There can be no doubt that she thoroughly enjoyed these interviews,

and we shall have to discount the statement of any observer who

gathered a different impression. Mr. George Ticknor Curtis, at whose

home some of these interviews took place, was a boy of twelve, and may

have taken the play of wit between the parties too seriously. He says,

"At first Miss Francis did not like Mr. Child. Their intercourse was

mostly banter and mutual criticism. Observers said, 'Those two people

will end in marrying.' Miss Francis was not a beautiful girl in the

ordinary sense, but her complexion was good, her eyes were bright, her

mouth expressive and her teeth fine. She had a great deal of wit,

liked to use it, and did use it upon Mr. Child who was a frequent

visitor; but her deportment was always maidenly and lady-like."

The engagement happened in this wise. Mr. Child had been admitted to

the bar and had opened an office in Boston. One evening about nine

o'clock he rode out to Watertown on horseback and called at the

Curtises' where Miss Francis then was. "My mother, who believed the

denouement had come," says Mr. Curtis, "retired to her chamber. Mr.

Child pressed his suit earnestly. Ten o'clock came, then eleven, then

twelve. The horse grew impatient and Mr. Child went out once or twice

to pacify him, and returned. At last, just as the clock was striking

one, he went. Miss Francis rushed into my mother's room and told her

she was engaged to Mr. Child."

There are indications in this communication that Mr. Curtis did not

himself greatly admire Mr. Child and would not have married him, but

he concedes that, "Beyond all doubt, Mrs. Child was perfectly happy in

her relations with him, through their long life." After their

marriage, he says, they went to housekeeping in a "very small house in

Boston," where Mr. Curtis, then a youth of sixteen, visited them and

partook of a simple, frugal dinner which the lady cooked and served

with her own hands, and to which Mr. Child returned from his office,

"cheery and breezy," and we may hope the vivacity of the host may have

made up for the frugality of the entertainment.

In "Letters from New York," written to the Boston _Courier_, she

speaks tenderly of her Boston home which she calls "Cottage Place" and

declares it the dearest spot on earth. I assume it was this "very

small house" where she began her married life, where she dined the

fastidious Mr. Curtis, and where she seems to have spent eight or

nine happy years. Her marriage brought her great happiness. A friend

says, "The domestic happiness of Mr. and Mrs. Child seemed to me

perfect. Their sympathies, their admiration of all things good, and

their hearty hatred of all things mean and evil, were in entire

unison. Mr. Child shared his wife's enthusiasms and was very proud of

her. Their affection, never paraded, was always manifest." After Mr.

Child's death, Mrs. Child said, "I believe a future life would be of

small value to me, if I were not united to him."

Mr. Child was a man of fine intellect, with studious tastes and

habits, but there is too much reason to believe that his genius did

not lie in the management of practical life. Details of business were

apparently out of his sphere. "It was like cutting stones with a

razor," says one who knew him. "He was a visionary," says another,

"who always saw a pot of gold at the foot of the rainbow." This was a

kind of defect which, though it cost her dear, Mrs. Child, of all

persons, could most easily forgive. One great success he achieved:

that was in winning and keeping the heart of Mrs. Child. Their married

life seems to have been one long honeymoon. "I always depended," she

says, "upon his richly stored mind, which was able and ready to

furnish needed information on any subject. He was my walking

dictionary of many languages, and my universal encyclopedia. In his

old age, he was as affectionate and devoted as when the lover of my

youth; nay, he manifested even more tenderness. He was often singing,

'There's nothing half so sweet in life

As love's _old_ dream.'

Very often, when he passed me, he would lay his hand softly on my head

and murmur 'Carum Caput.'... He never would see anything but the

bright side of my character. He always insisted upon thinking that

whatever I said was the wisest and whatever I did was the best."

In the anti-slavery conflict, Mr. Child's name was among the earliest,

and at the beginning of the controversy, few were more prominent. In

1832, he published in Boston a series of articles upon slavery and the

slave-trade; in 1836, another series upon the same subject, in

Philadelphia; in 1837, an elaborate memoir upon the subject for an

anti-slavery society in France, and an able article in a _London

Review_. It is said that the speeches of John Quincy Adams in Congress

were greatly indebted to the writings of Mr. Child, both for facts and

arguments.

Such, briefly, is the man with whom Mrs. Child is to spend forty-five

years of her useful and happy life. In 1829, the year after her

marriage, she put her twelve months of experience and reflection into

a book entitled, "The Frugal Housewife." "No false pride," she says,

"or foolish ambition to appear as well as others, should induce a

person to live a cent beyond the income of which he is assured." "We

shall never be free from embarrassment until we cease to be ashamed of

industry and economy." "The earlier children are taught to turn their

faculties to some account the better for them and for their parents."

"A child of six years is old enough to be made useful and should be

taught to consider every day lost in which some little thing has not

been done to assist others." We are told that a child can be taught to

braid straw for his hats or to make feather fans; the objection to

which would be that a modern mother would not let a child wear that

kind of hat nor carry the fan.

The following will be interesting if not valuable: "Cheap as stockings

are, it is good economy to knit them; knit hose wear twice as long as

woven; and they can be done at odd moments of time which would not be

otherwise employed." What an age that must have been when one had time

enough and to spare! Other suggestions are quite as curious. The book

is "dedicated to those who are not ashamed of economy." "The writer,"

she says, "has no apology to offer for this little book of economical

hints, except her deep conviction that such a book is needed. In this

case, renown is out of the question; and ridicule is a matter of

indifference."

Goethe made poems of his chagrins; Mrs. Child in this instance

utilized her privations and forced economies to make a book; and a

wonderfully successful book it was. She was not wrong in supposing it

would meet a want. During the next seven years, it went through twenty

editions, or three editions a year; in 1855, it had reached its

thirty-third edition, averaging little short of one edition a year for

thirty-six years. Surely this was a result which made a year of

economical living in a "very small house" worth while.

"The Frugal Housewife" was a true "mother's book," although another

and later volume was so named. "The Mother's Book" was nearly as

successful as "The Frugal Housewife," and went through eight American

editions, twelve English, and one German. The success of these books

gave Mrs. Child a good income, and she hardly needed to be the "frugal

housewife" she had been before.

A check soon came to her prosperity. In 1831, she met Garrison and,

being inflammable, caught fire from his anti-slavery zeal, and became

one of his earliest and staunchest disciples. The free use of the

Athenaeum library which had been graciously extended to her ten years

before, now enabled her to study the subject of slavery in all its

aspects, historical, legal, theoretical, and practical and, in 1833,

she embodied the results of her investigations in a book entitled, "An

Appeal in behalf of the class of Americans called Africans." The

material is chiefly drawn from Southern sources, the statute books of

Southern states, the columns of Southern newspapers, and the

statements and opinions of Southern public men. It is an effective

book to read even now when one is in a mood to rose-color the old-time

plantation life and doubtful whether anything could be worse than the

present condition of the negro in the South.

The book had two kinds of effect. It brought upon Mrs. Child the

incontinent wrath of all persons who, for any reason, thought that the

only thing to do with slavery was to let it alone. "A lawyer,

afterward attorney-general," a description that fits Caleb Cushing, is

said to have used tongs to throw the obnoxious book out of the window;

the Athenaeum withdrew from Mrs. Child the privileges of its library;

former friends dropped her acquaintance; Boston society shut its doors

upon her; the sale of her books fell off; subscriptions to her

_Juvenile Miscellany_ were discontinued; and the magazine died after a

successful life of eight years; and Mrs. Child found that she had

ventured upon a costly experiment. This consequence she had

anticipated and it had for her no terrors. "I am fully aware," she

says in her preface, "of the unpopularity of the task I have

undertaken; but though I expect ridicule, I do not fear it.... Should

it be the means of advancing even one single hour the inevitable

progress of truth and justice, I would not exchange the consciousness

for all Rothschild's wealth or Sir Walter's fame."

Of course a book of such evident significance and power would have

had another effect; by his own acknowledgement, it brought Dr.

Channing into the anti-slavery crusade, and he published a book upon

slavery in 1835; it led Dr. John G. Palfry, who had inherited a

plantation in Louisiana, to emancipate his slaves; and, as he has more

than once said, it changed the course of Col. T. W. Higginson's life

and made him an abolitionist. "As it was the first anti-slavery work

ever printed in America in book form, so," says Col. Higginson, "I

have always thought it the ablest." Whittier says, "It is no

exaggeration to say that no man or woman at that period rendered more

substantial service to the cause of freedom, or made such a 'great

renunciation' in doing it."

Turning from the real world, which was becoming too hard for her, Mrs.

Child took refuge in dreamland and wrote "Philothea: a story of

Ancient Greece," published in 1835. Critics have objected that this

delightful romance is not an exact reproduction of Greek life, but is

Hamlet a reproduction of anything that ever happened in Denmark, or

Browning's Saul of anything that could have happened in Judea, a

thousand years before Christ? To Lowell, Mrs. Child was and remained

"Philothea." Higginson says that the lines in which Lowell describes

her in the "Fable for Critics," are the one passage of pure poetry it

contains, and at the same time the most charming sketch ever made of

Mrs. Child.

"There comes Philothea, her face all aglow;

She has just been dividing some poor creature's woe,

And can't tell which pleases her most--to relieve

His want, or his story to hear and believe.

No doubt against many deep griefs she prevails,

For her ear is the refuge of destitute tales;

She knows well that silence is sorrow's best food,

And that talking draws off from the heart its bad blood."

In 1836, Mr. Child went abroad to study the Beet Sugar industry in

France, Holland, and Germany and, after an absence of a year and a

half, returned to engage in Beet Sugar Farming at Northampton, Mass.

He received a silver medal for raw and refined sugar at the Exhibition

of the Massachusetts Charitable Mechanics Association in 1839, and a

premium of $100 from the Massachusetts Agricultural society the same

year. He published a well written and edifying book upon "Beet Sugar,"

giving the results of his investigations and experiments. It was an

enterprise of great promise, but has taken half a century, in this

country, to become a profitable industry.

Mrs. Child's letters from 1838 to 1841 are dated from Northampton,

where she is assisting to work out the "Beet Sugar" experiment. It

would have been a rather grinding experience to any one with less

cheerfulness than Mrs. Child. She writes, June 9, 1838, "A month

elapsed before I stepped into the woods which were all around me

blooming with flowers. I did not go to Mr. Dwight's ordination, nor

have I yet been to meeting. He has been to see me however, and though

I left my work in the midst and sat down with a dirty gown and hands

somewhat grimmed, we were high in the blue in fifteen minutes." Mr.

Dwight was Rev. John S. Dwight, Brook Farmer, and editor of _Dwight's

Journal of Music_.

Half of her published letters are addressed to Mr. or Mrs. Francis G.

Shaw, parents of Col. Robert G. Shaw. Here is one in 1840, to Mr.

Shaw, after she had made a trip to Boston. It will be interesting as

presenting a new aspect of Mrs. Child's nature: "The only thing,

except meeting dear friends, that attracted me to Boston was the

exhibition of statuary.... I am ashamed to say how deeply I am charmed

with sculpture: ashamed because it seems like affectation in one who

has had such limited opportunity to become acquainted with the arts. I

have a little figure of a caryatid which acts upon my spirit like a

magician's spell.... Many a time this hard summer, I have laid down my

dish-cloth or broom and gone to refresh my spirit by gazing on it a

few minutes. It speaks to me. It says glorious things. In summer I

place flowers before it; and I have laid a garland of acorns and

amaranths at its feet. I do love every little bit of real sculpture."

Her other artistic passion was music, quite out of her reach at this

period; but happily, she loved birds and flowers, both of which a Beet

Sugar Farm in the Connecticut Valley made possible. A family of

swallows made their nest in her woodshed, husband and wife dividing

the labors of construction, nursing, and even of incubation, though

the male bird did not have the same skill and grace as the lady, in

placing his feet and wings. Mrs. Child gives a pretty account of this

incident in a letter to one of her little friends, and says, "It seems

as if I could watch them forever." Later, in one of her letters to

the Boston _Courier_, she gives a more complete account of the

episode. Her observations convinced her that birds have to be taught

to fly, as a child is taught to walk.

When birds and flowers went, she had the autumn foliage, and she

managed to say a new thing about it: it is "color taking its fond and

bright farewell of form--like the imagination giving a deeper, richer,

and warmer glow to old familiar truths before the winter of

rationalism comes and places trunk and branches in naked outline

against the cold, clear sky."

Whether she had been living hitherto in a "rent" we are not told, but

in a letter of February 8, 1841, she informs us that she is about to

move to a farm on which "is a sort of a shanty with two rooms and a

garret. We expect to whitewash it, build a new woodshed, and live

there next year. I shall keep no help, and there will be room for

David and me. I intend to half bury it in flowers."

There is nothing fascinating in sordid details, but Mrs. Child in the

midst of sordid details, is glorious. A month before this last letter,

her brother, Prof. Francis, had written her apparently wishing her

more congenial circumstances; we have only her reply, from which it

appears her father is under her care. She declines her brother's

sympathy, and wonders that he can suppose "the deadening drudgery of

the world" can imprison a soul in its caverns. "It is not merely an

eloquent phrase," she says, "but a distinct truth that the outward has

no power over us but that which we voluntarily give it. It is not I

who drudge; it is merely the case that contains me. I defy all the

powers of earth and hell to make me scour floors and feed pigs, if I

choose meanwhile to be off conversing with angels.... If I can in

quietude and cheerfulness forego my own pleasures and relinquish my

tastes, to administer to my father's daily comfort, I seem to those

who live in shadows to be cooking food and mixing medicines, but I am

in fact making divine works of art which will reveal to me their fair

proportions in the far eternity." Besides this consolation, she says,

"Another means of keeping my soul fresh is my intense love of nature.

Another help, perhaps stronger than either of the two, is domestic

love."

Her Northampton life was nearer an end than she supposed when she

wrote these letters; she did not spend the next year in the little

farm house with "two rooms and a garret"; on May 27th, she dates a

letter from New York city, where she has gone reluctantly to edit the

_Anti-Slavery Standard_. She had been translated from the sphere of

"cooking food and mixing medicines" to congenial literary occupations;

she had, let us hope, a salary sufficient for her urgent necessities;

her home was in the family of the eminent Quaker philanthropist, Isaac

T. Hopper, who received her as a daughter, and whose kindness she

repaid by writing his biography. However the venture might come out,

we would think her life could not well be harder or less attractive

than it had been, drudging in a dilapidated farm house, and we are

glad she is well out of it. Strange to say, she did not take our view

of the situation. We have already seen how independent she was of

external circumstances. In a letter referred to, dated May 27, she

chides a friend for writing accounts of her outward life: "What do I

care whether you live in one room or six? I want to know what your

spirit is doing. What are you thinking, feeling, and reading?... My

task here is irksome enough. Your father will tell you that it was not

zeal for the cause, but love for my husband, which brought me hither.

But since it was necessary for me to leave home to be earning

somewhat, I am thankful that my work is for the anti-slavery cause. I

have agreed to stay one year. I hope I shall then be able to return to

my husband and rural home, which is humble enough, yet very

satisfactory to me. Should the _Standard_ be continued, and my editing

generally desired, perhaps I could make an arrangement to send

articles from Northampton. At all events, I trust the weary separation

from my husband is not to last more than a year. If I am to be away

from him, I could not be more happily situated than in Friend Hopper's

family. They treat me the same as a daughter and a sister."

The _Anti-Slavery Standard_ was a new enterprise; its editorship was

offered to Mr. and Mrs. Childs jointly; Col. Higginson says that Mr.

Child declined because of ill health; another authority, that he was

still infatuated with his Beet Sugar, of which Mrs. Child had had more

than enough; it appears from her letter that neither of them dreamed

of abandoning the Sugar industry; if the enterprise was folly, they

were happily united in the folly.

However, of the two, the _Anti-Slavery Standard_ was the more

successful enterprise, and at the end of the two years, Mr. Child

closed out his Beet Sugar business and joined Mrs. Child in editing

the paper. Mrs. Child edited the _Standard_ eight years, six of which

were in conjunction with Mr. Child. They were successful editors; they

gave the _Standard_ a high literary character, and made it acceptable

to people of taste and culture who, whatever their sympathy with

anti-slavery, were often repelled by the unpolished manners of Mr.

Garrison's paper, _The Liberator_.

Something of her life outside the _Standard_ office, something of the

things she saw and heard and enjoyed, during these eight years, can be

gathered from her occasional letters to the Boston _Courier_. They are

interesting still; they will always be of interest to one who cares to

know old New York, as it was sixty years ago, or from 1840 onward.

That they were appreciated then is evident from the fact that,

collected and published in two volumes in 1844, eleven editions were

called for during the next eight years. Col. Higginson considers these

eight years in New York the most interesting and satisfactory of Mrs.

Child's life.

Though we have room for few incidents of this period, there is one

too charming to be omitted. A friend went to a flower merchant on

Broadway to buy a bunch of violets for Mrs. Child's birthday.

Incidentally, the lady mentioned Mrs. Child; she may have ordered the

flowers sent to her house. When the lady came to pay for them, the

florist said, "I cannot take pay for flowers intended for her. She is

a stranger to me, but she has given my wife and children so many

flowers in her writings, that I will never take money of her." Another

pretty incident is this: an unknown friend or admirer always sent Mrs.

Child the earliest wild flowers of spring and the latest in autumn.

I have said that one of her passions was music, which happily she now

has opportunities to gratify. "As for amusements," she says, "music is

the only thing that excites me.... I have a chronic insanity with

regard to music. It is the only Pegasus which now carries me far up

into the blue. Thank God for this blessing of mine." I should be glad

if I had room for her account of an evening under the weird spell of

Ole Bull. Her moral sense was keener than her aesthetic, but her

aesthetic sense was for keener than that of the average mortal.

Sometimes she felt, as Paul would have said, "in a strait betwixt

two"; in 1847 she writes Mr. Francis G. Shaw: "I am now wholly in the

dispensation of art, and therefore theologians and reformers jar upon

me." Reformer as she was and will be remembered, she was easily drawn

into the dispensation of art; and nature was always with her, so much

so that Col. Higginson says, "She always seemed to be talking

radicalism in a greenhouse."

Mr. and Mrs. Child retired from the _Standard_ in 1849. Her next

letters are dated from Newton, Mass. Her father was living upon a

small place--a house and garden--in the neighboring town of Wayland,

beautifully situated, facing Sudbury Hill, with the broad expanse of

the river meadows between. Thither Mrs. Child went to take care of him

from 1852 to 1856, when he died, leaving the charming little home to

her. There are many traditions of her mode of life in Wayland, but her

own account is the best: "In 1852, we made our humble home in Wayland,

Mass., where we spent twenty-two pleasant years, entirely alone,

without any domestic, mutually serving each other and depending upon

each other for intellectual companionship." If the memory of Wayland

people is correct, Mr. Child was not with her much during the four

years that her father lived. Her father was old and feeble and Mr.

Child had not the serene patience of his wife. Life ran more easily

when Mr. Child was away. Whatever other period in the life of Mrs.

Child may have been the most satisfactory, this must have been the

most trying.

Under date of March 23, 1856, happily the last year of this sort of

widowhood, she writes: "This winter has been the loneliest of my life.

If you knew my situation you would pronounce it unendurable. I should

have thought so myself if I had had a foreshadowing of it a few years

ago. But the human mind can get acclimated to anything. What with

constant occupation and a happy consciousness of sustaining and

cheering my poor old father in his descent to the grave, I am almost

always in a state of serene contentment. In summer, my once

extravagant love of beauty satisfies itself in watching the birds, the

insects, and the flowers in my little patch of a garden." She has no

room for her vases, engravings, and other pretty things; she keeps

them in a chest, and she says, "when birds and flowers are gone, I

sometimes take them out as a child does its playthings, and sit down

in the sunshine with them, dreaming over them."

We need not think of her spending much time dreaming over her little

hoard of artistic treasures. Her real business in this world is

writing the history of all religions, or "The Progress of Religious

Ideas in Successive Ages." It was a work begun in New York, as early

as 1848, finished in Wayland in 1855, published in three large octavo

volumes and, whatever its merits or success, was the greatest literary

labor of her life.

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