THE WINTER’S TALE.

Leontes, king of Sicily, and his queen, the beautiful and virtuous

Hermione, once lived in the greatest harmony together. So happy was

Leontes in the love of this excellent lady, that he had no wish

ungratified, except that he sometimes desired to see again, and present

to his queen, his old companion and school-fellow, Polixenes, king of

Bohemia. Leontes and Polixenes were brought up together from their

infancy; but being, by the death of their fathers, called to reign over

their respective kingdoms, they had not met for many years, though they

frequently interchanged gifts, letters, and loving embassies.

At length, after repeated invitations, Polixenes came from Bohemia to

the Sicilian court, to make his friend Leontes a visit.

At first this visit gave nothing but pleasure to Leontes. He

recommended the friend of his youth to the queen’s particular

attention, and seemed in the presence of his dear friend and old

companion to have his felicity quite completed. They talked over old

times; their school-days and their youthful pranks were remembered

and recounted to Hermione, who always took a cheerful part in these

conversations.

When, after a long stay, Polixenes was preparing to depart, Hermione,

at the desire of her husband, joined her entreaties to his that

Polixenes would prolong his visit.

And now began this good queen’s sorrow; for Polixenes refusing to

stay at the request of Leontes, was won over by Hermione’s gentle

and persuasive words to put off his departure for some weeks longer.

Upon this, although Leontes had so long known the integrity and

honorable principles of his friend Polixenes, as well as the excellent

disposition of his virtuous queen, he was seized with an ungovernable

jealousy. Every attention Hermione showed to Polixenes, though by her

husband’s particular desire, and merely to please him, increased the

unfortunate king’s malady; and from being a loving and a true friend,

and the best and fondest of husbands, Leontes became suddenly a savage

and inhuman monster. Sending for Camillo, one of the lords of his

court, and telling him of the suspicion he entertained, he commanded

him to poison Polixenes.

Camillo was a good man; and he, well knowing that the jealousy of

Leontes had not the slightest foundation in truth, instead of poisoning

Polixenes, acquainted him with the king his master’s orders, and agreed

to escape with him out of the Sicilian dominions; and Polixenes, with

the assistance of Camillo, arrived safe in his own kingdom of Bohemia,

where Camillo lived from that time in the king’s court, and became the

chief friend and favorite of Polixenes.

The flight of Polixenes enraged the jealous Leontes still more; he went

to the queen’s apartment, where the good lady was sitting with her

little son Mamillus, who was just beginning to tell one of his best

stories to amuse his mother, when the king entered, and taking the

child away, sent Hermione to prison.

Mamillus, though but a very young child, loved his mother tenderly; and

when he saw her so dishonored, and found she was taken from him to be

put into a prison, he took it deeply to heart, and drooped and pined

away by slow degrees, losing his appetite and his sleep, till it was

thought his grief would kill him.

The king, when he had sent his queen to prison, commanded Cleomenes and

Dion, two Sicilian lords, to go to Delphos, there to inquire of the

oracle at the temple of Apollo if his queen still really loved him.

When Hermione had been a short time in prison, she gave birth to a

daughter; and the poor lady received much comfort from the sight of

her pretty baby, and she said to it, “My poor little prisoner, I am as

innocent as you are.” Hermione had a kind friend in the noble-spirited

Paulina, who was the wife of Antigonus, a Sicilian lord; and when the

lady Paulina heard her royal mistress had got a daughter, she went to

the prison where Hermione was confined, and she said to Emilia, a lady

who attended upon Hermione, “I pray you, Emilia, tell the good queen,

if her majesty dare trust me with her little babe, I will carry it to

the king, its father; we do not know how he may soften at the sight

of his innocent child.” “Most worthy madam,” replied Emilia, “I will

acquaint the queen with your noble offer; she was wishing to-day that

she had any friend who would venture to present the child to the king.”

“And tell her,” said Paulina, “that I will speak boldly to Leontes in

her defence.” “May you be forever blessed!” said Emilia, “for your

kindness to our gracious queen!” Emilia then went to Hermione, who

joyfully gave up her baby to the care of Paulina, for she had feared

that no one would dare venture to present the child to its father.

Paulina took the new-born infant, and forcing herself into the king’s

presence, notwithstanding her husband, fearing the king’s anger,

endeavored to prevent her, she laid the babe at its father’s feet,

and Paulina made a noble speech to the king in defence of Hermione,

and she reproached him severely for his inhumanity, and implored him

to have mercy on his innocent wife and child. But Paulina’s spirited

remonstrances only aggravated Leontes’s displeasure, and he ordered her

husband Antigonus to take her from his presence.

When Paulina went away, she left the little baby at its father’s feet,

thinking, when he was alone with it, he would look upon it, and have

pity on its helpless innocence.

The good Paulina was mistaken; for no sooner was she gone than the

merciless father ordered Antigonus, Paulina’s husband, to take the

child, and carry it out to sea, and leave it upon some desert shore to

perish.

Antigonus, unlike the good Camillo, too well obeyed the orders of

Leontes; for he immediately carried the child on shipboard, and put out

to sea, intending to leave it on the first desert coast he could find.

So strongly was the king prejudiced against Hermione, that he would not

wait for the return of Cleomenes and Dion, whom he had sent to consult

the oracle of Apollo at Delphos; but before the queen was recovered,

and while she still grieved for the loss of her precious baby, he had

her brought to a public trial before all the lords and nobles of his

court. And when all the great lords, the judges, and all the nobility

of the land were assembled together to try Hermione, and that unhappy

queen was standing as a prisoner before her subjects to receive their

judgment, Cleomenes and Dion entered the assembly, and presented to the

king the answer of the oracle sealed up; and Leontes commanded the seal

to be broken, and the words of the oracle to be read aloud, and these

were the words: “Hermione is innocent, Polixenes blameless, Camillo

a true subject, Leontes a jealous tyrant, and the king shall live

without an heir if that which is lost be not found.” The king would

give no credit to the words of the oracle; he said it was a falsehood

invented by the queen’s friends, and he desired the judge to proceed in

the trial of the queen. But while Leontes was speaking, a man entered

and told him that the prince Mamillus, hearing that his mother was to

be tried for her life, struck with grief and shame, had suddenly died.

Hermione, upon hearing of the death of this dear affectionate child,

who had lost his life in sorrowing for her misfortune, fainted; and

Leontes, pierced to the heart by the news, began to feel pity for his

unhappy queen, and he ordered Paulina, and the ladies who were her

attendants, to take her away, and use means for her recovery. Paulina

soon returned, and told the king that Hermione was dead.

When Leontes heard that the queen was dead, he repented of his cruelty

to her; and now that he thought his ill usage had broken Hermione’s

heart he believed her innocent; and he now thought the words of the

oracle were true, as he knew “if that which was lost was not found”

which he concluded was his young daughter, he should be without an

heir, the young prince Mamillus being dead, and he would give his

kingdom now to recover his lost daughter; and Leontes gave himself up

to remorse, and passed many years in mournful thoughts and repentant

grief.

The ship in which Antigonus carried the infant princess out to sea was

driven by a storm upon the coast of Bohemia, the very kingdom of the

good king Polixenes. Here Antigonus landed, and here he left the little

baby.

Antigonus never returned to Sicily to tell Leontes where he had left

his daughter, for, as he was going back to the ship, a bear came out of

the woods and tore him to pieces; a just punishment on him for obeying

the wicked order of Leontes.

The child was dressed in rich clothes and jewels; for Hermione had made

it very fine when she sent it to Leontes, and Antigonus had pinned a

paper to its mantle, with the name _Perdita_ written thereon, and words

obscurely intimating its high birth and untoward fate.

This poor deserted baby was found by a shepherd. He was a humane man,

and so he carried the little Perdita home to his wife, who nursed it

tenderly; but poverty tempted the shepherd to conceal the rich prize

he had found: therefore he left that part of the country, that no one

might know where he got his riches, and with part of Perdita’s jewels

he bought herds of sheep, and became a wealthy shepherd. He brought up

Perdita as his own child, and she knew not she was any other than a

shepherd’s daughter.

The little Perdita grew up a lovely maiden; and though she had no

better education than that of a shepherd’s daughter, yet so did the

natural graces she inherited from her royal mother shine forth in her

untutored mind, that no one from her behavior would have known she had

not been brought up in her father’s court.

Polixenes, the king of Bohemia, had an only son, whose name was

Florizel. As this young prince was hunting near the shepherd’s

dwelling, he saw the old man’s supposed daughter, and the beauty,

modesty, and queen-like deportment of Perdita caused him instantly to

fall in love with her. He soon, under the name of Doricles, and in the

disguise of a private gentleman, become a constant visitor at the old

shepherd’s house.

Florizel’s frequent absence from court alarmed Polixenes; and setting

people to watch his son, he discovered his love for the shepherd’s

daughter.

Polixenes then called for Camillo, the faithful Camillo, who had

preserved his life from the fury of Leontes, and desired that he would

accompany him to the house of the shepherd, the supposed father of

Perdita.

Polixenes and Camillo, both in disguise, arrived at the old shepherd’s

dwelling, while they were celebrating the feast of sheep-shearing; and

though they were strangers, yet at the sheep-shearing every guest being

made welcome, they were invited to walk in, and join in the general

festivity.

Nothing but mirth and jollity was going forward. Tables were spread,

and great preparations were making for the rustic feast. Some lads and

lasses were dancing on the green before the house, while others of the

young men were buying ribands, gloves, and such toys, of a peddler at

the door.

While this busy scene was going forward, Florizel and Perdita

sat quietly in a retired corner, seemingly more pleased with the

conversation of each other, than desirous of engaging in the sports and

silly amusements of those around them.

The king was so disguised that it was impossible his son could know

him; he therefore advanced near enough to hear the conversation. The

simple yet elegant manner in which Perdita conversed with his son did

not a little surprise Polixenes. He said to Camillo, “This is the

prettiest low-born lass I ever saw; nothing she does or says but looks

like something greater than herself, too noble for this place.”

Camillo replied, “Indeed she is the very queen of curds and cream.”

“Pray, my good friend,” said the king to the old shepherd, “what fair

swain is that talking with your daughter?” “They call him Doricles,”

replied the shepherd. “He says he loves my daughter; and to speak truth

there is not a kiss to choose which loves the other best. If young

Doricles can get her, she will bring him that he little dreams of,”

meaning the remainder of Perdita’s jewels; which, after he had bought

herds of sheep with part of them, he had carefully hoarded up for her

marriage portion.

Polixenes then addressed his son. “How now, young man!” said he; “your

heart seems full of something that takes off your mind from feasting.

When I was young, I used to load my love with presents; but you have

let the peddler go, and have bought your lass no toy.”

The young prince, who little thought he was talking to the king his

father, replied, “Old sir, she prizes not such trifles; the gifts

which Perdita expects from me are locked up in my heart.” Then turning

to Perdita, he said to her, “O hear me, Perdita, before this ancient

gentleman, who it seems was once himself a lover; he shall hear what I

profess.” Florizel then called upon the old stranger to be a witness

to a solemn promise of marriage which he made to Perdita, saying to

Polixenes, “I pray you, mark our contract.”

“Mark your divorce, young sir,” said the king, discovering himself.

Polixenes then reproached his son for daring to contract himself to

this low-born maiden, calling Perdita “shepherd’s-brat, sheep-hook,”

and other disrespectful names; and threatening, if ever she suffered

his son to see her again, he would put her, and the old shepherd her

father, to a cruel death.

The king then left them in great wrath, and ordered Camillo to follow

him with Prince Florizel.

When the king had departed, Perdita, whose royal nature was roused by

Polixenes’s reproaches, said, “Though we are all undone, I was not much

afraid; and once or twice I was about to speak, and tell him plainly

that the self-same sun that shines upon his palace, hides not his face

from our cottage, but looks on both alike.” Then sorrowfully she said,

“But now I am awakened from this dream. I will queen it no farther.

Leave me, sir; I will go milk my ewes and weep.”

The kind-hearted Camillo was charmed with the spirit and propriety of

Perdita’s behavior; and perceiving that the young prince was too deeply

in love to give up his mistress at the command of his royal father,

he thought of a way to befriend the lovers, and at the same time to

execute a favorite scheme he had in his mind.

Camillo had long known that Leontes, the king of Sicily, was become a

true penitent; and though Camillo was now the favored friend of King

Polixenes, he could not help wishing once more to see his late royal

master and his native home. He therefore proposed to Florizel and

Perdita that they should accompany him to the Sicilian court, where he

would engage Leontes should protect them, till through his mediation

they could obtain pardon from Polixenes and his consent to their

marriage.

To this proposal they joyfully agreed; and Camillo, who conducted

everything relative to their flight, allowed the old shepherd to go

along with them.

The shepherd took with him the remainder of Perdita’s jewels, her baby

clothes, and the paper which he had found pinned to her mantle.

After a prosperous voyage, Florizel and Perdita, Camillo and the

old shepherd, arrived in safety at the court of Leontes, who still

mourned his dead Hermione and his lost child, received Camillo with

great kindness, and gave a cordial welcome to Prince Florizel. But

Perdita, whom Florizel introduced as his princess, seemed to engross

all Leontes’ attention. Perceiving a resemblance between her and his

dead queen Hermione, his grief broke out afresh, and he said, such a

lovely creature might his own daughter have been, if he had not so

cruelly destroyed her. “And then, too,” said he to Florizel, “I lost

the society and friendship of your brave father, whom I now desire more

than my life once again to look upon.”

When the old shepherd heard how much notice the king had taken of

Perdita, and that he had lost a daughter, who was exposed in infancy,

he fell to comparing the time when he found the little Perdita with the

manner of its exposure, the jewels and other high tokens of its high

birth; from all which it was impossible for him not to conclude that

Perdita and the king’s lost daughter were the same.

Florizel and Perdita, Camillo and the faithful Paulina, were present

when the old shepherd related to the king the manner in which he had

found the child, and also the circumstances of Antigonus’s death, he

having seen the bear seize upon him. He showed the rich mantle in which

Paulina remembered Hermione had wrapped the child; and he produced a

jewel which she remembered Hermione had tied about Perdita’s neck,

and he gave up the paper, which Paulina knew to be the writing of

her husband; it could not be doubted that Perdita was Leontes’ own

daughter. But oh! the noble struggles of Paulina, between sorrow for

her husband’s death, and joy that the oracle was fulfilled, in the

king’s heir, his long-lost daughter, being found. When Leontes heard

that Perdita was his daughter, the great sorrow that he felt that

Hermione was not living to behold her child, made him that he could say

nothing for a long time, but, “O, thy mother, thy mother!”

Paulina interrupted this joyful yet distressful scene, with saying to

Leontes, that she had a statue, newly finished by that rare Italian

master, Julio Romano, which was such a perfect resemblance of the

queen, that would his majesty be pleased to go to her house and look

upon it, he would almost be ready to think that it was Hermione

herself. Thither then they all went; the king anxious to see the

semblance of his Hermione, and Perdita longing to behold what the

mother she never saw did look like.

When Paulina drew back the curtain which concealed this famous statue,

so perfectly did it resemble Hermione, that all the king’s sorrow was

renewed at the sight; for a long time he had no power to speak or move.

“I like your silence, my liege,” said Paulina, “it the more shows your

wonder. Is not this statue very like your queen?”

At length the king said, “O, thus she stood, even with such majesty,

when I first wooed her. But yet, Paulina, Hermione was not so aged as

this statue looks.” Paulina replied, “So much the more the carver’s

excellence, who has made the statue as Hermione would have looked

had she been living now. But let me draw the curtain, sire, lest,

presently, you think it moves.”

The king then said, “Do not draw the curtain! Would I were dead! See,

Camillo, would you not think it breathed? Her eye seems to have motion

in it.” “I must draw the curtain, my liege,” said Paulina. “You are so

transported, you will persuade yourself the statue lives.” “O, sweet

Paulina,” said Leontes, “make me think so twenty years together! Still

methinks there is an air comes from her. What fine chisel could ever

yet cut breath? Let no man mock me, for I will kiss her.” “Good my

lord, forbear!” said Paulina. “The ruddiness upon her lip is wet; you

will stain your own with oily painting. Shall I draw the curtain?” “No,

not these twenty years,” said Leontes.

Perdita, who all this time had been kneeling, and beholding in silent

admiration the statue of her matchless mother, said now, “And so long

could I stay here, looking upon my dear mother.”

“Either forbear this transport,” said Paulina to Leontes, “and let me

draw the curtain, or prepare yourself for more amazement. I can make

the statue move indeed; ay, and descend from off the pedestal, and take

you by the hand. But then you will think, which I protest that I am

not, that I am assisted by some wicked powers.” “What you can make her

do,” said the astonished king, “I am content to look upon. What you can

make her speak, I am content to hear; for it is as easy to make her

speak as move.”

Paulina then ordered some slow and solemn music, which she had prepared

for the purpose, to strike up; and to the amazement of all the

beholders, the statue came down from off the pedestal, and threw its

arms around Leontes’s neck. The statue then began to speak, praying for

blessings on her husband, and on her child, the newly found Perdita.

No wonder that the statue hung upon Leontes’s neck, and blessed her

husband and her child. No wonder, for the statue was Hermione herself,

the real, the living queen.

Paulina had falsely reported to the king the death of Hermione,

thinking that the only means to preserve her royal mistress’s life; and

with the good Paulina Hermione had lived ever since, never choosing

Leontes should know she was living, till she heard Perdita was found;

for though she had long forgiven the injuries which Leontes had done to

herself, she could not pardon his cruelty to his infant daughter.

His dead queen thus restored to life, his lost daughter found, the

long-sorrowing Leontes could scarcely support the excess of his own

happiness. And as if nothing should be wanting to complete this strange

and unlooked-for joy, king Polixenes himself now entered the palace.

When Polixenes first missed his son and Camillo, knowing that Camillo

had long wished to return to Sicily, he conjectured he should find the

fugitives there; and following them with all speed, he happened to

arrive just at this, the happiest moment of Leontes’s life.

Polixenes took a part in the general joy; he forgave his friend Leontes

the unjust jealousy he had conceived against him, and they once more

loved each other with all the warmth of their first boyish friendship.

There was no fear that Polixenes would now oppose his son’s marriage

with Perdita. She was no _sheep-hook_ now, but the heiress of the crown

of Sicily.

Thus have we seen the patient virtues of the long-suffering Hermione

rewarded. That excellent lady lived many years with her Leontes and her

Perdita, the happiest of mothers and queens.

The Chautauquan, Vol. 03, January 1883 A Monthly Magazine Devoted to the Promotion of True Culture. Organ of the Chautauqua Literary and Scientific Circle · 第 42 / 100 题