The phrases kept recurring to his mind after they had gone out, and as
they wandered through the lighted streets with all their strange and
variegated show, with glittering windows and glittering lamps, with the
ebb and flow of faces, the voices and the laughter, the surging crowds
about the theatre doors, the flashing hansoms and the omnibuses
lumbering heavily along to strange regions, such as Turnham Green and
Castlenau, Cricklewood and Stoke Newington--why, they were as unknown as
cities in Cathay!
It was a dim, hot night; all the great city smoked as with a mist, and a
tawny moon rose through films of cloud far in the vista of the east.
Ambrose thought with a sudden recollection that the moon, that world of
splendour, was shining in a farther land, on the coast of the wild
rocks, on the heaving sea, on the faery apple-garths in Avalon, where,
though the apples are always golden, yet the blossoms of enchantment
never fade, but hang for ever against the sky.
They were passing a half-lit street, and these dreams were broken by the
sudden clanging, rattling music of a piano-organ. For a moment they saw
the shadowy figures of the children as they flitted to and fro, dancing
odd measures in the rhythm of the tune. Then they came into a long,
narrow way with a church spire in the distance, and near the church they
passed the "church-shop"--Roman, evidently, from the subjects and the
treatment of the works of art on view. But it was strange! In the middle
of the window was a crude, glaring statue of some saint. He was in
bright red robes, sprinkled with golden stars; the blood rained down
from a wound in his forehead, and with one hand he drew the scarlet
vestment aside and pointed to the dreadful gash above his heart, and
from this, again, the bloody drops fell thick. The colours stared and
shrieked, and yet, through the bad, cheap art there seemed to shine a
rapture that was very near to beauty; the thing expressed was so great
that it had to a certain extent overcome the villainy of the expression.
They wandered vaguely, after their custom. Ambrose was silent; he was
thinking of Avalon and "Red Martyrdom" and the Frenchman's parting
salutation, of the vision in one of the old books, "the Man clothed in
a robe redder and more shining than burning fire, and his feet and his
hands and his face were of a like flame, and five angels in fiery
vesture stood about him, and at the feet of the Man the ground was
covered with a ruddy dew."
They passed under an old church tower that rose white in the moonlight
above them. The air had cleared, the mist had floated away, and now the
sky glowed violet, and the white stones of the classic spirit shone on
high. From it there came suddenly a tumult of glad sound, exultant bells
in ever-changing order, pealing out as if to honour some great victory,
so that the mirth of the street below became but a trivial restless
noise. He thought of some passage that he had read but could not
distinctly remember: a ship was coming back to its haven after a weary
and tempestuous voyage over many dreadful seas, and those on board saw
the tumult in the city as their sails were sighted; heard afar the
shouts of gladness from the rejoicing people; heard the bells from all
the spires and towers break suddenly into triumphant chorus, sounding
high above the washing of the waves.
Ambrose roused himself from his dreams. They had been walking in a
circle and had returned almost to the street of the Chateau, though,
their knowledge of the district being of an unscientific character,
they were under the impression that they were a mile or so away from
that particular point. As it happened, they had not entered this street
before, and they were charmed at the sudden appearance of stained glass
lighted up from within. The colour was rich and good; there were
flourished scrolls and grotesques in the Renaissance manner, many
emblazoned shields in ruby and gold and azure; and the centre-piece
showed the Court of the Beer King--a jovial and venerable figure
attended by a host of dwarfs and kobolds, all holding on high enormous
mugs of beer. They went in boldly and were glad. It was the famous
"Three Kings" in its golden and unreformed days, but this they knew not.
The room was of moderate size, very low, with great dark beams in the
white ceiling. White were the walls; on the plaster, black-letter texts
with vermilion initials praised the drinker's art, and more kobolds, in
black and red, loomed oddly in unsuspected corners. The lighting,
presumably, was gas, but all that was visible were great antique
lanterns depending from iron hooks, and through their dull green glass
only a dim radiance fell upon the heavy oak tables and the drinkers.
From the middle beam an enormous bouquet of fresh hops hung on high;
there was a subdued murmur of talk, and now and then the clatter of the
lid of a mug, as fresh beer was ordered. In one corner there was
a kind of bar; behind it a couple of grim women--the kobolds
apparently--performed their office; and above, on a sort of rack, hung
mugs and tankards of all sizes and of all fantasies. There were plain
mugs of creamy earthenware, mugs gaudily and oddly painted with
garlanded goats, with hunting scenes, with towering castles, with
flaming posies of flowers. Then some friend of the drunken, some sage
who had pried curiously into the secrets of thirst, had made a series of
wonders in glass, so shining and crystalline that to behold them was as
if one looked into a well, for every glitter of the facets gave promise
of satisfaction. There were the mugs, capacious and very deep, crowned
for the most part not with mere plain lids of common use and make, but
with tall spires in pewter, richly ornamented, evident survivals from
the Middle Ages. Ambrose's eyes glistened; the place was altogether as
he would have designed it. Nelly, too, was glad to sit down, for they
had walked longer than usual. She was refreshed by a glass of some cool
drink with a borage flower and a cherry floating in it, and Ambrose
ordered a mug of beer.
It is not known how many of these _krugs_ he emptied. It was, as has
been noted, a sultry night, and the streets were dusty, and that glass
of Benedictine after dinner rather evokes than dismisses the demon of
thirst. Still, Munich beer is no hot and rebellious drink, so the causes
of what followed must probably be sought for in other springs. Ambrose
took a deep draught, gazed upward to the ceiling, and ordered another
mug of beer for himself and some more of the cool and delicate and
flowery beverage for Nelly. When the drink was set upon the board, he
thus began, without title or preface:
"You must know, Nelly dear," he said, "that the marriage of Panurge,
which fell out in due time (according to the oracle and advice of the
Holy Bottle), was by no means a fortunate one. For, against all the
counsel of Pantagruel and of Friar John, and indeed of all his friends,
Panurge married in a fit of spleen and obstinacy the crooked and
squinting daughter of the little old man who sold green sauce in the Rue
Quincangrogne at Tours--you will see the very place in a few days, and
then you will understand everything. You do not understand that? My
child, that is impiety, since it accuses the Zeitgest, who is certainly
the only god that ever existed, as you will see more fully demonstrated
in Huxley and Spencer and all the leading articles in all the leading
newspapers. _Quod erat demonstrandum._ To be still more precise: You
must know that when I am dead, and a very great man indeed, many
thousands of people will come from all the quarters of the globe--not
forgetting the United States--to Lupton. They will come and stare very
hard at the Old Grange, which will have an inscription about me on the
wall; they will spend hours in High School; they will walk all round
Playing Fields; they will cut little bits off 'brooks' and 'quarries.'
Then they will view the Sulphuric Acid works, the Chemical Manure
factory and the Free Library, and whatever other stink-pots and
cesspools Lupton town may contain; they will finally enjoy the view of
the Midland Railway Goods Station. Then they will say: '_Now_ we
understand him; _now_ one sees how he got all his inspiration in that
lovely old school and the wonderful English country-side.' So you see
that when I show you the Rue Quincangrogne you will perfectly understand
this history. Let us drink; the world shall never be drowned again, so
have no fear.
"Well, the fact remains that Panurge, having married this hideous wench
aforesaid, was excessively unhappy. It was in vain that he argued with
his wife in all known languages and in some that are unknown, for, as
she said, she only knew two languages, the one of Touraine and the other
of the Stick, and this second she taught Panurge _per modum
passionis_--that is by beating him, and this so thoroughly that poor
Pilgarlic was sore from head to foot. He was a worthy little fellow,
but the greatest coward that ever breathed. Believe me, illustrious
drinkers and most precious.... Nelly, never was man so wretched as this
Panurge since Paradise fell from Adam. This is the true doctrine; I
heard it when I was at Eleusis. You enquire what was the matter? Why, in
the first place, this vile wretch whom they all called--so much did they
hate her--La Vie Mortale, or Deadly Life, this vile wretch, I say: what
do you think that she did when the last note of the fiddles had sounded
and the wedding guests had gone off to the 'Three Lampreys' to kill a
certain worm--the which worm is most certainly immortal, since it is not
dead yet! Well, then, what did Madame Panurge? Nothing but this: She
robbed her excellent and devoted husband of all that he had. Doubtless
you remember how, in the old days, Panurge had played ducks and drakes
with the money that Pantagruel had given him, so that he borrowed on his
corn while it was still in the ear, and before it was sown, if we
enquire a little more closely. In truth, the good little man never had a
penny to bless himself withal, for the which cause Pantagruel loved him
all the more dearly. So that when the Dive Bouteille gave its oracle,
and Panurge chose his spouse, Pantagruel showed how preciously he
esteemed a hearty spender by giving him such a treasure that the
goldsmiths who live under the bell of St. Gatien still talk of it before
they dine, because by doing so their mouths water, and these salivary
secretions are of high benefit to the digestion: read on this, Galen. If
you would know how great and glorious this treasure was, you must go to
the Library of the Archeveche at Tours, where they will show you a vast
volume bound in pigskin, the name of which I have forgotten. But this
book is nothing else than the list of all the wonders and glories of
Pantagruel's wedding present to Panurge; it contains surprising things,
I can tell you, for, in good coin of the realm alone, never was gift
that might compare with it; and besides the common money there were
ancient pieces, the very names of which are now incomprehensible, and
incomprehensible they will remain till the coming of the Coqcigrues.
There was, for instance, a great gold Sol, a world in itself, as some
said truly, and I know not how many myriad myriad of Etoiles, all of the
finest silver that was ever minted, and Anges-Gardiens, which the
learned think must have been first coined at Angers, though others will
have it that they were the same as our Angels; and, as for Roses de
Paradis and Couronnes Immortelles, I believe he had as many of them as
ever he would. Beauties and joys he was to keep for pocket-money; small
change is sometimes great gain. And, as I say, no sooner had Panurge
married that accursed daughter of the Rue Quincangrogne than she robbed
him of everything, down to the last brass farthing. The fact is that the
woman was a witch; she was also something else which I leave out for the
present. But, if you will believe me, she cast such a spell upon Panurge
that he thought himself an absolute beggar. Thus he would look at his
Sol d'Or and say: 'What is the use of that? It is only a great bright
lump: I can see it every day.' Then when they said, 'But how about those
Anges-Gardiens?' he would reply, 'Where are they? Have you seen them?
_I_ never see them. Show them to me,' and so with all else; and all the
while that villain of a woman beat, thumped and belaboured him so that
the tears were always in his eyes, and they say you could hear him
howling all over the world. Everybody said that he had made a pretty
mess of it, and would come to a bad end.
"Luckily for him, this ... witch of a wife of his would sometimes doze
off for a few minutes, and then he had a little peace, and he would
wonder what had become of all the gay girls and gracious ladies that he
had known in old times--for he had played the devil with the women in
his day and could have taught Ovid lessons in _arte amoris_. Now, of
course, it was as much as his life was worth to mention the very name
of one of these ladies, and as for any little sly visits, stolen
endearments, hidden embraces, or any small matters of that kind, it was
_good-bye, I shall see you next Nevermas_. Nor was this all, but worse
remains behind; and it is my belief that it is the thought of what I am
going to tell you that makes the wind wail and cry of winter nights, and
the clouds weep, and the sky look black; for in truth it is the greatest
sorrow that ever was since the beginning of the world. I must out with
it quick, or I shall never have done: in plain English, and as true as I
sit here drinking good ale, not one drop or minim or drachm or
pennyweight of drink had Panurge tasted since the day of his wedding! He
had implored mercy, he had told her how he had served Gargantua and
Pantagruel and had got into the habit of drinking in his sleep, and his
wife had merely advised him to go to the devil--she was not going to let
him so much as look at the nasty stuff. '"Touch not, taste not, smell
not," is my motto,' said she. She gave him a blue ribbon, which she said
would make up for it. 'What do you want with Drink?' said she. 'Go and
do business instead, it's much better for you.'
"Sad, then, and sorry enough was the estate of poor Panurge. At last, so
wretched did he become, that he took advantage of one of his wife's
dozes and stole away to the good Pantagruel, and told him the whole
story--and a very bad one it was--so that the tears rolled down
Pantagruel's cheeks from sheer grief, and each teardrop contained
exactly one hundred and eighteen gallons of aqueous fluid, according to
the calculations of the best geometers. The great man saw that the case
was a desperate one, and Heaven knew, he said, whether it could be
mended or not; but certain it was that a business such as this could not
be settled in a hurry, since it was not like a game at shove-ha'penny to
be got over between two gallons of wine. He therefore counselled Panurge
to have patience and bear with his wife for a few thousand years, and in
the meantime they would see what could be done. But, lest his patience
should wear out, he gave him an odd drug or medicine, prepared by the
great artist of the Mountains of Cathay, and this he was to drop into
his wife's glass--for though he might have no drink, she was drunk three
times a day, and she would sleep all the longer, and leave him awhile in
peace. This Panurge very faithfully performed, and got a little rest now
and again, and they say that while that devil of a woman snored and
snorted he was able, by odd chances once or twice, to get hold of a drop
of the right stuff--good old Stingo from the big barrel--which he lapped
up as eagerly as a kitten laps cream. Others there be who declare that
once or twice he got about his sad old tricks, while his ugly wife was
sleeping in the sun; the women on the Maille make no secret of their
opinion that his old mistress, Madame Sophia, was seen stealing in and
out of the house as slyly as you please, and God knows what goes on when
the door is shut. But the Tourainians were always sad gossips, and one
must not believe all that one hears. I leave out the flat
scandal-mongers who are bold enough to declare that he kept one mistress
at Jerusalem, another at Eleusis, another in Egypt and about as many as
are contained in the seraglio of the Grand Turk, scattered up and down
in the towns and villages of Asia; but I do believe there was some
kissing in dark corners, and a curtain hung across one room in the house
could tell odd tales. Nevertheless, La Vie Mortale (a pest on her!) was
more often awake than asleep, and when she was awake Panurge's case was
worse than ever. For, you see, the woman was no piece of a fool, and she
saw sure enough that something was going on. The Stingo in the barrel
was lower than of rights, and more than once she had caught her husband
looking almost happy, at which she beat the house about his ears. Then,
another time, Madame Sophia dropped her ring, and again this sweet lady
came one morning so strongly perfumed that she scented the whole place,
and when La Vie woke up it smelt like a church. There was fine work
then, I promise you; the people heard the bangs and curses and shrieks
and groans as far as Amboise on the one side and Luynes on the other;
and that year the Loire rose ten feet higher than the banks on account
of Panurge's tears. As a punishment, she made him go and be industrial,
and he built ten thousand stink-pot factories with twenty thousand
chimneys, and all the leaves and trees and green grass and flowers in
the world were blackened and died, and all the waters were poisoned so
that there were no perch in the Loire, and salmon fetched forty sols the
pound at Chinon market. As for the men and women, they became yellow
apes and listened to a codger named Calvin, who told them they would all
be damned eternally (except himself and his friends), and they found his
doctrine very comforting, and probable too, since they had the sense to
know that they were more than half damned already. I don't know whether
Panurge's fate was worse on this occasion or on another when his wife
found a book in his writing, full from end to end of poetry; some of it
about the wonderful treasure that Pantagruel had given him, which he was
supposed to have forgotten. Some of it verses to those old
light-o'-loves of his, with a whole epic in praise of his
mistress-in-chief, Sophia. Then, indeed, there was the very deuce to
pay; it was bread and water, stripes and torment, all day long, and La
Vie swore a great oath that if he ever did it again he should be sent to
spend the rest of his life in Manchester, whereupon he fell into a swoon
from horrid fright and lay like a log, so that everybody thought he was
dead.
"All this while the great Pantagruel was not idle. Perceiving how
desperate the matter was, he summoned the Thousand and First Great
OEcumenical Council of all the sages of the wide world, and when the
fathers had come, and had heard High Mass at St. Gatien's, the session
was opened in a pavilion in the meadows by the Loire just under the
Lanterne of Roche Corbon, whence this Council is always styled the great
and holy Council of the Lantern. If you want to know where the place is
you can do so very easily, for there is a choice tavern on the spot
where the pavilion stood, and there you may have _malelotte_ and
_friture_ and amber wine of Vouvray, better than in any tavern in
Touraine. As for the history of the acts of this great Council, it is
still a-writing, and so far only two thousand volumes in elephant folio
have been printed _sub signo Lucernae cum permissu superiorum_. However,
as it is necessary to be brief, it may be said that the holy fathers of
the Lantern, after having heard the whole case as it was exposed to
them by the great clerks of Pantagruel, having digested all the
arguments, looked into the precedents, applied themselves to the
doctrine, explored the hidden wisdom, consulted the Canons, searched the
Scriptures, divided the dogma, distinguished the distinctions and
answered the questions, resolved with one voice that there was no help
in the world for Panurge, save only this: he must forthwith achieve the
most high, noble and glorious quest of the Sangraal, for no other way
was there under heaven by which he might rid himself of that pestilent
wife of his, La Vie Mortale.
"And on some other occasion," said Ambrose, "you may hear of the last
voyage of Panurge to the Glassy Isle of the Holy Graal, of the
incredible adventures that he achieved, of the dread perils through
which he passed, of the great wonders and marvels and compassions of the
way, of the manner in which he received the title Plentyn y Tonau, which
signifies 'Child of the Waterfloods,' and how at last he gloriously
attained the vision of the Sangraal, and was most happily translated out
of the power of La Vie Mortale."
"And where is he now?" said Nelly, who had found the tale interesting
but obscure.
"It is not precisely known--opinions vary. But there are two odd things:
one is that he is exactly like that man in the red dress whose statue
we saw in the shop window to-night; and the other is that from that day
to this he has never been sober for a single minute.
"_Calix meus inebrians quam praeclarus est!_"
V
Ambrose took a great draught from the mug and emptied it, and forthwith
rapped the lid for a fresh supply. Nelly was somewhat nervous; she was
afraid he might begin to sing, for there were extravagances in the
history of Panurge which seemed to her to be of alcoholic source.
However, he did not sing; he lapsed into silence, gazing at the dark
beams, the hanging hops, the bright array of the tankards and the groups
of drinkers dotted about the room. At a neighbouring table two Germans
were making a hearty meal, chumping the meat and smacking their lips in
a kind of heavy ecstasy. He had but little German, but he caught scraps
of the conversation.
One man said:
"Heavenly swine cutlets!"
And the other answered:
"Glorious eating!"
"Nelly," said Ambrose, "I have a great inspiration!"
She trembled visibly.
"Yes; I have talked so much that I am hungry. We will have some supper."
They looked over the list of strange eatables and, with the waiter's
help, decided on Leberwurst and potato-salad as light and harmless. With
this they ate crescent loaves, sprinkled with caraway seeds: there was
more Munich Lion-Brew and more flowery drink, with black coffee, a
_fine_ and a Maraschino to end all. For Nelly the kobolds began to
perform a grotesque and mystic dance in the shadows, the glass tankards
on the rack glittered strangely, the white walls with the red and black
texts retreated into vast distances, and the bouquet of hops seemed
suspended from a remote star. As for Ambrose, he was certainly not
_ebrius_ according to the Baron's definition; he was hardly _ebriolus_;
but he was sensible, let us say, of a certain quickening of the fancy,
of a more vivid and poignant enjoyment of the whole situation, of the
unutterable gaiety of this mad escape from the conventions of Lupton.
"It was a Thursday night," said Ambrose in the after years, "and we were
thinking of starting for Touraine either the next morning or on Saturday
at latest. It will always be bright in my mind, that picture--the low
room with the oak beams, the glittering tankards, the hops hanging from
the ceiling, and Nelly sitting before me sipping the scented drink from
a green glass. It was the last night of gaiety, and even then gaiety was
mixed with odd patterns--the Frenchman's talk about martyrdom, and the
statue of the saint pointing to the marks of his passion, standing in
that dyed vesture with his rapt, exultant face; and then the song of
final triumph and deliverance that rang out on the chiming bells from
the white spire. I think the contrast of this solemn undertone made my
heart all the lighter; I was in that odd state in which one delights to
know that one is not being understood--so I told poor Nelly 'the story
of Panurge's marriage to La Vie Mortale; I am sure she thought I was
drunk!
"We went home in a hansom, and agreed that we would have just one
cigarette and then go to bed. It was settled that we would catch the
night boat to Dieppe on the next day, and we both laughed with joy at
the thought of the adventure. And then--I don't know how it was--Nelly
began to tell me all about herself. She had never said a word before; I
had never asked her--I never ask anybody about their past lives. What
does it matter? You know a certain class of plot--novelists are rather
fond of using it--in which the hero's happiness is blasted because he
finds out that the life of his wife or his sweetheart has not always
been spotless as the snow. Why should it be spotless as the snow? What
is the hero that he should be dowered with the love of virgins of
Paradise? I call it cant--all that--and I hate it; I hope Angel Clare
was eventually entrapped by a young person from Piccadilly Circus--she
would probably be much too good for him! So, you see, I was hardly
likely to have put any very searching questions to Nelly; we had other
things to talk about.
"But this night I suppose she was a bit excited. It had been a wild and
wonderful week. The transition from that sewage-pot in the Midlands to
the Abbey of Theleme was enough to turn any head; we had laughed till we
had grown dizzy. The worst of that miserable school discipline is is
that it makes one take an insane and quite disproportionate enjoyment in
little things, in the merest trifles which ought really to be accepted
as a matter of course. I assure you that every minute that I spent in
bed after seven o'clock was to me a grain of Paradise, a moment of
delight. Of course, it's ridiculous; let a man get up early or get up
late, as he likes or as he finds best--and say no more about it. But at
that wretched Lupton early rising was part of the infernal blether and
blatter of the place, that made life there like a long dinner in which
every dish has the same sauce. It may be a good sauce enough; but one
is sick of the taste of it. According to our Bonzes there, getting up
early on a winter's day was a high virtue which acquired merit. I
believe I should have liked a hard chair to sit in of my own free will,
if one of our old fools--Palmer--had not always been gabbling about the
horrid luxury of some boys who had arm-chairs in their studies. Unless
you were doing something or other to make yourself very uncomfortable,
he used to say you were like the 'later Romans.' I am sure he believed
that those lunatics who bathe in the Serpentine on Christmas Day would
go straight to heaven!
"And there you are. I would awake at seven o'clock from persistent
habit, and laugh as I realised that I was in Little Russell Row and not
at the Old Grange. Then I would doze off again and wake up at
intervals--eight, nine, ten--and chuckle to myself with ever-increasing
enjoyment. It was just the same with smoking. I don't suppose I should
have touched a cigarette for years if smoking had not been one of the
mortal sins in our Bedlam Decalogue. I don't know whether smoking is bad
for boys or not; I should think not, as I believe the Dutch--who are
sturdy fellows--begin to puff fat cigars at the age of six or
thereabouts; but I do know that those pompous old boobies and blockheads
and leather-skulls have discovered exactly the best way to make a boy
think that a packet of Rosebuds represents the quintessence of frantic
delight.
"Well, you see how it was, how Little Russell Row--the dingy, the
stuffy, the dark retreat of old Bloomsbury--became the abode of
miraculous joys, a bright portion of fairyland. Ah! it was a strong new
wine that we tasted, and it went to our heads, and not much wonder. It
all rose to its height on that Thursday night when we went to the 'Three
Kings' and sat beneath the hop bush, drinking Lion-Brew and flowery
drink as I talked extravagances concerning Panurge. It was time for the
curtain to be rung down on our comedy.
"The one cigarette had become three or four when Nelly began to tell me
her history; the wine and the rejoicing had got into her head also. She
described the first things that she remembered: a little hut among wild
hills and stony fields in the west of Ireland, and the great sea roaring
on the shore but a mile away, and the wind and the rain always driving
from across the waves. She spoke of the place as if she loved it, though
her father and mother were as poor as they could be, and little was
there to eat even in the old cabin. She remembered Mass in the little
chapel, an old, old place hidden way in the most desolate part of the
country, small and dark and bare enough except for the candles on the
altar and a bright statue or two. St. Kieran's cell, they called it, and
it was supposed that the Mass had never ceased to be said there even in
the blackest days of persecution. Quite well she remembered the old
priest and his vestments, and the gestures that he used, and how they
all bowed down when the bell rang; she could imitate his quavering voice
saying the Latin. Her own father, she said, was a learned man in his
way, though it was not the English way. He could not read common print,
or write; he knew nothing about printed books, but he could say a lot of
the old Irish songs and stories by heart, and he had sticks on which he
wrote poems on all sorts of things, cutting notches on the wood in
Oghams, as the priest called them; and he could tell many wonderful
tales of the saints and the people. It was a happy life altogether; they
were as poor as poor could be, and praised God and wanted for nothing.
Then her mother went into a decline and died, and her father never
lifted up his head again, and she was left an orphan when she was nine
years old. The priest had written to an aunt who lived in England, and
so she found herself one black day standing on the platform of the
station in a horrible little manufacturing village in Lancashire;
everything was black--the sky and the earth, and the houses and the
people; and the sound of their rough, harsh voices made her sick. And
the aunt had married an Independent and turned Protestant, so she was
black, too, Nelly thought. She was wretched for a long time, she said.
The aunt was kind enough to her, but the place and the people were so
awful. Mr. Deakin, the husband, said he couldn't encourage Popery in his
house, so she had to go to the meeting-house on Sunday and listen to the
nonsense they called 'religion'--all long sermons with horrible
shrieking hymns. By degrees she forgot her old prayers, and she was
taken to the Dissenters' Sunday School, where they learned texts and
heard about King Solomon's Temple, and Jonadab the son of Rechab, and
Jezebel, and the Judges. They seemed to think a good deal of her at the
school; she had several prizes for Bible knowledge.
"She was sixteen when she first went out to service. She was glad to get
away--nothing could be worse than Farnworth, and it might be better. And
then there were tales to tell! I never have had a clearer light thrown
on the curious and disgusting manners of the lower middle-class in
England--the class that prides itself especially on its respectability,
above all, on what it calls 'Morality'--by which it means the observance
of one particular commandment. You know the class I mean: the brigade of
the shining hat on Sunday, of the neat little villa with a well-kept
plot in front, of the consecrated drawing-room, of the big Bible well in
evidence. It is more often Chapel than Church, this tribe, but it draws
from both sources. It is above all things shiny--not only the Sunday
hat, but the furniture, the linoleum, the hair and the very flesh which
pertain to these people have an unwholesome polish on them; and they
prefer their plants and shrubs to be as glossy as possible--this _gens
lubrica_.
"To these tents poor Nelly went as a slave; she dwelt from henceforth on
the genteel outskirts of more or less prosperous manufacturing towns,
and she soon profoundly regretted the frank grime and hideousness of
Farnworth. A hedgehog is a rough and prickly fellow--better his prickles
than the reptile's poisonous slime. The tales that yet await the
novelist who has courage (what is his name, by the way?), who has the
insight to see behind those Venetian blinds and white curtains, who has
the word that can give him entrance through the polished door by the
encaustic porch! What plots, what pictures, what characters are ready
for his cunning hand, what splendid matter lies unknown, useless, and
indeed offensive, which, in the artist's crucible, would be transmuted
into golden and exquisite perfection. Do you know that I can never
penetrate into the regions where these people dwell without a thrill of
wonder and a great desire that I might be called to execute the
masterpieces I have hinted at? Do you remember how Zola, viewing these
worlds from the train when he visited London, groaned because he had no
English, because he had no key to open the treasure-house before his
eyes? He, of course, who was a great diviner, saw the infinite variety
of romance that was concealed beneath those myriads of snug commonplace
roofs: I wish he could have observed in English and recorded in French.
He was a brave man, his defence of Dreyfus shows that; but, supposing
the capacity, I do not think he was brave enough to tell the London
suburbs the truth about themselves in their own tongue.
"Yes, I walk down these long ways on Sunday afternoons, when they are at
their best. Sometimes, if you choose the right hour, you may look into
one 'breakfast room'--an apartment half sunken in the earth--after
another, and see in each one the table laid for tea, showing the
charming order and uniformity that prevail. Tea in the drawing-room
would be, I suppose, a desecration. I wonder what would happen if some
chance guest were to refuse tea and to ask for a glass of beer, or even
a brandy and soda? I suppose the central lake that lies many hundreds of
feet beneath London would rise up, and the sinful town would be
overwhelmed. Yes: consider these houses well; how demure, how
well-ordered, how shining, as I have said; and then think of what they
conceal.
"Generally speaking, you know, 'morality' (in the English suburban
sense) has been a tolerably equal matter. I shouldn't imagine that those
'later Romans' that poor old Palmer was always bothering about were much
better or worse than the earlier Babylonians; and London as a whole is
very much the same thing in this respect as Pekin as a whole. Modern
Berlin and sixteenth-century Venice might compete on equal terms--save
that Venice, I am sure, was very picturesque, and Berlin, I have no
doubt is very piggy. The fact is, of course (to use a simple analogy),
man, by his nature, is always hungry, and, that being the case, he will
sometimes eat too much dinner and sometimes he will get his dinner in
odd ways, and sometimes he will help himself to more or less unlawful
snacks before breakfast and after supper. There it is, and there is an
end of it. But suppose a society in which the fact of hunger was
officially denied, in which the faintest hint at an empty stomach was
considered the rankest, most abominable indecency, the most detestable
offence against the most sacred religious feelings? Suppose the child
severely reprimanded at the mere mention of bread and butter, whipped
and shut up in a dark room for the offence of reading a recipe for
making plum pudding; suppose, I say, a whole society organised on the
strict official understanding that no decent person ever is or has been
or can be conscious of the physical want of food; that breakfast, lunch,
tea, dinner and supper are orgies only used by the most wicked and
degraded wretches, destined to an awful and eternal doom? In such a
world, I think, you would discover some very striking irregularities in
diet. Facts are known to be stubborn things, but if their very existence
is denied they become ferocious and terrible things. Coventry Patmore
was angry, and with reason, when he heard that even at the Vatican the
statues had received the order of the fig-leaf.
"Nelly went among these Manichees. She had been to the world beyond the
Venetians, the white muslin curtains and the india-rubber plant, and she
told me her report. They talk about the morality of the theatre, these
swine! In the theatre--if there is anything of the kind--it is a case of
a wastrel and a wanton who meet and part on perfectly equal terms,
without deceit or false pretences. It is not a case of master creeping
into a young girl's room at dead of night, with a Bible under his
arm--the said Bible being used with grotesque skill to show that
'master's' wishes must be at once complied with under pain of severe
punishment, not only in this world, but in the world to come. Every
Sunday, you must remember, the girl has seen 'master' perhaps crouching
devoutly in his pew, perhaps in the part of sidesman or even
church-warden, more probably supplementing the gifts of the pastor at
some nightmarish meeting-house. 'Master' offers prayer with wonderful
fervour; he speaks to the Lord as man to man; in the emotional passages
his voice gets husky, and everybody says how good he is. He is a deacon,
a guardian of the poor (gracious title!), a builder and an earnest
supporter of the British and Foreign Bible Society: in a word, he is of
the great middle-class, the backbone of England and of the Protestant
Religion. He subscribes to the excellent society which prosecutes
booksellers for selling the Decameron of Boccaccio. He has from ten to
fifteen children, all of whom were found by Mamma in the garden.
"'Mr. King was a horrible man,' said Nelly, describing her first place;
'he had a great greasy pale face with red whiskers, and a shiny bald
head; he was fat, too, and when he smiled it made one feel sick. Soon
after I got the place he came into the kitchen. Missus was away for
three days, and the children were all in bed. He sat down by the hearth
and asked whether I was saved, and did I love the Lord as I ought to,
and if I ever had any bad thoughts about young men? Then he opened the
Bible and read me nasty things from the Old Testament, and asked if I
understood what it meant. I said I didn't know, and he said we must
approach the Lord in prayer so that we might have grace to search the
Scriptures together. I had to kneel down close to him, and he put his
arm round my waist and began to pray, as he called it; and when we got
up he took me on his knee and said he felt to me as if I were his own
daughter.'
"There, that is enough of Mr. King. You can imagine what the poor child
had to go through time after time. On prayer-meeting nights she used to
put the chest of drawers against her bedroom door: there would be
gentle, cautious pushes, and then a soft voice murmuring: 'My child, why
is your heart so bad and stubborn?' I think we can conceive the general
character of 'master' from these examples. 'Missus,' of course, requires
a treatise to herself; her more frequent failings are child-torture,
secret drinking and low amours with oily commercial travellers.
"Yes, it is a hideous world enough, isn't it? And isn't it a pleasant
thought that you and I practically live under the government of these
people? 'Master' is the 'man in the street,' the 'hard-headed,
practical man of the world,' 'the descendant of the sturdy Puritans,'
whose judgment is final on all questions from Poetics to Liturgiology.
We hardly think that this picture will commend itself to the 'man in the
street'--a course of action that is calculated to alienate practical
men. Pleasant, isn't it? _Suburbia locuta est: causa finita est._
"I suppose that, by nature, these people would not be so very much more
depraved than the ordinary African black fellow. Their essential
hideousness comes, I take it, from their essential and most abominable
hypocrisy. You know how they are always prating about Bible
Teaching--the 'simple morality of the Gospel,' and all that nauseous
stuff? And what would be the verdict, in this suburban world, on a man
who took no thought for the morrow, who regulated his life by the
example of the lilies, who scoffed at the idea of saving money? You know
perfectly well that his relations would have him declared a lunatic.
_There_ is the villainy. If you are continually professing an idolatrous
and unctuous devotion to a body of teaching which you are also
persistently and perpetually disregarding and disobeying in its
plainest, most simple, most elementary injunctions, well, you will soon
interest anglers in search of bait.
"Yes, such is the world behind the india-rubber plant into which Nelly
entered. I believe she repelled the advances of 'master' with success.
Her final undoing came from a different quarter, and I am afraid that
drugs, not Biblical cajoleries, were the instruments used. She cried
bitterly when she spoke of this event, but she said, too; 'I will kill
him for it!' It was an ugly story, and a sad one, alas!--the saddest
tale I ever listened to. Think of it: to come from that old cabin on the
wild, bare hills, from the sound of the great sea, from the pure breath
of the waves and the wet salt wind, to the stenches and the poisons of
our 'industrial centres.' She came from parents who had nothing and
possessed all things, to our civilisation which has everything, and lies
on the dung-heap that it has made at the very gates of Heaven--destitute
of all true treasures, full of sores and vermin and corruption. She was
nurtured on the wonderful old legends of the saints and the fairies; she
had listened to the songs that her father made and cut in Oghams; and we
gave her the penny novelette and the works of Madame Chose. She had
knelt before the altar, adoring the most holy sacrifice of the Mass; now
she knelt beside 'master' while he approached the Lord in prayer,
licking his fat white lips. I can imagine no more terrible transition.
"I do not know how or why it happened, but as I listened to Nelly's
tale my eyes were opened to my own work and my own deeds, and I saw for
the first time my wickedness. I should despair of explaining to anyone
how utterly innocent I had been in intention all the while, how far I
was from any deliberate design of guilt. In a sense, I was learned, and
yet, in a sense, I was most ignorant; I had been committing what is,
doubtless a grievous sin, under the impression that I was enjoying the
greatest of all mysteries and graces and blessings--the great natural
sacrament of human life.
"Did I not know I was doing wrong? I knew that if any of the masters
found me with Nelly I should get into sad trouble. Certainly I knew
that. But if any of the masters had caught me smoking a cigarette, or
saying 'damn,' or going into a public-house to get a glass of beer, or
using a crib, or reading Rabelais, I should have got into sad trouble
also. I knew that I was sinning against the 'tone' of the great Public
School; you may imagine how deeply I felt the guilt of such an offence
as that! And, of course, I had heard the boys telling their foolish
indecencies; but somehow their nasty talk and their filthy jokes were
not in any way connected in my mind with my love of Nelly--no more,
indeed, than midnight darkness suggests daylight, or torment symbolises
pleasure. Indeed, there was a hint--a dim intuition--deep down in my
consciousness that all was not well; but I knew of no reason for this; I
held it a morbid dream, the fantasy of an imagination over-exalted,
perhaps; I would not listen to a faint voice that seemed without sense
or argument.
"And now that voice was ringing in my ears with the clear, resonant and
piercing summons of a trumpet; I saw myself arraigned far down beside
the pestilent horde of whom I have just spoken; and, indeed, my sin was
worse than theirs, for I had been bred in light, and they in darkness.
All heedless, without knowledge, without preparation, without receiving
the mystic word, I had stumbled into the shrine, uninitiated I had
passed beyond the veil and gazed upon the hidden mystery, on the secret
glory that is concealed from the holy angels. Woe and great sorrow were
upon me, as if a priest, devoutly offering the sacrifice, were suddenly
to become aware that he was uttering, all inadvertently, hideous and
profane blasphemies, summoning Satan in place of the Holy Spirit. I hid
my face in my hands and cried out in my anguish.
"Do you know that I think Nelly was in a sense relieved when I tried to
tell her of my mistake, as I called it; even though I said, as gently as
I could, that it was all over. She was relieved, because for the first
time she felt quite sure that I was altogether in my senses; I can
understand it. My whole attitude must have struck her as bordering on
insanity, for, of course, from first to last I had never for a moment
taken up the position of the unrepentant but cheerful sinner, who knows
that he is being a sad dog, but means to continue in his naughty way.
She, with her evil experience, had thought the words I had sometimes
uttered not remote from madness. She wondered, she told me, whether one
night I might not suddenly take her throat in my hands and strangle her
in a sudden frenzy. She hardly knew whether she dreaded such a death or
longed for it.
"'You spoke so strangely,' she said; 'and all the while I knew we were
doing wrong, and I wondered.'
"Of course, even after I had explained the matter as well as I could she
was left to a large extent bewildered as to what my state of mind could
have been; still, she saw that I was not mad, and she was relieved, as I
have said.
"I do not know how she was first drawn to me--how it was that she stole
that night to the room where I lay bruised and aching. Pity and desire
and revenge, I suppose, all had their share. She was so sorry, she said,
for me. She could see how lonely I was, how I hated the place and
everybody about it, and she knew that I was not English. I think my
wild Welsh face attracted her, too.
"Alas! that was a sad night, after all our laughter. We had sat on and
on till the dawn began to come in through the drawn blinds. I told her
that we must go to bed, or we should never get up the next day. We went
into the bedroom, and there, sad and grey, the dawn appeared. There was
a heavy sky covered with clouds and a straight, soft rain was pattering
on the leaves of a great plane tree opposite; heavy drops fell into the
pools in the road.
"It was still as on the mountain, filled with infinite sadness, and a
sudden step clattering on the pavement of the square beyond made the
stillness seem all the more profound. I stood by the window and gazed
out at the weeping, dripping tree, the ever-falling rain and the
motionless, leaden clouds--there was no breath of wind--and it was as if
I heard the saddest of all music, tones of anguish and despair and notes
that cried and wept. The theme was given out, itself wet, as it were,
with tears. It was repeated with a sharper cry, a more piteous
supplication; it was re-echoed with a bitter utterance, and tears fell
faster as the raindrops fell plashing from the weeping tree. Inexorable
in its sad reiterations, in its remorseless development, that music
wailed and grew in its lamentation in my own heart; heavy it was, and
without hope; heavy as those still, leaden clouds that hung motionless
in heaven. No relief came to this sorrowing melody--rather a sharper
note of anguish; and then for a moment, as if to embitter bitterness,
sounded a fantastic, laughing air, a measure of jocund pipes and rushing
violins, echoing with the mirth of dancing feet. But it was beaten into
dust by the sentence of despair, by doom that was for ever, by a
sentence pitiless, relentless; and, as a sudden breath shook the wet
boughs of the plane tree and a torrent fell upon the road, so the last
notes of that inner music were to me as a burst of hopeless weeping.
"I turned away from the window and looked at the dingy little room where
we had laughed so well. It was a sad room enough, with its pale blue,
stripy-patterned paper, its rickety old furniture and its feeble
pictures. The only note of gaiety was on the dressing-table, where poor
little Nelly had arranged some toys and trinkets and fantasies that she
had bought for herself in the last few days. There was a silver-handled
brush and a flagon of some scent that I liked, and a little brooch of
olivines that had caught her fancy; and a powder-puff in a pretty gilt
box. The sight of these foolish things cut me to the heart. But Nelly!
She was standing by the bedside, half undressed, and she looked at me
with the most piteous longing. I think that she had really grown fond of
me. I suppose that I shall never forget the sad enchantment of her face,
the flowing of her beautiful coppery hair about it; and the tears were
wet on her cheeks. She half stretched out her bare arms to me and then
let them fall. I had never known all her strange allurement before. I
had refined and symbolised and made her into a sign of joy, and now
before me she shone disarrayed--not a symbol, but a woman, in the new
intelligence that had come to me, and I longed for her. I had just
enough strength and no more."