TRANSLATED BY ABRAHAM YARMOLINSKY

From _Lazarus and the Gentleman from San Francisco_. Published by

The Stratford Company. By permission of the publishers.

I

When Lazarus left the grave, where, for three days and three nights he

had been under the enigmatical sway of death, and returned alive to his

dwelling, for a long time no one noticed in him those sinister oddities,

which, as time went on, made his very name a terror. Gladdened

unspeakably by the sight of him who had been returned to life, those

near to him caressed him unceasingly, and satiated their burning desire

to serve him, in solicitude for his food and drink and garments. And

they dressed him gorgeously, in bright colors of hope and laughter, and

when, like to a bridegroom in his bridal vestures, he sat again among

them at the table, and again ate and drank, they wept, overwhelmed with

tenderness. And they summoned the neighbors to look at him who had risen

miraculously from the dead. These came and shared the serene joy of the

hosts. Strangers from far-off towns and hamlets came and adored the

miracle in tempestuous words. Like to a beehive was the house of Mary

and Martha.

Whatever was found new in Lazarus' face and gestures was thought to be

some trace of a grave illness and of the shocks recently experienced.

Evidently, the destruction wrought by death on the corpse was only

arrested by the miraculous power, but its effects were still apparent;

and what death had succeeded in doing with Lazarus' face and body, was

like an artist's unfinished sketch seen under thin glass. On Lazarus'

temples, under his eyes, and in the hollows of his cheeks, lay a deep

and cadaverous blueness; cadaverously blue also were his long fingers,

and around his fingernails, grown long in the grave, the blue had become

purple and dark. On his lips the skin, swollen in the grave, had burst

in places, and thin, reddish cracks were formed, shining as though

covered with transparent mica. And he had grown stout. His body, puffed

up in the grave, retained its monstrous size and showed those frightful

swellings, in which one sensed the presence of the rank liquid of

decomposition. But the heavy corpse-like odor which penetrated Lazarus'

graveclothes and, it seemed, his very body, soon entirely disappeared,

the blue spots on his face and hands grew paler, and the reddish cracks

closed up, although they never disappeared altogether. That is how

Lazarus looked when he appeared before people, in his second life, but

his face looked natural to those who had seen him in the coffin.

In addition to the changes in his appearance, Lazarus' temper seemed to

have undergone a transformation, but this circumstance startled no one

and attracted no attention. Before his death Lazarus had always been

cheerful and carefree, fond of laughter and a merry joke. It was because

of this brightness and cheerfulness, with not a touch of malice and

darkness, that the Master had grown so fond of him. But now Lazarus had

grown grave and taciturn, he never jested, himself, nor responded with

laughter to other people's jokes; and the words which he uttered, very

infrequently, were the plainest, most ordinary, and necessary words, as

deprived of depth and significance, as those sounds with which animals

express pain and pleasure, thirst and hunger. They were the words that

one can say all one's life, and yet they give no indication of what

pains and gladdens the depths of the soul.

Thus, with the face of a corpse which for three days had been under the

heavy sway of death, dark and taciturn, already appallingly transformed,

but still unrecognized by anyone in his new self, he was sitting at the

feasting table, among friends and relatives, and his gorgeous nuptial

garments glittered with yellow gold and bloody scarlet. Broad waves of

jubilation, now soft, now tempestuously sonorous surged around him; warm

glances of love were reaching out for his face, still cold with the

coldness of the grave; and a friend's warm palm caressed his blue, heavy

hand. And music played the tympanum and the pipe, the cithara and the

harp. It was as though bees hummed, grasshoppers chirped and birds

warbled over the happy house of Mary and Martha.

Famous Modern Ghost Stories · 第 51 / 85 题