CHAPTER IX

DANTE

In the year 1265 there was born in the city of Florence in Italy a man

who was destined to become one of the four greatest poets that the

world has ever produced. This man was Dante, the son of Alighiero, a

Florentine who was popular and well known as a man of affairs.

When Dante was born Italy was very different from what it is to-day,

for instead of being formed of a single nation, or even of a number of

smaller ones, the cities themselves were nations and made their own

laws. These cities, moreover, were constantly at war with one another,

and fighting was the order of the day. Even within the cities there

were often bloody frays and brawls between the supporters of one or

another noble family. These brawls sometimes became so extensive that

they grew into civil war, and penetrated beyond the limits of the

cities in which they were hatched. Such was the state of affairs in

Dante's time, and it is important to remember this, because the

quarrels of these different factions had a great effect upon his life.

Particularly long and bloody in Florence and other cities had been the

strife between two families and factions who called themselves

respectively the Guelfs and the Ghibellines. Dante's father belonged to

the Guelf party and the boy was brought up with the idea that he must

always serve the Guelfs, and support them in all their quarrels. The

Guelfs, moreover, were high in the affairs of Florence and had overcome

their opponents there. And for this reason those who belonged to the

Guelf cause had the chance to rise in the affairs of the city.

So Dante's boyhood was not spent like that of some other poets, in the

midst of books alone, or in the quiet seclusion of school and college.

He was thrown neck and heels into the midst of the fiery Italian

politics of an age when one could poniard his enemy on the streets and

go unpunished, providing he had power or influence. And it is probable

that he saw many wild doings. He was, however, of studious habits and

loved reading more than the air he breathed. And while little is known

of his boyhood years, it is certain that he mastered then and in his

early manhood many of the best books that had been written since the

beginning of the world. Moreover, as Dante later said, he had taught

himself "the art of bringing words into verse"--an art that he mastered

so thoroughly that his name was to live forever.

When Dante was still a young boy there befell something that proved to

be the most wonderful happening in his entire life. This was nothing

else than meeting a little girl named Beatrice Portinari. Although

Beatrice was only a child, and Dante himself hardly ten years old, he

felt a love for her that lasted from that minute until the day of his

death and that inspired him to write the great poem that made his name

famous throughout the world.

A festival was given by the family of the Portinari which was a noble

one and possessed such wealth that its members afterward became bankers

for King Edward the Third of England. Among the guests was the boy,

Dante, and he beheld Beatrice there as a beautiful little girl. How

strangely he was affected by the sight of her he told in later years,

and his words have been translated and quoted as follows: "Her dress,

on that day," said Dante, "was of a most noble color,--a subdued and

goodly crimson, girdled and adorned in such sort as best suited her

very tender age. At that moment, I say most truly, that the spirit of

life, which hath its dwelling in the secretest chamber of the heart,

began to tremble so violently that the least pulses of my body shook

therewith. From that time Love ruled my soul."

Dante did not speak to Beatrice on that occasion,--in fact, he saw her,

or addressed her, only two or three times in his entire life. But from

the day when she first appeared to him in her crimson dress, he sought

to perform some deed that would make him worthy of her love, and the

result was the great poem in which he placed her name beside his own.

In spite of his love, Dante did not become an idle dreamer, but

developed into an active and studious young man, ready to take up the

sword to defend his city whenever it might call on him to do so. And

when he was twenty-four years old he put on his armor and went forth to

battle against the citizens of Arezzo, a town where the Ghibellines

were powerful and had been acting in a hostile manner toward the

Guelfs, who controlled Florence.

War was not so serious an affair then as it is now, and everyone

engaged in it. Moreover, the towns that warred against each other were

so near that it was sometimes an easy matter to go forth and fight on

one day and be back in your own home on the day following. Everyone was

expected to bear arms for his city, and going to war was held to be a

matter of course; but in spite of these things Dante gained great

praise for the way in which he conducted himself in the war with

Arezzo, perhaps because he was braver than the rest, or perhaps because

a poet is not generally considered to be as warlike as other men.

After the fighting had ended, Dante returned to Florence and prepared

to take his part in city politics. Before he could accomplish anything

it was necessary for him to go on record that he belonged to one of the

great guilds into which all the citizens at that time were divided, and

which controlled all the different branches of business and

manufacturing, and all the sciences. So Dante entered the guild of the

Doctors and Apothecaries--not because he knew anything about their

professions--that was not necessary--but to give himself an apparent

vocation when he came to assume some one of the city offices.

By this time Dante's great intellect and scholarly attainments had made

him well known in Florence, although he was only a young man. He was

high in the esteem of many learned men and had a great many poets and

artists for his friends. Among them were the artist named Giotto and

the poet called Guido Cavalcante. So well did he appear in their eyes

and to the men of the city of Florence who ran its affairs that in the

year 1300 Dante was made one of the Priors of Florence, that is, one of

the chief rulers of the city.

It was not to be thought that a man could gain such a position in those

turbulent times without making many enemies, and as Dante belonged to

the controlling faction, others who were not in power planned his

overthrow and that of his fellow rulers. Dante himself, however,

disliked this civil strife and did all in his power to bring the

opposing factions together. But his enemies got the upper hand, and he

was finally driven from the city in exile.

Another sorrow had befallen him. Beatrice, whom he still continued to

love ardently (although he had married a good woman named Gemma Donati

and had three children) had died some years before, leaving him nothing

but her memory. But Dante's love for Beatrice had not interfered in his

relations with his wife. It was not an earthly love. He had not wanted

Beatrice as his wife, but rather as an ideal that he could worship. And

after her death he became both gloomy and unhappy.

His exile, moreover, was a bitter blow to Dante, for he had loved

Florence dearly and could not imagine making his home elsewhere. With

bitterness in his heart he wandered from city to city, and then he set

out in earnest to write the great poem which is called the _Divine

Comedy_. Dante had already written a number of beautiful poems, but

they were more in the style of other Italian and Latin poetry. What he

now planned was entirely new and so daring that it had never been

thought of since the beginning of the world.

He planned in this poem to describe a journey into the nethermost

regions of Hell, then into Purgatory and finally into Heaven, where

Beatrice should be his guide and conduct him to the throne of God

Himself.

Such a poem, as we have said, had never been written or even wildly

imagined, but Dante's imagination was so vivid that it seemed as if he

really had beheld the scenes that he described. And he told the story

of the poem as though the adventures in it were real and had happened

directly to himself.

Hell, according to Dante's belief, and that of the religion of his day,

was a gigantic funnel-shaped gulf directly beneath the city of

Jerusalem, shaped into nine vast circles or pits with a common center

that reached down to the center of the earth like a circular flight of

stairs. In the lowest pit of all Satan himself was to be found, ruling

his kingdom. On the other side of the earth was a wide sea, from which

arose a mighty mountain called the Mount of Purgatory--the place where

the souls of human beings did penance for their sins until they were

fit to enter Heaven. Heaven itself was composed of nine transparent and

revolving spheres that enclosed the earth, and in which were fastened

the sun, the moon and the stars. The motion of these heavenly bodies as

they rose and set above the earth's horizon was believed by Dante to be

due to the turning of the spheres, which were moved by the hand of God.

It was in accordance with this idea of Heaven and Hell that Dante began

his poem.

One day, he said, when he was lonely and sad in spirit, he found

himself standing in the midst of a deep forest that was so gloomy, wild

and savage that no mortal eyes had ever seen its equal--and even to

think of it afterward caused him a bitterness not far from that of

death itself.

As he stood there he was aware of a presence close by, the stately

figure of a man, who proved to be the great Roman poet, Vergil,--and

Vergil told him that Divine Will had ordered him to guide Dante through

Hell and as far as the gates of Paradise.

He made clear to Dante that this journey was the part of a Heavenly

order and had been decreed by Heaven itself, and Dante, in great fear

at what he was about to see, was led by Vergil through the forest until

he came to the mouth of a black cavern. Carven on the rock above it was

a verse that told Dante that here was the entrance to the lower

world,--the gateway to Hell. And the verse concluded with the grim

words--"_All Hope Abandon, Ye Who Enter Here_."

Sighs, groans, lamentations and terrible voices were heard from the

depths below as they passed through this evil doorway, and now they

were in a region of murky gloom, where no ray of sunlight ever had

entered. All around them were the spirits of the dead. They came

flocking to the Acheron or River of Death, where the ferryman named

Charon, with eyes like flaming wheels, bore them across. When Charon

saw a living man among the dead he sternly ordered Dante to return

whence he had come. Vergil interceded for him, and they passed on.

After they had crossed the River of Death they entered the first circle

of Hell, where those who had the misfortune to die without being

baptized, or who had believed in some other religion than Christianity,

must spend the rest of time. Here were a number of noble spirits from

the days of Rome and Greece, including many of the poets,

mathematicians and astronomers of olden days. Dante would gladly have

remained with them, for they were not unhappy and spent their time in

learned discourse and scholarly friendship, but Vergil urged him

onward.

Deeper and deeper they descended. They passed through great spaces

where mighty winds swept before them the souls of the dead, whirling

them around forever without rest; through regions of chill rain and

sleet, where the spirits of those who had been gluttonous in their

lifetime were perpetually torn into pieces by a three-headed dog called

Cerberus. And after many awful scenes that Dante could hardly bear to

witness, he saw in front of him the towers of the dreadful city of Dis,

or Satan, in which the spirits of the damned underwent punishments that

were worse than any he had witnessed thus far.

Guarding the walls were the three Furies of the Greek legends. When

they beheld Dante they howled for the Gorgon, Medusa, with the snaky

locks to come quickly and turn him into stone--a fate that must befall

all men that gazed upon her face. But Vergil bade Dante hide his eyes,

and to be sure that he might be saved he covered them with his own

hand.

They entered the city--and there and from that time on the punishments

became so fearful that we shall not describe them here.

In their journey they had constantly to be on their guard against the

monsters of Hell that strove to arrest their progress. And in passing

by a lake of burning pitch, in which tortured souls were burning, the

demons that guarded them rushed at Dante and pursued him, eager to hurl

him into the lake to lose his life and the hope of Heaven at one and

the same time.

Lower and lower they descended, passing from one horror to another

still more terrible, until they came to the nethermost pit of all,

where Vergil told Dante that now he would need all his courage to

sustain him, for he had come at last to the abode of Satan. This was a

region of eternal ice and a bitter wind blew on them, so cold and

dreadful that Dante was half dead from it and it seemed that his numbed

senses could not support life any longer. The wind, he saw, was caused

by the bat-like wings of Satan himself--a gigantic and hairy monster,

with only the upper half of his body protruding from the icy pit in

which he stood. He had three heads, one red, one green and one white

and yellow; and in his three mouths he munched the three greatest

traitors of all time--Judas Iscariot, Brutus and Cassius.

When Dante was about to swoon from the terrible sight, Vergil watched

his opportunity, and as the great wings of Satan rose he sprang beneath

them, with Dante following him. Grasping the hairy side of the monster,

they commenced to descend still lower. And soon, to Dante's amazement,

their downward path became an upward one, for Satan's waist was at the

center of the earth and after they had passed it they must climb

instead of descend.

Up and up they went, toiling with the greatest difficulty, passing

through a chimney-like passageway that led for an incredible distance

to the open air above; and when they arrived beneath the blue sky they

were at the base of the Mountain of Purgatory, where men's spirits that

were not doomed to Hell must purify themselves before they could hope

to enter the Heaven that lay above them.

After the soot of Hell was washed from Dante's countenance he began

with Vergil to ascend the mountain. They passed countless spirits all

engaged in severe tasks, to cleanse themselves of sin before they could

hope to attain the wonderful regions above; but these spirits were

almost happy, although many of them were undergoing pain and suffering,

for their trouble was not endless as was the case with the spirits of

Hell, and they would certainly find happiness at last.

When they came to the summit of the mountain a wall of fire lay between

them and Paradise. Through this they passed, and once on the other side

Dante lost sight of Vergil, who could accompany him no further.

Dante was then greeted by his long lost Beatrice, now a radiant spirit,

who had been chosen by divine will to show him the glories of Heaven.

And with Beatrice guiding him, Dante passed upward through the crystal

spheres, once getting a glimpse of the earth in his heavenly progress

as it lay beneath him shining in the light of the sun. At last Dante

had ascended to so great a height in Heaven that he beheld God

Himself--but what he saw was so wonderful that it was impossible for

him to write about it, and in this way his wonderful poem came to an

end.

After completing the Inferno Dante went to Paris, where he met a great

many scholars and wise men, who treated him with the utmost respect,

but all the time he desired to be in his native city of Florence. When

Henry of Luxembourg planned to lay siege to it, Dante encouraged him,

hoping that he might enter with the conquerors and that his enemies

might be overthrown. The siege took place, but it was unsuccessful, and

the poet was compelled to wander far and wide among strangers for the

rest of his life. As he lacked money, he had to take many humble

offices to earn his bread, and more than once had to undergo the

indignity of sitting among the jesters and buffoons at some great house

that had honored him with its favor.

At last, weary of life and sick at heart, Dante went to Ravenna, where

his genius was honored more worthily. His name had now penetrated

throughout the greater part of the civilized world and he was known as

one of the greatest geniuses that had ever lived. Many people believed

that Dante had actually beheld the scenes that he described. When they

met him on the streets they would draw aside to let him pass, thinking

him a man whose destiny was different from their own, and they would

whisper to each other that he was the man who had descended into Hell

and come forth again alive and had looked with his own eyes at the

horrors of the Infernal Regions.

No doubt the fame and the almost frightened homage that he received

were pleasing to the sad soul of Dante, but he always remembered that

he was still an outcast from his native city. Florence stubbornly

refused to remove her ban and when Dante died he was buried at Ravenna.

There his body still lies, with a Latin inscription on his tombstone

that tells the world of the ingratitude of the city of Florence to her

greatest son, who is also the greatest poet that Italy has ever seen.

A Treasury of Heroes and Heroines A Record of High Endeavour and Strange Adventure from 500 B.C. to 1920 A.D. · 第 9 / 33 章