THE OPERA-GOER'S DIARY.

_Monday._--_Les Huguenots._ Madame NORDICA as our _Valentine_. She is

_toujours riante_. Otherwise, vocally, charming. RAVELLI the Reliable

as _Raoul_, much applauded and quite two inches higher in popular

estimation. _Valentina_ NORDICA cannot take anything seriously. She

smiles as she is wont to smile at the supreme moment of his great

athletic window-jump, when he is shot out of window and killed so

thoroughly that he cannot be produced for the last Act of all, which,

therefore, is now never given. Simple-minded folk, not up to this,

wait in their stalls, and wonder why everybody else is going. Members

of orchestra disappear, lights extinguished, brown-holland coverings

descend, the fireman enters, the box-keepers retire, and suddenly it

bursts upon the inexperienced Opera-goer that it's all over, except

shouting for carriages, and that's over too by now, and that there is

to be no more Opera to-night.

L'entr'acte est long,

Un peu d'espoir,

There's no more song,

Et puis bon soir.

M. LASSALLE as the French nobleman, whom some one described as "_Sam

Bris_," excellent. Good house for the _Huguenots_.

_Tuesday._--Here we are _Lohengrinning_ again. _Lohengrin_ not a comic

opera: the name being rather misleading. Melodious, mellifluous

Mlle. MELBA as _Elsa de Brabante_. NED DE RESZKE as the _Great King_,

FURSCH-MADI-GRAS unrivalled as _Ortruda_, DAN DRADY as _Freddy_, one

of his most dramatic performances; Signor ABRAMOFF as the _Family

Herald_--quite a volume--and JACK DE RESZKE as a _Knight on the

Swannee River_, or perhaps a knightly visitor from Swansea. Poor JACK

suffering from hoarseness. DRURIOLANUS comes forward to explain this.

Audience imagines that DRURIOLANUS himself is going to take poor

JACK'S place. Rather disappointed in consequence. "Could have done it,

of course," says DRURIOLANUS afterwards, "but bad example for other

members of the governing committee." JACK DE R.'S hoarseness scarcely

noticeable. No one would have known it if DRURIOLANUS hadn't told us.

Some people can't keep a secret.

_Wednesday._--_Vide_ last Wednesday's report. Only difference being

that Signor PLUNKETTO GREENO is not _in statu quo ante_, the part of

the _Commendatore, M.P. for Stony Stratford_, being taken by Signor DE

VASCHETTI.

_Thursday._--Missed it. _Romeo et Juliette._ Believe it was performed,

not having heard anything to contrary. Reported that Mr. and Mrs. G.

were present. Remember he was there last season, when same Opera was

played. Came up then, I think, from Dollis Hill. "All roads lead to

Romeo," the G.O.M. is reported to have said to FLORAL HALL, the Covent

Gardenia Box Office Manager and enthusiastic devotee of the G.O.M., or

"Grand Opera Man."

_Friday._--_La Favorite_ in French. Evidently neither particular nor

universal Favourite, as so many _habitues_, conspicuous when here by

their noble presence, are now still more conspicuous by their noble

absence. Mlle. RICHARD, her first visit to Royal Franco-Italian Opera

at Covent Garden, is the Favourite to-night, and the Favourite wins.

Opportunity for Mlle. BAUERMEISTER, who has one of the prettiest airs

in the Opera to start with, but then "is heard no more," having only

to exhibit, in sympathetic dramatic action, her deep distress at the

sufferings of the unhappy Favourite, the victim of _Alfonse_, King of

Castille. _King Alfonse_ gives a garden-party, with "gipsy revellers"

of the period, led by small and early PALLADINO. Refreshments are

probably served in an adjoining apartment, but _King Alfonse_, being,

perhaps, a trifle dry, occupies his time in the chair of state by

trifling with a lozenge. Great difficulty among audience as to whether

_Fernand_ is MONTARIOL or YBOS. Having seen MONTARIOL as _David_ in

the _Meistersingers_, I do not recognise him as Fernand; but having

seen YBOS as _Raoul_, in the _Huguenots_, FERNAND'S legs seem familiar

to me. If the voice is the voice of MONTARIOL, the legs are the legs

of YBOS. DRURIOLANUS IBOSS says it is _not_ YBOS but MONTARIOL; while

a distinguished Operatic Committeeman tells a despairing critic

that it _is_ YBOS, and not MONTARIOL. Anyhow, Mons.

YBOS-AUX-JAMBES-MONTARIOLIENNES is a good, though not great,

_Fernand_. The chorus whether as Monks of one of the great Theatrical

Orders, not-admitted-after-seven, or as members of the Castilian

Aristocracy, are admirable. Signor GASPAR--a name that suggests a

singer rather out of condition, and, like _Hamlet_, "scant of breath"

(he should be appropriately attired in "pants")--keeps his eye on

Signor BEVIGNANI, and Signor BEVIGNANI pulls him through. _Mem._ What

an education in modern languages it must require to be a chorister of

the R. I. O. C. G.! Italian, French, English, of course; and perhaps

one night they'll come out with something of WAGNER'S in the original

German. Everybody looking forward to the revival of _Le Prophete_ on

Monday next.

_Saturday._--_Non adsum_, because 'ad sum-where else to go. Covent

Garden, however, not closed in consequence. Hear that JEAN is to get

L600 per week in America. Good interest this for one tenner.

* * * * *

[Illustration: AS WORN.

"DEAR UNCLE BEN--YOU'RE ALWAYS SO KIND!--_WOULD_ YOU SIT ON MY BONNET

A LITTLE. I'VE TAKEN OUT THE PINS."]

* * * * *

Punch, or the London Charivari, Vol. 98, June 21 1890 · 第 15 / 25 题