but hurry, or we shan't have half a swim. I won't say 'time flies',
because it's too copy-book--but I'll remind you that tea is half-past
four. Get on."
So saying, Christobel took possession of the saloon--"according to
plan", as we used to hear in the days of the War, and Adrian disappeared
down the fore-hatch. This was the standing arrangement for bathing--as
the whole party of Romilly boys and girls could swim like ducks; they
learned when babies almost--it was family law.
Christobel did not take long to get ready as a rule, but she took longer
than she meant because several small matters seemed to her to be
differently placed, or untidy. As everyone knows who inhabits a yacht of
say six to eight tons, there must be a place for everything, and
everything in that place. It had always been so on the _Messenger_.
Every shining hook had its cup, or jug. Every plate or saucer fitted
into its own groove. Kitchen things--polished like
looking-glasses--were placed along barred shelves, and kettles sat in
wells made to fit them.
To-day something was a little wrong. Crow frowned at the hooks and
racks, as she pinned her hair up under a rubber cap--this and that
seemed to have changed places--or she thought so. The cushions on the
settees in the saloon were certainly wrong--all on one side. Adrian
must have been right about the door; that was perhaps part of the
invasion. She thought of calling out to her brother and then decided
not to, because if she said anything Addie would make a point of locking
up the yawl every night, and the result would be that peculiar something
in the stuffiness that always made her feel sick.
Christobel was not a perfect sailor like Adrian and Hughie--neither of
them could be swept off their balance, but Christobel could. So much
so, that she had at times borne agonies in silence rather than spoil
Adrian's day. She was seldom actually sick, but she felt a horrible
nausea and faintness, and the one thing that would precipitate this
condition was that mixture of paraffin, varnish, cushion stuffing, and
station-waiting-room-stale-sandwich smell, that came up from the saloon
when the closed doors were opened; for once locked up there could be no
ventilation naturally--without water getting in also; not in so small a
boat, for the fore-hatch must be battened down and bolted inside before
the companion door was locked outside.
All this occurred to Crow in time to stop her making remarks on her
suspicions. After all, she could not remember who came out of the cabin
last. Again Penberthy might have gone on board--he might even have
taken Major Fraser with him, which would account for the gravel and dirt
marks on the dinghy.
Just as she came to this conclusion she heard Adrian's dive and a few
seconds after his shout for her, so she ran up, and went over the side
with the clean sweep of a first-rate swimmer. That was the end of
questionings--for the time.
*CHAPTER XV*
*In which Hughie takes Action*
It has been said, even in this story, that important situations often
arise from ridiculously small happenings. Everybody knows it so well
that one apologizes for such a stale reflection.
However, in the present instance the thing that led up to the very small
happening was tea at Fuchsia Cottage, to which all four were invited,
and all four went. The Little Pilgrim's teas were "things of beauty,
and joys for ever", the pleasure never palled, because she had
particular scones, buns, cakes and jams that other people knew not of,
and her table decorations were as original as they were lovely. She
held a theory that people ought to eat a great deal at tea, which was
delightful when it fell in with the idea of the guests. There was no
"company" about it, from first to last it was sheer satisfaction.
This day was no exception to the rule, and for reasons that can be well
understood the young Romillys positively jumped at the invitation. It
would be freedom from the atmosphere that seemed to spoil everything at
the Bell House.
True to Adrian's suggestion, Mrs. Romilly had ignored the mystery of the
diamond brooch. She treated Pamela as always--or tried to. But she was
pale and absent in manner, and it was a daily stab to poor Pam to look
up suddenly and find her mother's eyes watching her with a sort of
appeal in their blue depths. Pamela on her part was obviously unhappy,
her small face was smaller still, and her grey-blue eyes looked darker.
In spite of the heroic efforts of the elder pair, who pulled the
business of life along like a pair of well-matched horses, it was not
the same perfectly happy life that it had been in the spring and always
before in the memory of the children.
Miss Lasarge saw there was something the matter, but the Romilly family
had the sense to wash its own linen at home. No one in the house
"confided" woes outside. Also, Miss Lasarge had, at the time,
considerable anxiety on her own shoulders, which she kept to herself, of
course; the sympathy being no less for everybody.
So she asked them to tea, and they came. And the party was one of the
most perfect she had ever invented, with rose petals in all shades of
pink making a pattern round the delightful dishes. Tongues were
loosened by the sense of festivity, even Hughie talked; everybody
talked, except Pamela, who looked tired.
They stayed until after six o'clock, and then the Little Pilgrim walked
down to the gate with them. Outside in the road they stood talking over
the gate, as people do loath to go. Adrian was talking about the yawl,
he and Christobel laughing over some of the adventures.
"We go out most days," he said.
Miss Lasarge looked towards the west and the clear sky over the sea.
"It is promising for to-morrow?" she asked; her gaze wandered to the
white wall over the road, that high glass-topped wall that enclosed
Woodrising.
"Oh, rather!"
"Don't you think you are very lucky?" She asked this question suddenly
of Addie, in the soft hesitating tone natural to her.
"Lucky, I should think so! It's awfully jolly of Sir Marmaduke to let
us have _Messenger_."
"I was thinking of something bigger than that--I mean, _wider_--than
just a yacht. It's the _freedom_, Adrian. Of the sea, of the shore, of
the woods--that's what I meant. You see, there are prisoners."
"Oh, not _now_, Little Pilgrim," Christobel expostulated, "we've got
them all home, thank God, by this time."
"Ours! Oh, yes, I hope we have, I believe we have; but I was
thinking----"
"Miss Anne, please don't ask us to feel--well, sentimental--about German
prisoners," said Adrian in rather a hard voice; he was digging a hole in
the road with his stick, as a vent for his feelings, "they've had a good
time in England."
"Oh no, dear, it was something quite different that was in my mind, I
assure you. Only, what one feels is--value freedom--it is so wonderful
really."
"Expect it is, one jolly well takes it for granted though, doesn't one,
Crow?" Adrian strongly objected to strenuous remarks, whatever the
subject. "Well, Miss Anne, thanks awfully, we've had a ripping time,
your party was simply top-hole. Think of Crow and me enjoying freedom.
Oh, by the way, it's 'the freedom of the seas', isn't it? Early
to-morrow, all being well, we want to go to Salterne."
"For the day, or what?" asked Miss Lesarge, smiling.
"For the day," agreed Crow. "As usual, Addie wants his hair cut, and
the only man he approves of is in Union Street. We anchor the yawl and
come back late; the tides have come round by now, to a nice useful
arrangement. Miss Anne, you know Mother doesn't mind now if we sleep on
board, as long as we are inside the estuary. That gives us a grand long
time to do things."
All this was said in the road, you will remember. Adrian and Christobel
possessed clear voices that carried; they did not modulate them to any
great extent; lastly the white wall was only the width of the road from
this conversation.
Neither Pamela nor Hughie spoke, yet they two realized with a sort of
shock what the meaning was behind Miss Anne's little eager protest about
"prisoners". She knew, she must know! She was just thinking out loud
her own gentle pity for the girl behind the white wall. Pamela saw it
so on the instant, and with a flash of memory recalled the large dull
old-fashioned drawing-room at Woodrising, and the girl sitting alone,
trying to be interested in a book. And she can climb, thought Pam
suddenly, perhaps she was used to mountains; why not? Anyway, she must
be accustomed to great possessions, to woods and parks, to great
estates! A new view of the case brightened Pamela's mind. Miss Anne was
looking at her, their eyes met and the girl smiled, then turned pink,
and looked away.
"I wonder!" thought the Little Pilgrim.
Pam was wondering also. Hughie had made up his mind, undoubtedly Miss
Anne knew about the girl; that was interesting, but Hughie's estimate of
the situation was not like his sister's; there was no sentiment, and no
pity in it. He was purely practical. "She might have to stop inside
Woodrising," he thought, "then it would be different. But she tells
lies and comes out on the sly; she steals things and lets Pam bear the
blame. Miss Lasarge doesn't know."
So he looked at Miss Lasarge with a shrewd pitying gaze as he lifted his
cap for good-night, and made no remark on the way home.
The evening was uneventful, and a voyage to Salterne was planned for
next day as Adrian suggested. Pamela was asked to go and said she
would; Hughie refused, he had his own scheme.
Then the household went to bed, and to sleep, but let it be understood
that the small matter, namely that little talk outside Miss Anne's gate,
had set in motion a far more important event, which was yet to happen.
Hughie slept with his window open, of course; he was a very light
sleeper, indeed he said he could hear the crabs' toes clatter as they
ran out of one pool into another. This statement might have been
exaggerated, but the fact remains that he could hear most things;
therefore, when he woke up in the night he realized that a noise from
outside had been the cause. He lay still and listened for sounds in the
house.
All was still; also all was dark, because the moon did not rise till
early morning, and at present was giving her best moonshine in the
day-time.
Hughie waited with a sense of growing alertness, and presently slid out
of bed, climbed on the window-seat, and looked towards the bay. Soft,
velvety darkness, ripple of water, and faint reflected shine on the sea,
was all he heard and saw.
"Tiresome!" considered Hughie, not reassured by all this peace. He felt
trouble afoot.
Motionless he sat, as some small wild thing of the jungle; motionless,
but alive in every muscle.
From the bay came a sudden knock of wood on wood, just the noise a
person recognizes who understands boats and would never mistake it for
anything else.
"Dinghy," thought the Midget, and, without more ado, he slid from his
seat and put on some clothes that would not be conspicuous; so careful
was he, indeed, that he got out stockings, articles he hated in summer;
but bare white legs show in the dark. Presently he was complete. Serge
knickers and sweater, blue stockings and sandshoes. Then he opened his
door and looked out. No sound, a pitch dark, silent house.
Hughie's mind was intent on the garden door. The big front door was
bolted and barred and would make a noise if opened. The back door
possessed a terribly stiff key that turned with a shriek. Jeepy would
not have it oiled; she would not have it touched for mysterious reasons
of her own connected with the possible bad conduct of Patty Ingles! It
was a far-fetched idea, but it kept the key rusty, so that was no good.
There remained the children's door, as it had always been called, the
door into the garden, just beyond Pamela's window. It would not do for
her to hear. Hughie wanted to do this business entirely off his own
bat, so to speak, and of all things he did not wish to have "people
making a row", so he hoped the door would not betray him.
As it happened, poor Pam was sleeping rather heavily. She had had many
restless nights, but something in those words of Miss Anne's had made a
difference. Things were not so hopelessly unjust; she did not feel so
ill-used quite. So she slept soundly, and Hughie, moving like Sherlock
Holmes and "Raffles" rolled into one, as only he could, got out of the
house without a creak or a scratch, closed the door, and found himself
on the end terrace under Pam's window close to the sea-wall.
Every stone being familiar, he went straight from there along the grass
border of the walk, guiding himself by the wall. Once he stopped and
listened intently, when he heard that little bump again--it was a
slightly grinding bump at irregular intervals. Hughie knew now what it
was--the dinghy against the rocks. It might mean that the little boat
had got loose and was being shifted this way and that by the tide.
There was nothing exciting about that, of course, but Hughie was
convinced that something more was being enacted--there was human agency
at work.
He came to the end of the wall, went through the gate, round, and then
down towards the rocks. Now here was necessity for careful going,
because of the darkness, and he wished heartily he had stayed to get the
little electric torch that stood on the library writing-table. However,
knowing the bay by heart made it easier, and every minute his eyes were
more used to the dark.
The sand felt cool and hard; there was plenty of it, because the tide
was just starting to rise steadily and creep into the pools. Hughie
knew this must be so, of course--partly because he understood tides, but
particularly in this instance owing to Adrian's plan for the morning.
They were to start early for Salterne, while there was still enough of
the tide to take them. It could not have been long since the tide
turned; he tried to calculate, and succeeded in realizing that the faint
greyness that lay in the night was not "moon", but morning coming. And
that was what made a chill, fresher than a night wind.
Presently he found the dinghy, and felt all over her with understanding
hands. The sculls were there--rolling a little, improperly placed. She
was broadside on to the beach, heaving up a little on the wash.
"She simply _never_ went down by herself," decided Hughie, and thought
over the matter deeply.
Her normal position was a good way up the shore. In stormy weather well
above high-water mark--but last night in a comfortable position for
loading a basket and oddments--on the sand, with her little anchor fixed
between two rocks. The anchor had been lifted and was put in the bows.
The dinghy could not have done that to herself! No need to argue; the
question was answered.
_Someone_ had taken the boat out, and sent her adrift! When you come to
think of it, this was an odd thing to happen in the night--more than odd
in Bell Bay. Almost unbelievable, because you might leave anything
about and all your doors and windows open in such a garden of friends as
the valley.
The conclusion Hughie came to was that no native of Bell Bay had done
it. He had little doubt who was the offender, and stood still
considering his next move.
_Why_ should Pam's double want to go out aboard the yawl at such an
hour? Crow having said nothing at all to anyone about her suspicions
with regard to meddling in the saloon; of course Hughie knew nothing
about that, and the idea came to him in all its startling freshness.
However, having convinced his reason, he quickly decided on the next
action.
"I'd better go and find her," said Hughie to himself in the low murmur
with which he held "doll" conversations.
As the tide was rising he had small difficulty in pushing the dinghy
down; she was the lightest make, varnished--a first-rate little craft
with the power of standing much more than her slight appearance
suggested. A very fortunate thing, as it proved afterwards.
The little boy got in, balanced himself in the stern to lighten the
bows, and pushed off deftly; then he sat down, took the sculls, and
looked about him into the dark. The sculls, small as they were, were
too big for his hands, but he was strong and amazingly tenacious--he
never gave up what his heart was set on.
"She can't get away," he murmured again, and, as the idea took his
fancy, he gave a sudden little wriggle of amusement.
Then he sculled out to the _Messenger_ with very short light strokes,
wonderfully noiseless. He went into the thick of the dark, thick
because the mistiness of dawn was there--it was what people called "the
darkest hour before the dawn", starless, moonless, softly thick. Having
gone a short distance, Hughie turned the dinghy round gently by rowing
one oar, and, having got his craft stern first, he began to push
steadily with both sculls. He knew he would soon find the yawl--but all
in a moment, and he must be prepared not to bump.
To his quick ear came a sound; he stopped and listened. It was
water--rippling against an obstacle--the incoming tide driving past the
bows of the yacht. He had not far to go, because _Messenger_ was
pulling the length of her chain cables inshore--a very different
position from the one she would have held in a strong ebb, as she lay
then almost under the shadow of the Bell Ridge point, the height to the
north of the cove.
Hughie pushed his craft cleverly up to the counter, shipped his sculls,
and gripped the stern rail as he stood up. It was neatly done. He
pushed the dinghy a little farther, holding on till he got the bows in
position, then he bent the towing rope--the painter--on to the rail, and
climbed up. Being there he made sure of the painter--he never left
things to chance like Adrian did, and he possessed in a remarkable
degree the quick neatness of the born sailor's handling of things.
Having finished, he stood still and looked about.
The deck showed white. The mainsail was not stowed, but just let down
and lightly lashed, ready to haul up quickly in the morning: there was
nothing to hurt it but dew--dew was everywhere and the footing slippery.
As he stood looking along the shadowy white outline against which the
mast rose oddly black, and the rigging seemed like black spiders' web,
Hughie again wished he had the torch. Then an idea struck him entirely
to his taste. It was better certainly to be in the dark, especially as
he knew where the matches were kept. All was well.
He stepped off the counter down into the well and looked at the
companion doors--open half-way. Hughie gave a cursory examination to
that, and then went along the deck to find out the state of the
fore-hatch. That was lifted sideways an inch or two--Adrian had slipped
a marline-spike under the edge of it to insure a draught. Without
question this had not been touched. She was inside, and she had entered
by the companion.
Hughie crept back along the side of the deck-house roof, let himself
down, and took a seat on the companion steps. He wanted to listen, also
he was reviewing the position and the probabilities. What would this
girl do? He had never been at close quarters, or even near her, but
when one is only seven and small, without being a coward it is
reasonable to calculate chances of warfare with a person double that age
and strong.
Hughie considered the black, silent interior that showed through the
opening, then he murmured in the faintest whisper--under cover of the
tide-rush rippling against the bows.
"If she kills me she'll be hung." It was a comforting thought to have
British law on his side. Sir Marmaduke would see justice done
undoubtedly, in spite of his mysterious dealings with the stranger.
"She's his prisoner," thought Hughie, which seemed simple enough.
He was as noiseless as a cat, and as wiry--he slipped through the gap
into the darkness within and proceeded on all fours. In his mind was a
certain small and neat lantern belonging to Adrian--it was plated, and
fitted with a bit of candle in such a way that nothing disturbed its
flame. He proposed to light this, and the thought occurred that some
day, when this business came out, he would ask Addie to give it to
him--when he went back to school. Surely the labourer was worthy of
some sort of hire, and that lantern would add extraordinary joy to "the
cave" in dull winter days to come.
Thinking all these matters over, Hughie achieved a noiseless passage
through the saloon into the store pantry. He reasoned that the girl was
more likely to be in the fore-cabin--as a more remote hiding place; at
the same time she might easily be asleep on one of the saloon bunks;
these formed cushioned seats in the day-time, and, when the lids were
lifted, hammocks within, for which the cushions were used. She could
not know about that, so she would lie down on the outside, and it made
him tingle to realize that she might be within a few inches of him. He
reached the pantry, amidships, without hearing or seeing anything, and
there sat down again, his back against the partition, to listen and
locate her whereabouts if possible before he betrayed himself by
lighting the lantern.
The silence was profound; he could hear the water rippling along the
hull underneath. Then he thought it might be wise to creep through into
the fore-cabin; to that end he felt along the shelf for the admired
lantern, could not find it, and realized that Adrian might have moved
it; he could not find the matches either. It was tiresome, for he began
to want light, and time was getting on without tangible results. Then
the faint greyness along one side of the raised fore-hatch reminded him
that he could mount the steps of the little ladder, push the hatch
aside, and see better, without much trouble. It was still dark outside,
but that was nothing to the profounder dark inside, where the only means
of seeing at all was through the thick ground glass, double, along the
top of the saloon above deck.
He went through into the fore-cabin, found the steps, mounted softly,
and pushed the heavy hatch by inches from the deep rim over which it
fitted. He had to put out all his strength, but he made very little
sound.
*CHAPTER XVI*
*A Duel before Dawn*
When Hughie had shoved the hatch far enough aside to allow his head and
shoulders to pass, he went up one step higher and looked out. It was
lighter. He could distinguish things on the deck for what they were,
and see the water. He had hardly realized that, when he also realized
something else.
A figure was standing on the counter holding to the little mizzen-mast,
and pulling in the dinghy.
There was not a doubt of it. There she was. She must have been in the
saloon when he passed in the dark. She had bided her time, slipped out
and up the companion while he was shifting the hatch.
Hughie was exasperated; at the same time he generously admired her
quickness of resource. She must not be allowed to succeed all the same.
He squeezed up through the opening, got his woolly sweater caught on the
big hook that clinched the fastening outside, released himself, losing
valuable seconds, was on his feet and speeding along the deck in a few
more--just too late!
He saw the slim dark figure descend into the dinghy with a reckless
spring, and the boat drifted away as he reached the counter. It was an
odd, shadowy drama, played out in the thick haze of dawn from which the
night darkness was gradually peeling.
"Come back!" ordered Hughie with decision.
The girl was putting the sculls into the rowlocks quite deliberately;
she knew she was safe, or, let it more truly be said, thought she was
safe. The boat was rocking softly on a smooth heave, and going
shorewards all the time.
The girl appeared to be surprised at Hughie, for she fingered the sculls
in an uncertain manner while she gazed back at the small active figure
poised on _Messenger's_ graceful stern.
"You will stay there now," she said, with an emphasis on the last word.
She spoke rather low, but there was a triumphant ring in the tone.
"Why?" asked Hughie, watching her, and rather attracted by her voice,
because of the measured way of speaking.
"Because I shall not fetch you."
"How unkind!" said Hughie drily.
The girl in the dinghy did not quite like his tone. She expected a
complete surrender and an anxious appeal. She thought she heard a very
low chuckle, which was odd.
"You have no right to follow me," she said, playing with the oars; "it
is very ill manners."
"What about you trespassing?" retorted Hughie. "I suppose you know I
can give you in charge. You may have stolen any amount."
"How dare you!" this fiercely.
"Stealing off yachts is awfully common, you know," went on Hughie;
"that's why people keep them locked. We don't lock up the _Messenger_,
because Bell Bay people are honest--I mean they always have been up till
now."
The girl appeared not to hear; she was looking over her shoulder towards
the shore to which she was drifting. Her mind was turning over rapidly
what course to adopt. Would it be wiser to take this child off and make
friends with him, or to go home and leave the affair to chance? The
latter impulse prevailed, solely because she was angry at being stopped
in her intention, and the desire to vent her spite was very strong. She
would leave him just as he was for the others to find, and they could
think what they liked.
She began to row; then stopped, for Hughie spoke again.
"It's awfully silly of you to take the boat, because then everybody
knows," he commented. "Come back; what's the good of being an idiot?"
"You are a rude little child," said the Countess angrily. "Now I shall
punish you; you shall stay there."
Hughie laughed. Then, to her utter amazement, he made a clean dive from
the counter, hands over head, heels up, cutting the water with hardly a
splash, and presently came up only a couple of yards astern of the
dinghy. Then he shook the water out of his eyes and said blandly:
"I told you you were an idiot--now I think you are a full-sized one.
You'd much better have come back when I told you."
He turned over on his back, and splashed mocking heels at her, then
started off homeward; and when the Countess pulled the boat inshore he
was there first, and, running in, seized the painter.
"Get out, Madam," he requested, "and help pull the boat up; you are too
heavy for me to drag, and the tide's coming up pretty fast."
[Illustration: "GET OUT, MADAM."]
His tone was absolutely polite, at the same time the Countess had seldom
felt less happy. He was so small, and so good-tempered over it all!
She certainly felt rather like a "full-sized idiot"!
The dinghy was secured, Hughie fixing the anchor between two rocks.
The whole valley was wrapped in thick grey haze, but there was no light.
The east being behind the high Downs made morning late in Bell Bay.
The Countess looked on at Hughie's efforts; then she said, almost
against her will:
"You are very wet."
"Well, one is when one's been in the sea; you can't help it."
The girl coloured, but she pursued amicable tactics.
"I hope you will not catch cold."
"Oh, thanks," said Hughie, and he looked at her so expressively that she
could not fail to remember it was her fault that he was wet.
"You'd better come through our garden," he went on; "it's shorter. I
expect you know the way all right."
"I did not pass through your grounds," said the Countess quickly; "I
came along the road," she pointed in the direction of Crown Hill lodge.
"How do you get out of Woodrising without the people knowing?" asked
Hughie, as they climbed the beach among the rocks.
"You have no business to ask," said the Countess haughtily.
Hughie looked at her sideways.
"I think you are awfully funny; you'd amuse anybody," he declared
thoughtfully.
"Amuse--I!"
"Yes, there you go again. You do such ridiculous things, and when
people can't help smiling you cut up rough. You look like Pam on the
outside--except your face," went on Hughie critically; "but you aren't a
patch on Pam really--she's a sport."
"'Sport', how? Does she shoot then? I can shoot," said the Countess
sharply. It was plain she did not wish to be thought inferior to
Pamela.
"Can you, oh--that's all right. No, I meant Pam was awfully decent; she
plays the game always."
"You English think of games and nothing else," said the Countess
scornfully. "My father had a little gun made for me, and I could kill
when I was--oh--as small as you."
"I'm seven," said Hughie, "and a good bit of eight as well."
There was a pause as they passed through the gate on to the terrace
walk; the house was visible now, looking large and sleeping, with its
shuttered eyes.
"We'd better walk on the grass, because of gravel noises," advised
Hughie. "I shouldn't make it, but you do. And look here, it's no use
you trying to get on the yawl again, because she'll be locked up."
"Why?"
"I shall tell Addie to lock her. He'll see the dinghy has been shifted;
he's simply bound to."
Now this was obvious. The girl could not deny it, and an angry light
made her brown eyes look reddish as she turned a quick glance on the
boy. She checked speech though.
Hughie looked back at her curiously.
"What did you want to do?" he asked.
It appeared that she considered whether to answer or not, and then took
the resolution to say something anyway.
"I wanted to go somewhere."
"Where?"
"It does not matter. Anywhere. Salterne, or what is another
place--Peterock. I am sick and weary of this place--I wish to see a new
one. Surely there is no harm in that?"
She said this innocently enough, but in her eyes lay a something that
was not so honest as her words.
"Why don't you ask Sir Marmaduke?" asked Hughie. "He'd let you go to
Salterne or Peterock with Mrs. Chipman in the car. Why shouldn't he?"
"He would not; it is verboten (forbidden)," said the Countess sharply.
"It's what?" asked Hughie, frowning; he half recognized the sound of the
German word, for he had heard Miss Chance helping Christobel with German
holiday tasks.
"Nothing," answered the Countess quickly.
They had crossed in front of the sleeping windows, along the turf edge
of the lawn borders. Hughie avoided a straight crossing, because the
track on the grey wet spread of grass would be apparent to the whole
house. Along the narrow border he scrubbed it out as they went, walking
behind his charge for that purpose.
When they came to the front door end of the house, and the drive, he
told the girl to hurry, and hurried himself--always on the turf edge,
this time to avoid the noise of footsteps on the gravel.
"You see," he explained, "those open windows up above the front door are
Addie's and Crow's. We are only in view about two seconds, but you
never know."
The Countess asked why they couldn't go out by the kitchen garden door.
It seemed that she knew the geography of Bell House grounds.
"We can't get out. Old Hennery Doe takes the keys away when he goes,
and let's himself back when he comes in the morning at half-past six.
He doesn't hold with eight-hour days--he calls it 'silly muck'," said
Hughie, adding sagely, "so do I--what's the sense of stopping just
because it's eight hours, when the fruit is rotting and mice eat the
peas. Look at my father--his work is never done. Nobody can stop in
the Navy and the Army--how could they? Fancy if the battleships did
that sort of thing!" the scorn conveyed by Hughie's tone was
indescribable, and let it be said that on this point the Countess was
entirely in sympathy.
Hughie opened the gate for her, and, being bare-headed, made a little
gesture of salute as she passed through.
"I hope you will not catch cold," said the girl; her tone was
patronizing, and Hughie recognized it--a sentence culled from Mrs.
Jeeps' conversation came aptly to his mind.
"If you will be advised by me, you will remain in your own garden," said
he gravely; "and thank you for your good wishes."
This ended the interview. Hughie shut the gate with care, murmuring as
he did so: "We prefer your absence to your company," again Mrs.
Jeep--and then he started off running at top speed down the turn to the
stables and backyard, round the house and in at the garden door. That
he locked inside. Then he pulled off his soaked shoes and stockings on
the mat--rubbing stone-cold feet energetically to dry them well--sped
along the passage, up the back-stairs, and away down to his own room,
leaving no mark or faintest trace with his bare feet. Arrived "at
home", he dragged off the wet garments--knickers and woolly sweater, not
even a vest in addition--bundled the things up and put them with the
stockings under his bed--as the shoes were always wet, more or less,
they did not count; then he rubbed himself energetically with a rough
towel, assumed the striped pyjamas, dived into bed, and was asleep
within three minutes.
For Hughie the episode was successfully closed. For some others it had
just begun.
It was said that when the two entered the drive from the terrace walk,
Hughie hurried the pace in order to get his charge out of range of
Adrian's and Christobel's windows. There was just about a minute in
which that curve of the drive was in full view from the house. There
were surely a thousand chances to one that the pair would not be seen at
such an hour--not much after four o'clock in the morning. But as it
happened, Adrian had waked--perhaps some odd instinct of doings on board
the yawl had pricked him--the thousandth chance was against Hughie, and
Adrian got up at that instant to look at the weather and see what sort
of day was going to favour his project. His plan the night before had
been a seven o'clock start and breakfast on board. It would be heavenly
in the early morning, and nearly three hours tide to Salterne river
would be theirs. He wanted to be off at half-past six, but Mrs. Jeep was
firm about seven--she "didn't hold" with depriving people of their rest,
she said. So seven it was to be--and Adrian, on the alert at 4.20, saw
something that surprised him so immensely that he was nailed to the
floor, gazing.
The disappearing figures of Pamela and Hughie just rounding the curve of
the drive towards the big gates. Hughie bare-headed--otherwise as usual.
Pamela just as usual.
Dawn was piercing the "darkest hour", and the pair were fairly distinct
in the mist. Distinct enough to remove all doubt as to who they were.
Adrian gazed as they went out of sight, gazed at the empty drive; then
he leaned from his casement and listened. No sound but here and there a
faint "tweet" from a tentative bird, asking if it was time to get up.
Three or four minutes passed, then Adrian opened his door, hurried down
to Christobel's room and knocked--once--twice--no answer; she was
asleep; he went in.
"Is that you, Keziah?" murmured Crow--sleepily: "is it five?"
"I say, Crow," said Adrian in an energizing whisper, "wake up for any
sake. I've seen about the rummest thing you ever heard of."
"Oh," Christobel answered thickly, "what a pity."
"Pity! How do you mean?"
"Because I want to go to sleep--it's rather early, isn't it?"
"It's soon after four; but look here, Crow, this isn't a false alarm--or
a mare's nest--it's simply _the_ most amazing eye-opener."
"Oh, is it?" Christobel roused herself to look at her excited brother;
from long experience she felt sure that he would not be quiet till he
had got the news "off his chest". She raised herself a little on the
pillow and tried to be interested. "Go on," she said; "what is it?"
"Well, what do you say to Pam and Hughie walking up the drive to the
front gate."
"Oh, Addie--what rot! Four in the morning!"
"My good girl, I stared at them till my eyes nearly dropped on the
window-seat. I just happened to wake, and went to see what sort of a
day it seemed--the window was open--there they were."
"Why didn't you hear them on the gravel first?" asked Crow in an
unbelieving tone; she realized that here was another attack on Pam, only
this time Hughie was included. She refused to believe a word on the
spot; she made up her mind against this tale.
Adrian said the two walked on the grass-edge border--Pamela first,
Hughie following; they did not seem to be talking, they went fast.
"Why didn't you call?" asked Crow.
"I was simply knocked out of time. I just stared, and they were gone
round the turn. Then I came to you."
"Hum," Christobel sniffed sceptically; "how were they dressed?"
"I told you--I don't know, I'm sure--same as usual--the kid no hat. I
said so. Look here, Crow--what are we to do?" this in an urgent tone.
"Do? Oh, nothing; what could we do? Go to sleep again till we have to
get up."
"I must say, Crow, you are most awfully casual," said Adrian in an
offended voice. "The thing's about as strong as it can be, and you
won't move. Pamela has been behaving like a lunatic for weeks, and now
she is taking her walks abroad at four in the morning and dragging the
kid with her."
"Well, you see, Addie, I don't admit that Pam has been doing anything
different from ordinary," argued Crow in her sober, level way. "I don't
believe it, and you can't make me. As for _this_. I think the mist has
deceived you."
Adrian rose indignantly from his seat on the bed foot.
"Of course if you're going to----"
"Stop a minute, Addie. Here, give me my dressing-gown." She sat up and
put her arms in the sleeves, talking as she did so. "How long did you
say it was--you've only been here a few minutes--they were going _out_,
not coming in. Well, it's perfectly simple. I'll go and see; if they
were walking away up the drive ten minutes ago at the outside, they
can't be in bed now."
Christobel flitted away like a shadow, down the long corridor, round
into the cross passage at the end, and stopped outside Pamela's door.
She heard the sound of regular breathing in the stillness, and went in.
There was Pam, sound asleep. Christobel's experienced eye ran over the
neatly-folded garments on a chair, the blouse hung deftly over the bed
foot, sleeves inside out. The room was neat and in order.
"Absurd," muttered Crow with emphasis.
Pamela stirred, turned over, and started up on her elbow, rubbing her
eyes.
"What--what is it, Crow; am I late? Is it half-past six?"
"Oh no, half-past four. Don't worry--I just came to look out of your
window----" Crow suited action to the excuse, lamely made, for she was
not used to excuses.
"It's going to be fine, Pam; there's a mist----" she laughed softly with
a little sense of triumph, and slipped out of the room.
Pamela vaguely wondered, but it was obvious that her sister was "not
cross"--Christobel seldom was; she meant there was a very sympathetic
atmosphere, which was true.
Crow went on and peeped in at Hughie. A small heap in the bed, the top
of a sleek head, and absolute slumber, with the room just as usual.
She fled back down the passage and arrived in her own room rather
inclined to giggle.
"Both in bed, both sound asleep, not foxing, but simply _sound_. I woke
Pam; she was perfectly foggy, and wanted to know if it was time to get
ready. When I said 'no' she was practically asleep before I came away."
"I suppose they bolted back," said Adrian, though he was plainly
surprised.
"Bolted! My dear Addie! Pam's clothes were all as neat as a Chinese
puzzle, her shoes put together, her blouse hanging out to air! Hughie's
room was the same--you know how tidy those two are; they beat us hollow.
It's not a scrap of use reasoning that they could have done all that in
the time, because it isn't possible, especially as you say they were
going away, not coming in! After all, Addie, one must be reasonable."
Adrian was reasonable. He went off in silence. He saw the force of
what his sister said, but he had the evidence of his eyesight against
it. The whole thing was staggering. It was part of the strange and
complicated way that life had been behaving for weeks.
After that he slept fitfully, being worried, and at half-past six left
the house to get things ready on the yawl, leaving the girls dressing.
Pamela had come along the passage to Crow with a beaming face and her
lovely hair like a bronze shawl over her shoulders; she wanted
Christobel to plait her tail as Keziah was busy packing a basket. Adrian
saw his sister, and was bound to admit she looked like a guiltless
person who had slept soundly.
She said Hughie was asleep; as he was not going there was no need to
wake him.
Crow was dressed and putting one short pin in a nice little close hat,
when she heard Adrian come back. He came into her room, hardly waiting
for the answer to his knock, shut the door, and leaned his back against
it.
Christobel, instantly aware of something new, turned round; her brother
was breathing rather fast, and there were sparks in his hazel eyes.
"Something is up, Crow--no question."
"Why--what?"
"Oh, the dinghy has been used--she's full of gravel and
footmarks--sculls messed up--anchor shifted--painter wet and muddled
up--whole thing anyhow, and up in a new place, not where I put her."
Christobel exclaimed softly; Adrian went on:
"Someone's been on board the yawl. The fore-hatch is hauled off! there
are any amount of wet footmarks and gravel prints inside, on deck,
especially on the counter. The companion door is wide open. Besides
that, one of the bunks, the one you use, was all untidy--all the
cushions were on that side--and sort of messed up. Once before I had a
dim idea someone had been on board----"
"So had I," murmured Crow softly.
"You never said so."
"Well, I thought I was mistaken. It was so unlikely."
"It's obvious," said Adrian drily, "that very unlikely things are the
order of the day. In fact, it's just as well not to say 'all things are
possible'. Also there's no use in pretending Penberthy or Fraser would
do it, because it's out of their line altogether. Somebody has been on
board who doesn't understand boats--I mean, that's my impression."
"Then it can't be Pam," interrupted Christobel hastily
Adrian saw the argument in her mind.
"Don't ask me--don't say 'can't be', anyway. I feel inclined to say
'I'm mad, you're mad, we're all mad' like the cat in Alice. Anyway,
it'll take me an hour to clean up."
"Oh, Addie, what about Salterne?"
"Never mind, we'll go to Peterock instead; tide's A1 for Peterock after
nine o'clock."
*CHAPTER XVII*
*In which Amazing Things Happen*
The only thing confided to the general public about this surprising
development was that Adrian considered the allowance of tide all too
short for reaching Salterne, which was true, and had decided therefore
to make a day at Peterock. For the latter place everything was
convenient, the out-going tide would begin to ebb soon after nine
o'clock, and turn between three and four in the afternoon; could
anything be better?
"I wonder you didn't settle on that in the first place," said Mrs.
Romilly, a most reasonable remark. She did not know that Adrian
cherished a secret hope to anchor out all night again in Salterne river,
whereas Peterock was not the kind of harbour for such pleasures. It was
not a harbour at all, in fact, but a lovely watering-place with a pier;
within the pier was a makeshift mooring-ground, choked up with various
craft. No born sailor would go to Peterock for enjoyment. However,
these matters were not within Mrs. Romilly's knowledge, and Peterock
would do quite well for hair-cutting.
On finding the start was not immediate Mrs. Romilly made out a list of
commissions, and Christobel was too busy hearing about these things to
have any more time for the mystery. When she and Pamela went off there
was a serene atmosphere.
"Doesn't the dinghy look clean," exclaimed Pamela in warm admiration.
"Addie, you've scrubbed the whole thing. She's lovely!"
Adrian, who was rowing, looked at his sister quickly. The sincerity of
her face was unquestionable.
Thus the mystery grew, but Adrian was not ruffled as he had been in the
morning. Then, Crow had him at a disadvantage; he could not prove
anything; he was forced to feel even foolish in the face of the evidence
Christobel brought about the peaceful slumber of the supposed culprits.
Now it was different. He was justified by his startling discoveries,
and good temper was the result.
Christobel looked round as they boarded the yawl, but saw no signs of
disorder. All was neat as usual. She and Pamela packed the food into
the pantry shelf and set about helping to get the sails up.
Poor Pam was very happy. She felt freer than she had done for a long
time. Nothing could happen out here. The sea was glorious, and Crow was
always the same to her; nothing could come between them, she thought.
The breeze was off shore--what is called a "soldier's wind", which means
that it serves without tacking. The tide was strong, the sea, with such
a breeze, of course was smooth; it was all as perfect as possible.
"The Floweret could have come to-day without being sick," said Pamela,
gazing over the shimmering waste with half-shut eyes; "what a pity
Midget is left behind."
"He looked rather tired," said Crow from her place at the tiller.
"Did he; I wonder why. He slept sound enough; he never woke till Keziah
called him, and then he went to sleep again," said Pam.
Christobel smiled. This was exactly what she had felt sure of, and
there was no effort at all in her sister's way of speaking.
The start was excellent, the sailing was perfect; "dull care" seemed to
have been left behind in Bell Bay--but one never knows!
Lunch being planned for rather an early hour, the two girls went down to
get things in order about twelve o'clock. Adrian took the tiller, and,
steering with his eyes half shut, whistled softly to himself.
Christobel began setting the swing table in the saloon--the plan was to
lay-to upon the wind and have a proper lunch, as there was time;
Peterock cliffs were already in sight, and they would be moving towards
their destination all the while on the drift of the tide.
Pamela went through to light the stove--hot water would be wanted for
washing up, which was never left indefinitely. She had just put the
kettle on when she heard Christobel say something, and called out.
"What's that, Crow?"
"How _funny_!"
"What's funny?" Pamela set a saucepan close to the kettle--with a view
to egg-boiling--and then swooped through the low door full of curiosity.
"What's funny?" she asked again.
Crow was sitting on the bunk seat which was generally called hers,
holding something in her hand--a handkerchief. Not one of Adrian's
"tablecloths", nor one of the girls' strong linen hem-stitched articles
with the name letter in the corner. It was small and fine and
lace-edged. Crow began turning it round slowly through her fingers,
looking for some mark.
A spasm passed through Pam's mind. She was beginning to be accustomed
to that sudden sick shock, that meant "danger ahead", but it was none
the less unpleasant.
Christobel came to a corner, and stayed.
"Goodness!" she murmured. "I _say_, Pam, look here!"
Pamela had no need to "look here", she guessed.
"How _extraordinary_!" went on Crow with emphasis; "the same letters
that were on the safety-pin brooch--and a tiny little coronet. It's
awfully pretty, but--who on earth!"
She looked up at Pamela; their eyes met, and Christobel was acutely
conscious that Pam knew something. She flushed scarlet; then the colour
fled and left her very pale; her clear eyes shifted from Crow's gaze,
and in their depths was an uneasy, deprecating shadow.
"Do you know anything about this?" asked Christobel.
"About the handkerchief, no. Oh no, I don't. How _could_ it come
here?"
It was perfectly true that she had no idea how the handkerchief came
there, but it was not the sort of truth that was natural to Pamela
Romilly, and as she said the horrid words she felt sick with herself.
In a lightning moment she resolved to go to the Countess and tell her
that she intended to state the whole position to Christobel--she would
do it; she would warn the girl and have it all above-board.
Silence fell like a stone between the sisters. Christobel realized that
Pamela _had_ some secret; Pamela saw that she did.
Slowly the elder girl folded up the handkerchief and put it in her skirt
pocket.
"What shall you do--about it?" asked Pamela nervously.
"I shall give it to Mother, I suppose. When one considers that the
letters and the coronet are the same--well----"
Her tone was cold--she was hurt because Pam would not speak.
A sudden strange inspiration came to Pamela in that desperate moment.
Desperate, because Crow had backed her up and fought her battle right
through--she could not bear this last misunderstanding.
"Crow," she said, leaning forward; her voice shook a little, and her
eyes looked suspiciously limpid--"Crow--do you mind my saying
something--about it?"
"Why should I?"
"Don't say anything to Mother, yet. Take it to Miss Anne."
"_Miss Anne_--Little Pilgrim?" Christobel checked her work, and gazed
back startled. "Why?"
"I can't tell you why--but do. I am sure it would be the best thing to
do."
The elder girl considered this, not with much sympathy it seemed; then
she said:
"Oh well, perhaps. I don't know. Anyway, we may as well put lunch;
Addie is awfully hungry."
So it passed, with a very heavy cloud left behind to darken the clear
holiday sky!
Lunch was eaten and greatly enjoyed by Adrian. The two girls using a
self-control such as only girls know how to call up when necessary,
Addie saw no difference in either--but they saw it--in each other.
Then came the arrival at Peterock, the smart picking up of moorings, the
convenient man doing nothing in a large clinker-built boat close by,
with a pipe between his teeth, willing for a consideration to "oblige"
and give advice.
Then the three went ashore with the afternoon before them, and to make
it all more complete they decided to have tea at a gay and joyous
tea-shop on the biggest esplanade, and start for home about five-thirty
or six; even so with such a wind and the splendid flow-tide they would
have ample time. Adrian had his hair cut, while the girls--more or less
constrained--looked into shop windows. When they met again Christobel
said she did not like the idea of waiting so long in the town, "suppose
the wind dropped"--it was lighter. Adrian was disappointed, but he
realized that they were not allowing themselves much time for possible
accidents.
"Let's get off at four--about--and have tea on board," said Crow. As a
matter of fact the "snap" in the day had gone out for her since that odd
conversation with Pamela.
"_Tell_ you what we'll do," cried Adrian suddenly, as a new move
occurred. He loved new moves. "We'll get off about four; we'll sail
down to the cove this side Bell Ridge--you know Champles Creek. We'll
drop anchor there and have tea on shore. We shall be home then
practically, as we've only got Bell Ridge between us and the bay, and
can walk over if the worst comes to the worst."
"Why should there be any 'worst'?" asked Crow, not quite convinced.
"No reason, but one ought to have a bolt hole--always. All wild animals
do, and their instincts are--hullo, there's old Timothy Batt--Peterock
day, I suppose."
Timothy Batt's "van" was drawn up at the curb, bulging with parcels of
all shapes. He sat under the canvas hood, while people in shops came
out and handed him more things. He was very well known.
As the Romilly trio came up he leaned out and made a gesture of summons
to Pamela, who stepped forward to meet it.
Timothy explained that her bicycle was ready, "if so be" as she would be
content to risk a probable collapse of the tyre at an early date.
"Them at the works," explained Mr. Batt, "can't make no job of it. A
new tyre is what 'e wants--they don't take no 'sponsibilities."
"They've been such an age over it already," said Pamela, annoyed,
"weeks--I must ask about the tyre--I wish I'd known, Timothy."
"Well, missie, 'twasn't for want o' me tellin' of you. 'Tis a matter of
two weeks or more--us coming up along Folly Ho Road--pretty near dark it
were, and that I marked because I says to the missus 'twas a lone place
for you that hour. I called out, and stopped be roadside right enough
to told you what they says down works. 'Thank 'e', says you--nobbut
that, and on you goes. Bein' as I was home goin' and I didn't stop.
There 'twas----"
"Oh," said Pamela uncertainly. "Oh, I see----" She moved on a step,
then she turned back to the cart and told Timothy she would write to the
works, "or Mother would".
Timothy Batt informed the missus that evening that "Miss Pamela looked
'pined'," and "she'd a lost way with her--happen she's growed too tall
to be hearty," said the carrier.
Pamela certainly felt both "pined" and "lost" as she walked on with the
others. She had no doubt whatever that this was another case of her
"double", and glancing sideways at Adrian, as he walked along balancing
neatly on the curb, saw the look on his face that she had begun to know
now. Crow remained perfectly stolid, changing the subject at once to
something far removed from bicycles and Timothy Batt.
In old days, both would have said to her at once, "What were you doing
on the Folly Ho Road at that time?" Now, nobody spoke, and to poor
Pamela it was a sort of brand proclaiming her outlawed from the family
confidence.
On the top of the handkerchief affair it was rather shattering, and she
felt a lump rise in her throat. However, she called up her resolution
to hearten herself, swallowed the pain, and tried to take it all
philosophically. After all, it would be explained presently, and in the
meantime she was doing what she thought right by the girl who had asked
for her silence.
Sails do not always turn out "according to plan", but this one did--as
far as getting to the creek below Champles Farm was concerned. It was
the loveliest place, though hardly worthy to be called a creek when it
came to an anchorage. On such a day, with an off-shore wind, the place
was perfection. And once more the spirits of the three recovered the
usual level. Adrian dropped the anchor, and the white yawl lay on the
smooth sea exactly like "a painted ship upon a painted ocean", while her
crew went ashore.
A stream came down through a glorious cleft in the rugged height. There
were trees and ferns, the former a bit stunted from sea-wind; but Bell
Ridge was a barrier on one side, and on the other, the coast-line
trending outward made a shield.
Two thermos flasks and a weighty basket went ashore with the crew in the
dinghy. It was some while after five then; but, as Adrian said the tide
would be in their favour till half-past nine, the feeling of ease was
delightful. No hurry. No bother about wind or tide. Home was just
round the point by sea, and perhaps a mile by land, as the crow flies.
More, of course, if climbing is allowed for.
Soon after six Adrian said he should bathe. Crow unearthed a magazine,
and Pamela said she would climb to the top and look at the view.
Everybody agreed that it "was all right", and became absorbed in their
different occupations. Time passed so swiftly that it had presently
reached the hour of half-past seven. Then Adrian, who had become busy
on the yawl in some unexpected direction, came ashore and said it was
time to be lifting anchor.
Christobel shut the magazine, wishing next month was due to-morrow, and
gazed at him with vague eyes.
"Wake up, old lady; we ought to be getting back. Where's that idiot
Pam?"
"Oh, isn't she on the shore?" said Christobel, stretching. "How heavenly
it looks!"
"Yes, I know, but it's about eight o'clock--or soon will be. We'd
better get things on board; I can come and take her off."
"Whistle--call," suggested Crow, getting up from her fern seat.
Adrian did his best, which was something to be proud of, in the noise
line. Christobel had to tell him to stop; she said the lighthouse at
Ramsworthy would send the boat up, thinking it was a ship in distress.
They both stood on the edge of the rippled sea, looking up at the cliff
and the wooded gully that cut it from top to the rocky base.
"_There_!" exclaimed Crow.
"Pam--e--la, _hullo--o_!" Adrian's strong voice woke echoes that called
and called again.
Clear of the bushes, on the summit stood the person they wanted, looking
down at them apparently, but never a word said she, nor did she make
sign or gesture. She just stared.
Christobel waved her handkerchief, waved her hat, joined in Adrian's
shout:
"Go--_ing_!"
Anyone could have heard much farther off than the cliff top. True, it
was high, but the scene was so still, the waves but a ripple, and the
wind a breath.
"She's mad," announced Adrian; "she's raving, Crow. I told you she was.
If she isn't coming, why can't she answer? I must say this positively
passes--well, never mind--get in--we'll go. If she comes down I'll
fetch her off, but I shall certainly tell her what I think. Otherwise
she can walk home."
"I don't understand," said Crow.
"Of course you don't. People are not expected to understand lunatics."
Adrian said that and a few more things more pointed than flattering on
the way out to the yawl.
Meanwhile Pamela sat down on the edge of the cliff and watched them with
apparent interest.
By that time the light was beginning to turn into shadow.
"I suppose it couldn't be anyone else!" ventured Christobel, twisting
round in the stern seat to look up at the motionless watcher.
"Anyone else! My good girl, ask your own senses! Look at her hair!
Look at everything! Besides, where is Pamela? Didn't we see her go up
to that very place?"
"Addie, don't you think I'd better go back, and up to her and see if
anything is wrong?"
"How could there be anything wrong? She looks perfectly healthy--there,
she's going away. Well, of all the blazing bits of cheek----"
It was true. Pamela got up, stood clear against a bit of bare ground so
that they saw her figure distinctly; then she turned and walked away,
disappearing on the instant from view.
Adrian gave a snort--it was nothing less--and boarded the yawl in
silence.
The voyage home from the creek and the finish up took perhaps half an
hour. Adrian left nothing to chance that night: he locked the companion
door, he fastened the fore-hatch.
"You'll have to put up with stinks, Crow," he said bitterly, being most
horribly cross; "with the whole of Bell Bay one seething mass of
lunatics one has to take precautions."
Crow said nothing. She saw it must be so, also she was very much
puzzled; there was the handkerchief of course, in addition, from her
point of view; Addie knew nothing about that. However, amazements were
not yet a thing of the past. When they two got in supper was just
beginning--everybody was collected round a cosy, well-filled table,
everybody, and--Pamela, who was cutting bread. She looked hot and rather
tired.
"We're just about equal," she said. "I was so sorry to be late."
"_Late_!" came from the two elders in voices of amazed indignation.
"You were just off. I never saw anything so lovely as _Messenger_, just
leaning over, and spinning along, with the dinghy streaming behind. It
was no good then, of course, so I just went back through the gorse ridge
and came down the usual way."
"Do you mean to say we were sailing when you first saw us, Pam?" said
Christobel, in a shocked voice.
"Sailing, yes--streaking along awfully fast. Have some bread, Addie?"
"But, my dear girl, we were on the shore when we first saw you,"
persisted Christobel. "We called and shouted till we were afraid of
attracting public attention and being had up for nuisances."
"Did you see Pam then, dear?" asked Mrs. Romilly.
"_See_ her, of course, Mummy, but she wouldn't answer. We called--we
waved--we were on shore waiting by the dinghy, wondering why on earth
she was so late. Then we saw her come to the cliff edge and look down
at us. Addie made an awful noise, but she never answered. She just
seemed to be staring straight at us. At last we couldn't wait any
longer and we put off to the yawl. She watched us reach the yawl and
then she turned away and went off. That's what _we_ saw."
"How _very_ odd," said Mrs. Romilly uncertainly. "Tell them just what
happened to you, darling."
"I went up the cliff to the top," Pamela answered, speaking rather
quickly, "then I thought I'd just go to Champles and fetch a few eggs,
as it was easy to carry them by the boat. And coming away from Champles
I went round above the church, because it was so lovely--and there was a
most awful bother going on--Crow, you know where Mr. Badger has all
those sheep penned, and the field where the mare and the foal are in
with those calves. Well, _all_ the sheep were out--hundreds--the whole
place was covered, the mare had got into the cornfield where the young
corn is just coming up green--and the calves had gone. I started to get
the mare out, it took ages; then I saw the calves had gone into the
field that's nearly hay. It was particularly trying for Mr. Badger,
because I knew he would be at Salterne market to-day and not back.
Everyone else was gone home, of course. I got the mare back, and the
calves, and some of the sheep. It took ages and ages; when I got to the
cliff edge there was _Messenger_ sailing away. Certainly I didn't blame
Addie for a second. I only went to look on the off-chance of her being
still in the creek--it was very late."
Adrian made no remark from first to last. He hardly appeared to listen,
but ate his supper in absorbed silence. Frankly, he did not believe a
word of the story, but he did not know what to think. How his sister
could dare to assert that they never saw her, and that the yawl was on
her way home, was past understanding.
Mrs. Romilly had come to the conclusion--from Adrian's manner and Pam's
nervousness--that there had been some tiff on board, and the separation
was due to disagreement. She changed the subject, and peace prevailed on
the surface.
*CHAPTER XVIII*
*Mr. Badger calls at Bell House;
and Christobel at Fuchsia Cottage*
Hughie most tactfully refrained from saying one word to add to Pamela's
weariness that night. It was plain she was very tired--plain to her
mother, who, for that reason perhaps, was a little inclined to be biased
against the elder pair.
It was not kind to leave the child alone at Champles Creek, when by
their own story they had seen her and called to her.
"After all, one of you might have gone up to see what was the matter,
darling," she said to Crow later.
"But, Mother, _she_ says we'd started."
"I think she is saying it to shield you both; Pam is very generous,"
suggested Mrs. Romilly.
"I suppose you mean that either way _we_ are wrong," answered Crow, a
little wounded.
"Well, do you think it was quite kind to leave her all alone? After a
long tiring day? But never mind--a night's rest will put it right, and
certainly Pam bears no malice."
That was how the affair looked to Mrs. Romilly. Christobel said no
more. She was a wise, kind girl--moreover, she was becoming aware of
some strange mesh of misunderstanding that had entangled them all.
Pamela had had to bear the brunt of that horrible brooch affair--now
_she_ was accused of this!
The handkerchief was in her possession still, of course, and, as she
examined it that night, Pamela's odd suggestion came back to her with
new force. At any rate Miss Anne would bring another mind and
imagination to bear on these entanglements.
Hughie, then, waited till next day, when he conveyed a secret invitation
to Pamela to meet him in "the cave" at a certain hour for important
conversation. Pamela went, and, curled up happily behind the barricade
with her long legs doubled up under her, she heard the story of the
Countess' raid on the yawl and the way she had been circumvented.
"Now what did she want to do?" said Pamela thoughtfully, her head
against the big trunk.
"_I_ rather guess----" said Hughie.
"What?"
"She wants to escape from Bell Bay. If I was her," he went on, clasping
his ankles as he sat cross-legged--"if I was her, I should escape, but
in a more sensible way, of course."
"I see, escape to Salterne. I wonder if she has any money," considered
Pamela.
"Sure to--lots."
"I wonder," went on Pam, "if Addie found out things on board; he never
said a word to me."
"Of course he did. The dinghy was all filthy mess, and there must have
been a whole _field_ on the yawl! _I_ couldn't stop to clean up. There
was that girl, and besides, I was so wet."
"Midget, you haven't caught cold, have you?" asked Pamela anxiously.
"No. I say, Pam--because Addie found out the mess was why you didn't go
to Salterne, don't you see? It made things late--then you went to
Peterock. I guessed that was it."
Pamela saw also, in an instant. Then she told Hughie about the
handkerchief; he nodded gravely.
"Well, if Crow takes it to Miss Lasarge, perhaps _she'll_ go and tell
Sir Marmaduke. I wish they'd take that girl away--she spoils all our
fun." Hughie sighed, then he remarked, "I told her it's no use her
raiding the yawl any more--I said Addie would lock her up. I said I'd
tell him to, but he'll do it jolly well without me telling."
Pamela remained deep in thought as she reviewed this situation.
"I wonder what that girl will do next," she said at last, and sighed.
"Well, _I_ wish she'd put her head in a bag," remarked the Midget with
quite unexpected coarseness; "she doesn't seem to be any use."
Now if anybody is thinking that the trouble at Champles Farm began and
ended with poor Pamela's anxious efforts, "he is deceived by his own
vanity", as Mrs. Jeep would have said. The day was not ended before
that worthy woman sent in a message by Keziah to know whether she could
speak to mistress for a few moments. Mrs. Romilly departed to the
housekeeper's room, and presently left that comfortable sanctum more
confused in mind than ever.
It appeared that Mrs. Jeep considered it her duty to mention what "they"
were saying about Miss Pamela. It was "all over the village" that Miss
Pamela had removed the hurdle and had caused Mr. Badger's sheep to
wander like the Israelites in the desert: some having been found at
Peterock, one been run over on the main road to the station, and several
still lost. That Miss Pamela had opened the gates at both ends of Spill
land--the senseless name of the field in which the mare and the heifers
were pastured--and let the animals out.
"They will have it as Badger's mare is so bad with the colic that she
won't get over it. Green corn's shocking food for a horse--well, serve
her right, the greedy creature--but the heifers, five of them, have
trampled the field he'd laid by for hay something cruel. I'm repeating
what they say, ma'am--there may be an ounce of truth to a barrel of
lies--we know how they talk. But anyway, it's laid to Miss Pamela. In
my opinion, that Badger's trying to make a case for himself. He thinks
he knows where the money lays! I don't hold with that Badger, ma'am;
never did, he's too free with his gossip. What I say is, Miss Pamela
knows the rights of a field just as well as them Badgers. She was never
one for mischief--not from a child. It's silly nonsense, that's what it
is, ma'am, but I thought I'd tell you in case that feller comes round
making out a case for damage."
Mrs. Jeep stayed, breathless; she had been fighting the family battles
since the milk came from Paramore's in the morning. It was the milkman
that first brought the tale; followed shortly by the postman and the
baker. Hennery Doe had "known ove night", he admitted, but, as he
disapproved of gossip just as decidedly as of eight-hour days, the story
had remained with him.
"Oh dear, oh _dear_," said Mrs. Romilly, "it really is too absurd. Poor
little Pamela seems to be in the wars all round. What is the matter?
Why are people so hopelessly idiotic?"
Mrs. Jeep sympathized respectfully. She intended to uphold the family
whatever turn the matter took, though in her secret heart she thought it
not an impossible contingency that Pamela might have left a gate open.
"Unluckily she was there--in the evening," allowed Mrs. Romilly; "if
only I could say she was at home!"
There it was.
Mr. Badger first of all wrote a letter to Mrs. Romilly. This he followed
up by a visit, next morning, and poor Pamela was sent for to the
library. She was pale and worried; there was an anxious look in her
grey-blue eyes, for the situation was so entirely new to all her
experiences that she felt like a convict.
Mrs. Romilly said:
"Pam dear, tell Mr. Badger what you saw, and what you did."
Pamela told, in rather a breathless way, and one strong point in her
favour was her visit to Champles to fetch the eggs that were always
welcome at the Bell House. Mr. Badger admitted that she had reached
Champles before seven o'clock--about a quarter to seven in fact.
Badger's contention seemed to be that she had opened the gates before
that--soon after six, because witnesses had seen sheep wandering at
half-past six.
"I didn't go that way, Mr. Badger," said Pamela with decision; "I began
to climb up from the creek somewhere about six, and went straight to
Champles. I came _back_ round the farm and the field where the mare
was. No one was about, and I tried for an hour to get the animals
home--the mare couldn't have eaten a great deal; I got her out, but the
calves wouldn't go."
"I dunno," said Mr. Badger, with a twinkling eye fixed on the
cornice--_one_ on the cornice, that is, _one_ on Mrs. Romilly--"I dunno
as I can save that mare; she's a turrable loss. If she dies the foal's
sure to foller; he's full young. As for the hay, an' them sheep----"
Mr. Badger believed he had a strong case. He said he could bring
witnesses to swear that they saw Pamela about six o'clock going through
the Spill land. The witnesses were vague rumour, really, but supposed
to be people walking out from Peterock to Bell Ridge and back--these
people "had passed a remark" on the subject when the sheep were all over
the roads, and remembered a young lady in blue with a long tail of hair,
walking in the direction of Peterock.
"How could _I_ be going to Peterock, Mother? You _do_ see how
improbable it is, don't you?"
Mrs. Romilly was firmer than Mr. Badger had hoped. He had planned a
"walk over", and pictured himself returning home with a cheque for at
least twenty pounds in his pocket! The fact is that Mrs. Romilly was so
convinced of Pamela's truth herself that she refused to be shaken.
"I'm sorry, Mr. Badger," she said; "at the same time, if, as you allow,
people were walking out from Peterock to the ridge and back why should
not one of them have left your gate insecure? Strangers are careless,
we know. As for the young lady in blue with long hair whom they say
they saw on the spot--the story is not convincing. They had heard the
description of my daughter, and are shielding themselves behind it. I
don't think we need say any more."
Mr. Badger went, dismissed icily by Keziah, who upheld the honour of the
Bell House as first lieutenant to Mrs. Jeep; at the same time she
remarked, in privacy:
"I've no opinion of Badger, Mrs. Jeep, as you know, but it takes some
explaining to see why ever Mr. Adrian and Miss Pamela tell such
different tales. Mr. Adrian's ever so gruff, won't hardly speak to Miss
Pamela, nor Miss Christobel neither, so far as I can see. He _is_ put
out."
Keziah spoke truly, for Christobel could get no opinion from her brother
either way. He refused to discuss Badger, or his woes. When Christobel
said it was all a story--a fairy tale of gossip--didn't he think so?
Adrian said:
"My dear Crow, did we see Pamela, or did we not see Pamela! You know
what we did, and you know what she did? Well, what's the good of
talking."
It was conclusive enough to drive Crow into her own room and a
consultation with her own mind as to the best course. There was still
that suggestion of Pam's about Miss Lasarge. Crow sat in her wicker
armchair and gazed up the carriage drive, on which Adrian still declared
he had seen the younger pair at four o'clock in the morning. Madness--of
course, yet, what about that queer invasion of the yawl? The whole
thing was delirium of improbabilities; the more Christobel thought about
it, the simpler it seemed to go and ask Miss Anne for advice.
So, about four o'clock on the day of Mr. Badger's visit, Christobel
announced she was going for a walk, and "made tracks" for Fuchsia
Cottage. Miss Anne was at home; she usually was at that hour; and she
received the girl with pleasure visible in every line of her small pale
face.
"Now of course you'll have tea with me, Crow; do you know, I was just
beginning to pity myself for being all alone, and so you've saved me
from a contemptible state of mind. I'll tell Lizzie--and what about the
lawn?"
Christobel said it was rather windy; she did not want tea out of doors,
it was too public. That settled it, because Miss Lasarge understood.
Everything went as is usual until the middle of the meal, when outside
subjects of conversation had been exhausted; then Crow said:
"Little Pilgrim, I'm come really to ask you to help us----"
"_Us?_" questioned Miss Anne, undisturbed.
"Well, it affects us all, so I'd sooner say us. We are in a strange
kind of morass--I don't know what to call it. We've never had such a
horrible state of things in the family before; you know how happy we
are?"
"I know," agreed Miss Anne; "and so something has happened to spoil it!
Suppose you begin at the beginning and tell me. 'Trouble shared is
trouble spared', isn't it?"
"I'm trying to remember when this trouble actually started," said
Christobel, leaning her head back on the cushion, and gazing at the
flowers on the table with unseeing eyes.
"It was about the time Mollie went. The first we knew of it was when
Pam saved little Ensor. She said, and they said, that she did it
alone--you remember. Adrian said it was impossible. Some days
afterwards he went to look at the place, and he found a most lovely
diamond brooch with two 'A's' for initials and a coronet over them----"
Miss Anne stirred in her chair. Crow paused.
"Go on dear," said Miss Anne.
Crow went on, she told the whole story of the brooch, with scrupulous
accuracy, adding one after the other the appearances of Pamela in places
where she should not have been at such hours. She went on, without
interruption, through the very strange story of Adrian's vision at four
in the morning, and the even stranger relation of the condition in which
the yawl and the dinghy were found. Finally there was the discovery of
the handkerchief on board the yawl, and _this_ latest affair of the
picnic at Champles Creek and Pamela's amazing behaviour, followed so
quickly by Badger's accusation.
Crow was very deliberate; she did not forget the episode of Timothy Batt
even, bringing the whole relation up to the present moment, as it were.
Then she ceased to speak.
Miss Anne was leaning her cheek on her hand, and her elbow on the arm of
the chair; she did not look at Christobel, but very intently out at the
lawn and flowers.
"What do _you_ think, Crow?" she presently asked. "Have you any
interpretation of your own?"
Christobel shook her head rather despondently; then she said:
"Anyway, I'm absolutely sure Pamela hasn't done anything dishonourable.
I don't understand what's happening, but I do know Pam, and I've
sometimes thought she might be aiming at some--well--some rather cranky
sort of noble deed----" Crow flushed and looked at her companion in a
deprecating manner. "She's simply wild about the Girl Guide business;
she's only waiting till she gets to school to be one. She reads it up,
and soaks it in, and she's awfully set on doing a good deed every day,
and helping people whatever it costs. Don't you see how it might lead
to--to things, perhaps? One can't tell how, exactly."
"She might be shielding somebody?" suggested Miss Lasarge.
"Yes; if there was anybody to shield. Besides," added Christobel in a
more matter-of-fact tone, "a lot of it is sheer muddle--the Badger
business, I mean, _that's_ sinful nonsense."
Miss Anne laughed; the fierceness in Crow's way of saying "sinful
nonsense" pleased her very much.
After that they talked it all over quietly, and the upshot was that one
thing especially seemed to puzzle Miss Lasarge, namely the surprising
vision Adrian saw at four o'clock in the morning.
"He could hardly have been mistaken in Hughie," she said.
"Or in Pam," added Crow.
To that Miss Anne made no reply.
When Christobel had taken her leave, greatly comforted, though nothing
had happened so far to lift the burden, Miss Lasarge looked at the
clock; it was half-past five. She hesitated, then made up her mind--and
a very firm mind too--because though Miss Anne was small and pale she
had a great soul in that small body, and she realized that she must help
innocent folk who were suffering through no fault of their own.
She put on a grey cloak and little close bonnet with a grey veil, and
slipped across the road to Woodrising gates like a grey shadow. It was
a cloudy day, and the very young new moon was "lying on her back", as
country folk say, which is a sign of tiresome weather. Miss Anne,
looking up, saw the silver sickle, pale and slim, for the first time.
Mrs. Trewby opened the gate, sighing; she was more bilious than usual by
reason of Mrs. Chipman's company, and a large housekeeping allowance.
Mrs. Chipman liked what she called "a good table", meaning, of course,
the things on it, not the table. Therefore, in doing her best to keep
Mrs. Chipman in countenance, Mrs. Trewby had upset herself for weeks,
probably months. It was a pity, because it made her very unhappy and
darkened her life.
"I wish to see the Countess, Mrs. Trewby," said Miss Anne.
"Well, miss, I dunno'----"
"It's very important," continued Miss Anne, quietly passing inside; "I
will answer to Sir Marmaduke."
When Miss Lasarge spoke in that voice she was always obeyed, and so she
presently found herself within the hall, and Mrs. Chipman discussing the
matter with many creakings of the tight bodice.
"I assure you, Miss Lasarge, that I have agitated in vain," cried Mrs.
Chipman; "coercion has been attempted in vain; the temperament of the
Countess is opposed to isolation, therefore----"
"I am afraid we cannot discuss that, Mrs. Chipman; the point is that Sir
Marmaduke left orders which must be carried out. Now, if you please, I
wish to see the Countess."
Mrs. Chipman was for the time suppressed--like the guinea-pigs in _Alice
in Wonderland_--she was rather like a guinea-pig when you come to think
of it. She ushered Miss Lasarge into the drawing-room where Pamela had
seen the Countess, but nobody was there, and Miss Anne detected in a
moment that Mrs. Chipman really was not sure whether she could produce
her very self-willed charge. It was a matter of luck!
In that moment they both saw the girl in question going swiftly across
the lawn towards a shrubbery lower down. Miss Anne did not hesitate; she
opened the window--which was of the "French" kind--passed out quickly,
and called.
The girl stopped, and stood looking to see who had summoned her; saw
Miss Lasarge and remained, hesitating. Had it been Mrs. Chipman she
would have walked away, that was obvious.
Miss Anne went over the grass towards her.
"I want to have a little talk with you, Countess," she said, without the
least asperity. "Won't you come back and entertain me?"
They came back together, into the drawing-room, and Miss Anne shut the
window, because she preferred to keep the conversation private.
She did not find this task at all easy, chiefly because the girl's
attitude--in every sense--was so antagonistic.
Sir Marmaduke Shard had given her and Major Fraser a sort of partnership
as watch-dogs over this girl--chiefly because one was a first-class
hospital nurse, and the other a doctor--yet they had no actual
authority, only moral authority. He wanted someone on the spot to
oversee Mrs. Chipman, and be ready supposing her charge should be ill.
He fancied that he had arranged for every contingency in a most complete
manner, but being a man as well as a great lawyer, he had of course
missed entirely the main points--the practical points--with results
already shown.
Miss Anne and Major Fraser both had a reason for helping; this came to
light afterwards; but even so they would probably have declined all
association with the business had they realized how perfectly untamable
Sir Marmaduke's ward was going to be.
Things had come to a head, though, and Miss Lasarge felt herself on firm
ground when she began to talk. She told the girl that she knew
everything--including the brooch business and the wanderings over the
countryside.
The Countess watched her shrewdly--to see how much she really did
know--and quickly realized that nothing was said about the night visit
to the yawl. Miss Anne did not mention it, because she could not make
up her mind about that. How could little Hughie be connected with this
girl in such an excursion? It was not possible to understand it, and
the Countess decided she did not know, and triumphed.
She excused herself about the brooch, saying it was her own; she had
dropped it on the cliffs.
"When you met Pamela Romilly?" suggested Miss Anne.
"Was there any wickedness in helping to carry the farm boy?" said the
Countess.
"Of course not, my dear; but you should not have been out. You promised
Sir Marmaduke in my hearing that you would keep to these grounds for the
short time you are staying--you break your word, and, if I am not
mistaken, you induced Pamela Romilly to keep your secret, and so have
involved her in all sorts of grief and misunderstanding."
"She need not keep her promise," said the Countess, with a little smile.
"But she would, of course. And you knew she would, didn't you?"
The girl gave that little shrug with which she met objections she
despised, and, as Miss Anne looked at her handsome face and her arrogant
supercilious expression, she found herself wondering how, when, and
where it would ever be possible to teach this untaught soul a code of
honour.
*CHAPTER XIX*
*The Trick*
Miss Anne's visit at Woodrising lasted nearly an hour, which annoyed the
Countess extremely, but she made little way on the road she had hoped to
gain. She tried to awaken some sympathy for Pamela, but the girl
appeared to find amusement in Pam's trouble. Because she had been brave
over the cliff affair, Miss Anne hoped she felt for little Reuben, but
she was in no wise interested, the farm people were "common".
At the end of the hour Miss Lasarge realized that the chief hold she had
was in the fact that the Countess was afraid of Sir Marmaduke--of anyone
in power, perhaps. It was a weapon Miss Anne could not bear to use, but
she had to protect her beloved children at the Bell House.
"Well," she said, "then I'll say good night, and you will be wiser, my
child, if you do as Sir Marmaduke wishes. You are making a mistake in
acting as you do. I am obliged to say that I shall tell him if it does
not cease."
The Countess looked down at the little grey person who presumed to
interfere with her amusement. It did not occur to her that she could
not shield herself behind a lie. It would be quite easy to tell Sir
Marmaduke that the girl who ran about in the evenings was Pamela
Romilly. He would believe her, of course. She recalled with
satisfaction that Miss Ashington was sure she had been visited by
Pamela. There was nothing--nothing to prove in any single instance that
it had not been Pamela Romilly. Mrs. Chipman would be silent for her own
sake.
As the little grey lady stood watching her face she read the thought.
Perhaps the Countess did not try to conceal it; perhaps she was not so
well practised in deceit as to hide it all--after all, fourteen years is
not a long time. In either case Miss Anne saw it quite plainly, and she
said:
"You might deny all sorts of things, but you would have to explain to
Sir Marmaduke how you came to leave your handkerchief on his yacht--on
Tuesday night. It is a thing that cannot be denied."
The girl stiffened, and stood rigidly still.
Then she said suddenly.
"It is a lie--you invent it to frighten me."
"No," answered Miss Anne, looking at her with the clear grey gaze that
seemed the essence of truth, "it is quite true. My dear child, you know
it is true. There is your initial, and the little coronet--quite
unmistakable. Now good night again--be wise, and be good, and you will
be happy too. I tell you frankly that _I_ have your handkerchief, but I
shall not use any evidence against you unless you make me."
Seldom in her life had the grey lady felt so much pain as when she left
the Countess standing in the Woodrising drawing-room with that
expression of fear and anger together on her pretty face. Miss Anne had
been used to girls as friends always, and had started by treating this
girl in the same way as others. The Countess on her part started by
pretending friendliness, and cheated! That was the
difficulty--kindness, in her eyes, was weakness.
Miss Lasarge went home, and on the way made up her mind to write to Sir
Marmaduke if there was any further trouble, but she did not wish to
bother him needlessly, because she knew he was very busy at work on a
Government Commission. Also, it did seem rather absurd that several
women could not keep one girl of fourteen within bounds.
Left alone, the Countess sat down with some force and cried furious
tears. Then she took her hat off and threw it on the floor--flung her
gloves one way and her shoes another. Then she rang the bell violently,
ordered Mrs. Chipman to pick the things up--and marched upstairs in her
stockings with high held chin.
She would not go out--to-night--or to-morrow--perhaps not for one or two
more days, but _wait_. She had plenty of money; she would not be
trammelled by these common people--after all what could they do to her?
That was the point naturally--what they could do that mattered? She had
been in England a long time. Quite long enough to understand that
nobody would hurt her, whatever she did; but not long enough to
appreciate kindness at its true value--which was sad, in many ways.
Therefore she settled her own plan, in her own way, went to bed and
slept soundly.
At the Bell House life assumed something of the old peace. Nothing
happened in the Badger line--having cast his bolt, the wily master of
Champles Farm was not quite certain what to do next.
Christobel smiled on Pamela, who in her turn summoned up courage to ask
what she had done with that handkerchief.
"Gave it to the Little Pilgrim," said Crow.
"What did she say?"
"Nothing."
"Didn't she say one word? Didn't she know _anything_?" persisted poor
Pam, disappointed.
"She looked at the initial, and I don't think she was surprised. I
don't know why, but my feeling said she wasn't surprised. I told her
about the brooch and--and a few things I'd noticed," went on Crow,
turning a little pink under her sister's anxious gaze. "She nodded, and
listened--that was all; but one felt she'd do something--quietly,
without fuss! I don't know why one should always expect her to, but one
does."