He went out into the enveloping mountain mist with the sound of

her weeping ringing in his ears. His eyes were hot, and his angry

heart was heavy. He had schemed and waited for his revenge with

persistent patience. Fortune had favored him, but now that it had

fully come, strangely enough it failed to satisfy him. The deed in

his breast-pocket weighed like a stone, and as he rode on through

the clouds that lay upon the mountain top, the sense of its pressure

became almost unendurable. And yet, with a perplexing contrariety of

emotion, he felt more bitterly toward her than ever, and experienced

a delight almost savage in holding the possessions for which she had

been so willing to resign him. "Jes' kicked me out 'n the way like I

war nuthin' more 'n that thar branch o' pisen-oak, fur a passel o'

cattle an' sech like critters, an' a house an' land,--'kase I don't

count Josiah in. 'Twar the house an' land an' sech she war a-studyin'

'bout." And every moment the weight of the deed grew heavier. He took

scant notice of external objects as he went, keeping mechanically

along the path, closed in twenty yards ahead of him by the opaque

curtain of mist. The trees at the greatest distance visible stood

shadow-like and colorless in their curious, unreal atmosphere; but now

and then the faintest flake of a pale rose tint would appear in the

pearly haze, deepening and deepening, till at the vanishing point of

the perspective a gorgeous scarlet-oak tree would rise, red enough to

make a respectable appearance on the planet Mars. There was an audible

stir breaking upon the silence of the solemn woods, the leaves were

rustling together, and drops of moisture began to patter down upon

the ground. The perspective grew gradually longer and longer, as the

rising wind cleared the forest aisles; and when he reached the road

that ran between the precipice and the steep ascent above, the clouds

were falling apart, the mist had broken into thousands of fleecy white

wreaths, clinging to the fantastically tinted foliage, and the sunlight

was striking deep into the valley. The woods about the Settlement were

all aglow with color, and sparkling with the tremulous drops that

shimmered in the sun.

There was an unwonted air of animation and activity pervading the

place. To the court-house fence were hitched several lean, forlorn

horses, with shabby old saddles, or sometimes merely blankets; two or

three wagons were standing among the stumps in the clearing. The door

of the store was occupied by a coterie of mountaineers, talking with

unusual vivacity of the most startling event that had agitated the

whole country-side for a score of years,--the winning of Josiah Tait's

house and land at Old Sledge. The same subject was rife among the

choice spirits congregated in the court-house yard and about the portal

of that temple of justice, and Wray's approach was watched with the

keenest interest.

He dismounted, and walked slowly to the door, paused, and turning as

with a sudden thought threw himself hastily upon his horse; he dashed

across the clearing, galloped heedlessly down the long, steep slope,

and the astounded loiterers heard the thunder of the hoofs as they beat

at a break-neck speed upon the frail, rotten timbers of the bridge

below.

Josiah Tait had put his troubles in to soak at the still-house, and

this circumstance did not tend to improve the cheerfulness of his

little, home when he returned in the afternoon. The few necessities

left to the victims of Old Sledge had been packed together, and were in

readiness to be transported with him, his wife, and mother-in-law to

Melinda's old home on Scrub-Oak Ridge, when her brother should drive

his wagon over for them the next morning.

They never knew how to account for it. While the forlorn family were

sitting before the smoking fire, as the day waned, the door was

suddenly burst open, and Budd Wray strode in impetuously. A brilliant

flame shot up the chimney, and the deed which Josiah Tait had that

day executed was a cinder among the logs. He went as he came, and the

mystery was never explained.

There was, however, "a sayin' goin' 'bout the mounting ez how Josiah

an' Melindy jes' 'ticed him, somehow 'nother, ter thar house, an' held

him, an' tuk the deed away from him tergether. An' they made him send

back the critters an' the corn what he done won away from 'em." This

version came to his ears, and was never denied. He was more ashamed of

relenting in his vengeance than of the wild legend that he had been

worsted in a tussle with Melinda and Josiah.

And since the night of Budd Wray's barren success the playing of Old

Sledge has become a lost art at the Settlement.

THE STAR IN THE VALLEY.

He first saw it in the twilight of a clear October evening. As the

earliest planet sprang into the sky, an answering gleam shone red

amid the glooms in the valley. A star too it seemed. And later, when

the myriads of the fairer, whiter lights of a moonless night were all

athrob in the great concave vault bending to the hills, there was

something very impressive in that solitary star of earth, changeless

and motionless beneath the ever-changing skies.

Chevis never tired of looking at it. Somehow it broke the spell that

draws all eyes heavenward on starry nights. He often strolled with

his cigar at dusk down to the verge of the crag, and sat for hours

gazing at it and vaguely speculating about it. That spark seemed to

have kindled all the soul and imagination within him, although he knew

well enough its prosaic source, for he had once questioned the gawky

mountaineer whose services he had secured as guide through the forest

solitudes during this hunting expedition.

"That thar spark in the valley?" Hi Bates had replied, removing the

pipe from his lips and emitting a cloud of strong tobacco smoke.

"'Tain't nuthin' but the light in Jerry Shaw's house, 'bout haffen mile

from the foot of the mounting. Ye pass that thar house when ye goes

on the Christel road, what leads down the mounting off the Backbone.

That's Jerry Shaw's house,--that's what it is. He's a blacksmith, an'

he kin shoe a horse toler'ble well when he ain't drunk, ez he mos'ly

is."

"Perhaps that is the light from the forge," suggested Chevis.

"That thar forge ain't run more 'n half the day, let 'lone o' nights.

I hev never hearn tell on Jerry Shaw a-workin' o' nights,--nor in the

daytime nuther, ef he kin git shet of it. No sech no 'count critter

'twixt hyar an' the Settlemint."

So spake Chevis's astronomer. Seeing the star even through the prosaic

lens of stern reality did not detract from its poetic aspect. Chevis

never failed to watch for it. The first faint glinting in the azure

evening sky sent his eyes to that red reflection suddenly aglow in

the valley; even when the mists rose above it and hid it from him, he

gazed at the spot where it had disappeared, feeling a calm satisfaction

to know that it was still shining beneath the cloud-curtain. He

encouraged himself in this bit of sentimentality. These unique eventide

effects seemed a fitting sequel to the picturesque day, passed in

hunting deer, with horn and hounds, through the gorgeous autumnal

forest; or perchance in the more exciting sport in some rocky gorge

with a bear at bay and the frenzied pack around him; or in the idyllic

pleasures of bird-shooting with a thoroughly-trained dog; and coming

back in the crimson sunset to a well-appointed tent and a smoking

supper of venison or wild turkey,--the trophies of his skill. The vague

dreaminess of his cigar and the charm of that bright bit of color

in the night-shrouded valley added a sort of romantic zest to these

primitive enjoyments, and ministered to that keen susceptibility of

impressions which Reginald Chevis considered eminently characteristic

of a highly wrought mind and nature.

He said nothing of his fancies, however, to his fellow sportsman,

Ned Varney, nor to the mountaineer. Infinite as was the difference

between these two in mind and cultivation, his observation of both

had convinced him that they were alike incapable of appreciating and

comprehending his delicate and dainty musings. Varney was essentially a

man of this world; his mental and moral conclusions had been adopted in

a calm, mercantile spirit, as giving the best return for the outlay,

and the market was not liable to fluctuations. And the mountaineer

could go no further than the prosaic fact of the light in Jerry Shaw's

house. Thus Reginald Chevis was wont to sit in contemplative silence

on the crag until his cigar was burnt out, and afterward to lie awake

deep in the night, listening to the majestic lyric welling up from the

thousand nocturnal voices of these mountain wilds.

During the day, in place of the red light a gauzy little curl of smoke

was barely visible, the only sign or suggestion of human habitation

to be seen from the crag in all the many miles of long, narrow valley

and parallel tiers of ranges. Sometimes Chevis and Varney caught

sight of it from lower down on the mountain side, whence was faintly

distinguishable the little log-house and certain vague lines marking

a rectangular inclosure; near at hand, too, the forge, silent and

smokeless. But it did not immediately occur to either of them to

theorize concerning its inmates and their lives in this lonely place;

for a time, not even to the speculative Chevis. As to Varney, he gave

his whole mind to the matter in hand,--his gun, his dog, his game,--and

his note-book was as systematic and as romantic as the ledger at home.

It might be accounted an event in the history of that log-hut when

Reginald Chevis, after riding past it eighty yards or so, chanced one

day to meet a country girl walking toward the house. She did not look

up, and he caught only an indistinct glimpse of her face. She spoke to

him, however, as she went by, which is the invariable custom with the

inhabitants of the sequestered nooks among the encompassing mountains,

whether meeting stranger or acquaintance. He lifted his hat in return,

with that punctilious courtesy which he made a point of according to

persons of low degree. In another moment she had passed down the narrow

sandy road, overhung with gigantic trees, and, at a deft, even pace,

hardly slackened as she traversed the great log extending across the

rushing stream, she made her way up the opposite hill, and disappeared

gradually over its brow.

The expression of her face, half-seen though it was, had attracted his

attention. He rode slowly along, meditating. "Did she go into Shaw's

house, just around the curve of the road?" he wondered. "Is she Shaw's

daughter, or some visiting neighbor?"

That night he looked with a new interest at the red star, set like a

jewel in the floating mists of the valley.

"Do you know," he asked of Hi Bates, when the three men were seated,

after supper, around the camp-fire, which sent lurid tongues of

flame and a thousand bright sparks leaping high in the darkness, and

illumined the vistas of the woods on every side, save where the sudden

crag jutted over the valley,--"Do you know whether Jerry Shaw has a

daughter,--a young girl?"

"Ye-es," drawled Hi Bates, disparagingly, "he hev."

A pause ensued. The star in the valley was blotted from sight;

the rising mists had crept to the verge of the crag; nay, in the

undergrowth fringing the mountain's brink, there were softly clinging

white wreaths.

"Is she pretty?" asked Chevis.

"Waal, no, she ain't," said Hi Bates, decisively. "She's a pore,

no 'count critter." Then he added, as if he were afraid of being

misapprehended, "Not ez thar is any harm in the gal, ye onderstand.

She's a mighty good, saft-spoken, quiet sort o' gal, but she's a pore,

white-faced, slim little critter. She looks like she hain't got no

sort'n grit in her. She makes me think o' one o' them slim little slips

o' willow every time nor I sees her. She hain't got long ter live, I

reckon," he concluded, dismally.

Reginald Chevis asked him no more questions about Jerry Shaw's daughter.

Not long afterward, when Chevis was hunting through the deep woods

about the base of the mountain near the Christel road, his horse

happened to cast a shoe. He congratulated himself upon his proximity

to the forge, for there was a possibility that the blacksmith might be

at work; according to the account which Hi Bates had given of Jerry

Shaw's habits, there were half a dozen chances against it. But the shop

was at no great distance, and he set out to find his way back to the

Christel road, guided by sundry well-known landmarks on the mountain

side: certain great crags hanging above the tree-tops, showing in

grander sublimity through the thinning foliage, or beetling bare and

grim; a dismantled and deserted hovel, the red-berried vines twining

amongst the rotting logs; the full flow of a tumultuous stream making

its last leap down a precipice eighty feet high, with yeasty, maddening

waves below and a rainbow-crowned crystal sheet above. And here again

the curves of the woodland road. As the sound of the falling water

grew softer and softer in the distance, till it was hardly more than

a drowsy murmur, the faint vibrations of a far-off anvil rang upon

the air. Welcome indeed to Chevis, for however enticing might be the

long rambles through the redolent October woods with dog and gun, he

had no mind to tramp up the mountain to his tent, five miles distant,

leading the resisting horse all the way. The afternoon was so clear

and so still that the metallic sound penetrated far through the quiet

forest. At every curve of the road he expected to see the log-cabin

with its rail fence, and beyond the low-hanging chestnut-tree, half its

branches resting upon the roof of the little shanty of a blacksmith's

shop. After many windings a sharp turn brought him full upon the humble

dwelling, with its background of primeval woods and the purpling

splendors of the western hills. The chickens were going to roost in

a stunted cedar-tree just without the door; an incredibly old man,

feeble and bent, sat dozing in the lingering sunshine on the porch; a

girl, with a pail on her head, was crossing the road and going down a

declivity toward a spring which bubbled up in a cleft of the gigantic

rocks that were piled one above another, rising to a great height. A

mingled breath of cool, dripping water, sweet-scented fern, and pungent

mint greeted him as he passed it. He did not see the girl's face, for

she had left the road before he went by, but he recognized the slight

figure, with that graceful poise acquired by the prosaic habit of

carrying weights upon the head, and its lithe, swaying beauty reminded

him of the mountaineer's comparison,--a slip of willow.

And now, under the chestnut-tree, in anxious converse with Jerry Shaw,

who came out hammer in hand from the anvil, concerning the shoe to

be put on Strathspey's left fore-foot, and the problematic damage

sustained since the accident. Chevis's own theory occupied some minutes

in expounding, and so absorbed his attention that he did not observe,

until the horse was fairly under the blacksmith's hands, that, despite

Jerry Shaw's unaccustomed industry, this was by no means a red-letter

day in his habitual dissipation. He trembled for Strathspey, but it was

too late now to interfere. Jerry Shaw was in that stage of drunkenness

which is greatly accented by an elaborate affectation of sobriety. His

desire that Chevis should consider him perfectly sober was abundantly

manifest in his rigidly steady gait, the preternatural gravity in his

bloodshot eyes, his sparingness of speech, and the earnestness with

which he enunciated the acquiescent formulæ which had constituted his

share of the conversation. Now and then, controlling his faculties

by a great effort, he looked hard at Chevis to discover what doubts

might be expressed in his face concerning the genuineness of this

staid deportment; and Chevis presently found it best to affect too.

Believing that the blacksmith's histrionic attempts in the _rôle_ of

sober artisan were occupying his attention more than the paring of

Strathspey's hoof, which he held between his knees on his leather

apron, while the horse danced an animated measure on the other three

feet, Chevis assumed an appearance of indifference, and strolled away

into the shop. He looked about him, carelessly, at the horseshoes

hanging on a rod in the rude aperture that served as window, at the

wagon-tires, the plowshares, the glowing fire of the forge. The air

within was unpleasantly close, and he soon found himself again in the

door-way.

"Can I get some water here?" he asked, as Jerry Shaw reëntered, and

began hammering vigorously at the shoe destined for Strathspey.

The resonant music ceased for a moment. The solemn, drunken eyes were

slowly turned upon the visitor, and the elaborate affectation of

sobriety was again obtrusively apparent in the blacksmith's manner. He

rolled up more closely the blue-checked homespun sleeve from his corded

hammer-arm, twitched nervously at the single suspender that supported

his copper-colored jeans trousers, readjusted his leather apron hanging

about his neck, and, casting upon Chevis another glance, replete with

a challenging gravity, fell to work upon the anvil, every heavy and

well-directed blow telling with the precision of machinery.

The question had hardly been heard before forgotten. At the next

interval, when he was going out to fit the horse, Chevis repeated his

request.

"Water, did ye say?" asked Jerry Shaw, looking at him with narrowing

eyelids, as if to shut out all other contemplation that he might

grapple with this problem. "Thar's no fraish water hyar, but ye kin

go yander ter the house and ax fur some; or," he added, shading his

eyes from the sunlight with his broad, blackened hand, and looking at

the huge wall of stone beyond the road, "ye kin go down yander ter the

spring, an' ax that thar gal fur a drink."

Chevis took his way, in the last rays of sunshine, across the road

and down the declivity in the direction indicated by the blacksmith.

A cool gray shadow fell upon him from the heights of the great rocks,

as he neared them; the narrow path leading from the road grew dank

and moist, and presently his feet were sunk in the still green and

odorous water-loving weeds, the clumps of fern, and the pungent

mint. He did not notice the soft verdure; he did not even see the

beautiful vines that hung from earth-filled niches among the rocks,

and lent to their forbidding aspect something of a smiling grace;

their picturesque grouping, where they had fallen apart to show this

sparkling fountain of bright up-springing water, was all lost upon his

artistic perceptions. His eyes were fixed on the girl standing beside

the spring, her pail filled, but waiting, with a calm, expectant look

on her face, as she saw him approaching.

No creature could have been more coarsely habited: a green cotton

dress, faded to the faintest hue; rough shoes, just visible beneath her

skirts; a dappled gray and brown calico sun-bonnet, thrown aside on a

moss-grown bowlder near at hand. But it seemed as if the wild nature

about her had been generous to this being toward whom life and fortune

had played the niggard. There were opaline lights in her dreamy eyes

which one sees nowhere save in sunset clouds that brood above dark

hills; the golden sunbeams, all faded from the landscape, had left a

perpetual reflection in her bronze hair; there was a subtle affinity

between her and other pliant, swaying, graceful young things, waving in

the mountain breezes, fed by the rain and the dew. She was hardly more

human to Chevis than certain lissome little woodland flowers, the very

names of which he did not know,--pure white, star-shaped, with a faint

green line threading its way through each of the five delicate petals;

he had seen them embellishing the banks of lonely pools, or growing

in dank, marshy places in the middle of the unfrequented road, where

perhaps it had been mended in a primitive way with a few rotting rails.

"May I trouble you to give me some water?" asked Chevis, prosaically

enough. She neither smiled nor replied. She took the gourd from the

pail, dipped it into the lucent depths of the spring, handed it to him,

and stood awaiting its return when he should have finished. The cool,

delicious water was drained, and he gave the gourd back. "I am much

obliged," he said.

"Ye're welcome," she replied, in a slow, singing monotone. Had the

autumn winds taught her voice that melancholy cadence?

Chevis would have liked to hear her speak again, but the gulf between

his station and hers--so undreamed of by her (for the differences

of caste are absolutely unknown to the independent mountaineers),

so patent to him--could be bridged by few ideas. They had so little

in common that for a moment he could think of nothing to say. His

cogitation suggested only the inquiry, "Do you live here?" indicating

the little house on the other side of the road.

"Yes," she chanted in the same monotone, "I lives hyar."

She turned to lift the brimming pail. Chevis spoke again: "Do you

always stay at home? Do you never go anywhere?"

Her eyes rested upon him, with a slight surprise looking out from among

their changing lights. "No," she said, after a pause; "I hev no call to

go nowhar ez I knows on."

She placed the pail on her head, took the dappled sun-bonnet in her

hand, and went along the path with the assured, steady gait and the

graceful backward poise of the figure that precluded the possibility of

spilling a drop from the vessel.

He had been touched in a highly romantic way by the sweet beauty of

this little woodland flower. It seemed hard that so perfect a thing of

its kind should be wasted here, unseen by more appreciative eyes than

those of bird, or rabbit, or the equally uncultured human beings about

her; and it gave him a baffling sense of the mysterious injustice of

life to reflect upon the difference in her lot and that of others of

her age in higher spheres. He went thoughtfully through the closing

shadows to the shop, mounted the re-shod Strathspey, and rode along

the rugged ascent of the mountain, gravely pondering on worldly

inequalities.

He saw her often afterward, although he spoke to her again but once.

He sometimes stopped as he came and went on the Christel road, and sat

chatting with the old man, her grandfather, on the porch, sunshiny

days, or lounged in the barn-like door of Jerry Shaw's shop talking to

the half-drunken blacksmith. He piqued himself on the readiness with

which he became interested in these people, entered into their thoughts

and feelings, obtained a comprehensive idea of the machinery of life

in this wilderness,--more complicated than one could readily believe,

looking upon the changeless face of the wide, unpopulated expanse of

mountain ranges stretching so far beneath that infinite sky. They

appealed to him from the basis of their common humanity, he thought,

and the pleasure of watching the development of the common human

attributes in this peculiar and primitive state of society never palled

upon him. He regarded with contempt Varney's frivolous displeasure and

annoyance because of Hi Bates's utter insensibility to the difference

in their social position, and the necessity of either acquiescing in

the supposititious equality or dispensing with the invaluable services

of the proud and independent mountaineer; because of the _patois_ of

the untutored people, to hear which, Varney was wont to declare, set

his teeth on edge; because of their narrow prejudices, their mental

poverty, their idle shiftlessness, their uncouth dress and appearance.

Chevis flattered himself that he entertained a broader view. He had

not even a subacute idea that he looked upon these people and their

inner life only as picturesque bits of the mental and moral landscape;

that it was an æsthetic and theoretical pleasure their contemplation

afforded him; that he was as far as ever from the basis of common

humanity.

Sometimes while he talked to the old man on the sunlit porch, the "slip

o' willow" sat in the door-way, listening too, but never speaking.

Sometimes he would find her with her father at the forge, her fair,

ethereal face illumined with an alien and fluctuating brilliancy,

shining and fading as the breath of the fire rose and fell. He came to

remember that face so well that in a sorry sketch-book, where nothing

else was finished, there were several laborious pages lighted up with a

faint reflection of its beauty. But he was as much interested perhaps,

though less poetically, in that massive figure, the idle blacksmith. He

looked at it all from an ideal point of view. The star in the valley

was only a brilliant, set in the night landscape, and suggested a

unique and pleasing experience.

How should he imagine what luminous and wistful eyes were turned

upward to where another star burned,--the light of his camp-fire on

the crag; what pathetic, beautiful eyes had learned to watch and wait

for that red gleam high on the mountain's brow,--hardly below the

stars in heaven it seemed! How could he dream of the strange, vague,

unreasoning trouble with which his idle comings and goings had clouded

that young life, a trouble as strange, as vague, as vast, as the

limitless sky above her.

She understood him as little. As she sat in the open door-way, with the

flare of the fire behind her, and gazed at the red light shining on

the crag, she had no idea of the heights of worldly differences that

divided them, more insurmountable than precipices and flying chutes of

mountain torrents, and chasms and fissures of the wild ravine: she knew

nothing of the life he had left, and of its rigorous artificialities

and gradations of wealth and estimation. And with a heart full of

pitiable unrealities she looked up at the glittering simulacrum of a

star on the crag, while he gazed down on the ideal star in the valley.

In the Tennessee mountains · 第 6 / 16 段