CHAPTER XVI

POLLY’S LETTER

When Father Manser returned from his trip to the post-office the next

evening he found the residents at Manser Farm, with the exception of

his melancholy spouse, gathered in the kitchen. Mrs. Manser had gone

to bed with a headache, but her absence failed to cast a gloom over

the company. It was the most cheerful evening that had been known

since Polly left them, for Uncle Blodgett had not only read the weekly

“Sentinel” in so clear a tone that even Grandma Manser, near whom he

sat, could hear, but he had, after urging, recited several poems.

“I admire to hear battle-pieces,” said Aunty Peebles, just as the door

swung open to admit Father Manser. “When you spoke that ‘Charge of the

Light Brigade’ it gave me chills all along my spine, and made me feel

as if I could step right forth to war.”

“I expect you wouldn’t be a very murderous character, though, come to

get you on the field of battle,” said Uncle Blodgett, good-naturedly.

“Now, there’s Mis’ Ramsdell, I reckon she’d make a good fighter if she

was put to it.”

“I come of war stock,” said Mrs. Ramsdell, her black eyes snapping, and

nostrils dilating as she acknowledged the compliment. “My father and

his three brothers were in the war of 1812, and back of that their

parents and uncles were in the thick of ’76, and led wherever they

were.”

“Ain’t you kind of reckless, speaking of ‘parents’ that way?” inquired

Uncle Blodgett. “Did your grandmarm conduct a regiment, or what was her

part in the proceedings?”

Mrs. Ramsdell directed a look of withering scorn at her old friend, but

her eye caught sight of a package in Father Manser’s hand and she was

suddenly alert.

“What you got there?” she demanded, and at once all the old heads

turned toward the new-comer.

Usually they took no special note of Father Manser’s return, as there

were scarcely ever any letters, and they well knew the paper must be

Mrs. Manser’s spoil for the evening.

“It’s a box,” said Father Manser, turning the package over and over in

his hand.

“We can all see that,” said Mrs. Ramsdell, sharply.

“And it seems to be directed to Miss Anne Peebles,” proceeded Father

Manser, taking no offence.

Aunty Peebles began to tremble with excitement as the box was handed

to her, and a flush rose in the other old faces as the group closed

in around the table, so that the lamp might shed its light on this

surprising package.

“If you could wait till I’ve taken the paper in to Mrs. Manser, I’ve

got a sharp knife that would cut those fastenings,” said Father Manser,

wistfully. “Her door’s closed, and I won’t be but a minute. I won’t

speak of the package, and I’ll mention that the fire needs more wood,

for I see it does.”

“I’ll wait,” said Aunty Peebles, and spurred by a “Hurry up, then, for

goodness’ sake!” from Mrs. Ramsdell, Father Manser sped off with the

paper.

“It’s Polly’s writing,” said Uncle Blodgett, after a long squint at

the address on the brown paper covering of the box. “I’ve got one of

her exercises that the teacher said she might keep--one of that last

batch, if I haven’t lost it.”

Uncle Blodgett drew from his coat pocket a long, flat wallet, and took

out of it a piece of paper carefully creased and bearing evidences of

frequent handling. He spread it out close to the box, so that all might

see.

“You mark that cross on the T,” he said, triumphantly. “She begins it

with a kind of a hook, different from most that you’d see. I--I noticed

it the day she made me a gift of the paper,” said Uncle Blodgett, as he

replaced his treasure in the wallet.

“The box is from Polly Prentiss,” cried Mrs. Ramsdell in Grandma

Manser’s ear. “I guess your daughter-in-law’s made a mistake about

her forgetting us, after all.” Then the old lady put her arm through

Grandma Manser’s and pressed her fiercely as if to make amends for this

reference to the doubting one. “’Taint as if she was your daughter,

dear heart,” she said, remorsefully.

When the string had at last given way--Father Manser had slashed it

recklessly in half a dozen places in his haste--and the box cover was

lifted, there lay the letter on which Polly had spent so much time and

thought, with seven chocolate drops on it. Aunty Peebles passed the box

around and each of the company took a piece of candy; even Bob Rust had

his portion, which he carried to his favorite seat near the door into

the shed, and handled as if it were something rare and wonderful, as,

indeed, it was to him.

Father Manser set his wife’s piece carefully aside. Nobody failed for a

moment to understand little Polly’s loving thought for them all. Below

the letter lay row after row of the chocolates, but they could wait.

“Now we’ve--ahem!--eaten part of the message,” said Uncle Blodgett,

gruffly, “suppose you read us the rest of it, Mis’ Peebles. Seems to be

some time since we’ve heard direct from the child.”

Aunty Peebles’s voice quavered many times during the reading, and there

was a frank use of handkerchiefs at some points, but the interest in

Polly’s letter never flagged.

“Dear folks at Manser Farm,” read Aunty Peebles, “this is a beautiful

place and every one is very kind to me. How do you all do, and is

Ebyneezer well and the other Animals? The minister came to dinner

Sunday, that was why I was so late and you had gone, but I heard the

Wagon up the hill. This is a beautiful place, with big trees, and in

the house there are books and books and Cabbynets with kurous Shells

and other things. And there is silver that shines, and my bed and

chairs are white with a pink Strype. Mrs. Manser, I am being careful

of my Close and I allways wear an apron. There are two little kittens

here. Their names are Snip and Snap.

“When folks have such a beautiful place I guess they do not care much

about going out-doors, but there is a Pyaza and I walk on that a great

deal, beside I have been to walk down the road most every day with

Miss Pomeroy and she is just as good to me! And once I have been in

the Woods with Miss Arctura, and she said ‘next time,’ so that means

we are going again. Mr. Hiram that is her brother can resite pieces

and he is teaching me On Linden when the Sun was Low, Uncle Blodgett

do you know that piece? He says he would give all his boot buttons

to hear you resite Mr. Shakespeer’s Works. I do not think I have

spelled that name right. Perhaps I can see you all before Christmas,

but perhaps I cannot, for I am going to be adopted. Do you miss me,

Grandma Manser and Mrs. Ramsdell? Do you miss me, Uncle Blodgett? and

Aunty Peebles do you miss me? This is a beautiful place, and I read

and sew and play with the kittens and Miss Pomeroy says I am a quiet

little girl, Mrs. Manser. Father Manser do you remember giving me

Pepermints? I hope you will all like this Candy. I have been to the

Village once with Miss Pomeroy, but I did not see any folks I knew.

“I hope Grandma Manser will have her ear Trumpet pretty soon. Aunty

Peebles I love that Cushion I look at it very many times, and Uncle

Blodgett Mr. Hiram will have that knife fixed for a Present he says.

Now I must say Goodbye with heaps and heaps of love. I put Aunty

Peebles’ name on this because she admires to get things through the

Post Office.

“Mary Prentiss.”

“Miss Pomeroy is not going to look at this. I am trying to be just

like Ellynor, but I expect I am not. Will you please call me Polly to

yourselves? Nobody here knows it ever was my name.”

The last few lines were evidently written in great haste. Polly had run

upstairs to add them when she found the letter would not be inspected.

There was a short silence when the last word had been read. Mrs.

Ramsdell fidgeted in her chair.

“She seems to be real contented and happy, don’t she?” said Father

Manser, looking from one to another for confirmation of his views. “I

guess they’re mighty kind to her.”

“Kind! who wouldn’t be kind to that darling little thing, I’d like to

know?” snapped Mrs. Ramsdell. “But she’s grieving for all the folks

she’s been used to, and trying not to let anybody know it. It isn’t

that we’re such remarkable folks, but it’s because she’s such a loving

little thing; that’s the reason of it.”

“What do they mean by keeping her housed up so?” demanded Uncle

Blodgett, sternly. “They’ll have her sick of a fever next thing we

know. Out-doors has been the breath of her living and her joy. I guess

what those folks need is somebody to make a few points clear to ’em.

What was this Eleanor the child talks of, that she should be set up for

a pattern? Wa’n’t she mortal like all the rest of us?”

“Mrs. Manser says Miss Pomeroy thought she was perfection,” ventured

Father Manser, as nobody else seemed prepared with an answer. “She used

to talk with Polly about her, every day before she went, advising her

what she’d better do--Mrs. Manser did.”

“I’ll warrant she did,” said Uncle Blodgett, bitterly. “That’s the

whole root of the trouble. Now, you mark my words, all of you women

folks”--Uncle Blodgett evidently included poor Father Manser in his

summing up--“I’m going to have speech with that Pomeroy woman before

many more days have gone over my head, and I’m going to set a few

things straight. As for having that child carry the weight of this

whole establishment, leaks, ear-trumpets, shingles, and all on her

mind, and try to live up to nobody knows what--I won’t stand it!”

“What do you plan?” asked Mrs. Ramsdell, with unwonted respect.

“I shall fare down to the village with Father here,” said Uncle

Blodgett, indicating the object of his choice with a careless nod, “and

if she doesn’t happen to drive in that morning, I shall foot it to

Pomeroy Oaks. My legs are good for a little matter of three miles or

so.”

“It’s a good four miles, as I remember it,” muttered Mrs. Ramsdell.

“Well, call it four, then,” roared Uncle Blodgett in a sudden fury.

“Call it five or six or ten if you’ve a mind. My legs are good for it,

I tell ye. And if I have to foot it there,” he added, turning quickly

on poor Father Manser, “you may say to your wife I’ve gone a-visiting

an old friend for the afternoon. If Polly Prentiss ain’t an old friend,

I haven’t got one in this world.”

Uncle Blodgett sat heavily down in his chair, exhausted by his unwonted

outbreak, but Mrs. Ramsdell stepped over to him and held out her hand.

“If I was five years younger,” said the old lady, whose age nobody

knew, “I’d put on my bonnet and shawl and foot it with you!”

[TO BE CONTINUED]

A Novel Weapon

In her interesting book, _A Woman Tenderfoot_, Mrs. Ernest

Thompson-Seton gives a stirring account of her fight with a

rattlesnake, in which she, the victor, was armed with a very novel

weapon--a frying-pan.

“The rattler stopped his pretty gliding motion away from me and seemed

in doubt. Then he began to take on a few quirks. ‘He is going to coil

and then to strike,’ said I, recalling a paragraph from my school

reader. It was an unhappy moment!

“I knew that tradition had fixed the proper weapons to be used against

rattlesnakes: a stone (more, if necessary), a stick (forked one

preferred), and, in rare cases, a revolver. I had no revolver. There

was not a stick in sight, and not a stone bigger than a hazelnut; but

there was the rattler. I cast another despairing glance around and saw,

almost at my feet and half hidden by sage brush, several inches of

rusty iron--blessed be the teamster who had thrown it there. I darted

towards it, and, despite tradition, turned on the rattler, armed with

the goodly remains of a--frying-pan.

“The horrid thing was ready for me with darting tongue and flattened

head--another instant it would have sprung. Smash! on its head went my

valiant frying-pan and struck a deadly blow, although the thing managed

to get from under it. I recaptured my weapon and again it descended

upon the reptile’s head, settling it this time.

“Feeling safe, I now took hold of the handle to finish it more quickly.

Oh! that tail--that awful, writhing, lashing tail. I can stand Indians,

bears, wolves, anything but that tail, and a rattler is all tail,

except its head. If that tail touches me I shall let go. It did touch

me. I did not let go. Pride held me there, for I heard the sound of

galloping hoofs. Whiskers’ empty saddle had alarmed the rest of the

party.

“My snake was dead now, so I put one foot on him to take his scalp--his

rattles, I mean--when horrid thrills coursed through me. The uncanny

thing began to wriggle and rattle with old-time vigor. But, fortified

by Nimrod’s assurance that it was ‘purely reflex neuro-ganglionic

movement,’ I hardened my heart and captured his ‘pod of dry peas.’”

HOW PLANTS LIVE

By Julia McNair Wright

In the hot August days, when the air scarcely stirs, the birds sit

silent in their coverts, the cattle stand under the thickest shade or

knee-deep in the ponds. Only the insects seem to rejoice in the burning

rays of the sun, and gayly hover around the splendid profusion of

flowers.

In this season we may make various studies in plant life. Seated upon

some shady veranda, we have the glory of the garden spread out before

us. Or we may be on some hill, tree-crowned, not far from the sea;

we find within hand reach golden-rod, asters, milfoil, blazing-star,

indigo. Looking down the gentle slope to the level land, we see

black-eyed Susan flaunting beside St. John’s wort and wild snap-dragon.

Yonder, the little brooklet slips along without a ripple, cherishing on

its border loosestrife and jewel-weed. Out in the roadway, defiant of

the summer dust, almost in the wheel track, the mullein lifts its dry,

gray foliage and unfolds its tardy pairs of clear yellow bloom beside

that exquisite flower, the evening primrose, of which the harsh, dusty

stem and leaves are such rude contrast to the fragrant salvers of pale

gold--the blossom of one night.

We have ample opportunity in some or all of these to study the motion,

food, and some of the varied products of the plant world.

Motion? What motions have plants other than as the wind sways them?

True, there is an upward motion: they grow up inch after inch, foot

after foot, the law of growth overcoming the law of gravitation. The

sap rises in the vessels by root-pressure, by capillary attraction, by

the forming of a vacuum in the leaf-cells, by evaporation, and so the

climbing sap builds up the plant. This getting up in the world is not a

trifle in plant life any more than in human life.

Many a plant seems to have an extreme ambition to rise, and if its

stem proves too weak to support any decided advancement in growth, it

takes measures to secure aid. It twines, bodily, perhaps, around the

nearest support, as do the trumpet-creeper and honeysuckle; it modifies

leaves into tendrils, as does the sweet pea; it puts forth aerial roots

at its nodes, as does the ivy; it elongates a leaf stem to wrap around

and around some proffered stay, as does the clematis, or diverts a bud

for such purpose, as the grape-vine.

Other plants of lowlier mind creep along the ground. The prince’s pine

forms a strong, thick mat, cleaving to every root, twig, grass-stem, in

its way, striking rootlets here and there, until only a strong hand and

a firm wrench can drag it from the earth, its mother. Cinque-foil and

its cousin, strawberry, send out runners from all sides, which root and

shoot up new plants until the whole bed is a solidarity, and would so

remain did not the thankless plants keep all the food and moisture for

themselves, and deliver over the runners to death by starvation.

The walking fern has a most original way of getting over the ground. It

bends its slender frond and starts a root by extending the tip of the

mid-rib; so it sets up a new plant and is anchored fast on all sides

by its rooted frond tips, covering the ground with a rich carpet of

verdure. The variety of runners along the ground is as great as the

climber. All motion of the plant is a form of growth. The plant grows

by day and by night, but more by day, as light and heat are incentives

to growth.

Interesting as is the study of plant motion, let us forsake it and

consider for a little plant food. The plant receives food from earth,

water, and air. The earth gives the plant sulphur, iron, soda,

magnesia, phosphorus, and other mineral substances. These are all fed

to the plant in a solution of water.

From the rain the plant receives as food hydrogen and forms of ammonia.

From air the plants absorb carbon, oxygen, nitrogen, and ammonia; very

much of the first, little of the second, and very little of the others.

When plants grow out-of-doors, the winds, dews, and rains free the

leaves from accumulations of dust which obstruct the pores and hinder

the receiving of food. In very dry and dusty seasons we notice that the

plants become sickly from the stopping of the pores. Plants need clean

skins as human beings do.

House plants should be well washed all over now and then, to admit of

their getting their proper amount of food from the air.

[Illustration: INSECT EATERS]

Certain classes of plants use a portion of animal food. We are

accustomed to the idea of animals eating plants, but when we see the

tables turned, and the plants eating animals, that is queer, indeed!

The animal food of the “flesh-eating,” or carnivorous, plants is really

the juice sucked from the bodies of insects.

The sun dew, common in marshes, expands a little, sticky, pink-green

shirt-button of a leaf, on which are numerous stiff hairs. The clear

drops of gum attract insects to the leaf, and they are held by the feet

or wings. Their struggles cause the leaf to fold together, when the

hairs pierce the body of the insect and drink up the juices. When only

a dry husk remains the leaf opens and the wind shakes the shell away.

The pitcher-plant invites insects by a honey-like secretion. They fall

into the liquid stored in the pitcher and are thus drowned, because,

owing to numerous downward-pointing hairs in the throat of the pitcher,

they cannot climb back. Easy is the descent into evil! The acrid liquid

in the pitcher digests the bodies of the insects, turning them into

plant food. Flies, ants, gnats, little beetles, are often caught, but

bees very seldom. Bees have their own affairs to attend to, and cannot

go picnicing into pitcher-plants.

[Illustration]

A DAUGHTER OF THE FOREST

By Evelyn Raymond

Youth, Vol. I, No. 6, August 1902 An Illustrated Monthly Journal for Boys & Girls · 第 4 / 6 章