I hasten to get it, and then kneel down with the tray beside her bed.

“Here is breakfast, my mistress.”

Wanda draws back the curtains, and curiously enough at the first glance

when I see her among the pillows with loosened flowing hair, she seems

an absolute stranger, a beautiful woman, but the beloved soft lines are

gone. This face is hard and has an expression of weariness and satiety.

Or is it simply that formerly my eye did not see this?

She fixes her green eyes upon me, more with curiosity than with menace,

perhaps even somewhat pityingly, and lazily pulls the dark sleeping fur

on which she lies over the bared shoulder.

At this moment she is very charming, very maddening, and I feel my

blood rising to my head and heart. The tray in my hands begins to sway.

She notices it and reached out for the whip which is lying on the

toilet-table.

“You are awkward, slave,” she says furrowing her brow.

I lower my looks to the ground, and hold the tray as steadily as

possible. She eats her breakfast, yawns, and stretches her opulent

limbs in the magnificent furs.

She has rung. I enter.

“Take this letter to Prince Corsini.”

I hurry into the city, and hand the letter to the Prince. He is a

handsome young man with glowing black eyes. Consumed with jealousy, I

take his answer to her.

“What is the matter with you?” she asks with lurking spitefulness. “You

are very pale.”

“Nothing, mistress, I merely walked rather fast.”

At luncheon the prince is at her side, and I am condemned to serve both

her and him. They joke, and I am, as if non-existent, for both. For a

brief moment I see black; I was just pouring some Bordeaux into his

glass, and spilled it over the table-cloth and her gown.

“How awkward,” Wanda exclaimed and slapped my face. The prince laughed,

and she also, but I felt the blood rising to my face.

After luncheon she drove in the Cascine. She has a little carriage with

a handsome, brown English horse, and holds the reins herself. I sit

behind and notice how coquettishly she acts, and nods with a smile when

one of the distinguished gentlemen bows to her.

As I help her out of the carriage, she leans lightly on my arm; the

contact runs through me like an electric shock. She _is_ a wonderful

woman, and I love her more than ever.

* * * * *

For dinner at six she has invited a small group of men and women. I

serve, but this time I do not spill any wine over the table-cloth.

A slap in the face is more effective than ten lectures. It makes you

understand very quickly, especially when the instruction is by the way

of a small woman’s hand.

* * * * *

After dinner she drives to the Pergola Theater. As she descends the

stairs in her black velvet dress with its large collar of ermine and

with a diadem of white roses on her hair, she is literally stunning. I

open the carriage-door, and help her in. In front of the theater I leap

from the driver’s seat, and in alighting she leaned on my arm, which

trembled under the sweet burden. I open the door of her box, and then

wait in the vestibule. The performance lasts four hours; she receives

visits from her cavaliers, the while I grit my teeth with rage.

It is way beyond midnight when my mistress’s bell sounds for the last

time.

“Fire!” she orders abruptly, and when the fire-place crackles, “Tea!”

When I return with the samovar, she has already undressed, and with the

aid of the negress slipped into a white negligee.

Haydée thereupon leaves.

“Hand me the sleeping-furs,” says Wanda, sleepily stretching her lovely

limbs. I take them from the arm-chair, and hold them while she slowly

and lazily slides into the sleeves. She then throws herself down on the

cushions of the ottoman.

“Take off my shoes, and put on my velvet slippers.”

I kneel down and tug at the little shoe which resists my efforts.

“Hurry, hurry!” Wanda exclaims, “you are hurting me! just you wait—I

will teach you.” She strikes me with the whip, but now the shoe is off.

“Now get out!” Still a kick—and then I can go to bed.

* * * * *

To-night I accompanied her to a soiree. In the entrance-hall she

ordered me to help her out of her furs; then with a proud smile,

confident of victory, she entered the brilliantly illuminated room. I

again waited with gloomy and monotonous thoughts, watching hour after

hour run by. From time to time the sounds of music reached me, when the

door remained open for a moment. Several servants tried to start a

conversation with me, but soon desisted, since I knew only a few words

of Italian.

Finally I fell asleep, and dreamed that I murdered Wanda in a violent

attack of jealousy. I was condemned to death, and saw myself strapped

on the board; the knife fell, I felt it on my neck, but I was still

alive—

Then the executioner slapped my face.

No, it wasn’t the executioner; it was Wanda who stood wrathfully before

me demanding her furs. I am at her side in a moment, and help her on

with it.

There is a deep joy in wrapping a beautiful woman into her furs, and in

seeing and feeling how her neck and magnificent limbs nestle in the

precious soft furs, and to lift the flowing hair over the collar. When

she throws it off a soft warmth and a faint fragrance of her body still

clings to the ends of the hairs of sable. It is enough to drive one

mad.

* * * * *

Finally a day came when there were neither guests, nor theater, nor

other company. I breathed a sigh of relief. Wanda sat in the gallery,

reading, and apparently had no orders for me. At dusk when the silvery

evening mists fell she withdrew. I served her at dinner, she ate by

herself, but had not a look, not a syllable for me, not even a slap in

the face.

I actually desire a slap from her hand. Tears fill my eyes, and I feel

that she has humiliated me so deeply, that she doesn’t even find it

worth while to torture or maltreat me any further.

Before she goes to bed, her bell calls me.

“You will sleep here to-night, I had horrible dreams last night, and am

afraid of being alone. Take one of the cushions from the ottoman, and

lie down on the bearskin at my feet.”

Then Wanda put out the lights. The only illumination in the room was

from a small lamp suspended from the ceiling. She herself got into bed.

“Don’t stir, so as not to wake me.”

I did as she had commanded, but could not fall asleep for a long time.

I saw the beautiful woman, beautiful as a goddess, lying on her back on

the dark sleeping-furs; her arms beneath her neck, with a flood of red

hair over them. I heard her magnificent breast rise in deep regular

breathing, and whenever she moved ever so slightly. I woke up and

listened to see whether she needed me.

But she did not require me.

No task was required of me; I meant no more to her than a night-lamp,

or a revolver which one places under one’s pillow.

* * * * *

Am I mad or is she? Does all this arise out of an inventive, wanton

woman’s brain with the intention of surpassing my supersensual

fantasies, or is this woman really one of those Neronian characters who

take a diabolical pleasure in treading underfoot, like a worm, human

beings, who have thoughts and feelings and a will like theirs?

What have I experienced?

When I knelt with the coffee-tray beside her bed, Wanda suddenly placed

her hand on my shoulder and her eyes plunged deep into mine.

“What beautiful eyes you have,” she said softly, “and especially now

since you suffer. Are you very unhappy?”

Venus in Furs · 第 49 / 65 题