BENTLEY. Oh, very simple. His father--

TARLETON. Which father?

BENTLEY. The first one: the regulation natural chap. He kept a tame

philosopher in the house: a sort of Coleridge or Herbert Spencer kind

of card, you know. That was the second father. Then his mother was

an Italian princess; and she had an Italian priest always about. He

was supposed to take charge of her conscience; but from what I could

make out, she jolly well took charge of his. The whole three of them

took charge of Joey's conscience. He used to hear them arguing like

mad about everything. You see, the philosopher was a freethinker, and

always believed the latest thing. The priest didnt believe anything,

because it was sure to get him into trouble with someone or another.

And the natural father kept an open mind and believed whatever paid

him best. Between the lot of them Joey got cultivated no end. He

said if he could only have had three mothers as well, he'd have backed

himself against Napoleon.

TARLETON. _[impressed]_ Thats an idea. Thats a most interesting

idea: a most important idea.

MRS TARLETON. You always were one for ideas, John.

TARLETON. Youre right, Chickabiddy. What do I tell Johnny when he

brags about Tarleton's Underwear? It's not the underwear. The

underwear be hanged! Anybody can make underwear. Anybody can sell

underwear. Tarleton's Ideas: thats whats done it. Ive often thought

of putting that up over the shop.

BENTLEY. Take me into partnership when you do, old man. I'm wasted

on the underwear; but I shall come in strong on the ideas.

TARLETON. You be a good boy; and perhaps I will.

MRS TARLETON. _[scenting a plot against her beloved Johnny]_ Now,

John: you promised--

TARLETON. Yes, yes. All right, Chickabiddy: dont fuss. Your

precious Johnny shant be interfered with. _[Bouncing up, too

energetic to sit still]_ But I'm getting sick of that old shop.

Thirty-five years Ive had of it: same blessed old stairs to go up and

down every day: same old lot: same old game: sorry I ever started

it now. I'll chuck it and try something else: something that will

give a scope to all my faculties.

HYPATIA. Theres money in underwear: theres none in wild-cat ideas.

TARLETON. Theres money in me, madam, no matter what I go into.

MRS TARLETON. Dont boast, John. Dont tempt Providence.

TARLETON. Rats! You dont understand Providence. Providence likes to

be tempted. Thats the secret of the successful man. Read Browning.

Natural theology on an island, eh? Caliban was afraid to tempt

Providence: that was why he was never able to get even with Prospero.

What did Prospero do? Prospero didnt even tempt Providence: he was

Providence. Thats one of Tarleton's ideas; and dont you forget it.

BENTLEY. You are full of beef today, old man.

TARLETON. Beef be blowed! Joy of life. Read Ibsen. _[He goes into

the pavilion to relieve his restlessness, and stares out with his

hands thrust deep in his pockets]._

HYPATIA. _[thoughtful]_ Bentley: couldnt you invite your friend Mr

Percival down here?

BENTLEY. Not if I know it. Youd throw me over the moment you set

eyes on him.

MRS TARLETON. Oh, Bunny! For shame!

BENTLEY. Well, who'd marry me, dyou suppose, if they could get my

brains with a full-sized body? No, thank you. I shall take jolly

good care to keep Joey out of this until Hypatia is past praying for.

_Johnny and Lord Summerhays return through the pavilion from their

stroll._

TARLETON. Welcome! welcome! Why have you stayed away so long?

LORD SUMMERHAYS. _[shaking hands]_ Yes: I should have come sooner.

But I'm still rather lost in England. _[Johnny takes his hat and

hangs it up beside his own]._ Thank you. _[Johnny returns to his

swing and his novel. Lord Summerhays comes to the writing table]._

The fact is that as Ive nothing to do, I never have time to go

anywhere. _[He sits down next Mrs Tarleton]._

TARLETON. _[following him and sitting down on his left]_ Paradox,

paradox. Good. Paradoxes are the only truths. Read Chesterton. But

theres lots for you to do here. You have a genius for government.

You learnt your job out there in Jinghiskahn. Well, we want to be

governed here in England. Govern us.

LORD SUMMERHAYS. Ah yes, my friend; but in Jinghiskahn you have to

govern the right way. If you dont, you go under and come home. Here

everything has to be done the wrong way, to suit governors who

understand nothing but partridge shooting (our English native princes,

in fact) and voters who dont know what theyre voting about. I dont

understand these democratic games; and I'm afraid I'm too old to

learn. What can I do but sit in the window of my club, which consists

mostly of retired Indian Civil servants? We look on at the muddle and

the folly and amateurishness; and we ask each other where a single

fortnight of it would have landed us.

TARLETON. Very true. Still, Democracy's all right, you know. Read

Mill. Read Jefferson.

LORD SUMMERHAYS. Yes. Democracy reads well; but it doesnt act well,

like some people's plays. No, no, my friend Tarleton: to make

Democracy work, you need an aristocratic democracy. To make

Aristocracy work, you need a democratic aristocracy. Youve got

neither; and theres an end of it.

TARLETON. Still, you know, the superman may come. The superman's an

idea. I believe in ideas. Read Whatshisname.

LORD SUMMERHAYS. Reading is a dangerous amusement, Tarleton. I wish

I could persuade your free library people of that.

TARLETON. Why, man, it's the beginning of education.

LORD SUMMERHAYS. On the contrary, it's the end of it. How can you

dare teach a man to read until youve taught him everything else first?

JOHNNY. _[intercepting his father's reply by coming out of the swing

and taking the floor]_ Leave it at that. Thats good sense. Anybody

on for a game of tennis?

BENTLEY. Oh, lets have some more improving conversation. Wouldnt you

rather, Johnny?

JOHNNY. If you ask me, no.

TARLETON. Johnny: you dont cultivate your mind. You dont read.

JOHNNY. _[coming between his mother and Lord Summerhays, book in

hand]_ Yes I do. I bet you what you like that, page for page, I read

more than you, though I dont talk about it so much. Only, I dont read

the same books. I like a book with a plot in it. You like a book

with nothing in it but some idea that the chap that writes it keeps

worrying, like a cat chasing its own tail. I can stand a little of

it, just as I can stand watching the cat for two minutes, say, when

Ive nothing better to do. But a man soon gets fed up with that sort

of thing. The fact is, you look on an author as a sort of god. _I_

look on him as a man that I pay to do a certain thing for me. I pay

him to amuse me and to take me out of myself and make me forget.

TARLETON. No. Wrong principle. You want to remember. Read Kipling.

"Lest we forget."

JOHNNY. If Kipling wants to remember, let him remember. If he had to

run Tarleton's Underwear, he'd be jolly glad to forget. As he has a

much softer job, and wants to keep himself before the public, his cry

is, "Dont you forget the sort of things I'm rather clever at writing

about." Well, I dont blame him: it's his business: I should do the

same in his place. But what he wants and what I want are two

different things. I want to forget; and I pay another man to make me

forget. If I buy a book or go to the theatre, I want to forget the

shop and forget myself from the moment I go in to the moment I come

out. Thats what I pay my money for. And if I find that the author's

simply getting at me the whole time, I consider that hes obtained my

money under false pretences. I'm not a morbid crank: I'm a natural

man; and, as such, I dont like being got at. If a man in my

employment did it, I should sack him. If a member of my club did it,

I should cut him. If he went too far with it, I should bring his

conduct before the committee. I might even punch his head, if it came

to that. Well, who and what is an author that he should be privileged

to take liberties that are not allowed to other men?

MRS TARLETON. You see, John! What have I always told you? Johnny

has as much to say for himself as anybody when he likes.

JOHNNY. I'm no fool, mother, whatever some people may fancy. I dont

set up to have as many ideas as the Governor; but what ideas I have

are consecutive, at all events. I can think as well as talk.

BENTLEY. _[to Tarleton, chuckling]_ Had you there, old man, hadnt

he? You are rather all over the shop with your ideas, aint you?

JOHNNY. _[handsomely]_ I'm not saying anything against you,

Governor. But I do say that the time has come for sane, healthy,

unpretending men like me to make a stand against this conspiracy of

the writing and talking and artistic lot to put us in the back row.

It isnt a fact that we're inferior to them: it's a put-up job; and

it's they that have put the job up. It's we that run the country for

them; and all the thanks we get is to be told we're Philistines and

vulgar tradesmen and sordid city men and so forth, and that theyre all

angels of light and leading. The time has come to assert ourselves

and put a stop to their stuck-up nonsense. Perhaps if we had nothing

better to do than talking or writing, we could do it better than they.

Anyhow, theyre the failures and refuse of business (hardly a man of

them that didnt begin in an office) and we're the successes of it.

Thank God I havnt failed yet at anything; and I dont believe I should

fail at literature if it would pay me to turn my hand to it.

BENTLEY. Hear, hear!

MRS TARLETON. Fancy you writing a book, Johnny! Do you think he

could, Lord Summerhays?

LORD SUMMERHAYS. Why not? As a matter of fact all the really

prosperous authors I have met since my return to England have been

very like him.

TARLETON. _[again impressed]_ Thats an idea. Thats a new idea. I

believe I ought to have made Johnny an author. Ive never said so

before for fear of hurting his feelings, because, after all, the lad

cant help it; but Ive never thought Johnny worth tuppence as a man of

business.

JOHNNY. _[sarcastic]_ Oh! You think youve always kept that to

yourself, do you, Governor? I know your opinion of me as well as you

know it yourself. It takes one man of business to appreciate another;

and you arnt, and you never have been, a real man of business. I know

where Tarleton's would have been three of four times if it hadnt been

for me. _[With a snort and a nod to emphasize the implied warning, he

retreats to the Turkish bath, and lolls against it with an air of

good-humoured indifference]._

TARLETON. Well, who denies it? Youre quite right, my boy. I don't

mind confessing to you all that the circumstances that condemned me to

keep a shop are the biggest tragedy in modern life. I ought to have

been a writer. I'm essentially a man of ideas. When I was a young

man I sometimes used to pray that I might fail, so that I should be

justified in giving up business and doing something: something

first-class. But it was no good: I couldnt fail. I said to myself

that if I could only once go to my Chickabiddy here and shew her a

chartered accountant's statement proving that I'd made 20 pounds less

than last year, I could ask her to let me chance Johnny's and

Hypatia's future by going into literature. But it was no good. First

it was 250 pounds more than last year. Then it was 700 pounds. Then

it was 2000 pounds. Then I saw it was no use: Prometheus was chained

to his rock: read Shelley: read Mrs Browning. Well, well, it was

not to be. _[He rises solemnly]._ Lord Summerhays: I ask you to

excuse me for a few moments. There are times when a man needs to

meditate in solitude on his destiny. A chord is touched; and he sees

the drama of his life as a spectator sees a play. Laugh if you feel

inclined: no man sees the comic side of it more than I. In the

theatre of life everyone may be amused except the actor.

_[Brightening]_ Theres an idea in this: an idea for a picture. What

a pity young Bentley is not a painter! Tarleton meditating on his

destiny. Not in a toga. Not in the trappings of the tragedian or the

philosopher. In plain coat and trousers: a man like any other man.

And beneath that coat and trousers a human soul. Tarleton's

Underwear! _[He goes out gravely into the vestibule]._

MRS TARLETON. _[fondly]_ I suppose it's a wife's partiality, Lord

Summerhays; but I do think John is really great. I'm sure he was

meant to be a king. My father looked down on John, because he was a

rate collector, and John kept a shop. It hurt his pride to have to

borrow money so often from John; and he used to console himself by

saying, "After all, he's only a linendraper." But at last one day he

said to me, "John is a king."

BENTLEY. How much did he borrow on that occasion?

LORD SUMMERHAYS. _[sharply]_ Bentley!

MRS TARLETON. Oh, dont scold the child: he'd have to say something

like that if it was to be his last word on earth. Besides, hes quite

right: my poor father had asked for his usual five pounds; and John

gave him a hundred in his big way. Just like a king.

LORD SUMMERHAYS. Not at all. I had five kings to manage in

Jinghiskahn; and I think you do your husband some injustice, Mrs

Tarleton. They pretended to like me because I kept their brothers

from murdering them; but I didnt like them. And I like Tarleton.

MRS TARLETON. Everybody does. I really must go and make the cook do

him a Welsh rabbit. He expects one on special occasions. _[She goes

to the inner door]._ Johnny: when he comes back ask him where we're

to put that new Turkish bath. Turkish baths are his latest. _[She

goes out]._

JOHNNY. _[coming forward again]_ Now that the Governor has given

himself away, and the old lady's gone, I'll tell you something, Lord

Summerhays. If you study men whove made an enormous pile in business

without being keen on money, youll find that they all have a slate

off. The Governor's a wonderful man; but hes not quite all there, you

know. If you notice, hes different from me; and whatever my failings

may be, I'm a sane man. Erratic: thats what he is. And the danger

is that some day he'll give the whole show away.

LORD SUMMERHAYS. Giving the show away is a method like any other

method. Keeping it to yourself is only another method. I should keep

an open mind about it.

JOHNNY. Has it ever occurred to you that a man with an open mind must

be a bit of a scoundrel? If you ask me, I like a man who makes up his

mind once for all as to whats right and whats wrong and then sticks to

it. At all events you know where to have him.

LORD SUMMERHAYS. That may not be his object.

BENTLEY. He may want to have you, old chap.

JOHNNY. Well, let him. If a member of my club wants to steal my

umbrella, he knows where to find it. If a man put up for the club who

had an open mind on the subject of property in umbrellas, I should

blackball him. An open mind is all very well in clever talky-talky;

but in conduct and in business give me solid ground.

LORD SUMMERHAYS. Yes: the quicksands make life difficult. Still,

there they are. It's no use pretending theyre rocks.

JOHNNY. I dont know. You can draw a line and make other chaps toe

it. Thats what I call morality.

LORD SUMMERHAYS. Very true. But you dont make any progress when

youre toeing a line.

HYPATIA. _[suddenly, as if she could bear no more of it]_ Bentley:

do go and play tennis with Johnny. You must take exercise.

LORD SUMMERHAYS. Do, my boy, do. _[To Johnny]_ Take him out and

make him skip about.

BENTLEY. _[rising reluctantly]_ I promised you two inches more round

my chest this summer. I tried exercises with an indiarubber expander;

but I wasnt strong enough: instead of my expanding it, it crumpled me

up. Come along, Johnny.

JOHNNY. Do you no end of good, young chap. _[He goes out with

Bentley through the pavilion]._

_Hypatia throws aside her work with an enormous sigh of relief._

LORD SUMMERHAYS. At last!

HYPATIA. At last. Oh, if I might only have a holiday in an asylum

for the dumb. How I envy the animals! They cant talk. If Johnny

could only put back his ears or wag his tail instead of laying down

the law, how much better it would be! We should know when he was

cross and when he was pleased; and thats all we know now, with all his

talk. It never stops: talk, talk, talk, talk. Thats my life. All

the day I listen to mamma talking; at dinner I listen to papa talking;

and when papa stops for breath I listen to Johnny talking.

LORD SUMMERHAYS. You make me feel very guilty. I talk too, I'm

afraid.

HYPATIA. Oh, I dont mind that, because your talk is a novelty. But

it must have been dreadful for your daughters.

LORD SUMMERHAYS. I suppose so.

HYPATIA. If parents would only realize how they bore their children!

Three or four times in the last half hour Ive been on the point of

screaming.

LORD SUMMERHAYS. Were we very dull?

HYPATIA. Not at all: you were very clever. Thats whats so hard to

bear, because it makes it so difficult to avoid listening. You see,

I'm young; and I do so want something to happen. My mother tells me

that when I'm her age, I shall be only too glad that nothing's

happened; but I'm not her age; so what good is that to me? Theres my

father in the garden, meditating on his destiny. All very well for

him: hes had a destiny to meditate on; but I havnt had any destiny

yet. Everything's happened to him: nothing's happened to me. Thats

why this unending talk is so maddeningly uninteresting to me.

LORD SUMMERHAYS. It would be worse if we sat in silence.

HYPATIA. No it wouldnt. If you all sat in silence, as if you were

waiting for something to happen, then there would be hope even if

nothing did happen. But this eternal cackle, cackle, cackle about

things in general is only fit for old, old, OLD people. I suppose it

means something to them: theyve had their fling. All I listen for is

some sign of it ending in something; but just when it seems to be

coming to a point, Johnny or papa just starts another hare; and it all

begins over again; and I realize that it's never going to lead

anywhere and never going to stop. Thats when I want to scream. I

wonder how you can stand it.

LORD SUMMERHAYS. Well, I'm old and garrulous myself, you see.

Besides, I'm not here of my own free will, exactly. I came because

you ordered me to come.

HYPATIA. Didnt you want to come?

LORD SUMMERHAYS. My dear: after thirty years of managing other

people's business, men lose the habit of considering what they want or

dont want.

HYPATIA. Oh, dont begin to talk about what men do, and about thirty

years experience. If you cant get off that subject, youd better send

for Johnny and papa and begin it all over again.

LORD SUMMERHAYS. I'm sorry. I beg your pardon.

HYPATIA. I asked you, didnt you want to come?

LORD SUMMERHAYS. I did not stop to consider whether I wanted or not,

because when I read your letter I knew I had to come.

HYPATIA. Why?

LORD SUMMERHAYS. Oh come, Miss Tarleton! Really, really! Dont force

me to call you a blackmailer to your face. You have me in your power;

and I do what you tell me very obediently. Dont ask me to pretend I

do it of my own free will.

HYPATIA. I dont know what a blackmailer is. I havnt even that much

experience.

LORD SUMMERHAYS. A blackmailer, my dear young lady, is a person who

knows a disgraceful secret in the life of another person, and extorts

money from that other person by threatening to make his secret public

unless the money is paid.

HYPATIA. I havnt asked you for money.

LORD SUMMERHAYS. No; but you asked me to come down here and talk to

you; and you mentioned casually that if I didnt youd have nobody to

talk about me to but Bentley. That was a threat, was it not?

HYPATIA. Well, I wanted you to come.

LORD SUMMERHAYS. In spite of my age and my unfortunate talkativeness?

HYPATIA. I like talking to you. I can let myself go with you. I can

say things to you I cant say to other people.

LORD SUMMERHAYS. I wonder why?

HYPATIA. Well, you are the only really clever, grown-up, high-class,

experienced man I know who has given himself away to me by making an

utter fool of himself with me. You cant wrap yourself up in your toga

after that. You cant give yourself airs with me.

LORD SUMMERHAYS. You mean you can tell Bentley about me if I do.

HYPATIA. Even if there wasnt any Bentley: even if you didnt care

(and I really dont see why you should care so much) still, we never

could be on conventional terms with one another again. Besides, Ive

got a feeling for you: almost a ghastly sort of love for you.

LORD SUMMERHAYS. _[shrinking]_ I beg you--no, please.

HYPATIA. Oh, it's nothing at all flattering: and, of course, nothing

wrong, as I suppose youd call it.

LORD SUMMERHAYS. Please believe that I know that. When men of my

age--

HYPATIA. _[impatiently]_ Oh, do talk about yourself when you mean

yourself, and not about men of your age.

LORD SUMMERHAYS. I'll put it as bluntly as I can. When, as you say,

I made an utter fool of myself, believe me, I made a poetic fool of

myself. I was seduced, not by appetites which, thank Heaven, Ive long

outlived: not even by the desire of second childhood for a child

companion, but by the innocent impulse to place the delicacy and

wisdom and spirituality of my age at the affectionate service of your

youth for a few years, at the end of which you would be a grown,

strong, formed--widow. Alas, my dear, the delicacy of age reckoned,

as usual, without the derision and cruelty of youth. You told me that

you didnt want to be an old man's nurse, and that you didnt want to

have undersized children like Bentley. It served me right: I dont

reproach you: I was an old fool. But how you can imagine, after

that, that I can suspect you of the smallest feeling for me except the

inevitable feeling of early youth for late age, or imagine that I have

any feeling for you except one of shrinking humiliation, I cant

understand.

HYPATIA. I dont blame you for falling in love with me. I shall be

grateful to you all my life for it, because that was the first time

that anything really interesting happened to me.

LORD SUMMERHAYS. Do you mean to tell me that nothing of that kind had

ever happened before? that no man had ever--

HYPATIA. Oh, lots. Thats part of the routine of life here: the very

dullest part of it. The young man who comes a-courting is as familiar

an incident in my life as coffee for breakfast. Of course, hes too

much of a gentleman to misbehave himself; and I'm too much of a lady

to let him; and hes shy and sheepish; and I'm correct and

self-possessed; and at last, when I can bear it no longer, I either

frighten him off, or give him a chance of proposing, just to see how

he'll do it, and refuse him because he does it in the same silly way

as all the rest. You dont call that an event in one's life, do you?

With you it was different. I should as soon have expected the North

Pole to fall in love with me as you. You know I'm only a

linen-draper's daughter when all's said. I was afraid of you: you, a

great man! a lord! and older than my father. And then what a

situation it was! Just think of it! I was engaged to your son; and

you knew nothing about it. He was afraid to tell you: he brought you

down here because he thought if he could throw us together I could get

round you because I was such a ripping girl. We arranged it all: he

and I. We got Papa and Mamma and Johnny out of the way splendidly;

and then Bentley took himself off, and left us--you and me!--to take a

walk through the heather and admire the scenery of Hindhead. You

never dreamt that it was all a plan: that what made me so nice was

the way I was playing up to my destiny as the sweet girl that was to

make your boy happy. And then! and then! _[She rises to dance and

clap her hands in her glee]._

LORD SUMMERHAYS. _[shuddering]_ Stop, stop. Can no woman understand

a man's delicacy?

HYPATIA. _[revelling in the recollection]_ And then--ha, ha!--you

proposed. You! A father! For your son's girl!

LORD SUMMERHAYS. Stop, I tell you. Dont profane what you dont

understand.

HYPATIA. That was something happening at last with a vengeance. It

was splendid. It was my first peep behind the scenes. If I'd been

seventeen I should have fallen in love with you. Even as it is, I

feel quite differently towards you from what I do towards other old

men. So _[offering her hand]_ you may kiss my hand if that will be

any fun for you.

LORD SUMMERHAYS. _[rising and recoiling to the table, deeply

revolted]_ No, no, no. How dare you? _[She laughs mischievously]._

How callous youth is! How coarse! How cynical! How ruthlessly

cruel!

HYPATIA. Stuff! It's only that youre tired of a great many things

Ive never tried.

LORD SUMMERHAYS. It's not alone that. Ive not forgotten the

brutality of my own boyhood. But do try to learn, glorious young

beast that you are, that age is squeamish, sentimental, fastidious.

If you cant understand my holier feelings, at least you know the

bodily infirmities of the old. You know that I darent eat all the

rich things you gobble up at every meal; that I cant bear the noise

and racket and clatter that affect you no more than they affect a

stone. Well, my soul is like that too. Spare it: be gentle with it

_[he involuntarily puts out his hands to plead: she takes them with a

laugh]._ If you could possibly think of me as half an angel and half

an invalid, we should get on much better together.

HYPATIA. We get on very well, I think. Nobody else ever called me a

glorious young beast. I like that. Glorious young beast expresses

exactly what I like to be.

LORD SUMMERHAYS. _[extricating his hands and sitting down]_ Where on

earth did you get these morbid tastes? You seem to have been well

brought up in a normal, healthy, respectable, middle-class family.

Yet you go on like the most unwholesome product of the rankest

Bohemianism.

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