Appearance) in poetry, things ought to be described as they appear,
not as they are in reality iii. 172.
Appetite) defined i. 59.
Appetites of hunger, thirst, animal love, arise without an object i. 73.
Appetite for fame or esteem i. 237.
Architecture ch. 24. iii. 294.
Grandeur of manner in architecture i. 294.
The situation of a great house ought to be lofty ii. 7.
A playhouse or a music-room susceptible of much ornament ii. 9.
What emotions can be raised by architecture iii. 297.
Its emotions compared with those of gardening iii. 297.
Every building ought to have an expression suited to its
destination iii. 298. 338.
Simplicity ought to be the governing taste iii. 300.
Regularity ought to be studied iii. 301.
External form of dwelling-houses iii. 324.
Divisions within iii. 324. 340.
A palace ought to be regular, but in a small house convenience ought chiefly
to be studied iii. 326.
The form of a dwelling-house ought to be suited to the climate iii. 327.
Propriety ought to be studied in architecture iii. 338.
Governed by principles which produce opposite effects iii. 342.
Different ornaments employed by it iii. 342.
Allegorical or emblematic ornaments iii. 347.
Architecture inspires a taste for neatness and regularity iii. 350.
Architrave iii. 344.
Ariosto) censured iii. 264.
Aristæus) the episode of Aristæus in the Georgics censured ii. 457.
Army) defined iii. 405.
Arrangement) the best arrangement of words is to place them as
much as possible in an increasing series ii. 251.
Articulate sounds) how far agreeable to the ear ii. 240.
Artificial mount iii. 313.
Ascent) pleasant, but descent not painful i. 273.
Athalie) of Racine censured ii. 193.
Attention) defined iii. 396.
Impression which objects make depends on the degree of attention iii. 396.
Attention not always voluntary iii. 398.
Attractive emotions ii. 133.
Attractive object i. 226.