CHAPTER XLII.

DOUBLE CONVALESCENCE.

A fortnight passed on. At its close the vigorous constitution of the

countess, united to her powerful volition, gained a victory over her

malady. She had remained unshaken in her resolution not to receive

medical advice; she had taken no remedies,--used no precautions; yet

the fever had been conquered. Her strength began to return, and she

insisted upon leaving her bed, and being dressed, not as befits an

invalid, but in her usual precise and _soigné_ style. Adolphine timidly

suggested that a wrapper would be more comfortable than her ordinary

attire, and a morning cap would allow her to repose her head. The

countess awed her into silence by remarking:

"I keep my chamber no longer. I shall dress in a manner suitable to the

drawing-room."

During the progress of the tedious toilet, it was more than once

apparent that she was battling against a sense of faintness; but even

this discomfort did not induce her to allow a single pin to be less

conscientiously placed, a single curl less carefully smoothed. Adolphine

did not dare to betray that she perceived the failure of her mistress'

strength, and had not courage to offer her a glass of water. When the

folds of her heavy black silk dress were adjusted, her collar and

sleeves, of rich lace, arranged, her girdle tightly clasped with a

buckle of brilliants which was an heirloom, and her snowy hair

ornamented with a Parisian head-dress of mingled lace, velvet, and

flowers, she contemplated herself in the mirror as complacently as

though she perceived no change in her shrunken, haggard, altered

features, and rose up to proceed to the _salon_.

Her first steps were so feeble and uncertain that Adolphine started

forward involuntarily, to offer her arm; but a look from her mistress

made her draw back, and the tread of the countess grew firmer as she

entered the drawing-room. She did not sink into the nearest seat, but

crossed the apartment to the arm-chair which she was accustomed to

occupy; but she had hardly sat down, before her eyes closed and her head

fell back; her face was as white as that of the dead. Adolphine caught

up a bottle of cologne; but she stood in such fear of the countess, that

without using the restorative she ran to summon Bertha. Bertha

approached her aunt in great alarm, but sprinkled the cologne on her

face with lavish hands, applied it to her nostrils, and bathed her

temples. In a few moments Madame de Gramont opened her eyes and said,--

"A little on my handkerchief, Bertha. Adolphine carelessly forgot to

give me any."

Her proud, unconquered spirit would not admit the passing insensibility

of its mortal part. There was nothing to be done except for her niece

and maid to appear unconscious of the weakness which she herself

ignored. Adolphine placed a footstool beneath her mistress' feet and

retired. Bertha went to the window and looked out,--a favorite amusement

of hers, as we are aware.

The fortnight had been one of severe privation and discipline to her.

She had not once seen Madeleine, for she could not have left her aunt,

except when Maurice was with her, and the countess would not have

permitted her niece to go forth unprotected by Maurice or her maid, and

the latter could not be spared. The escort of Bertha's affianced husband

Madame de Gramont would have considered highly improper.

Gaston's visits, though he came every day, were brief and

unsatisfactory; for the countess, who could not forbid them, (as she

felt inclined to do), ordered the large folding-doors which divided her

chamber from the drawing-room to be left open, and desired Adolphine to

take her work into the latter apartment. Conversation in an ordinary

tone was quite audible to the countess, and could not but be heard by

Adolphine, who had a tolerable knowledge of English. What lover cares to

converse to more than one listener?

Bertha pined for the fresh air,--for a drive in the country, or, better

still, a stroll in the capitol grounds with Gaston; but this latter was

a happiness almost as far out of her reach as the paradise which she

deemed it foreshadowed.

The countess had grown highly irascible during her illness, and as

Bertha and her maid were the only ones upon whom she had a chance of

venting her spleen, she spared neither. She experienced a sick longing

for her native land; she more than ever detested the republican country

in which she was sojourning, and she heaped upon Bertha the bitterest

reproaches as the instigator of the exile which had been followed by so

many calamities. The countess never condescended to remember that her

wealthy young relative had liberally borne all expenses since they left

the Château de Gramont, where its owners had no longer the means of

residing. Of this fact she might be supposed to be ignorant, as she

never vouchsafed a thought to _money matters_; it, however, had been

made known to her by Count Tristan before she consented to the journey;

but the _trivial circumstance_ was quickly forgotten.

While Bertha was dreamily looking out of the window, and wondering when

she would be freed from this prison-like life, she heard the door open,

and turned quickly, hoping to greet the all-brightening presence. It was

Robert, Madeleine's servant, who entered bearing a silver salver. Bertha

had not supposed that the countess would, without warning, occupy her

usual place in the drawing-room, and had not guarded against Robert's

being seen. The young girl was so much discomposed that she stood

motionless, aghast, expecting some terrible outburst from her aunt.

Robert had admitted the countess at each of her compulsory visits to the

residence of "Mademoiselle Melanie," and it seemed hardly possible that

she would not recognize him again. Bertha ought to have known Madame de

Gramont better than to have supposed she would have stooped to bestow

glances enough upon a servant of Madeleine's, or, indeed, any servant,

to know his features. Robert placed the salver upon the table, and

either because he was naturally a silent man, or because the presence of

the countess struck him dumb, or because he had no message to deliver

that morning, retired without speaking. Bertha looked anxiously at her

aunt; the immobility of her features was reassuring.

The salver bore a pitcher of admirably prepared chocolate, made by

Madeleine herself, a plate carefully covered with a napkin, containing a

delicate species of Normandy cake, to which the countess had been

particularly partial in Brittany (Madeleine had remembered the recipe),

and a dish of enormous strawberries, served, according to the French

custom, with their stems. It occurred to Bertha, for the first time,

that perhaps there was a cipher upon Madeleine's plate which would

betray from whence it came; she examined a spoon before she ventured to

present the tray to her aunt. The silver only bore the letter "M."

Bertha, considerably relieved, but still flurried by the peril she had

just escaped, placed a small table before Madame de Gramont, then poured

out and handed her the chocolate in silence, fearing to provoke some

question.

The countess, who was growing faint again, gladly accepted the

nourishing beverage, and even ate several cakes. She seemed to enjoy

them, for it was long since she had spoken in so pleasant a tone as when

she remarked,--

"These cakes remind me of our noble old château; one would hardly

suppose that they would be found in America."

Bertha suspected who had made the cakes, and, to draw her aunt's

attention away from them, said,--

"What delicious strawberries! And how fragrant they are!"

The countess took one by the stem, and dipped it in the sugar, but with

a disparaging look. It was large and juicy, and possessed a rich flavor

and an aromatic odor which French strawberries can seldom boast; but the

countess would not have admitted the superiority even of American fruit

over that of her own country, and after tasting a few of the

strawberries returned to the cake which reminded her of her forsaken

home.

How fared it with Count Tristan during the fortnight in which he had not

seen his august mother? Under judicious and tender care, he had

steadily, rapidly improved. His mental faculties had been sufficiently

restored for him to recognize every one around him, but his memory was

still clouded, and his thoughts sadly confused. He had partially

recovered his articulation, though his speech continued to be thick and

at times unintelligible. His limbs also had been partly freed from the

thraldom of paralysis, but were still heavy and numb, as though they had

long worn chains. He clung to Madeleine more eagerly than ever, and

seemed to be disturbed and uncomfortable except when she was near him.

He had a vague consciousness that she was the medium through which all

good flowed in to him, and often repeated, as he held her hand,--

"You,--you--yes, you, Madeleine, you saved us all! Good angel--good

angel!"

That her ministry in the sick-room was so grateful to the sufferer was

not surprising; for a gentle, efficient hand which knows precisely how

to make a pillow yield the best support,--a low, soft, yet encouraging

voice,--a cheerful, yet sympathizing face,--a soundless step,--garments

that never rustle,--movements that make no noise,--are among the chief

blessings to an invalid.

The count seemed less happy at the sight of his son; his mind was

haunted by an undefined fear that there was something Maurice would

learn which would make him shrink from his father,--which would disgrace

both; the sufferer had quite forgotten that the discovery he dreaded had

already been made. When he looked at Maurice he often muttered the

words,--

"Unincumbered,--no mortgage,--of course it's all right,--power of

attorney untouched,--leave all to me!"

At other times he would plead, in broken sentences, for pardon, and

denounce himself as a villain who had ruined his only son.

It was a somewhat singular coincidence that the very morning the

countess had risen and dressed for the first time for a fortnight, Count

Tristan appeared to be so much more restless than usual that Madeleine

suggested he should be conducted to her boudoir. Maurice assisted him to

rise, enveloped him in a comfortable _robe de chambre_, and, with the

help of Robert, led him to that pleasant, peace-breathing apartment,

where she had arranged an easy-chair with pillows, had opened the doors

of the conservatory to admit the odorous air, and had shaded the windows

that the light might be softened to an invalid's eyes.

He smiled placidly and gratefully as he looked toward the flowers, and

stretched out his hand to Madeleine. She took her place on a low seat,

her little sewing-chair, and, unbidden, sang some of the wild, old

strains to which he had often listened in the ancient château. The sigh

he heaved was one of pleasure, as though his heart felt too full, but

not of care. Madeleine sang on, ballad after ballad, for she could not

pause while he appeared to be so calmly happy, and her voice only died

away as she felt the hand that clasped hers relax its hold, and, looking

up, she found that her patient was gently slumbering.

Maurice had sat listening and gazing as one spellbound, but Madeleine

roused him by saying,--

"It is long past your usual hour for visiting your grandmother. Had you

not better go? I think it likely your father will sleep some time. The

change of scene and the fresh air have lulled him into a tranquil

slumber."

"And your voice had nothing to do with his rest?" asked Maurice,

tenderly.

"Any old crone's would serve as well for a lullaby," she answered,

playfully. "Now go, and be sure you find out whether the countess liked

the chocolate and those Normandy cakes."

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