"I sat out several dances between Mrs. Phillips and Mr. Randolph. He

thought he had done enough for her, and she thought I had done enough

for them all. And one of the young business-men did enough for that

springy, still-young Mrs. Ryder. Once, indeed, Mrs. Phillips asked me

if I wouldn't like to try a third dance with her (she goes at it with a

good deal of old-time vivacity and vim); but I told her she must know

by this time that I was something of a bungler. 'I wouldn't quite say

that,' she returned, smiling; but we continued to sit there side by

side on a sort of bench built against the wall, and she seemed as well

pleased to have it that way as the other. She did, however, speak about

a little singing. I told her that she must have found me something of a

bungler there, too, and reminded her that I couldn't play the

accompaniments of my best songs at all. Arthur, my dear boy, I depend

on _you_ for that, and you must come down here and do it. No singing,

then. But Mrs. Phillips was not quite satisfied. Wouldn't I recite

something? Heavens! Well, of course I know lots of poems--_c'est mon

metier_. I repeated one. Then other volunteers were called upon--it was

entertaining with a vengeance! The young ladies had to chip in

also--though they, of course, were prepared to. And one of the young

business-men did some clever juggling; and Mrs. Ryder sang a little

French ballade; and Mr. Randolph--poor man!--was suddenly routed out of

his placidity, and responded as well as he could with one or two little

stories, not very pointed and not very well told. But I judge he makes

no great claim to being a _raconteur_--he was merely paying an

unexpected tax as gracefully as he could.

"Well, as I was saying, the man in the wheeled chair came in. Of course

he hadn't been down to dinner--I think I saw a tray for him carried

along the hall. As he was working his way through the door, I suppose I

must have been talking and laughing at my loudest; and that big, bare

room, done in hard wood, made me seem noisier still. He sort of stopped

and twitched, and appeared to shrink back in his chair: I presume my

tones went straight through the poor twisted invalid's head. He must

have fancied me (from the racket I was making) as a sort of

free-and-easy Hercules (which is not quite the case), if not as the

whole football squad rolled into one. Whether he really saw me, then or

thereafter, I don't know; he wore a sort of green shade over his eyes.

Of course I met him in due form. I tried not to give his poor hand too

much of a wring (another of my bad habits); but he took all I gave and

even seemed to hang on for a little more. He sat quietly to one side

for a while, and I tried not to act the bull of Bashan again. Anyhow,

he didn't start a second time. Presently he pulled out rather

unceremoniously: the two young business-men had begun a sort of

burlesque fandango, and their feet were pretty noisy on the bare floor.

He started off after looking toward the piano and then toward me; and

Mrs. Phillips glanced about as if to hint that any display of surprise

or of indulgence would be misplaced. Poor chap!--well, I'm glad he

didn't see me dancing.

"We broke up about eleven, and Mr. Randolph suggested that, as we lived

in the same general direction, we might walk homeward together. Great

heaven! it's eleven--and five after--now! Enough, in all conscience,

for to-night. You shall have the rest to-morrow."

7

_COPE UNDER SCRUTINY_

An evening or two later Cope again corked his red ink and uncorked his

black.

"As I have said, Mr. Randolph and I walked home together. He stopped

for a moment in front of his place. Another large, handsome house. He

told me he had the use of his quarters as long as his landlord's lease

ran, and asked me to come round some time and see how he was fixed.

Then he said suddenly that the evening was fine and the night young and

that he would walk on with me to _my_ quarters, if I didn't mind. Of

course I didn't--he seemed so friendly and pleasant; but I let him

learn for himself that I was far from being lodged in any architectural

monument. Well, we went on for the necessary ten minutes, and he didn't

seem at all put out by the mediocre aspect of the house where I have

put up. He sort of took it all for granted--as if he knew about it

already. In fact, on the way from his place to mine, I no more led him

(as I sense it now) than he led me. He hesitated at no corner or

crossing. 'I am an old Churchtonian,' he said incidentally--as if he

knew everything and everybody. He also mentioned, just as incidentally,

that he had a brother-in-law on our board of trustees. Of course I

promised to go round and see him. I presume that I shall drop in on him

some time or other. Come down here, and you shall have one more house

of call.

"He stopped for a moment in front of my diggings, taking my hand to say

goodnight and taking his own time in dropping it. Enough is enough.

'You have the small change needed for paying your way through society,'

he said, with a sort of smile. 'I must cultivate a few little arts

myself,' he went on; 'they seem necessary in some houses. But I'm glad,

after all, that I didn't remember to-night that a tribute was likely to

be levied; it would have taken away my appetite and have made the whole

evening a misery in advance. As things went, I had, on the whole, a

pleasant time. Only, I understood that you sang; and I was rather

hoping to hear you.' 'I do best with my regular accompanist,' I

returned--meaning you, of course. I hope you don't mind being degraded

to that level. 'And your regular accompanist is not--not----?' 'Is

miles away,' I replied. 'A hundred and fifty of them,' I might have

added, if I had chosen to be specific. Now, if he had wanted to hear

me, why hadn't he asked? He would have needed only to second Mrs.

Phillips herself; and there he was, just on the other side of me. In

consequence of his reticence I was driven--or drove myself--to blank

verse. And that other man, the one in the chair; he may have had his

expectations too. Arthur, Arthur, try to grasp the situation! You must

come down here, and you must bring your hands with you. Tell the bishop

and the precentor that you are needed elsewhere. They will let you off.

Of course I know that a village choir needs every tenor it can get--and

keep; but come. If they insist, leave your voice behind; but do bring

your hands and your reading eye. Don't let me go along making my new

circle think I'm an utter dub. Tell your father plainly that he can

never in the world make a wholesale-hardware-man out of you. Force him

to listen to reason. What is one year spent in finding out just what

you are fit for? Come along; I miss you like the devil; nobody does my

things as sympathetically as you do. Give up your old anthems and your

old tinware and tenpennies and come along. I can bolt from this hole at

a week's notice, and we can go into quarters together: a real bed

instead of an upholstered shelf, and a closet big enough for two

wardrobes (if mine really deserves the name). We could get our own

breakfast, and you could take a course in something or other till you

found out just what the Big Town could do for you. In any event you

would be bearing me company, and your company is what I need. So pack

up and appear."

The delay in the posting of this appeal soon brought from Winnebago a

letter outside the usual course of correspondence. It was on a fresh

sheet and under a new date-line that Cope continued. After a page of

generalities and of attention to particular points in the letter from

Wisconsin, Cope took up his own line of thought.

"I had meant, of course, to look in on him within a few days,--no great

hurry about it. But on Sunday evening he wrote and asked if he might

not call round on me instead. My name is not in the telephone-book;

neither, as I found out, was his. So I used up a sheet of paper, an

envelope, and a stamp--just such as I am now using on you--to tell him

that he might indeed. I put in the 'indeed' for cordiality, hoping he

wouldn't think I had slighted _his_ invitation. On Monday evening he

came round--I must have reached him by the late afternoon delivery.

Need I say that he had to take this poor place as he found it? But

there was no sign of the once-over--no tendency to inventory or

appraise. He sat down beside me on the couch just as if he had no

notion that it was a bed (and a rather rocky one, at that), and talked

about my row of books, and about music and plays, and about his own

collection of curios--all in a quiet, contained way, yet intent on me

if not on my outfit. Well, it's pleasant to be considered for what you

are rather than for what you have (or for what few poor sticks your

landlady may have); and I rather liked his being here. Certainly he was

a change from my students, who sometimes seem to exclude better timber.

"Needless to say, he repeated his invitation, and last evening I

shunted Middle English (in which I have a lot to catch up) and walked

round to him. Very adequately and handsomely lodged. Really good

bachelor quarters (I hadn't known for certain whether he was married or

not). A stockbroker of a sort, I hear,--but not enough to hurt, I

should guess. He has a library and a sitting-room. Like me, he sleeps

three-quarters, but he doesn't have to sit on his bed in the daytime.

And he has a bathrobe of just the sort I shall have, when I can afford

it. He has got together a lot of knick-knacks and curios, but takes

them lightly.

"'Sorry I've only one big arm-chair,' he said, handing me his

cigarette-case and settling me down in comfort; 'but I entertain very

seldom. I should like to be hospitable,' he went on; '--I really think

it's in me; but that's pretty much out of the question here. I have no

chef, no dining-room of my own, no ball-room, certainly.... Perhaps,

before very long, I shall have to make a change.'

"He asked me about Freeford, and I didn't realize until I was on my way

back that he had assumed my home town just as he had assumed my

lodging. Well, all right; I never resent a friendly interest. He sat in

a less-easy chair and blew his smoke-rings and wondered if I had been a

small-town boy. 'I'm one, too,' he said; '--at least Churchton, forty

years--at least Churchton, thirty years ago, was not all it is to-day.

It has always had its own special tone, of course; but in my young--in

my younger days it was just a large country village. Fewer of us went

into town to make money, or to spend it.'...

"And then he asked me to go into town, one evening soon, and help him

spend some. He suggested it rather shyly; _à tâtons_, I will

say--though French is not my business. He offered a dinner at a

restaurant, and the theatre afterwards. Did I accept? Indeed I did.

Think, Arthur! after all the movies and restaurants round the elms and

the fountain (tho' you don't know them yet)! I will say, too, that his

cigarettes were rather better than my own....

"I suppose he is fully fifty; but he has his young days, I can see.

Certainly his age doesn't obtrude,--doesn't bother me at all, though he

sometimes seems conscious of it himself. He wears eye-glasses part of

the time,--for dignity, I presume. He had them on when I came in, but

they disappeared almost at once, and I saw them no more.

"He asked me about my degree,--though I didn't remember having spoken

of it. I couldn't but mention 'Shakespeare'--as the word goes; and you

know that when I mention him, it always makes the other man mention

Bacon. He did mention Bacon, and smiled. 'I've studied the cipher,' he

said. 'All you need to make it go is a pair of texts--a long one and a

short one--and two fonts of type, or their equivalent in penmanship.

Two colors of ink, for example. You can put anything into anything. See

here.' He reached up to a shelf and brought down a thin brown square

note-book. 'Here's the alphabet,' he said; 'and here'--opening a little

beyond--'is my use of it: one of my earliest exercises. I have put the

first stanza of "Annabel Lee" into the second chapter of "Tom Jones."'

He ignored the absent eye-glasses and picked out the red letters from

the black with perfect ease. 'Simplest thing in the world,' he went on;

'anybody can do it. All it needs is time and patience and care. And if

you happen to be waggishly or fraudulently inclined you can give

yourself considerable entertainment--and can entertain or puzzle other

people later. You don't really believe that "Bacon wrote Shakespeare"?'

"Of course I don't, Arthur,--as you very well know. I picked out the

first line of 'Annabel Lee' by arranging the necessary groupings among

the odd mixture of black and red letters he exhibited, and told him I

didn't believe that Bacon wrote Shakespeare--nor that Shakespeare did

either. 'Who did, then?' he naturally asked. I told him that I would

grant, at the start and for a few seasons, a group of young noblemen

and young gentlemen; but that some one of them (supposing there to have

been more than that one) soon distanced all the rest and presently

became the edifice before which the manager from Stratford was only the

facade. He--this 'someone'--was a noble and a man of wide reach both in

his natural endowments and in his acquired culture. But he couldn't dip

openly into the London cesspool; he had his own quality to safeguard

against the contamination of a new and none too highly-regarded trade.

'I don't care for your shillings,' he said to Shaxper, 'nor for the

printed plays afterward; but I do value your front and your footing and

the services they can render me on my way to self-expression.' He was

an earl, or something such, with a country-seat in Warwick, or on the

borders of Gloucestershire; 'and if I only had a year and the money to

make a journey among the manor-houses of mid-England,' I said, 'and to

dig for a while in their muniment-rooms....' Well, you get the idea,

all right enough.

"He came across and sat on the arm of the big easy-chair. 'If you went

over there and discovered all that, the English scholars would never

forgive you.' As of course they wouldn't: look at the recent Shaxper

discoveries by Americans in London! 'And wouldn't that be a rather

sensational thesis,' he went on, 'from a staid candidate for an M.A.,

or a Ph.D., or a Litt.D., or whatever it is you're after?' It would, of

a verity; and why shouldn't it be? 'Don't go over there,' he ended with

a smile, as he dropped his hand on my shoulder; 'your friends would

rather have you here.' 'Never fear!' I returned; 'I can't possibly

manage it. I shall just do something on "The Disjunctive Conjunctions

in 'Paradise Lost,'" and let it go at that!'

"He got up to reach for the ash-receiver. 'They tell me,' he said,

'that a degree isn't much in itself--just an _étape_ on the journey to

a better professional standing.' 'Yes,' said I, '--and to better

professional rewards. It means so many more hundreds of dollars a year

in pay.' But you know all about that, too.

"I'm glad your dramatic club is getting forward so well with the

rehearsals for its first drive of the season; glad too that, this time

at least, they have given you a good part. Tell me all about it before

the big stars in town begin to dim your people in my eyes--and in your

own; and don't let them cast you for the next performance in January.

You will be here by then.

"Yours,

"B.L.C."

8

_COPE UNDERTAKES AN EXCURSION_

Two or three days later, Randolph met Medora Phillips in front of the

bank. This was a neat and solemn little edifice opposite the elms and

the fountain; it was neighbored by dry-goods stores, the offices of

renting agencies, and the restaurants where the unfraternized

undergraduates took their daily chances. Through its door passed

tradesmen's clerks with deposits, and young housewives with babies in

perambulators, and students with their small financial problems, and

members of the faculty about to cash large or small checks. Mrs.

Phillips had come across from the dry-goods store to pick up her

monthly sheaf of vouchers,--it was the third of October.

"Don't you want to come in for a minute?" she asked Randolph. "Then you

can walk on with me to the stationer's. Carolyn tells me that our last

batch of invitations reduced us to nothing. How did _your_ dinner go?"

Randolph followed her into the cool marble interior. "Oh, in town, you

mean? Quite well, I think. I'm sure my young man took a good honest

appetite with him!"

"I know. We don't do half enough for these poor boys."

"Yes, he rose to the food. But not to the drinks. I took him, after

all, to my club. I innocently suggested cocktails; but, no. He

declined--in a deft but straightforward way. Country principles.

Small-town morals. He made me feel like a--well, like a corrupter of

youth."

"You didn't mind, though,--of course you didn't. You liked it. Wasn't

it noble! Wasn't it charming! So glad that _we_ had nothing but

Apollinaris and birch beer! Still, it would have been a pleasure to

hear him refuse."

The receiving-teller gave her her vouchers. She put them in her handbag

and somehow got round a perambulator, and the two went out on the

street.

"And how did your 'show' go?" she continued. "That's about as much as

we can call the drama in these days."

"That, possibly, didn't go quite so well. I took him to a 'comedy,'--as

they nowadays call their mixture of farce and funniment. 'Comedy'!--I

wish Meredith could have seen it! Well, he laughed a little, here and

there,--obligingly, I might say. But there was no 'chew' in the thing

for him,--nothing to fill his intellectual maw. He's a serious

youngster, after all,--exuberant as he seems. I felt him appraising me

as a gay old irresponsible...."

"'Old'--you are not to use that word. Come, don't say that he--that he

venerated you!"

"Oh, not at all. During the six hours we were together--train, club,

theatre, and train again--he never once called me 'sir'; he never once

employed our clumsy, repellent Anglo-Saxon mode of address, 'mister';

in fact, he never employed any mode of address at all. He got round it

quite cleverly,--on system, as I soon began to perceive; and not for a

moment did he forget that the system was in operation. He used,

straight through, a sort of generalized manner--I might have been

anywhere between twenty and sixty-five."

They were now in front of the stationer's show-window, and there were

few people in the quiet thoroughfare to jostle them.

Medora smiled.

"How clever; how charming!" she said. "Leaving you altogether free to

pick your own age. I hope you didn't go beyond thirty-five. You must

have been quite charming in your early thirties."

"That's kind of you, I'm sure; but I don't believe that I was ever

'charming' at _any_ age. I think you've used that word once too often.

I was a quiet, studious lad, with nice notions, but possibly something

of a prig. I was less 'charming' than correct. The young ladies had the

greatest confidence in me,--not one of them was ever 'afraid'."

"Why, how horrid! How utterly unsatisfactory! Nor their mothers?"

"No. And I'm still single, as you're advised. And I'm not sure that the

young gentlemen cared much more for me. If I had had a little more

'gimp' and _verve_, I might have equalled the particular young

gentleman of whom we have been discoursing. But...."

His obviously artificial style of speech concealed, as she guessed,

some real feeling.

"Oh, if you insist on disparaging yourself...!"

"I was quite as coolly correct as I apprehend him to be; and if I could

only have contrived to compass the charming, as well, who knows

what----?"

"You don't like my word. Is there a better, a more suitable?"

"No. You have the _mot juste_."

He threw a finger through the wide pane of glass. "Is that the sort of

thing you are after? Those boxes of pale gray are rather good."

"I never buy from the show-window. Come in, and help me choose."

"I love to shop," he said, in a mock ecstasy. "With others," he added.

"I like to follow money in--and to contribute taste and experience."

Over the stationer's counter she said:

"Save Sunday. We are going out to the sand-hills."

"Thank you. Very well. Most glad to."

"And you are to bring him."

"Him?"

"Bertram Cope."

"Why, I've given him six hours within two or three days. And now you're

asking me to give him sixteen."

"Sixteen--or more. But you're not giving them to him. You're giving

them to all of us. You're giving them to me. The day is likely to be

fine and settled, and I'd recommend your catching the 8:30 train. I

shall have my full load in the car. And more, if I have to take along

Helga. Try to reach us by one, or a quarter past."

Mrs. Phillips had lately taken on a house among the sand dunes beyond

the state line. This singular region had recently acquired so wide a

reputation for utter neglect and desolation that--despite its distance

from town, whether in miles or in hours--no one could quite afford to

ignore it. Picnics, pageants, encampments and excursions all united in

proclaiming its remoteness, its silence, its vacuity. Along the rim of

ragged slopes which put a term to the hundreds of miles of water that

spread from the north, people tramped, bathed, canoed, motored and

week-ended. Within a few seasons Duneland had acquired as great a

reputation for "prahlerische Dunkelheit"--for ostentatious

obscurity--as ever was enjoyed even by Schiller's Wallenstein. "Lovers

of Nature" and "Friends of the Landscape" moved through its distant and

inaccessible purlieus in squads and cohorts. Everybody had to spend

there at least one Sunday in the summer season. There were enthusiasts

whose interest ran from March to November. There were fanatics who

insisted on trips thitherward in January. And there were one or two

super-fanatics--ranking ahead even of the fishermen and the

sand-diggers--who clung to that weird and changing region the whole

year through.

Medora Phillips' house was several miles beyond the worst of the

hurly-burly. There were no tents in sight, even in August. Nor was the

honk of the motor-horn heard even during the most tumultuous Sundays.

The spot was harder to reach than most others along the twenty miles of

nicked and ragged brim which helped enclose the wide blue area of the

Big Water, but was better worth while when you got there. Her little

tract lay beyond the more prosaic reaches that were furnished chiefly

in the light green of deciduous trees; it was part of a long stretch

thickly set for miles with the dark and sombre green of pines. Our

nature-lover had taken, the year before, a neglected and dilapidated

old farmhouse and had made it into what her friends and habitues liked

to call a bungalow. The house had been put up--in the rustic spirit

which ignores all considerations of landscape and outlook--behind a

well-treed dune which allowed but the merest glimpse of the lake;

however, a walk of six or eight minutes led down to the beach, and in

the late afternoon the sun came with grand effect across the gilded

water and through the tall pine-trunks which bordered the zig-zag path.

Medora had added a sleeping porch, a dining-porch and a lean-to for the

car; and she entertained there through the summer lavishly, even if

intermittently and casually.

"No place in the world like it!" she would declare enthusiastically to

the yet inexperienced and therefore the still unconverted. "The spring

arrives weeks ahead of our spring in town, and the fall lingers on for

weeks after. Come to our shore, where the fauna and flora of the whole

country meet in one. All the wild birds pass in their migrations; and

the flowers!" Then she would expatiate on the trailing arbutus in

April, and the vast sheets of pale blue lupines in early June, and the

yellow, sunlike blossoms of the prickly-pear in July, and the red

glories of painter's-brush and bittersweet and sumach in September. "No

wonder," she would say, "that they have to distribute handbills on the

excursion-trains asking people to leave the flowers alone!"

"How shocking!" Cope had cried, with his resonant laugh, when this

phase of the situation was brought to his attention. "Are the

automobile people any better?"

Randolph had told him of some of the other drawbacks involved in the

excursion. "It's a long way to go, even when you pass up the trolley

and make a single big bolt by train. And it leads through an industrial

region that is mighty unprepossessing--little beauty until almost the

end. And even when you get there, it may all seem a slight and simple

affair for the time and trouble taken--unless you really like Nature.

And lastly," he said, with a sidelong glance at Cope, "you may find

yourself, as the day wears on, getting a little too much of my company."

Bertram Cope's Year · 第 3 / 16 段