FIENDS, GHOSTS, AND SPRITES.

A belief in the supernatural has existed in all ages and among all

nations.

To trace the origin of this belief, the causes of the various

modifications it has undergone, and the phases it has assumed, is,

perhaps, one of the most interesting researches to which the mind can be

given,--interesting, inasmuch as we find pervading every part of it the

effects of those passions and affections which are most powerful and

permanent in our nature.

So general is the belief in a supreme and over-ruling Power, possessing

attributes altogether different from and superior to human powers, and

bending these and the forces of nature to its will, that the thought

has been entertained by many that it is inborn in man. Such a doctrine

is, however, refuted by an acquaintance with the inlets and modes of

obtaining knowledge; by the fact that reason is necessary to its

discovery; and by its uselessness.[1] "There are neither innate ideas

nor innate propositions; but there is an innate power of understanding

that shows itself in primitive notions, which, when put into speech, are

expressed in propositions, which propositions, decomposed, produce,

under the influence of abstraction and analysis, distinct ideas."[2]

Others have asserted and maintained that man derives his knowledge of

the existence of Deity, and, consequently, of the supernatural, from the

exercise of reason upon himself and his own powers by self-reflection.

If he reflects upon the wonderful power of liberty and free-will which

he possesses, on his relation to surrounding beings and things, and

particularly on his imperfect, limited, and finite powers, it is argued

that the antithetical proposition of infinite must of necessity be

admitted. "I cannot have the idea of the finite and of imperfection

without having that of perfection and of infinite. These two ideas are

logically correlative."[3] Or if man extends his reasoning powers to the

study or the contemplation "of the beauty, the order, the intelligence,

the wisdom, and the perfection displayed throughout the universe; and as

there must of necessity be in the cause what is witnessed in the effect,

you reason from nature to its author, and from the existence of the

perfection of the one you conclude the existence and perfection of the

other."[4]

But many theologists maintain that the knowledge of a Deity, and of the

existence of supernatural beings, is derived solely from revelation; and

stern and prolonged have been the struggles in this country between the

upholders of the rival tenets.

That no idea of a Deity, such as that which the Christian entertains, is

to be found among the vague and undefined notions of supernatural power

which are contained in the mythologies of pagan nations; that even the

conceptions of Plato are to be summed up in the phrase "the unknown

God;" and that the perfect idea of the Godhead is to be derived solely

from Scripture, can be satisfactorily shown. But the conclusion sought

to be established from this, that all our ideas of the supernatural are

derived from this source, does not necessarily follow.

The postulate that man can derive a knowledge of the supernatural from

the exercise of his mental powers alone, cannot either be affirmed or

denied, but it is not improbable.

Perhaps the nearest approach to correctness which we are as yet capable

of on this subject is as follows:--

After the creation of man, God revealed himself. The perfect knowledge

of the Deity thus obtained, was perpetuated by a fragment of the human

race, notwithstanding the baneful effects of the fall; and at the epoch

of the deluge, the solitary family which escaped that mighty cataclysm,

formed a centre from which anew the attributes and powers of the Godhead

were made known in all their truth and purity. But again sin prevailed,

and with the exception of one race, who alone treasured the true

knowledge of the Deity, mankind lost by degrees the pure faith of their

fathers; and as they receded from the light, the idea of the Godhead

became obscured, and in the progress of time well nigh lost, and the

vague and imperfect ideas of a supernatural Power derived from

tradition, prompted to a terror and awe of some invisible yet mighty

influence, unknown and inexplicable, but which was manifested to man in

the more striking objects and the incomprehensible phenomena of nature,

which were regarded and worshipped as the seats of this unknown Power,

forming the substratum of those wonderful systems of mythology which

have characterised successive eras and races.

"Once," writes Plato, referring to the earlier traditions of the Greeks,

"one God governed the universe; but a great and extraordinary change

taking place in the nature of men and things, infinitely for the worse

(for originally there was perfect virtue and perfect happiness on

earth), the command then devolved on Jupiter, with many inferior deities

to preside over different departments under him."[5]

To state the influence which each of the elements indicated

above--tradition and reason--have had in the development of mythology,

is doubtless impossible.

The existence of the first element, _tradition_, is, to those who admit

the truth of Scripture, undeniable, and it gives a clue to the

elucidation of the leading principle in the belief in those gods,

dæmons, fiends, sprites, &c., which, summed up, have constituted the

objects of worship of different nations.

I. As in the course of generations the pristine revelation of the

Godhead to man became obscured, and a vague and traditionary belief

alone remained,--the conceptions, the thoughts and imaginations of each

generation being implanted in the succeeding one, and influencing it by

the force of habit, education, and authority,--man, impressed with an

imperfect notion of a supernatural Power, and ignorant of the forces of

the material world, on seeking to unfold the source of those changes

which he beheld in the budding forth of spring, the fervid beauty of

summer, the maturity of autumn, and the stern grandeur of winter,

conceived that the wonderful phenomena ever going on around him owed

their origin and effects to the influence of supernatural agency, and

marking their apparent dependence upon the sun and other orbs in space,

he offered adoration to those luminaries. But when he still further

analysed the changes occurring on the surface of the globe, and

comprehended the influence of the more palpable forces and elements, and

the inexhaustible variety and seeming disconnectedness of the phenomena

which he witnessed, incapable of otherwise solving the mysteries which

surrounded him, he deemed each as the work of a potent and indwelling

Spirit.[6]

Thus man concluded that he was surrounded by a world of supernatural

beings, of different powers, attributes, and passions. The sun and moon,

the planets and stars, were conceived to be the abodes of spiritual

existences; and the effects caused by those orbs which more immediately

influence our earth, were considered as the indications of the powers of

their respective deities. So also the air, its clouds and currents; the

ocean, with its mighty progeny of lakes and rivers; and the earth, its

hills, dales, and organic forms, were peopled with incorporeal beings.

Every object of beauty shadowed forth the operations of a beneficent

Spirit; while devastating storms, barren places and deserts, and the

convulsions of nature, betokened the malignancy of dæmons or fiends.

According as a country's surface is harsh, rugged, barren, and

storm-tossed, or clothed with lovely verdure and basking in the rays of

a fervid sun, so do we find the principal characters of its mythology;

stern, gigantic, and fierce gods or dæmons, or spirits more kind towards

man, and full of beauty and grace. The passions and affections of man,

for the same reasons, were considered to be under the sway of

supernatural beings; in short, every operation of nature in the organic

or inorganic, in the mental or physical worlds, was deemed an indication

of the existence of a supernatural Being which ruled and governed it.[7]

These powers in the progress of time were personified and represented as

possessed of passions and propensities similar to those of man; for the

same finite and imperfect reason which had concluded that they dwelt in

the phenomena they were supposed to explain, also deemed, being unable

to conceive any higher type of existence than was seen in man himself,

that they differed simply in degree of power, and were alike subject to

those appetites and passions which characterised humanity.

This source of belief in spiritual existences is found dominant in the

systems of mythology of all nations; and as it arises from causes which

are inherant in man, it can easily be understood why there is so great a

similarity in the primary mythological conceptions of different races.

The mythologies of ancient Greece and Rome furnish a very perfect

illustration of the influence which this cause has exercised in the

development of the belief in supernatural beings, and no better method

of illustration can be adopted, than a sketch of the physical

signification of the principal deities, and classes of deities, of those

countries.

The primitive religion of the Greeks and Romans would appear to have

consisted in the worship of the heavenly bodies (Sabaism):--the Titans

are nearly all personifications of the celestial orbs. Subsequently,

their mythology assumed a more physical character, and the offspring of

Cronos (Saturn, _time_), or the personifications of the firmament,

atmosphere, sea, &c., formed the leading deities of the more developed

system of religion, and the reign of Jupiter commenced.

In this system, the god Jupiter is symbolical of the upper regions of

the atmosphere (_Æther_). Euripides writes:--

"The vast, expanded, boundless sky behold,

See it with soft embrace the earth enfold;

This own the chief of deities above,

And this acknowledge by the name of Jove."[8]

At a later period this god was conceived to represent the soul of the

world, diffused alike through animate and inanimate nature; or, as

Virgil poetically describes it in the Æneid--(Book vi.):

"The heaven and earth's compacted frame,

And flowing waters, and the starry flame,

And both the radiant lights, one common soul

Inspires and feeds, and animates the whole.

This active mind infused through all the space,

Unites and mingles with the mighty mass.

Hence man and beasts the breath of life obtain,

And birds of air, and monsters of the main."

The god Apollo signifies the sun,--his prophetic power being symbolical

of its influence in dispelling darkness; his knowledge of medicine and

healing, signifies the influence of that luminary in revivifying and

restoring the powers of organic life; his skill in music is symbolical

of the central position of the sun among the seven planets, and its

making harmony with them; and the harp upon which this god is depicted

as playing, is furnished with seven strings, in emblem of the seven

planets. _Pan_ represents the universal world, and he is the emblem of

fecundity. Hence this god is depicted in his upper part as a man, in his

lower parts as a beast; "because the superior and celestial part of the

world is beautiful, radiant and glorious, as the face of this god, whose

horns resemble the rays of the sun, and the horns of the moon. The

redness of his face is like the splendour of the sky; and the spotted

skin that he wears is an image of the starry firmament. In his lower

parts he is shagged and deformed, which represents the shrubs, and wild

beasts, and trees of the earth below. His goat's feet signify the

solidity of the earth; and his pipe of seven reeds, that celestial

harmony which is made by the seven planets. He has a shepherd's hook,

crooked at the top, in his hand, which signifies the turning of the year

into itself."[9]

The goddess _Cybele_ was symbolical of the earth; _Juno_, of the

air--the link between earthly and heavenly natures; _Vulcan_, of fire;

_Æolus_, of the winds; _Diana_, of the moon; _Neptune_, of the sea;

_Rusina_, of the country; _Ceres_, of the fruits of the earth;

_Collina_, of the hills; _Vallonia_, of the valleys; _Silvanus_, of the

woods, which teemed also with inferior deities--_satyrs_ and _fauns_;

_Seia_ presided over all seed; _Flora_, flowers; _Proserpina_ cherished

the corn when it had sprung above the earth; _Volasia_ folded the blade

round it ere the beard broke out; _Nodosus_ watched over the joints and

knots of the stalk; _Patelina_ governed the opened ear; _Lactusa_ took

charge when it became milky; _Matura_ guarded and conducted it to

maturity; _Hostilina_ presided over the crop; and _Tutelina_, over the

cutting.

_Nymphs_, goddesses of lovely form, and light and airy beauty, sported

about the earth; a _Dryad_ presided over every tree; a _Hamadryad_ was

born, lived, and died with each oak; _Oreads_ dwelt on the mountains;

_Napëæ_, in the groves and valleys; _Lemoniads_, in the meadows and

fields; _Nereiads_, in the ocean; _Naiads_, at the fountains;

_Fluviales_, by the rivers: and _Lirinades_, by lakes and ponds.

_Vesta_ presided over the vital heat of the body; _Janus_ opened the

gate of life to infant man; _Opis_ assisted him when he came into the

world; _Nascio_ presided over the moment of birth; _Cunia_ watched over

the cradle, and while he lay and slept; _Vagitanus_, or _Vaticanus_,

took care while the infant cried; _Rumina_ presided while the child

sucked the breast; _Potina_ guarded the infant drinking; _Educa_ watched

over it while it received food; _Ossilago_ "knit its bones" and hardened

its body; _Carna_ presided over the safety of the inward parts; the

goddess _Nundina_ had charge of the child on the ninth day--the day of

purification; _Statilinus_ taught the infant to stand and walk, and

preserved it from falling; _Fabulinus_ looked after the child when it

began to speak; _Paventia_ preserved it from fright; _Juventus_

protected the beginning of youth; _Agenoria_ excited man to action;

_Strenua_ encouraged him to behave bravely on all occasions; _Stimula_

urged him to extraordinary exertions; _Horta_ exhorted him to noble

actions; _Quis_ gave peace and quietude; _Murcia_ rendered man lazy,

idle, and dull; _Adeona_ protected him in his outgoings and incomings;

_Vibilia_ guarded wanderers; _Vacuna_ protected the lazy and idle;

_Fessonia_ refreshed the weary; _Meditrina_ healed injuries; _Vitula_

presided over and gave mirth; _Volupia_ governed pleasures; _Orbona_ was

a goddess supplicated that she might not leave parents destitute of

children; _Pellonia_ drove away enemies; _Numeria_ endued men with the

power of casting numbers; _Sentia_ gave just and honourable sentiments;

_Augerona_ removed anguish from the mind; and _Consus_ presided over

good counsels.

_Virtue_ also was worshipped as a goddess; and the several species of

virtue were considered each as emanating from some godlike power, and

_Faith_, _Hope_, _Justice_, _Piety_, _Peace_, _Fidelity_, _Liberty_, and

_Money_, were worshipped as good deities; while, on the other hand,

_Envy_, _Contumely_, _Impudence_, _Calumny_, _Fraud_, _Discord_, _Fury_,

_Fame_, _Fortune_, _Fever_, and _Silence_, were supplicated as evil

deities.

_Minerva_ was symbolical of wisdom and chastity; _Mercury_, of

eloquence--speech; _Venus_ of ungovernable passions and desire;

_Saturn_, time; _Momus_, mockery; _Silenus_, jesting; _Mars_, war; and

_Bacchus_, wine. The _Muses_ each represented an accomplishment. Thus,

_Calliope_ presided over epic poetry; _Clio_, history; _Erato_, elegy

and amorous song; _Thalia_, comedy, gay, light, and pleasing song;

_Melpomene_, tragedy; _Terpsichore_, dancing; _Euterpe_, music;

_Polyhymnia_, religious song; and _Urania_, the knowledge of celestial

events.

_Themis_ taught mankind what was honest, just, and right; _Astræa_ was

the goddess of justice; _Nemesis_ punished vice, rewarded virtue, and

taught mankind their duty.

Every action of man, both in his collective and individual

capacity--everything in relation to his household and domestic

affairs--was also conceived to be governed by supernatural powers, which

were classed under the names of _Penates_ and _Lares_.

The _Penates_, as may well be imagined, were almost numberless, but they

may be divided into three classes: 1st, those which presided over

kingdoms and provinces; 2nd, those which presided over cities only; and

3rd, those presiding over houses and families. To instance to what an

extent this belief was carried, a penate named _Ferculus_ looked after

the door; the goddess _Cardua_ after the hinges; and _Limentius_

protected the threshold.

The _Lares_ were of human origin, and they presided also over houses,

streets, and ways. Subsequently their power was extended to the country

and the sea.

To each person was also assigned two deities, termed _genii_. These

spirits were subsidiary to the gods already mentioned, it being one of

their duties to carry the prayers of men to them. The genii differed in

nature and disposition, and were divided into two classes--the _good_

and the _bad_. The _good genius_ excited men to all actions of honour

and virtue; the _evil genius_ excited him to all manner of wickedness.

The Greeks termed these genii _dæmons_, either from the terror and dread

they created when they appeared, or from the wise answer they returned

when consulted as oracles.

The ravages caused by an ever-gnawing conscience and by the effects of

the evil passions, were attributed to three supernatural powers termed

the _Furies_--_Alecto_, _Tisiphone_, and _Megæra_--who became symbolical

of the avengers of wickedness; and lastly, Night, Sleep, and

Death--_Nox_, _Mors_, and _Somnus_--were elevated among the gods.

This brief sketch will serve to show the leading principle entering into

the formation of the Grecian and Roman mythology--a mythology containing

more than 30,000 gods; and it will illustrate how every hidden power of

nature as well in the organic as the inorganic world; and how every

equally inexplicable operation of the human mind was referred, for an

explanation, to the influence of a supernatural power, which in the

progress of time was personified, worshipped, and pourtrayed in such a

form as best set forth the effects it was conceived to produce.

This source of the belief in the supernatural, as we have already

stated, will be found to have prevailed among all nations; hence their

primary mythological conceptions are one and the same, modified by the

difference of climate, habits, &c.

Thus, of the gods of the ancient Britons--_Belin_, _Plennyd_, or

_Granwyn_, possessed the attributes of, and was the same with, Apollo;

_Gwydion_, or _Teutath_, had all the attributes of Mercury; _Daronwy_,

_Taranwy_, or _Taranis_, the thunderer, of Jove; _Anras_, or _Andraste_,

of Bellona; _He-us_, _Hesus_, _Hugadarn_, or _Hu-ysgwn_, united the

characters of Bacchus and Mars; _Ked_ and _Keridwen_ answered to Ceres;

_Llenwy_ to Proserpine; _Olwen_ and _Dwynwen_ to Venus; and _Neivion_ to

Neptune.[10]

In the Scandinavian mythology the principal gods are personifications of

physical and mental powers. _Odin_, the most powerful of the three

beings first educed from chaotic confusion, possesses the attributes of

Mercury; and according to Finn Magnusen, _Vili_ is the personification

of light; _Ve_, of fire. The two ravens which are depicted as sitting

constantly upon the shoulders of Odin, represent Mind and Memory; and of

the principal gods, we find that _Thor_ is symbolical of thunder;

_Baldur_ of the sun; _Njord_ rules over the winds, sea, &c.; _Frey_ is

the god of rain, sunshine, and the fruits of the earth; _Tyr_, of war;

_Bragi_, of wisdom and poetry; _Vidar_, of silence; _Forseti_, of law

and justice; _Loki_ is the personification of evil; _Frigga_ is the

goddess of the earth; and night, day, the moon, time, the present, the

past, and the future, healing, chastity, abundance, love, courtesy,

wisdom, and every form and passion and power of nature which the

Scandinavians had separated and distinguished, each had its special and

worshipped god.

The original worship of the Hindoos[11] was directed to the heavenly

bodies, the elements, and natural objects. In the mandras, or prayers,

which form the principal part of the Vedas, or sacred writings, the

firmament, the sun, moon, fire, air, and spirit of the earth, are most

frequently addressed. These writings inculcate the worship of the

elements and planets, and differ from the more recent and legendary

poems which teach the worship of deified heroes and sages. In the

Sanhitâ of the Rig-veda, the invocations which it contains are chiefly

addressed to the deities of fire, the firmament, the winds, the seasons,

the sun, and the moon, who are invited to be present at the sacrifices,

or are appealed to for wealth or for their several beneficial qualities.

The personified attributes of _Brahma_, _Vishnu_, and _Siva_, signifying

respectively creation, preservation, and destruction, are due to a later

and more refined era of Hindoo mythology; and the eight inferior deities

ranking next in order to the _Trimurti_, and termed _Lokapalas_, are all

personifications of natural objects and powers. Thus _Indra_ is the god

of, and is symbolical of the visible heavens, thunder, lightning, storm,

and rain; _Agni_, of fire; _Yama_, of the infernal regions; _Surya_, of

the sun; _Varuna_, of water; _Parana_, of wind; _Kuvera_, of wealth; and

_Soma_, or _Chandra_, of the moon.

The celebrated line which it is enjoined should be repeated without

intermission, and which is the most holy passage in the Vedas, reads

literally, "Let us meditate on the adorable light of Savitri (the

sun--the divine ruler); may it guide our intellects." This, it is

asserted, is addressed to the sun as the symbol of a divine and

all-powerful being, and it is regarded as a proof of the monotheism of

the Vedas. This explanation is, however, considered by some to be far

from satisfactory, and to offer greater difficulties than the text ever

can when taken in a natural light.

The creed of Buddha contains similar traces of elemental worship. The

five Buddhas and the five Bodhisattwas would appear to be

personifications of the principal natural elements and phenomena.

In Persian mythology we find a similar deification of natural phenomena.

In the creed of Zoroaster, which was a modification of pre-existing

beliefs, there is an eternal almighty Being, _Zernane Akherene_

(illimitable, uncreated time), who created _Ormuzd_ (light, goodness);

and _Ahrimann_ (darkness, evil). Ormuzd created the universe, and the

genii, or deities of light, of whom there are three classes.

_1st Class._ The seven _Amshaspands_, including _Ormuzd_ himself. The

remaining are _Bahman_, the genius of the region of light;

_Ardibehesht_, of ethereal fire; _Sharwir_, of metals; _Sarpandomad_, of

fruitfulness; _Khudad_, of time; _Amerdad_, of the vegetable world,

flocks, and herds.

_2nd Class._ The twenty-seven _Izeds_, male and female--the _elementary_

deities: e.g. _Khorsid_, the deity of the sun; _Mah_, of the moon;

_Tashter_, of the dog-star, and of rain; _Rapitan_, the deity of heat,

&c. These deities were probably worshipped before the belief was reduced

to a system.

_3rd Class._ The _Fervers_--the vivifying principles of nature, the

ideal types of the material universe, corresponding in general with the

_ideas_ of Plato. Every one, even Ormuzd, has his Ferver. "An Iranite

has thus constantly by his side his ideal type, or uncorrupted material

image, to guide him through life and preserve him from evil."[12]

The Iranite worships light, fire, and water, as emblems of Ormuzd, in

whom these elements are united; he does not worship the elementary

spirits attached to them.

In China, the state religion--the religious system of

Confucius--embodies the following objects of worship, arranged in three

classes:--

_1st Class._ _Ta sze_, or _great sacrifices_, includes the worship of

the heavens (_Yâng_), and the earth (_Yin_); and while worshipping the

material heaven, they appear to consider that there exists an animating

_intelligence_ (_Tae-keih_) which presides over the world, rewarding

virtue and vice. This class includes also deified sovereigns.

_2nd Class._ _Choong-sze_, _medium sacrifices_, includes the worship of

gods of the land and grain, the sun and moon, genii, sages, gods of

letters, inventors of agriculture, manufacturers, and useful arts.

_3rd Class._ _Seaon-sze_, or _lesser sacrifices_, includes the worship

of the ancient patron of the healing art; innumerable spirits of

deceased statesmen, eminent scholars, martyrs to virtue, &c.; the

principal phenomena of nature, as the clouds, rain, wind, thunder, each

of which has its presiding god; the military banners (like the Romans);

the god of war; _Loong-wang_, the dragon-king; the gods of rain and the

watery elements; and _Tien-how_, the queen of heaven and goddess of the

weather. The Chinese also believe in good and evil genii, and in tutelar

spirits presiding over families, houses, and towns.[13]

In Africa, the mythology of its different nations is based on natural

objects and phenomena. The natives of Ashanti and the neighbouring

districts worship water, lakes, rivers, mountains, rocks and stones,

leopards, panthers, wolves, crocodiles, &c., all of which are more or

less powerful "fetishes;" and the Nubian worships the moon. The natives

of Tahiti and the islands of the South Sea also derive their principal

ideas of supernatural beings from material objects. In Mangareva, the

largest of the Gambier Islands, the gods adored by the natives were

principally personifications of natural objects. A god named _Tea_ was

the deity and creator of the sun, wind, and water; _Rongo_ was the god

of rain; _Tairi_, of thunder; _Arikitenow_, of the ocean; _A-nghi_, of

storms and famine; _Napitoiti_, of death, &c. The Tahitan conceives also

that animals, trees, stones, &c., possess souls which, like his own,

after destruction will have a subsequent existence. On the vast

continent of South America we find numerous traces of elemental and

natural worship. The aborigines of Paraguay supplicate the sun, moon,

stars, thunder, lightning, groves, &c. In the district bounded by the

Orinoco, the Atabapo, the Rio Negro, and the Cassequiare, including an

extent of about 8000 square miles, and scattered also over a still

greater extent of this continent, are found rocks covered with colossal

symbolical figures of crocodiles and tigers, household utensils, and of

the sun and moon,--doubtless objects of adoration to nations of whose

existence even tradition has not preserved a trace. It is also probable

that the rocks thus engraved were regarded as sacred; for the Macusi

Indians, inhabiting one portion of the districts where these sculptures

are found, have the tradition that "the sole survivor of a general

deluge repeopled the earth by changing stones into human beings."[14]

The Incas of Peru--the children of the sun--built magnificent temples,

and adored that luminary; and the sculptures on the walls of the

colossal temples and buildings of the Aztecs, the ancient inhabitants of

Mexico, as well as the remains of the pyramids of the sun and moon at

Teotihuacan, teach the same lesson with regard to that extinct race. The

Pueblo Indians of New Mexico still perpetuate the holy fire "by the side

of which the Aztecan kept a continual watch for the return to earth of

Quetzalcoatl, the god of air." In a solitary cave of the mountains is

preserved the undying fire, and its dim light is seen by the hunter if,

by chance, led by the chase, he passes near to this lonely temple.[15]

Among the tribes which inhabit the more northerly parts of the American

continent, we find also similar traces of the important influence which

natural phenomena have exercised in the development of their ideas of

supernatural existences.

We could not well close this sketch without allusion to the Shaman

religion, which is diffused throughout the principal nations of Asiatic

Russia, a great part of the Tartars, the Eins, Samoiedes, Ostiaks,

Mandshurs, Burats, and Tungsees; and it is even professed among the

Coriaks and Techuks, and people of the eastern islands. This system of

religion is essentially founded upon the observation of natural

phenomena: it teaches that the gods (_Burchans_) arose from the general

mass of matter and spirit; and while inculcating the existence of a

spiritual world, it instils the belief in the self-existence of matter.

These remarks will sufficiently show the important influence which the

observation of natural phenomena has had in the development of the

belief in the Supernatural of most nations; and it will fully indicate

the primary reason of the correspondence of their principal mythological

conceptions. A consideration of the different habits, degree of

civilization, locality, &c., will also indicate the principal reason of

the various modifications which the same mythological conception is

found to present among different nations.

There was one Jupiter for Europe, and another for Africa; and the varied

forms under which this god was worshipped, derived from the locality,

habits, and other peculiarities of his worshippers, were very numerous.

At Athens, the great Jupiter was the Olympian; at Rome, the Capitoline.

There was the mild and the thundering Jupiter, the Jupiter Nicephorus,

Opitulus, Fulminator, &c., all differing in some subordinate characters.

Ammon, of Egypt; Belus, of the Babylonians; Ibis, of the Phœnicians;

Allah, of the Arabians; Beel, Baal, Beelphagor, Beelzebub, Beelzemer,

&c., all possess the attributes of Jupiter, and are the same with that

god.

The Buddha of India; Fohi, of the Chinese; Odin, or Woden, of the

Scandinavians; and Gwydion, of the Ancient Britons, correspond with

Mercury.

Vishnu, Brahma, Siva, and Krishna, the latter both of the Irish and

Sanscrit, correspond with Apollo; whilst Arun, of the Irish and Hindoo

superstitions, corresponds with the Aurora of the Greeks.

It is peculiarly interesting to mark in the writings of classic authors

the earlier traces of a correct explanation of the causes operating in

the changes observed in nature, and their influence in modifying the

mythological ideas of the period. Socrates penetrated so far in the

interpretation of certain physical phenomena as to discover that they

might be explained without having recourse to the idea of supernatural

agency. This is most interestingly shown in Aristophanes' comedy of "The

Clouds" (B.C. 440). In this comedy, written for the purpose of throwing

ridicule and contempt on the sophistical philosophy of Socrates,

Strepsiades, an aged and ignorant man, is represented as suffering from

the excesses and expenses of his son Phidippides. He conceives the idea

of studying logic, in order, by mere subtle reasoning, to overcome and

cheat his creditors. He enrols himself as a pupil of Socrates, and in

Act I, Scene 2, the following scene occurs:--

_Str._ Is not Olympian Jupiter our God?

_Soc._ What Jupiter? nay, jest not--there is none.

_Str._ How say'st thou? who then rains?--this first of all

Declare to me.

_Soc._ Why these (_the clouds_): by mighty signs

This I will prove to thee. Hast ever seen

Jove raining without clouds?--if it were so,

Through the clear fields of ether must he rain,

While these were far away.

_Str._ Now by Apollo,

Full well hast thou discours'd upon this point;

Till now, in truth, I thought 'twas Jupiter,

Distilling through a sieve. But tell me next,

Who is the thunderer?--this awakes my dread.

_Soc._ They thunder as they roll.

_Str._ But how, I pray?

Say, thou who darest all.

_Soc._ When they are fill'd

With water, and perforce impell'd along,

Driven precipitate, all full of rain,

They meet together, bursting with a crash.

_Str._ But who compels them thus to move along?

Is not this Jove?

_Soc._ No, but th'ætherial whirl.

In a subsequent part of the comedy (Act III, Scene 1) Strepsiades is

represented as speaking of this idea of a whirlwind as a deified being,

thus admirably showing the tendency of man to consider that which he

could not comprehend as the result of supernatural agency, and to

personify it.

_Str._ Thou swearest now, by Jove.

_Phid._ I do.

_Str._ Thou see'st how good it is to learn,

There is no Jove, Phidippides.

_Phid._ Who then?

_Str._ A whirlwind reigns; having driven him, Jove, away.

It would seem, also, that Socrates himself was subject to the influence

of this feeling; for a passage in Act V, Scene 1,[16] has led to the

conclusion "that in the school of Socrates was placed an earthen image

(δῖνος, the name of an earthen vessel as well as of the

_whirlwind_, who has usurped the honours and attributes of Jove). (See

Schol. ad Vesp. 617.) This, probably, was done by the philosopher as a

sort of compensation for having expelled Jupiter (τὸν Διά)

from his mythological system."[17]

II. But the ideas derived from the contemplation of natural phenomena

were not the sole sources of mythology, such as we have received it.

Other and most powerful causes operated, and of those next in degree of

importance were those feelings which prompted to the deification of men.

Persæus, a disciple of Zeno, "says, that they who have made discoveries

advantageous to the life of man, should be esteemed as gods; and the

very things, he says, which are healthful and beneficial, should have

divine appellations; so that he thinks it not sufficient to call them

the discoverers of gods, but that they themselves should be deemed

divine."[18]

The author of the "Book of Wisdom" in the Apocrypha, details other

causes which tended to the same result. He writes, (Chapter xiv, v.

15-21):--

"Thus, some parent mourning bitterly for a son who hath been taken from

him, makes an image of his child: and him who before was _to his family_

as a dead man, they now begin to worship as a god; rites and sacrifices

being instituted, to be observed by his dependents. And in process of

time, custom having established these as a law, an image set up by an

impious tyrant receives divine honours. A man being unable to render

such respect in their presence to those who dwelt remote from them, and

having received their likeness, brought from far, they have proceeded to

make a conspicuous image of any king to whom they inclined to pay divine

honours, by which means, though absent, the ruler receives their

solicitous homage, as though present with them. The exquisite pains

bestowed by the artist has likewise contributed to this worship of the

absent by ignorant men; for being willing to give perfect satisfaction

to him for whom he doth it, he avails himself of all the resources of

his art to produce a perfect resemblance. Thus the multitude, allured by

the beauty of the statue, come to regard as a god him whom before they

honoured but as a man. And this hath been the great delusion of

humanity, that out of affection for the dead, or subserviency to their

rulers, men have given to stocks and stones the incommunicable name of

God."

Most systems of mythology contain examples of deities which have been

derived from this source.

"It has been a general custom, likewise," writes Cicero,[19] "that men

who have done important service to the public should be exalted to

heaven by fame and universal consent. Thus Hercules, Castor and Pollux,

Æsculapius and Liber, became gods; * * * thus, likewise, Romulus, or

Quirinus--for they are thought to be the same--became a god. They are

justly esteemed as deities, since their souls subsist and enjoy

eternity, from whence they are perfect and immortal beings."

The Chinese, at the present day, deify and adore their deceased

emperors, as well as the spirits of eminent statesmen, scholars, martyrs

to virtue, &c.

It has occasionally happened that some great sage, on his apotheosis,

had attributed to him that which he had simply expounded during life,

and thus became the personification of the religious ideas he had

entertained. Buddha, who lived, as nearly as can be ascertained, about

1000 years before Christ, attempted to reform Brahminical India. After

death he was deified by his converts, and became the embodiment of the

principles he had advocated when on earth; and his name, with various

modifications, was applied to the system of cosmogony and religion which

he had advocated. The Grand Lamas (_Chaberons_) of Thibet are regarded

as incarnations (_avatars_) of Buddha, and as such are adored by the

Thibetians and the various tribes of Tartars who roam over the vast

district which extends from the banks of the Volga to Corea, in the Sea

of Japan.

After the persecution which terminated in the expulsion of the followers

of Buddha from Hindostan, the Hindoos, not content with their celestial

gods or heroes, extended their adoration to various living individuals,

particularly to the Brahmins and priests. Daughters under eight years of

age are worshipped by them as forms of the goddess Bhavani (_Venus_);

and at certain seasons of the year the Brahmin is worshipped by his

wife, and the wives of Brahmins by other men.

Some writers have thought that all the gods of the ancients consisted of

deified men. This is, however, an error; for the deification of men was

an act second in order to the worship of natural objects and phenomena.

The chronological position of this element of mythology has, among other

reasons, led Bonomi to arrive at some interesting conclusions on the

respective ages of the palaces of Nineveh.

On the walls of the palace at Khorsabad are found sculptured the winged

and human-headed bulls, emblems of wisdom or the sun, the four-winged

figures, typical of Ibis or Cronos, eagle-headed divinities, and other

figures, which are conceived to be symbolical of constellations, and of

astronomical phenomena. From these nobler and simpler ideas of Divinity

it is inferred, that when this palace was built the worship of the

Assyrians was comparatively pure. But on the walls of Nimroud, in

addition to the symbolical representations found at Khorsabad, there are

also indications of an increased number of divinities, from the presence

of deified men; hence a reason for the belief in the degeneracy of the

system of religion at the period when this palace was built, and

consequently its more recent date.[20]

III. Another element has also exercised a considerable influence upon

the mythologies of some nations, namely, _Scriptural narrative and

traditions_. It is not improbable that several of the heathen myths have

been derived from this source. Many, indeed, believe that all mythology

arises from corrupted Scripture, and it is asserted that Deucalion is

merely another name for Noah; Hercules for Samson; Arion for Jonah, and

Bacchus is either Nimrod or Moses--for the former supposition the

similarity of name being assigned; for the latter, among others, one of

the names and some of the actions of this God. Thus, Bacchus was named

_Bicornis, double-horned_; and the face of Moses appeared double-horned

when he came down from the mountain where he had spoken to God,--the

rays of glory darting from his brow having the semblance of radiant

horns. The Bacchæ drew waters from the rocks by striking them with their

thyrsi; and wherever they went, the land flowed with milk, honey, and

wine. Bacchus caused the rivers Orontes and Hydaspes to dry up, by

striking them with his thyrsus, and passed through them dry-shod,--an

action similar to that of Moses at the passage of the Red Sea, &c. That

Scripture narrative has had an important influence in determining the

formation of mythology, is highly probable; and we have already shown

that the primary revelation of a Godhead at the creation of man supplied

an important initial excitement to that development of the belief in the

supernatural which occurred subsequent to the fall of man. The influence

of Scriptural traditions on the myths of various nations it is probably

impossible to unravel satisfactorily.

IV. Again, it has been supposed that the myths of the ancients, and of

modern pagan nations, were allegorical; and that they were designed to

represent a philosophical, moral, or religious truth under a fabulous

form. Thus, the myth of the giant Typhon cutting away and carrying off

the sinews of Jupiter, and that they were afterwards stolen from him by

Mercury, and restored to Jupiter, is supposed to refer to powerful

rebellions, by which the sinews of kings--their revenue and

authority--are cut off; but by mildness of address, and wisdom of

edicts, influencing the people, as it were, in a stolen manner, they

recover their power and reconcile their subjects. And in the myth of the

expedition of the gods against the giants, when the ass Silenus became

of great service in dispersing them, on account of the terror excited by

his braying, it is considered to be an allegory of those vast projects

of rebels, which are mostly dissipated by light rumours and vain

consternation. Minerva was fabled to have been born out of the head of

Jupiter, because it was deemed that man did not in himself possess

wisdom, but he derived it from divine inspiration; and this goddess was

born armed, because a wise man clothed in wisdom and virtue is fortified

against all the harms of life.

This element has undoubtedly had an important influence in the formation

of the various myths, but it refers rather to an advanced stage in

mythology, and to that period of development when a nation has made some

progress in arts and literature.

These elements, and doubtless also others of which the effects are less

easily unfolded, _e.g._ intercourse between various nations, dispersion

of tribes, &c., have all exercised a greater or less degree of influence

on the development and formation of the mythologies of different

nations.

If we contemplate a race in the earlier phases of its existence, or one

degraded in the scale of being, we find that its ideas of the

supernatural are confined to the deification and worship of the simplest

and most striking of the objects and phenomena of nature: as it has

increased in civilization and learning, those deities have been

represented in symbolical forms; and as civilization and the cultivation

of the mind advances, and the knowledge of surrounding nature has become

increased, so have the number of deities been multiplied by the

deification of the less evident powers of nature, of kings, and of

distinguished men, and then also allegory has come into play. Every

variation in the character of a nation, and every era, has impressed

more or less distinct marks on its mythology; and mythology, as we

receive it now, is the sum of all those changes which have been

impressed upon it from its earliest formation.

When Christianity dawned upon the world, its effect was not the

immediate eradication or dispersion of the superstitious beliefs and

observances then entertained: it induced a change in the form and

nature of those beliefs.

At the commencement of the Christian era, certain men, inspired by the

Holy Ghost, were enabled to cast aside all those thoughts and feelings

derived from habit, education, and authority, and to receive at once, in

all its purity and fulness, the light of the gospel--perhaps the most

wonderful of all the miracles of Holy Writ. Such was not the case,

however, with the majority of the earlier Christians. They did not thus

throw off the superstitious beliefs of pagan origin, but modified them

so as to concur, as they thought, with Scripture.

Thus, the Scriptures enunciated the doctrine of one sole, omnipotent,

and omniscient God; and it fully defined a power of evil, and denounced

idolatry. Hence the early Christian fathers were led to conceive, and

teach, that the gods of the heathen were devils; and further, that their

history, attributes, and worship, had been taught to mankind by the

devils themselves.

"Powers that erst in heaven sat on thrones;

Though of their names in heavenly records now

Be no memorial,--blotted out and razed,

By their rebellion from the book of life,--

... wandering o'er the earth,

Through God's high sufferance for the trial of man,

By falsities and lies the greatest part

Of mankind they corrupted, to forsake

God their Creator, and the invisible

Glory of Him that made them to transform

Oft to the image of a brute adorn'd

With gay religions, full of pomp and gold,

And devils to adore for deities;

Then were they known to man by various names,

And various idols through the heathen world."[21]

This phase being given to the existing superstitions, it will readily be

understood how, under the form of devils, most of the principal classes

of deities in pagan mythology were retained and believed in. Thus the

elemental and primary gods of paganism were perpetuated under the name

of _fiends_, _dæmons_, _genii_, &c.; and the terms _salamanders_,

_undines_, &c., expressed certain spirits of fire and of water; in the

form of _fairies_, _elves_, _sylphs_, &c., were retained the graceful

Nymphs--Oreads, Dryads, &c.--of antiquity,--

"The light militia of the lower sky;"

the hidden parts of the earth were peopled with _dwarfs_, and other

spirits of a more powerful nature; and spectral apparitions frighted the

midnight hours of the watcher.

It is, therefore, to the retention of certain pagan superstitions in a

modified form, that we are to attribute the origin of the belief in

those unnumbered spirits, which, under the names of fiends, dæmons,

genii, fairies, fays, elves, sylphs, sprites, &c., have been supposed to

surround us, and have hampered the imaginations of all Christian

nations, and of which, to use the words of Pope--

"Some in the fields of purest æther play,

And bask and whiten in the blaze of day;

Some guide the course of wandering orbs on high,

Or roll the planets through the boundless sky;

Some, less refined, beneath the moon's pale light,

Pursue the stars that shoot athwart the night,

Or suck the mists in grosser air below,

Or dip their pinions in the painted bow,

Or brew fierce tempests on the wintry main,

Or o'er the glebe distil the kindly rain;

Others on earth o'er human race preside,

Watch all their ways, and all their actions guide."[22]

The belief that the heathen deities were devils, naturally led to the

further conclusion, that the priests who sacrificed to those gods, and

who were regarded as the medium of communication between the gods and

man, held immediate converse with devils,--a belief subsequently

extended to idolators in general, and to all those practising magic and

sorcery. Instances of the natural alliance of a mythological idea to a

Christian belief might be multiplied.

The power of evil, enunciated by the Scriptures, and spoken of as the

"_Devil_," was early reputed to have appeared in a visible form,

assuming the aspect of the god Pan, or of a faun or satyr, that is, a

horned figure, with hirsute frame, and the lower extremities of a goat,

which indeed, until recently, was considered to be the most orthodox

form of visibility for his Satanic Majesty. The connection of the power

of evil with the gods of the most gloomy and hidden parts of nature is

obvious: Pan, indeed, was the god of terror.

Frequently, also, Satan appeared under the form of a goat. The goat is

an emblem of the sin-offering, and of the wicked at the day of judgment;

hence it became symbolical of the Prince of Darkness, and in this form

the devil most commonly appeared to the Jews, according to the Rabbins.

In Leviticus (xvii. 7), where it is written "they shall no more offer

sacrifices to devils," it is literally, to "hairy-ones"--goats. The

symbol of the goat prompted to the nature of the form given to Pan in

the Grecian and Roman mythology. Indeed, the Greeks derived their

worship of that god from Egypt, where he was adored under the form of a

goat; and it is fabled that he captivated Diana under the aspect of a

white goat.

A singular superstition of the connection of the goat with Satan is

entertained in some districts of this island. It is asserted that a goat

is never visible for twenty-four hours consecutively, as once in that

time it must visit Satan to have its beard combed![23]

Another example of the wedding of a pagan myth to the Christian religion

is this:--Most heathen nations believed in the existence of deities

whose especial duty was to guard the threshold of the house, and prevent

the entrance of evil spirits.

The Grecians and Romans had their Penates and Lars, and the Genoese

retain the superstition at the present day.

The Lars (_familiares_) were the souls of men, who lingered about the

dwellings and places they had formerly inhabited and frequented. They

were represented by small images resembling monkeys, and covered with

dog's skin; and these images were placed in a niche behind the door, or

around the hearth. At the feet of the Lar was placed the figure of a

dog, to intimate vigilance; and special festivals were devoted to them

in the month of May, when offerings of fruit were presented, and the

images were crowned with flowers.

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