. It was incredible, but those heavy lashes disentangled

quite easily. I was seized with a desire to see them again perform this

interesting feat. "Verses?" said she, considering my slippers in a new

light.

"Yes," I admitted, guiltily--"of Helen."

She echoed the name. It is an unusually beautiful name when properly

spoken. "Why, that is my name, only we call it Elena."

"Late of Troy Town," said I, in explanation.

"Oh!" The lashes fell into their former state. It was hopeless this

time; and manual aid would be required, inevitably. "I should think,"

said my compatriot, "that live women would be more--inspiring"

"Surely," I assented. I drew my gown about me and sat down. "But, you

see, she is alive--to me." And I dwelt a trifle upon the last word.

"One would gather," said she, meditatively, "that you have an

unrequited attachment for Helen of Troy."

I sighed a melancholy assent. The great eyes opened to their utmost.

The effect was as disconcerting as that of a ship firing a broadside at

you, but pleasanter. "Tell me all about it," said she, coaxingly.

"I have always loved her," I said, with gravity. "Long ago, when I was

a little chap, I had a book--_Stories of the Trojan War_, or something

of the sort. And there I first read of Helen--and remembered. There

were pictures--outline pictures,--of quite abnormally straight-nosed

warriors, with flat draperies which amply demonstrated that the laws of

gravity were not yet discovered; and the pictures of slender goddesses,

who had done their hair up carefully and gone no further in their

dressing. Oh, the book was full of pictures,--and Helen's was the most

manifestly impossible of them all. But I knew--I knew, even then, of

her beauty, of that flawless beauty which made men's hearts as water

and drew the bearded kings to Ilium to die for the woman at sight of

whom they had put away all memories of distant homes and wives; that

flawless beauty which buoyed the Trojans through the ten years of

fighting and starvation, just with delight in gazing upon Queen Helen

day by day, and with the joy of seeing her going about their streets.

For I remembered!" And as I ended, I sighed effectively.

"I know," said she.

"'Or ever the knightly years had gone

With the old world to the grave,

I was a king in Babylon

And you were a Christian slave.'"

"Yes, only I was the slave, I think, and you--er--I mean, there goes

the roof, and it is an uncommonly good thing for posterity you thought

of the trap-door. Good thing the wind is veering, too. By Jove! look at

those flames!" I cried, as the main body of the Continental toppled

inward like a house of cards; "they are splashing, actually splashing,

like waves over a breakwater!"

I drew a deep breath and turned from the conflagration, only to

encounter its reflection in her widened eyes. "Yes, I was a Trojan

warrior," I resumed; "one of the many unknown men who sought and found

death beside Scamander, trodden down by Achilles or Diomedes. So they

died knowing they fought in a bad cause, but rapt with that joy they

had in remembering the desire of the world and her perfect loveliness.

She scarcely knew that I existed; but I had loved her; I had overheard

some laughing words of hers in passing, and I treasured them as men

treasure gold. Or she had spoken, perhaps--oh, day of days!--to me, in

a low, courteous voice that came straight from the back of the throat

and blundered very deliciously over the perplexities of our alien

speech. I remembered--even as a boy, I remembered."

She cast back her head and laughed merrily. "I reckon," said she, "you

are still a boy, or else you are the most amusing lunatic I ever met."

"No," I murmured, and I was not altogether playacting now, "that tale

about Polyxo was a pure invention. Helen--and the gods be praised for

it!--can never die. For it is hers to perpetuate that sense of

unattainable beauty which never dies, which sways us just as potently

as it did Homer, and Dr. Faustus, and the Merovingians too, I suppose,

with memories of that unknown woman who, when we were boys, was very

certainly some day, to be our mate. And so, whatever happens, she

"Abides the symbol of all loveliness,

Of beauty ever stainless in the stress

Of warring lusts and fears.

"For she is to each man the one woman that he might have loved

perfectly. She is as old as youth, she is more old than April even, and

she is as ageless. And, again like youth and April, this Helen goes

about the world in varied garments, and to no two men is her face the

same. Oh, very often she transmutes her fleshly covering. But through

countless ages I, like every man alive, have followed her, and fought

for her, and won her, and have lost her in the end,--but always loving

her as every man must do. And I prefer to think that some day--" But my

voice here died into a whisper, which was in part due to emotion and

partly to an inability to finish the sentence satisfactorily. The logic

of my verses when thus paraphrased from memory, seemed rather vague.

"Yes--like Pythagoras" she said, a bit at random. "Oh, I know. There

really must be something in it, I have often thought, because you

actually do remember having done things before sometimes."

"And why not? as the March Hare very sensibly demanded." But now my

voice was earnest. "Yes, I believe that Helen always comes. Is it

simply a proof that I, too, am qualified to sit next to the Hatter?" I

spread out my hands in a helpless little gesture. "I do not know. But I

believe that she will come,--and by and by pass on, of course, as Helen

always does."

"You will know her?" she queried, softly.

Now I at last had reached firm ground. "She will be very tall," I said,

"very tall and exquisite,--like a young birch-tree, you know, when its

new leaves are whispering over to one another the secrets of spring.

Yes, that is a ridiculous sounding simile, but it expresses the general

effect of her--the _coup d'oeil_, so to speak,--quite perfectly.

Moreover, her hair will be a miser's dream of gold; and it will hang

heavily about a face that will be--quite indescribable, just as the

dawn yonder is past the utmost preciosity of speech. But her face will

flush and will be like the first of all anemones to peep through black,

good-smelling, and as yet unattainable earth; and her eyes will be

deep, shaded wells where, just as in the proverb, truth lurks."

But now I could not see her eyes.

"No," I conceded, "I was wrong. For when men talk to her as--as they

cannot but talk to her, her face will flush dull red, almost like

smouldering wood; and she will smile a little, and look out over a

great fire, such as that she saw on the night when Ilium was sacked and

the slain bodies were soft under her stumbling feet, as she fled

through flaming Troy Town. And then I shall know her."

My companion sighed; and the woes of centuries weighed down her eyelids

obstinately. "It is bad enough," she lamented, "to have lost all one's

clothes--that new organdie was a dream, and I had never worn it; but to

find yourself in a dressing-gown--at daybreak, on a strange roof--and

with an unintroduced lunatic--is positively terrible!"

The unintroduced lunatic rose to his feet and waved his hand toward the

east. The dawn was breaking in angry scarlet and gold that spread like

fire over half the visible horizon; the burning hotel shut out the

remaining half with tall flames, which shouldered one another

monotonously, and seemed lustreless against the pure radiance of the

sky. Chill daylight showed in melting patches through the clouds of

black smoke overhead.

It was a world of fire, transfigured by the austere magnificence of

dawn and the grim splendour of the shifting, roaring conflagration; and

at our feet lay the orchard of the Councillor von Hollwig, and there

the awakened birds piped querulously, and sparks fell crackling among

apple-blossoms.

"Ilium is ablaze," I quoted; "and the homes of Pergamos and its

towering walls are now one sheet of flame."

She inspected the scene, critically. "It does look like Ilium," she

admitted. "And that," peering over the eaves into the deserted

by-street, "looks like a milkman."

I was unable to deny this, though an angry concept crossed my mind that

any milkman, with commendable tastes and feelings, would at this moment

be gaping at the fire at the other end of the block, rather than

prosaically measuring quarts at the Councillor's side-entrance. But

there was no help for it, when chance thus unblushingly favoured the

proprieties; in consequence I clung to a water-pipe, and explained the

situation to the milkman, with a fretted mind and King's College

French.

I turned to my companion. She was regarding the burning hotel with an

impersonal expression.

"Now I would give a deal," I thought, "to know just how long you would

prefer that milkman to take in coming back."

12.

_He Faces Himself and Remembers_

Into the lobby of the Hôtel d'Angleterre strolled, an hour later, a

tall young man, in a green dressing-gown, and inquired for Charteris.

The latter, in evening dress, was mournfully breakfasting in his new

quarters.

Charteris sprang to his feet. I saw, with real emotion, that he had

been weeping; but now he was all flippancy. "My dear boy! I have just

torn my hair and the rough drafts of several cablegrams on your

account! Sit down at once, and try the bacon, since, for a wonder, it

is not burnt--and, in passing, I had thought of course that you were."

Instead, I took a drink, and went to sleep upon the nearest sofa.

2

I was very tired, but I awakened about noon and managed to procure

enough clothes to make myself not altogether unpresentable to the

public eye. Charteris had gone already about his own affairs, and I did

not regret it, for I meant, without delay, to follow up my adventure of

the night before.

But when I had come out of the Rue de la Casquette, and was approaching

the statue of Gretry, I came upon a very ornately-dressed woman, who

was about to enter en open carriage. I stared; and preposterous as it

was, I knew that I was not mistaken. And I said aloud, "Signorina!"

It was a long while before she said, "Don't--don't ever call me that

again!" And since the world in general appeared just then to be largely

flavoured with the irresponsibility of dreams, it did not surprise me

that we were presently alone in somebody's sitting-room.

"I have seen you twice in Liége," she said. "I suppose this had to come

about. I would have preferred to avoid it, though. Well! _che sara!_

You don't care for music, do you? No,--otherwise you would have known

earlier that I am Nadine Neroni now."

"Ah!" I said, very quietly. I had heard, as everybody had, a deal

concerning the Neroni. "I think, if you will pardon me, I will not

intrude upon Baron von Anspach's hospitality any longer," I said.

"That is unworthy of you,--no, I mean it would have been unworthy of a

boy we knew of." There was a long pier-glass in these luxurious rooms.

She led me to it now. "Look, Bobbie. We have altered a little, haven't

we? I at least, am unmistakable. 'Their eyes are different, somehow',

you remember. You haven't changed as much,--not outwardly. I think you

are like Dorian Gray. Yes, as soon--as soon as I could afford it, I

read every book you ever talked about, I think. It was damnably foolish

of me. For I've heard things. And there was a girl I tried to help in

London--an Agnès Faroy--"

"Ah!" I said.

"She had your picture even then, poor creature. She kissed it just

before she died. She didn't know that I had ever heard of you. She

never knew. Oh, how _could_ you!" the Neroni said, with something very

like a sob, "Or were you always--just that, at bottom?"

"And have you ever noticed, Mademoiselle Neroni, that every one of us

is several people? In consequence I must confess to have been

wondering--?"

"Well! I wasn't. You won't believe it now, perhaps. And it doesn't

matter, anyhow." Her grave voice lifted and upon a sudden was changed.

"Bobbie, when you had gone I couldn't stand it! I couldn't let you ruin

your life for me, but I could not go on as I had done before--Oh, well,

you'll never understand," she added, wearily. "But Von Anspach had

always wanted me to go with him. So I wrote to him, at the Embassy. And

after all, what is the good of talking--now!"

We two were curiously quiet. "No, I suppose there is no good in talking

now." We stood there, as yet, hand in hand. The mirror was candid. "Oh,

Signorina, I want to laugh as God laughs, and I cannot!"

3

But I lack the heart to set down all that brief and dreary talk of

ours. How does it matter what we said? We two at least knew, even as we

talked, that all we said meant in the outcome, nothing. Yet we talked

awhile and spoke, I think, quite honestly.

She was not unhappy; and there were inbred Lichfeldian traditions which

prompted me to virtuous indignation over her defects in remorse and

misery. There were my memories, too.

"I don't sing very well, of course, but then I'm not dependent on my

singing, you know. Oh, why not be truthful? And Von Anspach always sees

to it I get the tendered of criticism--in print. And, moreover, I've a

deal put by. I'm a miser, _he_ says, and I suppose I am, because I know

what it is to be poor. So when the rainy day comes--as of course it

will,--I'll have quite enough to purchase a serviceable umbrella.

Meanwhile, I have pretty much everything I want. People talk of course,

but it is only on the stage they ever drive you out into a snow-storm.

Besides, they don't talk to _me_."

In fine, I found that the Neroni was a very different being from Miss

Montmorenci....

4

Then I left her. I had not any inclination just now to pursue my fair

Elena. Rather I sat alone in my new bedroom, thinking, confusedly,

first of Amelia Van Orden, and how I danced with her a good eight years

ago; of that woman who had come to me in remote Fairhaven, coming

through the world's gutter, unsullied,--because that much I yet

believe, although I do not know.... She may have been always the same,

even in the old days when Lichfield thought her "fast," and she was

more or less "compromised,"--and years before I met her, a blind,

inexperienced boy. Only she may then have been a better actress than I

suspected.... I thought, in any event, of those execrable rhymes that

likened her to the Lady in _Comus_, moving serene and unafraid among a

rabble of threatening bestial shapes; and I thought of the woman who

would, by this time, be with Von Anspach.

For here again were inbred Lichfieldian traditions of the sort I rarely

dare confess to, even to myself, because they are so patently hidebound

and ridiculous. These traditions told me that this woman, whom I had

loved, was Von Anspach's harlot. I might--and I did--endeavor to be

ironical and to be broadminded and to be up-to-date about the whole

affair, and generally to view the matter through the sophisticated eyes

of the author of The Apostates, that Robert Etheridge Townsend who was

a connoisseur of ironies and human foibles; but these futilities did no

good at all. Lichfield had got at and into me when I was too young to

defend myself; and I could no more alter the inbred traditions of

Lichfield, that were a part of me, than a carpet could change its

texture. My traditions merely told me that the dear woman whom I

remembered had come--in fleeing from discomforts which were unbearable,

if that mattered--to be Von Anspach's harlot: and finding her this, my

traditions declined to be the least bit broadminded. In Lichfield such

women were simply not respectable; nor could you get around that fact

by going to Liége.

The Cords of Vanity: A Comedy of Shirking · 第 7 / 20 段