KENILWORTH.

On the road from Warwick to Kenilworth, I thought more of poor Pierce

Gaveston than of Elizabeth and her proud earls. Edward’s gay favorite

was tried at Warwick, and beheaded on Blacklow hill, which we passed

soon after leaving the town. He was executed in June; and I looked about

on the lovely hills and valleys that surround the place of his last

moments, and figured to myself very vividly his despair at this hurried

leave-taking of this bright world in its brightest spot and hour. Poor

Gaveston! It was not in his vocation to die! He was neither soldier nor

prelate, hermit nor monk. His political sins, for which he suffered,

were no offence against good fellowship, and were ten times more venial

than those of the “black dog of Arden,” who betrayed and helped to

murder him. He was the reckless minion of a king, but he must have been

a merry and pleasant fellow; and now that the world (on _our_ side the

water at least) is grown so grave, one could go back with Old Mortality,

and freshen the epitaph of a heart that took life more gayly.

As we approached the castle of the proud Leicester, I found it easier to

people the road with the flying Amy Robsart and her faithful attendant,

with Mike Lambourne, Flibbertigibbat, Richard Varney, and the troop of

mummers and players, than with the more real characters of history. To

assist the romance, a little Italian boy, with his organ and monkey, was

fording the brook on his way to the castle, as if its old towers still

held listeners for the wandering minstrel. I tossed him a shilling from

the carriage window, and while the horses slowly forded the brook, asked

him in his own delicious tongue, where he was from.

“_Son’ di Firenze, signore!_”

“And where are you going?”

“_Li! al castello._”

Come from Florence and bound to Kenilworth! Who would not grind an organ

and sleep under a hedge, to answer the hail of the passing traveller in

terms like these? I have seen many a beggar in Italy, whose inheritance

of sunshine and leisure in that delicious clime I could have found it in

my heart to envy, even with all its concomitants of uncertainty and

want; but here was a bright-faced and inky-eyed child of the sun, with

his wardrobe and means upon his back, travelling from one land to

another, and loitering wherever there was a resort for pleasure, without

a friend or a care; and, upon my life, I could have donned his velveteen

jacket, and with his cheerful heart to button it over, have shouldered

his organ, put my trust in _i forestieri_, and kept on for Kenilworth.

There really is, I thought, as I left him behind, no profit or reward

consequent upon a life of confinement and toil; no moss ever gathered by

the unturned stone, that repays, by a thousandth part, the loss of even

this poor boy’s share of the pleasures of change. What would not the

tardy winner of fortune give to exchange his worn-out frame, his

unloveable and furrowed features, his dulled senses, and his vain

regrets, for the elastic frame, the unbroken spirits, and the redeemable

yet not oppressive poverty of this Florentine _regazzo_! The

irrecoverable gem of youth is too often dissolved, like the pearl of

Cleopatra, in a cup which thins the blood and leaves disgust upon the

lip.

The magnificent ruins of Kenilworth broke in upon my moralities, and a

crowd of halt and crippled _ciceroni_ beset the carriage-door as we

alighted at the outer tower. The neighborhood of the Spa of Leamington

makes Kenilworth a place of easy resort; and the beggars of Warwickshire

have discovered that your traveller is more liberal of his coin than

your sitter-at-home. Some dozens of pony-chaises, and small, crop

saddle-horses, clustered around the gate, assured us that we should not

muse alone amid the ruins of Elizabeth’s princely gift to her favorite.

We passed into the tilt-yard, leaving on our left the tower in which

Edward was confined, now the only habitable part of Kenilworth. It gives

a comfortable shelter to an old seneschal, who stands where the giant

probably stood, with Flibbertigibbet under his doublet for a prompter;

but it is not the tail of a rhyme that serves now for a passport.

Kenilworth, as it now stands, would probably disenchant almost any one

of the gorgeous dreams conjured up by reading Scott’s romance. Yet it is

one of the most superb ruins in the world. It would scarce be complete

to a novel-reader, naturally, without a warder at the gate, and the

flashing of a spear-point and helmet through the embrasures of the

tower. A horseman in armor should pace over the drawbridge, and a squire

be seen polishing his cuirass through the opening gate; while on the

airy bartizan should be observed a lady in hoop and farthingdale,

philandering with my lord of Leicester in silk doublet and rapier. In

the place of this, the visiter enters Kenilworth as I have already

described, and stepping out into the tilt-yard, he sees, on an elevation

before him, a fretted and ivy-covered ruin, relieved like a cloud-castle

on the sky; the bright blue plane of the western heavens shining through

window and broken wall, flecked with waving and luxuriant leaves, and

the crusted and ornamental pinnacles of tottering masonry and sculpture

just leaning to their fall, though the foundations upon which they were

laid, one would still think, might sustain the firmament. The swelling

root of a creeper has lifted that arch from its base, and the protruding

branch of a chance-sprung tree, (sown perhaps by a field-sparrow) has

unseated the keystone of the next; and so perish castles and

reputations, the masonry of the human hand, and the fabrics of human

forethought; not by the strength which they feared, but by the weakness

they despised! Little thought old John of Gaunt, when these rudely-hewn

blocks were heaved into their seat by his herculean workmen, that, after

resisting fire and foe, they would be sapped and overthrown at last by a

vine-tendril and a sparrow!

Clinging against the outer wall, on that side of the castle overlooking

the meadow, which was overflowed for the aquatic sports of Kenilworth,

stands an antique and highly ornamental fireplace, which belonged,

doubtless, to the principal hall. The windows on either side looking

forth upon the fields below, must have been those from which Elizabeth

and her train observed the feats of Arion and his dolphin; and at all

times, the large and spacious chimney-place, from the castle’s first

occupation to its last, must have been the centre of the evening

revelry, and conversation of its guests. It was a hook whereon to hang a

revery, and between the roars of vulgar laughter which assailed my ears

from a party lolling on the grass below, I contrived to figure to

myself, with some distinctness, the personages who had stood about it. A

visit to Kenilworth, without the deceptions of fancy, would be as

disconnected from our previous enthusiasm on the subject as from any

other scene with which it had no relation. The general effect at first,

in any such spot, is only to dispossess us, by a powerful violence, of

the cherished picture we had drawn of it in imagination; and it is only

after the real recollection has taken root and ripened—after months, it

may be—that we can fully bring the visionary characters we have drawn

to inhabit it. If I read Kenilworth now, I see Mike Lambourne stealing

out, not from the ruined postern which I clambered through, over heaps

of rubbish, but from a little gate that turned noiselessly on its

hinges, in the unreal castle built ten years ago in my brain.

I had wandered away from my companion, Miss Jane Porter, to climb up a

secret staircase in the wall, rather too difficult of ascent for a

female foot, and from my elevated position I caught an accidental view

of that distinguished lady through the arch of a Gothic window, with a

background of broken architecture and foliage—presenting, by chance,

perhaps the most fitting and admirable picture of the authoress of the

Scottish Chiefs, that a painter in his brightest hour could have

fancied. Miss Porter, with her tall and striking figure, her noble face

(said by Sir Martin Shee to have approached nearer in its youth to his

_beau idéal_ of the female features than any other, and still possessing

the remains of uncommon beauty,) is at all times a person whom it would

be difficult to see without a feeling of involuntary admiration. But

standing, as I saw her at that moment, motionless and erect, in the

mourning dress, with dark feathers, which she has worn since the death

of her beloved and gifted sister, her wrists folded across, her large

and still beautiful eyes fixed on a distant object in the view, and her

nobly-cast lineaments reposing in their usual calm and benevolent

tranquillity, while, around and above her, lay the material and breathed

the spirit over which she had held the first great mastery—it was a

_tableau vivant_ which I was sorry to be alone to see.

Was she thinking of the great mind that had evoked the spirits of the

ruins she stood among—a mind in which (by Sir Walter’s own confession)

she had first bared the vein of romance which breathed so freely for the

world’s delight? Were the visions which sweep with such supernatural

distinctness and rapidity through the imagination of genius—visions of

which the millionth portion is probably scarce communicated to the world

in a literary lifetime—were Elizabeth’s courtiers, Elizabeth’s

passions, secret hours, interviews with Leicester—were the imprisoned

king’s nights of loneliness and dread, his hopes, his indignant, but

unheeded thoughts—were all the possible circumstances, real or

imaginary, of which that proud castle might have been the scene,

thronging in those few moments of revery through her fancy? Or was her

heart busy with its kindly affections, and had the beauty and interest

of the scene but awakened a thought of one who was most wont to number

with her the sands of those brighter hours?

Who shall say? The very question would perhaps startle the thoughts

beyond recall—so elusive are even the most angelic of the mind’s unseen

visitants.

I have recorded here the speculations of a moment while I leaned over

the wall of Kenilworth, but as I descended by the giddy staircase, a

peal of rude laughter broke from the party in the fosse below, and I

could not but speculate on the difference between the various classes

whom curiosity draws to the spot. The distinguished mind that conceives

a romance that enchants the world, comes in the same guise and is

treated with but the same respect as theirs. The old porter makes no

distinction in his charge of half-a-crown, and the grocer’s wife who

sucks an orange on the grass, looks at the dark crape hat and plain

exterior—her only standards—and thinks herself as well-dressed, and

therefore equal or superior to the tall lady, whom she presumes is out

like herself on a day’s pleasuring. One comes and goes like the other,

and is forgotten alike by the beggars at the gate and the seneschal

within, and thus invisibly and unsuspected, before our very eyes, does

genius gather its golden fruit, and while _we_ walk in a plain and

commonplace world, with commonplace and sordid thoughts and feelings,

the gifted walk side by side with us in a world of their own—a world of

which we see distant glimpses in their after-creations, and marvel in

what unsunned mine its gems of thought were gathered!

A VISIT TO DUBLIN ABOUT THE TIME OF

THE QUEEN’S MARRIAGE.

The usual directions for costume, in the corner of the court card of

invitation, included, on the occasion of the Queen’s marriage, a wedding

favor, to be worn by ladies on the shoulder, and by gentlemen on the

left breast. This trifling addition to the dress of the individual was a

matter of considerable importance to the milliners, hatters, etc., who,

in a sale of ten or twelve hundred white cockades (price from two

dollars to five) made a very pretty profit. The power of giving a large

ball to the more expensive classes, and ordering a particular addition

to the costume—in other words, of laying a tax on the rich for the

benefit of the poor, is exercised more frequently in Ireland than in

other countries, and serves the double purpose of popularity to the Lord

Lieutenant, and benefit to any particular branch of industry that may be

suffering from the decline of a fashion.

The large quadrangular court-yard of the castle rattled with the tramp

of horses’ feet and the clatter of sabres and spurs, and in the

uncertain glare of torches and lamps, the gay colors and glittering arms

of the mounted guard of lancers had a most warlike appearance. The

procession which the guard was stationed to regulate and protect, rather

detracted from the romantic effect—the greater proportion of equipages

being the covered hack cars of the city—vehicles of the most

unmitigated and ludicrous vulgarity. A coffin for two, set on its end,

with the driver riding on the turned-down lid, would be a very near

resemblance; and the rags of the driver, and the translucent leanness of

his beast, make it altogether the most deplorable of conveyances. Here

and there a carriage with liveries, and here and there a sedan-chair

with four stout Milesian calves in blue stockings trotting under the

poles, rather served as a foil than a mitigation of the effect, and the

hour we passed in the line, edging slowly toward the castle, was far

from unfruitful in amusement. I learned afterward that even those who

have equipages in Dublin go to Court in hack cars as a matter of

economy—one of the many indications of that feeling of lost pride which

has existed in Ireland since the removal of the parliament.

A hall and staircase lined with files of soldiers is not quite as

festive an entrance to a ball as the more common one of alleys of

flowering shrubs; but with a waltz by a military band resounding from

the lofty ceiling, I am not sure that it does not temper the blood as

aptly for the spirit of the hour. It was a rainy night, and the streets

were dark, and the effect upon myself of coming suddenly into so

enchanted a scene—arms glittering on either side, and a procession of

uniforms and plumed dames winding up the spacious stairs—was thrilling,

even with the chivalric scenes of Eglinton fresh in my remembrance.

At the head of the ascent we entered a long hall, lined with the private

servants of Lord Ebrington, and the ceremony of presentation having been

achieved the week before, we left the throne-room on the right, and

passed directly to St. Patrick’s Hall, the grand scene of the evening’s

festivities. This, I have said before, is the finest ball-room I

remember in Europe. Twelve hundred people, seated, dancing, or

promenading, were within its lofty walls on the night whose festivities

I am describing; and at either end a gallery, supported by columns of

marble, contained a band of music, relieving each other with alternate

waltzes and quadrilles. On the long sides of the hall were raised tiers

of divans, filled with chaperons, veteran officers, and other

lookers-on, and at the upper end was raised a platform with a throne in

the centre, and seats on either side for the family of the Lord

Lieutenant, and the more distinguished persons of the nobility. Lord

Ebrington was rather in his character of a noble host than that of

Viceroy, and I did not observe him once seated under his canopy of

state; but with his Aids and some one of the noble ladies of his family

on his arm, he promenaded the hall conversing with his acquaintances,

and seemingly enjoying in a high degree the brilliant gayety of the

scene. His dress, by the way, was the simple diplomatic dress of most

continental courts, a blue uniform embroidered with gold, the various

orders on his breast forming its principal distinction. I seldom have

seen a man of a more calm and noble dignity of presence than the Lord

Lieutenant, and never a face that expressed more strongly the

benevolence and high purity of character for which he is distinguished.

In person, except that he is taller, he bears a remarkably close

resemblance to the Duke of Wellington.

We can scarcely conceive, in this country of black coats, the brilliant

effect of a large assembly in which there is no person out of uniform or

court-dress—every lady’s head nodding with plumes, and every gentleman

in military scarlet and gold or lace and embroidery. I may add, too,

that in this country of care-worn and pale faces, we can as little

conceive the effect of an assembly rosy with universal health,

habitually unacquainted with care, and abandoned with the apparent

child-like simplicity of high breeding, to the inspiring gayety of the

hour. The greater contrast, however, is between a nation where health is

the first care, and one in which health is never thought of till lost;

and light and shade are not more contrasted than the mere general effect

of countenance in one and in the other. A stranger travelling in our

country, once remarked to me that a party he had attended seemed like an

entertainment given in the convalescent ward of a hospital—the ladies

were so pale and fragile, and the men so unjoyous and sallow. And my own

invariable impression, in the assemblies I have first seen after leaving

my own country, was a corresponding one—that the men and women had the

rosy health and untroubled gayety of children round a May-pole. That

this is _not_ the effect of climate, I do most religiously believe. It

is _over-much care_ and _over-much carelessness_—the corroding care of

an avid temerity in business, and the carelessness of all the functions

of life till their complaints become too imperative to be disregarded.

But this is a theme out of place.

The ball was managed by the Grand Chamberlain (Sir William Leeson,) and

the aids-de-camp of the Lord Lieutenant, and except that now and then

you were reminded by the movement around you that you stood with your

back to the representative of royalty, there was little to draw your

attention from the attractions of the dance. Waltz, quadrille, and

gallop, followed each other in giddy succession, and “what do you think

of Irish beauty?” had been asked me as often as “how do you like

America?” was ever mumbled through the trumpet of Miss Martineau, when I

mounted with a friend to one of the upper divans, and tried, what is

always a difficult task, and nowhere so difficult as in Ireland, to call

in the intoxicated fancy, and anatomize the charm of the hour.

Moore’s remark has been often quoted—“there is nothing like an Irish

woman to take a man off his feet;” but whether this figure of speech was

suggested by the little bard’s common _soubriquet_ of

“Jump-up-and-kiss-me[5] Tom Moore,” or simply conveyed his idea of the

bewildering character of Irish beauty, it contains, to any one who has

ever travelled (or waltzed) in that country, a very just, as well as

realizing description. Physically, Irish women are probably the finest

race in the world—I mean, taller, better limbed and chested, larger

eyed, and with more luxuriant hair, and freer action, than any other

nation I have observed. The Phœnician and Spanish blood which has run

hundreds of years in their veins, still kindles its dark fire in their

eyes, and with the vivacity of the northern mind and the bright color of

the northern skin, these southern qualities mingle in most admirable and

superb harmony. The idea we form of Italian and Grecian beauty is never

realized in Greece and Italy, but we find it in Ireland, heightened and

exceeded. Cheeks and lips of the delicacy and bright teint of carnation,

with snowy teeth, and hair and eyebrows of jet, are what we should look

for on the palette of Apelles, could we recall the painter, and

re-animate his far-famed models; and these varied charms, united, fall

very commonly to the share of the fair Milesian of the upper classes. In

other lands of dark eyes, the rareness of a fine-grained skin, so

necessary to a brunette, makes beauty as rare—but whether it is the

damp softness of the climate or the infusion of Saxon blood, a coarse

skin is almost never seen in Ireland. I speak now only of the

better-born ranks of society, for in all my travels in Ireland I did not

chance to see even one peasant girl of any pretensions to good looks.

From north to south, they looked, to me, coarse, ill-formed, and

repulsive.

I noticed in St. Patrick’s Hall what I had remarked ever since I had

been in the country, that with all their beauty, the Irish women are

very deficient in what in England is called _style_. The men, on the

contrary, were particularly _comme il faut_, and as they are a

magnificent race (corresponding to such mothers and sisters) I

frequently observed I had never seen so many handsome and elegant men in

a day. Whenever I saw a gentleman and lady together, riding, driving, or

walking, my first impression was, almost universally, that the man was

in attendance upon a woman of an inferior class to his own. This

difference may be partly accounted for by the reduced circumstances of

the gentry of Ireland, which keeps the daughters at home, that the sons

may travel and improve; but it works differently in America, where,

spite of travel and every other advantage to the contrary, the daughters

of a family are much oftener lady-like than the sons are gentleman-like.

After wondering for some time, however, why the quick-witted women of

Ireland should be less apt than those of other countries in catching the

air of high breeding usually deemed so desirable, I began to like them

better for the deficiency, and to find a reason for it in the very

qualities which make them so attractive. Nothing could be more

captivating and delightful than the manners of Irish women, and nothing,

at the same time, could be more at war with the first principles of

English high breeding—coldness and _retenu_. The frank, almost

hilarious “how are you?” of an Irish girl, her whole-handed and cordial

grasp, as often in the day as you meet her, the perfectly un-missy-ish,

confiding, direct character of her conversation, are all traits which

would stamp her as somewhat rudely bred in England, and as desperately

vulgar in New York or Philadelphia.

Modest to a proverb, the Irish woman is as unsuspecting of an

impropriety as if it were an impossible thing, and she is as fearless

and joyous as a midshipman, and sometimes as noisy. In a ball-room she

looks ill-dressed, not because her dress was ill-put-on, but because she

dances, not glides, sits down without care, pulls her flowers to pieces,

and if her head-dress incommodes her, gives it a pull or a push—acts

which would be perfect insanity at Almack’s. If she is offended, she

asks for an explanation. If she does not understand you, she confesses

her ignorance. If she wishes to see you the next day, she tells you how

and when. She is the child of nature, and children are not “stylish.”

The niminy-piminy, eye-avoiding, finger-tipped, drawling, don’t-touch-me

manner of some of the fashionable ladies of our country, would amuse a

cold and reserved English woman sufficiently, but they would drive an

Irish girl into hysterics. I have met one of our fair country-people

abroad, whose “Grecian stoop,” and exquisitely subdued manner, was

invariably taken for a fit of indigestion.

The ball-supper was royally sumptuous, and served in a long hall thrown

open at midnight; and in the gray of the morning, I left the floor

covered with waltzers, and confessed to an Irish friend, that I never in

my life, not even at Almack’s, had seen the half as much true beauty as

had brightened St. Patrick’s Hall at the celebration of the queen’s

marriage.

-----

[5] The name of a small flower, common in Ireland.

CLOSING SCENES OF THE SESSION AT

WASHINGTON.

The paradox of “the more one does, the more one can do,” is resolved in

life at Washington with more success than I have seen it elsewhere. The

inexorable bell at the hotel or boarding-house pronounces the

irrevocable and swift transit of breakfast to all sleepers after eight.

The elastic depths of the pillow have scarcely yielded their last

feather to the sleeper’s head before the drowse is rudely shaken from

his eyelids, and with an alacrity which surprises himself, he finds his

toilet achieved, his breakfast over, and himself abroad to lounge in the

sunshine till the flag waves on the capitol. He would retire to his

chamber to read during these two or three vacant hours, but the one

chair in his pigeon-hole creaks, or has no back or bottom, or his

anthracite fire is out, or, is too hot for the size of the room; or, in

short, Washington, from whatever cause, is a place where none read

except those who stand up to a padlocked newspaper. The stars and

stripes, moving over the two wings of the capitol at eleven announce

that the two chambers of legislation are in session, and the hard

working idler makes his way to the senate or the house. He lingers in

the lobby awhile, amused with the button-hole seizers plying the

unwilling ears of members with their claims, or enters the library,

where ladies turn over prints, and enfilade, with their battery of

truant eyes the comers in at the green door. He then gropes up the dark

staircase to the senate gallery, and stifles in the pressure of a hot

gallery, forgetting, like listeners at a crowded opera, that bodily

discomfort will unlink the finest harmonies of song or oratory. Thence

he descends to the rotunda to draw breath and listen to the more

practical, but quite as earnest eloquence of candidates for patents; and

passes, after a while to the crowded gallery of the house, where, by

some acoustic phenomena in the construction of the building, the voices

of the speakers come to his ears as articulate as water from a

narrow-necked bottle. “Small blame to them!” he thinks, however; for

behind the brexia columns are grouped all the fair forms of Washington;

and in making his bow to two hundred despotic lawgivers in feathers and

velvet, he is readily consoled that the duller legislators who yield to

their sway are inaudible and forgotten. To this upper house drop in,

occasionally, the younger or gayer members of the lower, bringing, if

not political scandal, at least some slight _resumer_ of what Mr.

Somebody is beating his desk about below; and thus, crammed with the

day’s trifles or the day’s business, and fatigued from heel to eyelid,

our idler goes home at five to dress for dinner and the night’s

campaign, having been up and on his legs for ten mortal hours.

Cold water and a little silence in his own room have rather refreshed

him, and he dines at six with a party of from fifteen to twenty-five

persons. He discusses the vital interests of fourteen millions of people

over a glass of wine with the man whose vote, possibly, will decide

their destiny, and thence hurries to a ball-room crammed like a perigord

pie, where he pants, elbows, eats supper, and waltzes till three in the

morning. How human constitutions stand this, and stand it daily and

nightly, from the beginning to the end of a session, may well puzzle the

philosophy of those who rise and breakfast in comfortable leisure.

I joined the crowd on the twenty-second of February, to pay my respects

to the President, and see _the cheese_. Whatever veneration existed in

the minds of the people toward the former, their curiosity in reference

to the latter predominated, unquestionably. The circular _pavé_,

extending from the gate to the White House, was thronged with citizens

of all classes, those coming away having each a small brown paper parcel

and a very strong smell; those advancing manifesting, by shakings of the

head and frequent exclamations, that there may be too much of a good

thing, and particularly of a cheese. The beautiful portico was thronged

with boys and coach-drivers, and the odor strengthened with every step.

We forced our way over the threshold, and encountered an atmosphere, to

which the mephitic gas floating over Avernus must be faint and

innocuous. On the side of the hall hung a rough likeness of the general,

emblazoned with eagle and stars, forming a background to the huge tub in

which the cheese had been packed; and in the centre of the vestibule

stood the “fragrant gift,” surrounded with a dense crowd, who, without

crackers, or even “malt to their cheese,” had, in two hours, eaten and

purveyed away _fourteen hundred pounds_! The small segment reserved for

the President’s use counted for nothing in the abstractions.

Glad to compromise for a breath of cheeseless air, we desisted from the

struggle to obtain a sight of the table, and mingled with the crowd in

the east room. Here were diplomates in their gold coats and officers in

uniform, ladies of secretaries and other ladies, soldiers on volunteer

duty, and Indians in war-dress and paint. Bonnets, feathers, uniforms,

and all—it was rather a gay assemblage. I remembered the descriptions

in travellers’ books, and looked out for millers and blacksmiths in

their working gear, and for rudeness and vulgarity in all. The offer of

a mammoth cheese to the public was likely to attract to the presidential

mansion more of the lower class than would throng to a common levee.

Great-coats there were, and not a few of them, for the day was raw, and

unless they were hung on the palings outside, they must remain on the

owners’ shoulders; but, with a single exception (a fellow with his coat

torn down his back, possibly in getting at the cheese,) I saw no man in

a dress that was not respectable and clean of its kind, and abundantly

fit for a tradesman out of his shop. Those who were much pressed by the

crowd put their hats on; but there was a general air of decorum which

would surprise any one who had pinned his faith on travellers. An

intelligent Englishman, very much inclined to take a disgust to

mobocracy, expressed to me great surprise at the decency and proper

behavior of the people. The same experiment in England, he thought,

would result in as pretty a riot as a paragraph-monger would desire to

see.

The President was down stairs in the oval reception room, and, though

his health would not permit him to stand, he sat in his chair for two or

three hours, and received his friends with his usual bland and dignified

courtesy. By his side stood the lady of the mansion, dressed in full

court costume, and doing the honors of her place with a grace and

amenity which every one felt, and which threw a bloom over the hour.

General Jackson retired, after awhile, to his chamber, and the President

elect remained to support his relative, and present to her the still

thronging multitude, and by four o’clock the guests were gone, and the

“banquet hall” was deserted. Not to leave a wrong impression of the

cheese, I dined afterward at a table to which the President had sent a

piece of it, and found it of excellent quality. It is like many other

things, more agreeable in small qualities.

Some eccentric mechanic has presented to the President a sulkey, made

entirely (except the wheels) of rough-cut hickory, with the bark on. It

looks rough enough, but has very much the everlasting look of old

Hickory himself; and if he could be seen driving a high-stepping, bony

old iron-gray steed in it, any passer-by would see that there was as

much fitness in the whole thing as in the chariot of Bacchus and his

reeling leopards. Some curiously twisted and gnarled branches have been

very ingeniously turned into handles and whip-box, and the vehicle is

compact and strong. The President has left it to Mr. Van Buren.

In very strong contrast to the sulkey, stood close by, the elegant

phæton, made of the wood of the old frigate Constitution. It has a seat

for two, with a driver’s box, covered with a superb hammercloth, and set

up rather high in front; the wheels and body are low, and there are bars

for baggage behind; altogether, for lightness and elegance, it would be

a turn out for Long Acre. The material is excessively beautiful—a

fine-grained oak, polished to a very high degree, with its colors

delicately brought out by a coat of varnish. The wheels are very slender

and light, but strong, and, with all its finish, it looks a vehicle

capable of a great deal of service. A portrait of the Constitution,

under full sail, is painted on the panels.

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