Drapery ought to hang loose i. 219.
Dress) rules about dress ii. 10. iii. 300.
Dryden) censured iii. 128. 257. 267.
Duties) moral duties of two kinds, respecting
ourselves and respecting others ii. 20.
Foundation of duties that respect ourselves ii. 21.
Of those that respect others ii. 21.
Effects) resembling effects may be produced by causes
that have no resemblance ii. 337. &_c._
Effect defined iii. 406.
Electra) of Sophocles censured ii. 115.
Elevation i. 264. &_c._
real and figurative intimately connected i. 279.
Figurative elevation distinguished from figurative grandeur iii. 21. 22.
Emotion) no pleasure of external sense except
of seeing and hearing is termed an _emotion_ or _passion_ i. 42.
Emotions defined i. 46. 47.
and their causes assigned i. 47. &_c._
Emotion distinguished from passion i. 52. &_c._
Emotions generated by relations i. 76. &_c._
Primary, secondary i. 81.
Raised by fiction i. 104. &_c._
Division of emotions into pleasant and painful,
agreeable and disagreeable i. 127. &_c._ iii. 387.
The interrupted existence of emotions i. 139. &_c._
Their growth and decay i. 139. &_c._
Their identity i. 141.
Co-existent emotions i. 151. &_c._
Emotions similar and dissimilar i. 153.
Complex emotion i. 154. 155.
Effects of similar emotions when co-existent i. 155. iii. 336.
Effects of dissimilar emotions when co-existent i. 159. iii. 303. 337.
Emotions resemble their causes i. 217. &_c._
Emotion of grandeur i. 266. &_c._
of sublimity i. 269.
A low emotion i. 276.
Emotion of laughter i. 337.
of ridicule i. 341.
Emotions when contrasted ought not to be too slow
or too quick in their succession i. 373.
Emotions raised by the fine arts ought to be
contrasted in succession i. 374.
Emotion of congruity ii. 12.
of propriety ii. 12.
Emotions produced by human actions ii. 28.
Emotions ranked according to their dignity ii. 32.
External signs of emotions ch. 15. ii. 116.
Attractive and repulsive emotions ii. 133.
Emotion and passions expanded upon related objects
i. 76. &_c._ ii. 312. &_c._ 336. 372. 415. 416. iii. 60. &_c._ 139. 140.
Gratification of emotions i. 183. &_c._ 203. 358. iii. 98.
What emotions do best in succession, what in conjunction iii. 302.
Man is passive with regard to his emotions iii. 377.
We are conscious of emotions as in the heart iii. 377.
Emphasis) must not be put upon a low word ii. 405.
Eneid) its unity of action iii. 263.
English plays) generally irregular iii. 292.
English tongue) too rough ii. 247.
It is peculiarly qualified for personification iii. 63. Note.
Envy) defined i. 55.
It magnifies every bad quality in its object i. 187.
Epic poem) no improbable fact ought to be admitted in it i. 124.
Machinery in it has a bad effect i. 125.
It doth not always reject ludicrous images i. 378.
We pardon many faults in it which are intolerable
in a sonnet or epigram i. 299.
Its commencement ought to be modest and simple iii. 171.
In what respect it differs from a tragedy iii. 218.
Distinguished into pathetic and moral iii. 221.
Its good effects iii. 223.
Compared with tragedy as to the subjects proper for each iii. 225.
How far it may borrow from history iii. 234.
Rule for dividing it into parts iii. 236.
Epic poetry ch. 22. iii. 218.
Episode) in an historical poem iii. 250.
Epistles dedicatory) censured ii. 6. Note.
Epithets) redundant iii. 206.
Epitritus ii. 462.
Esteem) love of i. 237. 286.
Esther) of Racine censured ii. 193. 198.
Evergreens) cut in the shape of animals iii. 309.
Expression) elevated, low i. 276.
Expression that has no distinct meaning ii. 232.
Two members of a sentence which express a resemblance
betwixt two objects ought to have a resemblance to
each other ii. 270. &_c._
External senses) distinguished into two kinds i. I.
External sense iii. 375.
External signs) of emotions and passions ch. 15. ii. 116.
External signs of passion, what emotions they
raise in a spectator ii. 131. &_c._
Faculty) by which we know passion from its external signs ii. 136.
Fairy Queen) criticised iii. 120.
False quantity) painful to the ear ii. 386.
Fame) love of i. 237.
Fashion) its influence accounted for i. 80.
Fashion is in a continual flux i. 256.
Fear) explained i. 95. &_c._
rises often to its utmost pitch in an instant i. 148.
is infectious i. 221.
Feeling) its different significations iii. 379.