Transcribed from the 1916 Martin Secker edition by David Price, email
ccx074@pglaf.org
THE FIGURE IN THE CARPET
BY HENRY JAMES
[Picture: Decorative graphic]
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LONDON; MARTIN SECKER
NUMBER FIVE JOHN STREET ADELPHI
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This edition first published 1916
The text follows that of the
Definitive Edition
CHAPTER I
I HAD done a few things and earned a few pence—I had perhaps even had
time to begin to think I was finer than was perceived by the patronising;
but when I take the little measure of my course (a fidgety habit, for
it’s none of the longest yet) I count my real start from the evening
George Corvick, breathless and worried, came in to ask me a service. He
had done more things than I, and earned more pence, though there were
chances for cleverness I thought he sometimes missed. I could only
however that evening declare to him that he never missed one for
kindness. There was almost rapture in hearing it proposed to me to
prepare for _The Middle_, the organ of our lucubrations, so called from
the position in the week of its day of appearance, an article for which
he had made himself responsible and of which, tied up with a stout
string, he laid on my table the subject. I pounced upon my
opportunity—that is on the first volume of it—and paid scant attention to
my friend’s explanation of his appeal. What explanation could be more to
the point than my obvious fitness for the task? I had written on Hugh
Vereker, but never a word in _The Middle_, where my dealings were mainly
with the ladies and the minor poets. This was his new novel, an advance
copy, and whatever much or little it should do for his reputation I was
clear on the spot as to what it should do for mine. Moreover if I always
read him as soon as I could get hold of him I had a particular reason for
wishing to read him now: I had accepted an invitation to Bridges for the
following Sunday, and it had been mentioned in Lady Jane’s note that Mr.
Vereker was to be there. I was young enough for a flutter at meeting a
man of his renown, and innocent enough to believe the occasion would
demand the display of an acquaintance with his “last.”
Corvick, who had promised a review of it, had not even had time to read
it; he had gone to pieces in consequence of news requiring—as on
precipitate reflexion he judged—that he should catch the night-mail to
Paris. He had had a telegram from Gwendolen Erme in answer to his letter
offering to fly to her aid. I knew already about Gwendolen Erme; I had
never seen her, but I had my ideas, which were mainly to the effect that
Corvick would marry her if her mother would only die. That lady seemed
now in a fair way to oblige him; after some dreadful mistake about a
climate or a “cure” she had suddenly collapsed on the return from abroad.
Her daughter, unsupported and alarmed, desiring to make a rush for home
but hesitating at the risk, had accepted our friend’s assistance, and it
was my secret belief that at sight of him Mrs. Erme would pull round.
His own belief was scarcely to be called secret; it discernibly at any
rate differed from mine. He had showed me Gwendolen’s photograph with
the remark that she wasn’t pretty but was awfully interesting; she had
published at the age of nineteen a novel in three volumes, “Deep Down,”
about which, in _The Middle_, he had been really splendid. He
appreciated my present eagerness and undertook that the periodical in
question should do no less; then at the last, with his hand on the door,
he said to me: “Of course you’ll be all right, you know.” Seeing I was a
trifle vague he added: “I mean you won’t be silly.”
“Silly—about Vereker! Why what do I ever find him but awfully clever?”
“Well, what’s that but silly? What on earth does ‘awfully clever’ mean?
For God’s sake try to get _at_ him. Don’t let him suffer by our
arrangement. Speak of him, you know, if you can, as _I_ should have
spoken of him.”
I wondered an instant. “You mean as far and away the biggest of the
lot—that sort of thing?”
Corvick almost groaned. “Oh you know, I don’t put them back to back that
way; it’s the infancy of art! But he gives me a pleasure so rare; the
sense of”—he mused a little—“something or other.”
I wondered again. “The sense, pray, of want?”
“My dear man, that’s just what I want _you_ to say!”
Even before he had banged the door I had begun, book in hand, to prepare
myself to say it. I sat up with Vereker half the night; Corvick couldn’t
have done more than that. He was awfully clever—I stuck to that, but he
wasn’t a bit the biggest of the lot. I didn’t allude to the lot,
however; I flattered myself that I emerged on this occasion from the
infancy of art. “It’s all right,” they declared vividly at the office;
and when the number appeared I felt there was a basis on which I could
meet the great man. It gave me confidence for a day or two—then that
confidence dropped. I had fancied him reading it with relish, but if
Corvick wasn’t satisfied how could Vereker himself be? I reflected
indeed that the heat of the admirer was sometimes grosser even than the
appetite of the scribe. Corvick at all events wrote me from Paris a
little ill-humouredly. Mrs. Erme was pulling round, and I hadn’t at all
said what Vereker gave him the sense of.