When her father returned, she fell into his arms saying, "Father, I

have given myself to Jesus and he has taken me." "Is it so?" said he.

"Then has a new flower blossomed in the kingdom this day." This is

very sweet and beautiful and it shows that Dr. Beecher had a tender

heart under his Calvinistic theology. "If she could have been let

alone," says her son, "and taught to 'look up and not down, forward

and not back, out and not in,' this religious experience might have

gone on as sweetly and naturally as the opening of a flower in the

gentle rays of the sun. But unfortunately this was not possible at a

time when self-examination was carried to an extreme that was

calculated to drive a nervous and sensitive child well-nigh

distracted. First, even her sister Catharine was afraid that there

might be something wrong in the case of a lamb that had come into the

fold without being first chased all over the lot by the shepherd:

great stress being laid on what was called being under conviction.

Then also the pastor of the First Church in Hartford, a bosom friend

of Dr. Beecher, looked with melancholy and suspicious eyes on this

unusual and doubtful path to heaven."

Briefly stated, these two spiritual guides put Harriet through a

process which brought her to a sense of sin that must have filled

their hearts with joy. She reached the stage when she wrote to her

brother Edward: "My whole life is one continued struggle; I do nothing

right. I am beset behind and before, and my sins take away all my

happiness."

Unfortunately for her, it was at this stage of Harriet's religious

experience that Dr. Beecher was called to Boston to stem the rising

tide of Unitarianism, with its easy notions about conviction of sin

and other cardinal elements of a true faith. To be thrown into the

fervors of a crusade was just the experience which Harriet's heated

brain did not need. Her life at this period was divided between

Hartford and Boston, but her heart went with Dr. Beecher to his great

enterprise in Boston, or, as Mrs. Fields says, "This period in Boston

was the time when Harriet felt she drew nearer to her father than at

any other period of her life."

It will not be necessary to go farther into this controversy than to

show what a cauldron it was for the family of Dr. Beecher. In his

autobiography, Dr. Beecher says, "From the time Unitarianism began to

show itself in this country, it was as fire in my bones." After his

call to Boston, he writes again, "My mind had been heating, heating,

heating. Now I had a chance to strike." The situation that confronted

him in Boston rather inflamed than subdued his spirit. Let Mrs. Stowe

tell the story herself. "Calvinism or orthodoxy," she says, "was the

despised and persecuted form of faith. It was the dethroned royal

family wandering like a permitted mendicant in the city where it once

held high court, and Unitarianism reigned in its stead. All the

literary men of Massachusetts were Unitarians. All the trustees and

professors of Harvard College were Unitarians. All the elite of wealth

and fashion crowded Unitarian churches. The judges on the bench were

Unitarian, giving decisions by which the peculiar features of church

organization, so carefully ordained by the Pilgrim Fathers, had been

nullified. The dominant majority entered at once into possession of

churches and church property, leaving the orthodox minority to go out

into schoolhouses and town halls, and build their churches as best

they could."

We can hardly suppose that Harriet had read the decision of the court,

or that she deemed it necessary; she knew it was wrong by instinct,

and the iron entered her soul. The facts appear to have been as

follows: The old parishes in New England included a given territory

like a school district or a voting precinct. Members of a given

parish, if they were communicants, formed themselves into a "church"

which was the church of that parish. The court decided that this

church always remained the church of that parish. Members might

withdraw, but they withdrew as individuals. They could not withdraw

the church, not even if they constituted a majority.

The correctness of this decision does not concern us here; it is

enough that Dr. Beecher thought it wrong and that Harriet thought it

wrong. "The effect of all this," she says, "upon my father's mind was

to keep him at a white heat of enthusiasm. His family prayers at this

period, departing from the customary forms of unexcited hours, became

often upheavings of passionate emotion, such as I shall never forget.

'Come, Lord Jesus,' he would say, 'here where the bones of the fathers

rest, here where the crown has been torn from thy brow, come and

recall thy wandering children. Behold thy flock scattered upon the

mountain--these sheep, what have they done! Gather them, gather them,

O good shepherd, for their feet stumble upon the dark mountains.'"

The fierce heat of this period was too much for a tender plant like

Harriet. For her state of mind, even Catharine thought the Boston home

life was not entirely suitable. It would be better for her in

Hartford. "Harriet will have young society here which she cannot have

at home, and I think cheerful and amusing friends will do much for

her." Catharine had received a letter from Harriet which, she says,

"made me feel uneasy," as well it might. Harriet had written her

sister: "I don't know as I am fit for anything, and I have thought

that I could wish to die young and let the remembrance of me and my

faults perish in the grave.... Sometimes I could not sleep, and have

groaned and cried till midnight, while in the daytime I tried to

appear cheerful, and succeeded so well that papa reproved me for

laughing so much." Life was too serious to permit even an affectation

of gaiety. "The atmosphere of that period," says Mrs. Field, "and the

terrible arguments of her father and of her sister Catharine were

sometimes more than she could endure." Her brother Edward was helpful

and comforting. She thanks him for helping her solve some of her

problems, but the situation was critical: "I feared that if you left

me thus I might return to the same dark, desolate state in which I had

been all summer. I felt that my immortal interest, my happiness for

both worlds, was depending on the turn my feelings might take."

Dr. Beecher was too much absorbed with his mission to observe what was

going on in his own family, unless there chanced to be an unexpected

outburst of gaiety. "Every leisure hour was beset by people who came

with earnest intention to express to him those various phases of

weary, restless wandering desire proper to an earnest people whose

traditional faith has been broken up.... Inquirers were constantly

coming with every imaginable theological problem ... he was to be seen

all day talking with whoever would talk ... till an hour or two before

the time (of service), when he would rush up to his study; ... just as

the last stroke of the bell was dying away, he would emerge from the

study with his coat very much awry, come down stairs like a hurricane,

stand impatiently protesting while female hands that ever lay in wait

adjusted his cravat and settled his collar ... and hooking wife or

daughter like a satchel on his arm, away he would start on such a race

through the streets as left neither brain nor breath till the church

was gained." Such, very much abbreviated, is Mrs. Stowe's portrait of

her father at this period. It is a good example of her power of

delineation; but what a life was this for a half distracted girl like

Harriet! Much better for her would have been the old serene, peaceful,

quiet life of Litchfield.

She had several kinds of religious trouble. It troubled her that in

the book of Job, God should seem "to have stripped a dependent

creature of all that renders life desirable, and then to have answered

his complaints from the whirlwind, and, instead of showing mercy and

pity, to have overwhelmed him with a display of his power and

justice." It troubled her that when she allowed herself to take a

milder view of deity, "I feel," she says, "less fear of God and, in

view of sin, I feel only a sensation of grief." This was an alarming

decline. It troubled her again that she loved literature, whereas she

ought only to care for religion. She writes to Edward: "You speak of

your predilections for literature being a snare to you. I have found

it so myself." Evidently, as she has before said, she was beset behind

and before. What was perhaps worst of all, the heavens seemed closed

to her. Calvinism was pure agnosticism; and she had been educated a

Calvinist. There was no 'imminent God,' in all and through all, for

Calvinism; that came in with Transcendentalism, a form of thought

which never seems to have touched Mrs. Stowe. She seems always to

have felt, as at this period she writes Edward, that "still, after

all, God is a being afar off." Nevertheless, there was Christ, but

Christ at this period was also afar off: "I feel that I love

God,--that is that I love Christ,--that I find happiness in it, and

yet it is not that kind of comfort which would arise from free

communication of my wants and sorrows to a friend. I sometimes wish

that the Savior were visibly present in this world, that I might go to

him for a solution of some of my difficulties."

It will be seen from this passage that Harriet's storm-tossed soul was

settling down upon Christ as the nearest approach to God one could

gain in the darkness, and with this she taught herself to be content.

"So, after four years of struggling and suffering," writes her son,

"she returns to the place where she started from as a child of

thirteen. It has been like watching a ship with straining masts and

storm-beaten sails, buffeted by the waves, making for the harbor, and

coming at last to quiet anchorage." One cannot help reflecting how

different would have been her experience in the household of Dr.

Channing; but Dr. Beecher would sooner have trusted her in a den of

wolves.

Harriet was seventeen years old when, mentally, she reached her quiet

anchorage but, physically as might be expected, it was with a

constitution undermined and with health broken. "She had not grown to

be a strong woman," says Mrs. Fields; "the apparently healthy and

hearty child had been suffered to think and feel, to study and starve

(as we say), starve for relaxation, until she became a woman of much

suffering and many inadequacies of physical life." A year or two later

Harriet herself writes, "This inner world of mine has become worn out

and untenable," and again, "About half my time I am scarcely alive....

I have everything but good health.... Thought, intense emotional

thought, has been my disease."

At the end of six restless and stormy years, in 1832, Dr. Beecher

resigned his Boston pastorate to accept the presidency of Lane

Theological Seminary at Cincinnati, Ohio, Catharine and Harriet

accompanying the family with the purpose of establishing a high grade

school for young women. The plan was successfully carried out, and the

"Western Female Institute" marked a new stage in education west of the

Alleghenies. One of Harriet's early achievements at Cincinnati was the

publication of a text-book in geography, her first attempt at

authorship. She made her entry into the field of imaginative

literature by gaining a prize of $50 for a story printed in _The

Western Magazine_.

Her connection with the "Western Female Institute" was brief, and the

prosecution of a literary career was postponed, by her marriage in

1836, with Prof. Calvin E. Stowe; or, as she announces this momentous

event: "about half an hour more and your old friend, schoolmate,

sister, etc., will cease to be Hattie Beecher and change to nobody

knows who."

The married life of Mrs. Stowe covered a period of fifty years and was

a conspicuously happy one. Prof. Stowe, who seemed so much like a myth

to the general public, was a man of great learning and keen

intelligence, unimaginative as he says himself, but richly endowed

with "a certain broad humor and drollery." His son tells us that he

was "an inimitable mimic and story-teller. No small proportion of Mrs.

Stowe's success as a literary woman is to be attributed to him." The

Sam Lawson stories are said to be a little more his than hers, being

"told as they came from Mr. Stowe's lips with little or no

alteration." For her scholarly husband, Mrs. Stowe had the highest

appreciation and the prettiest way of expressing it: "If you were not

already my dearly loved husband," she writes him, "I should certainly

fall in love with you." Prof. Stowe could also write a love-letter:

"There is no woman like you in this wide world. Who else has so much

talent with so little self-conceit; so much reputation with so little

affectation; so much literature with so little nonsense; so much

enterprise with so little extravagance; so much tongue with so little

scold; so much sweetness with so little softness; so much of so many

things and so little of so many other things." If a man's wife is to

have her biography written, he will not be sorry that he has sent her

some effusive love-letters.

Fourteen years of Mrs. Stowe's beautiful married life were spent in

Cincinnati, with many vicissitudes of ill-health, some poverty, and

the birth of six children, three sons and three daughters. One can get

some idea both of the happiness and the hardship of that life from her

letters. In 1843, seven years after marriage, she writes, "Our straits

for money this year are unparalleled even in our annals. Even our

bright and cheery neighbor Allen begins to look blue, and says $600 is

the very most we can hope to collect of our salary, once $1,200."

Again she writes, "I am already half sick from confinement to the

house and overwork. If I should sew every day for a month to come I

should not be able to accomplish half of what is to be done." There

were trials enough during this period, but her severest affliction

came in its last year, in the loss of an infant son by cholera. That

was in 1849, when Cincinnati was devastated; when during the months of

June, July and August more than nine thousand persons died of cholera

within three miles of her house, and among them she says, "My Charley,

my beautiful, loving, gladsome baby, so loving, so sweet, so full of

life and hope and strength."

In these years, Mrs. Stowe's life was too full of domestic care to

permit many excursions into the field of literature. In 1842, a

collection of sketches was published by the Harpers under the title of

the "Mayflower." Occasionally she contributed a bright little story to

a monthly or an annual. An amusing account is given of the writing of

one of these stories, by a lady who volunteered to serve as amanuensis

while Mrs. Stowe dictated, and at the same time supervised a new girl

in the kitchen: "You may now write," said Mrs. Stowe, "'Her lover

wept with her, nor dared he again touch the point so sacredly

guarded--(Mina, roll that crust a little thinner). He spoke in

soothing tones.--(Mina, poke the coals).'"

These literary efforts, produced under difficulties, inspired Prof.

Stowe with great confidence in her genius. He wrote her in 1842, "My

dear, you must be a literary woman. It is so written in the book of

fate." Again he writes, "God has written it in his book that you must

be a literary woman, and who are we that we should contend against

God! You must therefore make all your calculations to spend the rest

of your life with your pen." Nevertheless the next eight years pass as

the last six have passed without apparently bringing the dream of a

literary career nearer fulfilment. With a few strokes of the pen, Mrs.

Stowe draws a picture of her life at this period: "I was married when

I was twenty-five years old to a man rich in Greek and Hebrew and,

alas, rich in nothing else.... During long years of struggling with

poverty and sickness, and a hot, debilitating climate, my children

grew up around me. The nursery and the kitchen were my principal

fields of labor. Some of my friends, pitying my trials, copied and

sent a number of little sketches from my pen to certain liberally

paying annuals, with my name. With the first money that I earned in

this way I bought a feather bed! for as I had married into poverty and

without a dowry, and as my husband had only a large library of books

and a good deal of learning, the bed and pillows were thought the most

profitable investment. After this I thought that I had discovered the

philosopher's stone. So when a new carpet or mattress was going to be

needed, or when at the close of the year it began to be evident that

my family accounts, like poor Dora's, 'wouldn't add up,' then I used

to say to my faithful friend and factotum Anna, who shared all my joys

and sorrows, 'Now, if you will keep the babies and attend to things in

the house for a day, I'll write a piece and then we'll be out of the

scrape.' So I became an author,--very modest I do assure you."

The hardships and privations of Mrs. Stowe's residence in Cincinnati

were more than compensated to her by the opportunity it afforded for

intimate acquaintance with the negro character and personal

observation of the institution of slavery. Only the breadth of the

Ohio river separated her from Kentucky, a slave State. While yet a

teacher in the Female Institute, she spent a vacation upon a Kentucky

estate, afterward graphically described in 'Uncle Tom's Cabin' as Col.

Shelby's plantation. A companion upon this visit said, "Harriet did

not seem to notice anything in particular that happened....

Afterwards, in reading 'Uncle Tom,' I recognized scene after scene of

that visit portrayed with the most minute fidelity." A dozen years

before there were any similar demonstrations in Boston, she witnessed

in 1838, proslavery riots in Cincinnati when Birney's Abolition press

was wrecked and when Henry Ward Beecher, then a young Cincinnati

editor, went armed to and from his office. She had had in her service

a slave girl whose master was searching the city for her, and whose

rescue had been effected by Prof. Stowe and Henry Ward Beecher who,

"both armed, drove the fugitive, in a covered wagon, by night, by

unfrequented roads, twelve miles back into the country, and left her

in safety." This incident was the basis of "the fugitive's escape from

Tom Loker and Marks in 'Uncle Tom's Cabin.'"

Lane Theological Seminary, in which Prof. Stowe held a chair, had, it

is said, "become a hot-bed of abolition." Partly for protection, a

colony of negroes had settled about the seminary, and these families,

says Mrs. Stowe, "became my favorite resort in cases of emergency. If

anyone wishes to have a black face look handsome, let them be left as

I have been, in feeble health, in oppressive hot weather, with a sick

baby in arms, and two other ones in the nursery, and not a servant in

the whole house to do a turn." "Time would fail me," writes Mrs.

Stowe, "to tell you all that I learned incidentally of the slave

system in the history of various slaves who came into my family, and

of the underground railroad which, I may say, ran through our house."

A New England education alone would not have given Mrs. Stowe the

material to write the story of "Uncle Tom." A youth passed on a

Southern plantation would have made her callous and indifferent, as it

did so many tender-hearted women. A New England woman of genius,

educated in New England traditions, was providentially transferred to

the heated border line between freedom and slavery and, during

eighteen years, made to hear a thousand authentic incidents of the

patriarchal system from the victims themselves. Then "Uncle Tom's

Cabin" could be written. Perhaps one other element of preparation

ought to be mentioned since Mrs. Stowe laid stress upon it herself.

The woman who should write "Uncle Tom's Cabin" needed to be a mother

who had known what it is to have a child snatched from her arms

irrevocably and without a moment's notice. It was at her baby's "dying

bed and at his grave that I learned," she says, "what a poor slave

mother may feel when her child is torn away from her. In those depths

of sorrow which seemed to me immeasurable, it was my only prayer to

God that such anguish might not be suffered in vain.... I allude to

this because I have often felt that much that is in that book ('Uncle

Tom') had its roots in the awful scenes and bitter sorrows of that

summer."

In 1850, this western life, with its mixture of sweet and bitter

waters, came to an end. The climate of Cincinnati was unfavorable to

the health of both Mr. and Mrs. Stowe, and Mr. Stowe accepted a

professorship in Bowdoin College, at the small salary of $1,000 a

year, declining at the same time an offer from New York city of

$2,300. Why he accepted the smaller salary is not said. Certainly it

assured him his old felicity, his Master's blessing upon the poor. The

situation, however, was better than it seems, as Mrs. Stowe had

written enough to have confidence in her pen, and she purposed to

make the family income at least $1,700 by her writings. She

accomplished much more than that as we shall presently see.

From the car window, as one passes through Brunswick, Maine, he can

see the house in which Mrs. Stowe passed the three following very

happy years, in which her seventh child was born, a son who lived to

be her biographer, and in which she wrote "Uncle Tom's Cabin." It will

be remembered that the year 1850 was made memorable by the enactment

of the Fugitive Slave Law. How the attempted execution of this law

affected Mrs. Stowe can be anticipated. "To me," she says, "it is

incredible, amazing, mournful. I feel as if I should be willing to

sink with it, were all this sin and misery to sink in the sea.... I

sobbed, aloud in one pew and Mrs. Judge Reeves in another."

In this mood, Mrs. Stowe received a letter from Mrs. Edward Beecher

saying, "Hattie, if I could use a pen as you can, I would write

something to make this nation feel what an accursed thing slavery is."

Her children remember that at the reading of this letter, Mrs. Stowe

rose from her chair, crushing the letter in her hand, and said, "I

will write something,--I will if I live." The fulfilment of this vow

was "Uncle Tom's Cabin."

This story was begun in _The National Era_, on June 5, 1851; it was

announced to run through three months and it occupied ten. "I could

not control the story," said Mrs. Stowe; "it wrote itself." Again, she

said, "I the author of 'Uncle Tom's Cabin!' No, indeed. The Lord

himself wrote it, and I was but the humblest instrument in his hand."

It has been said that "'Uncle Tom's Cabin' made the crack of the

slave-driver's whip and the cries of the tortured blacks ring in every

household in the land, till human hearts could bear it no longer," and

that it "made the enforcement of the Fugitive Slave Law an

impossibility."

It is possible to discuss the question whether "Uncle Tom's Cabin" is

a work of art, just as it is possible to discuss whether the Sermon on

the Mount is a work of art, but not whether the story was effective,

not whether it hit the mark and accomplished its purpose. Mrs. Stowe's

story is not so much one story as a dozen; in the discriminating

language of her son, it is "a series of pictures," and who will deny

that the scenes are skilfully portrayed!

Mrs. Stowe did not know that she had made her fortune; she had not

written for money; nevertheless when the story was republished in a

volume, her ten per cent. of the profits brought her $10,000 in four

months. It went to its third edition in ten days, and one hundred and

twenty editions, or more than 300,000 copies were sold in this country

within one year. This astounding popularity was exceeded in Great

Britain. Not being protected by copyright, eighteen publishing houses

issued editions varying from 6d to 15s a copy, and in twelve months,

more than a million and a half of copies had been sold in the British

dominions. The book was also translated and published in nineteen

European languages. It was dramatized and brought out in New York in

1852, and, a year later it was running still. "Everybody goes," it was

said, "night after night and nothing can stop it." In London, in 1852,

it was the attraction at two theatres.

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