They did not pass into the palace through the entrance used by David.

Back of where they stood, at a word of command from Sajipona, a large

door swung open, revealing a spacious court within flooded with a clear

white light that left not a corner or angle in shadow. This light

radiated from a central shaft overhead, at first indistinguishable in

the dazzling intricacies of the ceiling that stretched away in tier

upon tier of crystalline columns above them. Advancing to the middle

of this court, under the queen's guidance, Una beheld, at the apex of

the vast dome curving upward to a seemingly immeasurable distance,

a large opening beyond which blazed a great ball of fire suspended,

apparently, from the topmost pinnacle of the outer cave. The rays from

this underground sun--for it is only as a sun that it can be adequately

described--shone with an intensity that was fairly blinding. These rays

flashed and sparkled in long, waving streamers of flame, disappearing

and suddenly renewing their radiance with a ceaseless energy similar to

that displayed by some gigantic dynamo whose emanations are produced by

a concentration of power as yet unattempted by man. Fascinated by this

splendor, Una realized that she was standing beneath the great luminous

body whose magical effects she had first witnessed while approaching the

palace with Narva. Shielding her eyes from a spectacle that wearied by

its vehemence, she turned to Sajipona. But Sajipona was not with her.

Una stood alone in the center of the great court.

At another time this sudden isolation would have been alarming. But

the many strange adventures experienced during the last few hours had

accustomed Una to danger, so that the disappearance of Sajipona served

merely to arouse her to a keener sense of her surroundings. Her faith

in this beautiful Indian, moreover, was not easily shaken, in spite of

the repellant attitude she had first assumed towards her. Treachery from

such a source, it seemed to her, was inconceivable.

Stepping back from the direct rays of the great ball of fire, the

manifestations of whose mysterious power had until then absorbed her

attention, Una found herself in the midst of a throng of people, all of

them, apparently, watching her. By their dress, simple and flowing as

that worn by the followers of Anitoo, she perceived these were cave men

and women, some forty or fifty in number, each one standing motionless

along the wall farthest from her. With heads bent forward and arms

outstretched towards the center of the court, where Una stood, they

appeared to be engaged in some sort of devotional exercise, the visible

object of which was a great round disk of gold set in the tessellated

pavement that flashed beneath the light pouring upon it from above.

Inlaid within this disk, at the outer rim of which she had been standing

a moment before, Una could now discern cabalistic figures wrought in

emeralds whose deep effulgence was in striking contrast with the haze

of golden light surrounding them. The intricate design formed by these

figures was difficult to trace, but that each figure, and the pattern

into which it was woven, bore a mystical meaning was suggested by the

reverence with which this whole glittering pool of light was regarded by

the silent throng.

Eagerly Una scanned the white-robed worshipers before her, hoping

that among them she might discover David. Not finding him, she sought

Sajipona, with the same disappointing result at first. Then her gaze,

wandering away from these strange faces, rested upon a slightly

elevated platform at one end of the court. There, beneath a gold and

gem-encrusted canopy, seated upon a massive throne of pure crystal, she

beheld the Indian queen.

From the first Una had felt the spell of her beauty, but its force

had been tempered by the flashes of anger, the suspicion, the disdain

that had alternately marked their intercourse. Now, although arrayed

and staged, as it were, in all the splendor belonging to her high

station--with crown and scepter and glittering robe of state--this proud

beauty had softened to an almost girlish loveliness, wistful, touched

with a melancholy as hopeless as it was appealing. That she was a queen,

aloof from those about her, seemed strangely pathetic. Nor did this

expression of sheer womanliness change as her eyes met Una's. Across the

width of the great presence chamber a mysterious wave of sympathy seemed

to bind these two together. Completing its wordless message, Sajipona

arose and stood expectantly while Una approached, the throng before her

silently falling back until she reached the foot of the throne. Then,

with hands clasped in greeting, the two women faced each other, the

enmity that first had sundered them apparently forgotten, or, at the

least, held in check by some subtler, purer feeling. Again Una wondered

if this could be genuine--if the suspicion with which she had been

regarded at first might not still lurk behind this outward graciousness.

Little versed in the arts of dissimulation, however, and apt to take

for current coin whatever offered of friendliness, she accepted this

unlooked-for warmth of welcome with undisguised gratitude. Sajipona drew

her gently forward until the two stood side by side on the platform

facing the great court, the silent groups of attendants below them. The

dazzling light, the flashing splendor of columned walls and vaulted

ceiling, the white-robed figures, the jeweled throne, furnished forth a

faery spectacle not easily forgotten.

"These are my people," said Sajipona proudly. "They will protect you as

they protect me."

As if in answer to her assurance the waiting courtiers, absorbed until

now in the contemplation of the mystical figures within the circle of

light at their feet, slowly turned and made grave obeisance before

the two women standing in front of the throne. Following this sign of

submission, they came forward as if expectant of some further command.

Sajipona smilingly watched the effect of this ceremony on her companion.

"Ah! it is not here as in Bogota," she said, "or in the world where you

come from, far from Bogota. You think all this that you see is unreal--a

dream, perhaps. My people are so different from yours--and all these

many years they live forgotten, unknown. I have lived in Bogota. There

they do not know of this great cave that belonged to the ancient rulers

of the mountains. They don't know that I am queen here, or of this

palace that is mine--and the light that burns like the sun. Ah! I wonder

what your wise uncle will say when he sees our sun!"

Sajipona laughed noiselessly, with the half-concealed delight that a

child hugs to itself when it hides some simple secret from the eyes of

its elders. Una, more bewildered than ever at this allusion to Leighton,

sought vainly for a reasonable explanation of the marvels surrounding

her.

"My uncle!" she exclaimed. "How do you know that he is wise--and he

is!--and that he is here? Yes, this sun of yours--what is it, where does

it come from?"

Again Sajipona laughed.

"Remember," she said, "this is not Bogota. Out there it is all very

wonderful, very great. You have the sky, the sun, the stars. The

mountains stretch away as far as the eye can see; there are plains,

cities; and there are buildings greater than any we have here. This is

a toy world, you will say, even when you think some things in it very

wonderful. But you do not guess the half of what is here. In this world

my people have lived in secret for centuries. They have discovered

things that even the wisest of your people know nothing of. We have eyes

that see everything that happens in our world of stone, eyes that pierce

through the stones themselves. I knew when you came into our kingdom;

I watched you when you passed through the great gate where the others

were fighting. But--you don't believe me. Come, I will show you."

Sajipona gave her hand to the astonished girl and the two stepped

down from the platform where they were standing and made their way to

the center of the court. Here the great circle of light cast by the

ball of fire overhead gleamed at their feet like an unruffled pool of

sun-kissed water. At the rim of this circle they halted, Sajipona gently

restraining her companion, who, in her eagerness, would have passed on.

"Look there on the floor," she said. "Your eyes may not be as ours;

perhaps you will have to wait before you can see. But it will come--you

will see."

Una remembered how she had heard--and laughed--of magicians who

pretended to read the future by gazing into a crystal globe. The

experiment to which she was now invited seemed like that, only here it

was apparently a huge mirror of reflected light that she was told to

watch, while no word had been said of finding therein a revelation of

things to come. Nor could she see anything in this mirror at first.

Waves of light, tongues of leaping flame, passed over the polished

surface of the metal, here darting off in long zigzag streaks, there

forming a sort of pool of molten, quivering fluorescence, as the

physicists call it, varying in size and color, then vanishing utterly.

Much the same appearance Una remembered having seen on the surface

of a copper kettle when subjected to intense heat. But in this case

there was no perceptible heat to account for the phenomenon, which

was rather electric in its fantastic weavings--a reduplication, on a

gigantic scale, of the wavering finger of light that she had watched

play, with such fatal results, on her uncle's electric psychometer. The

resemblance, recognized with a shudder, intensified her interest. The

succession of marvels through which she had been passing prepared her

for anything. In her present mood, nothing would have surprised her.

"What is it? What is it?" she asked eagerly.

Sajipona followed the twisting maze of figures before them with unwonted

anxiety. Her usual calm demeanor was gone. She appeared to be reading

something the purport of which was not at all to her liking.

"Look!" she exclaimed. "There he is. They have let him pass through the

gate. He is coming here. Anitoo's men are with him."

To Una the words were meaningless. Yet she knew that her companion was

reading, or, rather, witnessing something that was passing before her

own eyes, and that hence should have been quite as visible to her--if

only she had the clew. But this she did not have. She recognized the

hint of danger. She knew that in some way Sajipona had caught a glimpse

of some one whom she counted an enemy. She felt that this person was in

some way connected with her own party; and then the thought of Raoul

Arthur flashed across her mind, at the same time that his veritable

image--so it seemed--stood forth in wavering lines of light at her feet.

"Save David from him!" she cried involuntarily.

"You see him--you know him!"

"He came in with us. He is there--look! I don't know by what invisible

power you have conjured up this apparition, but it is real. He is the

one man I have feared--and he is coming here!"

Sajipona laughed softly to herself.

"Ah!" she cried, "now you have our secret. Here in this ancient hall,

under this sun we have worshiped for countless ages, nothing is hidden.

But the man you fear, that you see there, will bring freedom to us

both."

Whatever Sajipona meant by her enigmatical words, the fact was there,

the living, moving likeness of Raoul Arthur, in the light-woven tapestry

at Una's feet. Eagerly she watched him. It was certainly Raoul, Raoul

hurrying towards her, growing more distinct, more threatening with

every moment. Behind him streamed a shadowy line of men--swiftly,

confidently--following a trail amid the jagged rocks and precipices

of the cave that might well have daunted the boldest spirits, but

which seemed powerless to retard their progress. As Una's eyes became

accustomed to the shifting panorama before her, sundry details came into

view that at first had been unnoticed. She was familiar with the curious

phenomena wrought by the camera obscura, and this singular portrayal on

the gleaming floor of Sajipona's palace seemed at first not unlike that

simple method of reproducing objects invisible to the spectator. But as

the present picture grew and then faded away, to be followed by others

in this magic pool of light, she knew that what she now beheld was

quite beyond the power of the cunningly placed lens used in experiments

with the camera obscura to portray. The latter, she remembered, could

reproduce objects only when they came within a certain definite

distance from the lens itself. But here Raoul Arthur and his companions

moved across a constantly changing, lengthening space. Moreover, she

recognized the path they were following as the one over which she had

traveled at a point far away from the palace. They had reached, indeed,

the very spot where she and Narva had first caught sight of that topmost

pinnacle of the cave, behind and above which flamed the great ball of

fire, the sun of this subterranean world. As Sajipona's palace stood at

the base of this pinnacle, she calculated, from her own experience of

the journey, that Raoul and his followers were coming directly towards

them.

"There is nothing to fear," resumed Sajipona, as if in answer to her

thoughts. "Be glad of their coming. But--for your own people I am

afraid."

"Ah, my poor uncle! I have brought him into all this danger," exclaimed

Una. "Where is he? How can I save him?"

"Look!"

Eagerly studying the portion of the picture indicated, Una suddenly

found, to her horror, that Raoul, with that vague, shadowy rabble at his

heels, was approaching another group of people, just ahead, among whom

she recognized the gaunt figure of Narva, evidently exasperated by the

inability of the others to keep pace with her. Even in the uncertain

lines of the picture the scorn darkening the features of the old sibyl

was easily discernible. Behind her tottered Mrs. Quayle, waving her

arms in helpless protest, supported by the faithful Andrew, whose face

showed an even greater degree of woe and alarm than usual. They were

closely followed by Leighton, imperturbable as ever, and Miranda, whose

irascible rocketing from one side to the other of the narrow trail, and

whose violent gesticulations manifested all too plainly his indignation.

Had it not been for her companions Narva could easily have outstripped

her pursuers; but with so timorous a person as Mrs. Quayle this seemed

impossible. The hopelessness of it, in spite of all his scolding and

prodding, had evidently convinced Miranda of the necessity for a change

of tactics. Further flight being a mere waste of energy, there was left

the alternative of parleying with the enemy. Hence, without stopping to

consult with General Herran, who still suffered, apparently, from his

wound, and who plodded patiently along immediately behind Leighton, the

doctor suddenly came to a standstill. This unexpected halt very nearly

toppled over the others, who were pressing on as hard as they could go

and found it difficult to stop on the instant. But Miranda did not heed

the ludicrous disorder into which he had thrown them. Facing quickly

about, and with arms impressively folded, he bestrode the narrow path

as if defying any one who might be foolhardy enough to challenge him.

At a distance, and without hearing the torrent of abuse with which he

evidently greeted his pursuers, the fiery doctor resembled a small

terrier disputing the right of way with a pack of hounds hot on their

quarry. What he lacked in physical presence, however, Miranda made up in

energy. Undaunted he stood his ground, the men whom he addressed halting

with astonishment depicted on their faces. Then, most amazing of all, he

wheeled about, placed himself at their head and, waving them forward,

strutted along as if he had been their chosen leader.

Amused and impressed by his boldness, the men were apparently willing

at first to accept Miranda for their commander. He furnished them with

a new kind of entertainment, and for the moment, and just because

they did not understand him, it seemed as if they recognized in him

a superiority they were not loath to follow. But Raoul's leadership

was not to be so easily superseded. Quickly thrusting Miranda aside,

breathless and triumphant from his exertions, the wiry American angrily

harangued his troops. He threatened the foremost of them with a pike

that he held in his hand, and by their downcast looks and passive

demeanor, it was evident that his words and gestures had brought them

back to a recognition of his authority. Miranda, still shouting and

gesticulating, was ignominiously left to shift for himself, while the

cavemen, obeying Raoul's command, swept onward until they reached the

stupefied group of explorers ahead of them. Here another halt was

ordered, and Raoul pointed out Mrs. Quayle to his men. Four of the

latter promptly left the ranks of their comrades, went forward at

a round trot, seized the horrified lady, and swung her up to their

shoulders before she knew what was happening, or had time to defend

herself. Thus carried by two of the men and held in place by the other

two, she was speedily brought into line not far behind Raoul. Leighton

evidently protested against the sudden capture of Mrs. Quayle, for

whose safety he felt peculiarly responsible. But his appeal was waved

scornfully aside. The rest of the explorers, Miranda included, seeing

that further resistance was futile, and that they were virtually Raoul's

prisoners, hopelessly resigned themselves to their fate and followed

along with the others. A signal was then given, and the entire throng

marched rapidly down the trail to the palace. Narva, however, was not

among them. In the commotion that took place during the altercation with

Miranda, and the subsequent seizure of Mrs. Quayle, she had disappeared.

As the last figures in this strange picture faded from view, Sajipona

seized Una's arm. The waving streams of light reflected on the floor

had again become meaningless. It was as if a dream had suddenly passed

before them, leaving them, as sleepers awakening, uncertain of the

reality of what they had witnessed.

"Who is he?" asked Sajipona--"the stout man who so nearly captured these

traitors?"

"A friend, a doctor, who came with us."

"He is brave! But it is strange that this Raoul Arthur could free

himself so easily from Anitoo. He must have killed my poor Anitoo to

do that. But your friend was nearly too much for him! Never mind if he

failed. They will soon be here. Let us be ready!"

Then, turning to her attendants who stood in a circle at a distance from

them, she cried:

"Open the door!"

Obeying her command, two of the cavemen hurried to the farther end of

the hall. There was a muffled sound of grating stone, and then the two

leaves of the great portal swung slowly open, revealing the glittering,

silent garden of the palace beyond.

XIX

A QUEEN'S CONQUEST

Surrounded by her people, the ancient diadem of the Chibchas, with its

great, smouldering emerald, on her head, Sajipona waited at the entrance

to the court. Without, the motionless flowers and shrubbery of the

garden were steeped in a pale, quivering light outlining every object

with a weird intensity sharper, yet more indefinable than gleams from

moon-drenched skies. In this spectral scene the cavemen stood in rows,

like carven statues; even Sajipona, mobile, versatile of mood, seemed a

woman of marble.

But Una, stirred profoundly by the picture she had seen, doubtful of its

reality, not altogether sure of her own ground, aware of the dangers

that threatened, but ignorant of their exact character, could not hide

her anxiety. Seizing Sajipona's hand, her eyes were eloquent of unspoken

questioning. Her mute appeal was answered by a wistful smile, a glance

at once gracious and sorrowful.

"For you there is no danger," said the queen. "For me--yes, for me there

is, perhaps, danger."

"How can that be?"

"You fear this Raoul Arthur. It is not for you, it is for me he has

come. For three years he has plotted to do this thing. My own kinsman,

Rafael Segurra, was in league with him. Before now he has attempted to

force his way here. The two together found their opportunity in your

coming. And now--Arthur has escaped from his captors and again seems to

have found traitors among my people."

"What is it he wants?"

"You ask that--you who know David!"

For a moment the anger and suspicion with which she had first regarded

Una kindled in Sajipona's eyes. But the mood vanished as quickly as it

came.

"Surely, you remember what Narva said," she went on. "He seeks treasure.

He sought it with David three years ago, the poor treasure belonging to

what is left of my people. Segurra told him where it was, how to get

it."

"Ah, yes!" exclaimed Una. "Now I know! The treasure of Guatavita, of El

Dorado, it is here."

"It is here--it is mine!" said Sajipona sternly. "It will never be

his. Always your people have fought for it, have sinned and died to

make it theirs. They have driven us off the face of the earth, to hide

for centuries in this cave and in that other land that as yet you know

nothing of. Here we have made our world--and we will keep what is ours,

unless David----"

The words died on Sajipona's lips. At the far end of the garden the

heavy branches of spectral shrubbery swayed and parted, revealing a

majestic figure hastening toward them. It was Narva. Gliding along

the pathway, she showed an agitation contrasting strangely with

her accustomed reserve. Reaching the entrance to the palace, she

pointed behind her, at the same time addressing the queen in words

unintelligible to Una.

"Yes, they are coming," said Sajipona, smiling composedly. "It is well.

There is nothing to fear."

Narva had arrived none too soon. As she spoke to the queen, shouts were

heard in the distance, and then the tramp of approaching footsteps.

Sajipona advanced to the threshold of the palace, where, signing to the

others to remain behind, she stood alone, awaiting the noisy intruders.

Her defenseless position brought bitter protest from Narva that was

supported by a movement among the others to protect their queen. This

was quickly rebuked; and when Raoul, his followers and the explorers

poured into the garden they were confronted by a group of men and women

who gave no sign of uneasiness at their arrival.

It should be noted here that, in spite of his defeat, pictured in

the pool of light, Miranda had by no means relinquished his efforts

to gain control of Raoul's men. He had followed along at their side,

irrepressible in his attempts to hold their attention--a sort of

gadfly whose persistent teasing nothing can stop. Raoul would have put

an end to him, once and for all; but in this he found that his men,

pacific by nature and training, would not uphold him. Miranda's rotund

figure, vehemence, spasmodic energy, the unmitigated scorn with which

he regarded all who differed from him, delighted them. He enjoyed the

sort of immunity from punishment granted the old-time court jester. The

cavemen liked him because they could never tell what he was going to do

next. The novelty of so dynamic a personality appealed to their sense

of humor. Thus, when they were all assembled in the garden, the little

doctor's next move was awaited with eagerness. To their astonishment,

the flourish expected of him was not forthcoming. Instead, he stood

stock still, folded his arms across his chest with all the Napoleonic

dignity he could muster, and glared at Raoul.

This extreme composure, however, was not shared by the rest of the

explorers. At the first glimpse of Una, standing immediately behind

Sajipona, Mrs. Quayle gave a shriek of joy and collapsed into the arms

of the schoolmaster, whose own emotions made him a sorry support at

the best. Leighton, on the contrary, accompanied by Herran, strode

quickly forward and would have reached the threshold of the palace,

had he not been waved imperiously aside by Raoul, who now summoned his

followers about him, formed them into a close phalanx and advanced

rapidly across the garden. When they were within a hundred yards of

the palace, they were suddenly met by two men of gigantic stature,

who calmly ordered them to halt. Raoul was less intimidated than his

followers, who recognized in this unexpected challenge an authority they

were accustomed to obey. The two men confronting them evidently belonged

to the priesthood. They were distinguished from the rest of Sajipona's

courtiers by their dress, adorned by various symbolical figures

embroidered in red and gold, and by two wands, each surmounted by an

emerald, which they carried in their hands. Although without military

backing, weaponless except for these wands, Raoul saw with dismay that

the mere presence of these men excited the respect, and even the homage,

of those about him. Many bowed before them; a few showed an unmistakable

disposition to abandon their enterprise altogether and take refuge in

flight. Before this movement could become general, however, they were

arrested by the appearance of Sajipona in their midst.

The Gilded Man: A Romance of the Andes · 第 18 / 22 段