He crumbed his bread. "What do you mean, Clara?"

She forced his slow gaze to hers calmly, her hands outstretched on the

table between them. "I've made up my mind, Sam. Things can't go on this

way no longer between us."

"Just what do you mean by that?"

"I mean that we've either got to act or quit."

He was rolling the bread pills again, a flush rising. "You know where I

stand, Clara, on things between us."

"Yes, Sam, and now you know where I stand." The din of the dining-room

surged over the pause between them. Still in the purple hat, and her

wrap thrown back over her chair, she held that pause coolly, level of

eye. "I'm thirty-one now, Sam, three weeks and two days older than you.

I don't see the rest of my days with the Arnstein Ribbon Company. I'm

not getting any younger. Five years is a long time out of a girl's life.

Five of the best ones, too. She likes to begin to see her future when

she reaches my age. A future with a good providing man. You and me are

just where we started five years ago."

"I know, Clara, and I'd give my right hand to change things."

"If I'd been able to save a cent, it might be different. But I

haven't--I'm that way. I make big and spend big. But you can't blame a

girl for wanting to see her future. That's me, and I'm not ashamed

to say it."

"If only, Clara, I could get you to see things my way. If you'd be

willing to try it with ma. Why, with a little diplomacy from you, ma'd

move heaven and earth to please you."

"There's no use beginning that, Sam; it's a waste of time. Why--why,

just the difference in the way me and--and your mother feel on money

matters is enough. There's no use to argue that with me; it's a waste

of time."

He lifted and let droop his shoulders with something of helplessness in

the gesture. "What's the use, then? I'm sure I don't know what more to

say to you, Clara. Oh, don't think my mother don't realize how things

are between us--it's all I can do to keep denying and denying."

"Well, you can't say she knows from my telling."

"No; but there's not a day she don't say to me, particularly these last

few times since you been breaking your dates with us pretty

regular--I--well she sees how it worries me, and there's not a day she

don't say to me, 'Sammy,' she said to me, only this morning, 'if I

thought I was keeping you and Clara apart--'"

"A blind man could see it."

"There's not a day passes over her head she don't offer to go to live

with my sister in Ohio, when I know just how that one month of visiting

her that time nearly killed her."

"Funny visiting an own daughter could nearly kill anybody."

"It's my brother-in-law, Clara. My mother couldn't no more live with

Isadore Katz than she could fly. He's a fine fellow and all that, but

she's not used to a man in the house that potters around the kitchen and

the children's food and things like Isadore loves to. She's used to her

own little home and her own little way."

"Exactly."

"If I want to kill my mother, Clara, all I got to do is put her away

from me in her old age. Even my sister knows it. 'Sammy,' she wrote to

me that time after ma's visit out there, 'I love our mother like you do,

but I got a nervous husband who likes his own ways about the

housekeeping and the children and the cooking, and nobody knows better

than me that the place for ma to be happy is with you in her own home

and her own ways of doing.'"

"I call that a nerve for a sister to let herself out like that."

"It's not nerve, Clara; it's the truth. Ruby's a good girl in her way."

"What about you--ain't your life to be thought of? Ain't it enough she

was married off with enough money for her husband to buy a half-interest

in a ladies' ready-to-wear store out there?"

"Why, if I was to bring my little wife to that flat of ours, Clara, or

any other kind further down-town that she'd want to pick out for

herself, I think my mother would just walk on her hands and knees to

make things pleasant for her. Maybe you don't know it, but on your

Wednesday nights up at the house, she is up at five o'clock in the

morning fixing around and cooking the things she thinks you'll like."

"I'm not saying a word against your mother, Sam. I think she's a grand

woman, and I admire a fellow that's good to his mother. I always say,

'Give me a fellow every time that is good to his mother and that fellow

will be good to his wife.'"

"I'm not pretending to say ma mayn't be a little peculiar in her ways,

but you never saw an old person that wasn't, did you? Neither am I

saying it's exactly any girl's idea to start out married life with a

third person in--"

"I've always swore to myself, Sam, and I'm not ashamed to admit it, that

if I can't marry to improve myself, I'm going to stay single till I can.

I'm not a six-dollar-a-week stenog that has to marry for enough to eat.

I can afford to buy a seventy-five dollar suit every winter of my life

and twelve-dollar shoes every time I need them. The hat on my head cost

me eighteen-fifty wholesale, without having to be beholding to

nobody, and--"

"Ma don't mean those things, Clara. It's just when she hears the price

girls pay for things nowadays she can't help being surprised the way

things have changed."

"I'm not a small potato, Sam. I never could live like a small potato."

"Why, you know there's nothing I like better than to see you dressed in

the best that money can buy. You heard what I said about that hat just

now, didn't you? Whatever it cost, it's worth it. I can afford to dress

my little wife in the best that comes. There's nothing too good

for her."

"Yes; but--"

"All ma needs, Clara, is a little humoring. She's had to stint so all

her life, it's a little hard to get her used to a little prosperity.

Take me. Why, if I bring her home a little shawl or a pockabook that

cost, say, ten dollars, you think I tell her? No. I say, 'Here's a

bargain I picked up for three ninety-eight,' and right away she's happy

with something reduced."

"Your mother and me, Sam, and, mind you, I'm not saying she isn't a

grand old lady, wasn't no more made to live together than we was made to

fly. I couldn't no more live her way than she could live mine. I've got

a practical head on my shoulders--I don't deny it--and I want to improve

ourselves in this world when we marry, and have an up-to-date home like

every young couple that starts out nowadays."

"Sure, we--"

"That flat of yours up there or any other one under the conditions would

be run like the ark. I'm an up-to-date girl, I am. There's not a girl

living would be willing to marry a well-off fellow like you and go huck

herself in a place she couldn't even have the running of herself or have

her own say-so about the purse-strings. It may sound unbecoming, but

when I marry I'm going to better myself, I am."

"I--why--"

"If she can't even stand for her own son-in-law walking into his own

kitchen in his own house--Oh, you don't find me starting my married

life that way at this late date. I haven't held off five years

for that."

Mr. Lipkind pushed back his but slightly tasted food, lines of strain

and a certain whiteness out in his face. "It--it just seems awful,

Clara, this going around in a circle and not getting anywheres."

"I'm at the end of my rope, I am."

"I see your point in a way, Clara, but, my God! a man's mother is his

mother! It's eating up my life just as it's eating yours, but what you

going to do about it? It just seems the best years of our life are

going, waiting for God knows what."

Hands clasped until her finger-nails whitened, Miss Bloom leaned across

the table, her voice careful and concentrated. "Now you said something!

That's why you and me are here alone together to-night. There's not

going to be a sixth year of this kind of waiting between us. Things have

got to come to a head. I've got a chance, Sam, to marry. Eddie Leonard

has asked me."

"I--thought so."

"Eddie Leonard ain't a Sam Lipkind, but after the war his

five-thousand-dollar job is down at Arnstein's waiting for him, and he's

got a good stiff bank-account saved as good as yours and--and no strings

to it. I believe in a girl facing those facts the same as any other

facts. Why, I--this war and all--why, if anything was to happen to you

to-morrow--us unmarried this way--I'd be left high and dry without so

much as a penny to show for the best five years of my life. We've got to

do one thing or another, Sam. I believe in a girl being practical as

well as romantic."

"I--see your point, Clara."

"I'm done with going around in this circle of ours."

"You mean--"

"You know what I mean."

The lower half of Mr. Lipkind's face seemed to lock, as it were, into a

kind of rigidity which shot out his lower jaw. "I'll see Eddie Leonard

burning like brimstone before I let him have you!"

"Well?"

"God! I don't know what to say--I don't know what to say!"

"That's your trouble, Sam; you're so chicken-hearted you--"

"My father died when I was five, Clara, and no matter what my feelings

are to you, there's no power on earth can make me quit having to be him

as well as a son to my mother. Maybe it sounds softy to you--but if I

got to pay with her happiness for--ours--then I never want happiness to

the day I die."

"In other words, it's the mother first."

"Don't put it that way--it's her--age--first. It ain't what she wants

and don't want; it's what she's got to have. My mother couldn't live

away from me."

"She could if you were called to war."

There was something electric in the silence that followed, something

that seemed to tighten the gaze of each for the other.

"But I haven't been--yet."

"The next draft will get you."

"Maybe."

"Well, what'll you do then?"

"That's something me and ma haven't ever discussed. The war hasn't been

mentioned in our house for two years--except that the letters don't come

from Germany, and that's a grief to her. There's enough time for her to

cross that bridge when we come to it. She worries about it enough."

"If I was a man I'd enlist, I would!"

"I'd give my right hand to. Every other night I dream I'm a lieutenant."

"Why, there's not a fellow I know that hasn't beaten the draft to it and

enlisted for the kind of service he wants. I know a half a dozen who

have got in the home guard and things and have saved themselves by

volunteering from being sent to France."

"I wouldn't dodge the front thataway. I'd like to enlist as a private

and then work myself up to lieutenant and then on up to captain and get

right into the fray on the front. I--"

"You bet, if I was a fellow, I'd enlist for the kind of home service I

wanted--that's what Eddie and all the fellows are doing."

"So would I, Clara, if I was what you call a--free man. There's nobody

given it more thought than me."

"Well, then, why don't you? Talk's cheap."

"You know why, Clara, to get back to going around in a circle again."

"But you've got to go, sooner or later. You've got a comfortable married

sister and independent circumstances of your own to keep your mother;

you haven't got a chance for exemption."

"I don't want exemption."

"Well, then, beat the draft to it."

"I--Most girls ain't so anxious to--to get rid of their best fellows,

Clara."

"Silly! Can't you see the point? If--if you'd enlist and go off to camp,

I--I could go and live near you there like Birdie Harberger does her

husband. See?"

"You mean--"

"Then--God forbid anything should happen to you!--I'm your wife. You

see, Sam?"

"Why, Clara--"

"You see what I mean. But nothing can happen this way, because if you

try to enlist in some mechanical department where they need you in this

country--you see, Sam? See?"

"I--see."

"Your mother would have to get used to things then, Sam--it would be the

easiest for her. An old lady like her couldn't go trailing around the

outskirts of a camp like your wife could. Think of the comfort it'll be

to her to have me with you if she can't be. She'll get so used

to--living alone--"

"I--You mustn't talk that way to me, Clara. When I'm called to serve my

country, I'm the first one that will want to go. I've given more money

already than I can afford to help the boys who are at the front. So far

as I'm concerned, enlisting like this with--with you--around, would be

the happiest thing ever happened to me, but--well, you see for

yourself."

"You mean, then, you won't?"

"I mean, Clara, I can't."

She was immediately level of tone again and pushed back, placing her

folded napkin beside her place, patting it down.

"Well, then, Sam, I'm done."

"'Done,' Clara?"

"Yep. That lets me out. I've given you every chance to make this thing

possible. Your mother is no better and no different than thousands and

thousands of other mothers who are giving their sons, only, she is

better off than most, because she's provided for. It's all right for a

fellow's mother to come first, maybe, but if his wife isn't even to

come second or third or tenth, then it's about time to call quits. I

haven't made up my mind to this in a day. I'm done."

"Clara--"

"Ed has asked me. I don't pretend he's my ideal, but he's more concerned

about my future than he is about anybody else's. If I'm ready to leave

with him on that twelve-o'clock train for Boston to-morrow, where he's

going to be put in the clerical corps at Camp Usonis, we'll be married

there to-morrow night, and I'll settle down somewhere near camp as long

as I can. He's got a good nest-egg if--God forbid!--anything should

happen. That's the whole thing in a nutshell."

"My God! Clara, this is awful! Eddie Leonard he's not your kind; he--"

"I've given you first chance, Sam. That proves how you stand with me. A

one! Ace high! First! Nobody can ever take your place with me. Don't be

a boob coming and going, Sam; you're one now not to see things and

you'll be another one spelled backward if you don't help yourself to

your chance when it comes. You've got your life in front of you, and

your mother's got hers in back of her. Now choose."

"My God! Clara, this is--terrible! Why--I'd rather be a thousand boobs

than take my mother's heart and tear it to pieces."

"You won't?"

"I can't."

"Don't say that, Sam. Go home and--sleep on it. Think it over. Please!

Come to your senses, honey. Telephone me at eleven to keep me from

catching that twelve-o'clock train. Don't let me take it with Eddie.

Think it over, Sam. Honey--our--future--don't throw it away! Don't let

me take that twelve-o'clock train!"

There were tears streaming from her eyes, and her lips, so carefully

firm, were beginning to tremble. "You can't blame a girl, Sam, for

wanting to provide for her future. Can you, Sam? Think it over. Please!

I'll be praying when eleven o'clock comes to-morrow morning for you to

telephone me. Please, Sam--think!"

He dropped his face low, lower toward the table, trembling under the red

wave that surged over him and up into the roots of his hair. "I'll think

it over, Clara--my girl--my own girl!"

As if the moments themselves had been woven by her flying amber needles

into a whole cloth of meditation, Mrs. Lipkind, beside a kitchen lamp

that flowed in gracious light, knitted the long, quiet hours of her

evening into fabric, her face screwed and out of repose and occasionally

the lips moving. Age is prone to that. Memories love to be mumbled and

chewed over--the unconscious kind of articulation which comes with the

years and for which youth has a wink and a quirk.

A tiger cat with overfed sides and a stare that seemed to doze purred on

the window-ledge, gold and unswerving of eye. The silence was like the

singing inside of a shell, and into it rocked Mrs. Lipkind.

By nine o'clock she was already glancing up at the clock, cocking her

head to each and every of night's creaks.

By half after nine there were small and frequent periods of peering

through cupped hands down into a street so remote that its traffic had

neither shape nor identity. Once she went down a long slit of hallway to

the front door, opening it and gazing out upon a fog-filled corridor

that was papered in embossed leatherette, one speckled incandescent bulb

lighting it sadly. There was something impregnable, even terrible to her

in the featureless stare of the doors of three adjoining apartments. She

tiptoed, almost ran, poor dear! with the consciousness of some one at

her heels, back to the kitchen, where at least was the warm print of the

cat's presence; fell to knitting again, clacking her needles for the

solace of explainable sound.

Identically with the round moment of ten Mr. Lipkind entered, almost

running down the hallway.

"Hello, ma! Think I got lost? Just got to talking and didn't realize.

Haven't been worried, ma? Afraid?"

She lifted her head from his kiss. "'Afraid!' What you take me for? For

why should I be worried at only ten o'clock? Say, I'm glad if you stay

out for recreation."

He kissed her again, shaking out of his coat and unwinding his muffler.

"I could just see you walking the floor and looking out of the window."

"Sa-y, I been so busy all evening I didn't have time to think. I'm not

such a worrier no more like I used to be. Like the saying is--life is

too short."

He drew up beside her, lifting her needles off her work. "Little

sweetheart mamma, why don't you sit on the big sofa in the front room

where it's more comfortable?"

"You can't make, Sammy, out of a pig's ear a silk stocking."

He would detain her hands, his eyes puckered and, so intent upon her.

"You had a good time, Sammy?"

"You'd be surprised, ma, what a nice place Clara boards at."

"What did they have to eat? Good cooking?"

"Not for a fellow that's used to my boarding-house."'

"What?"

"I couldn't tell if it was soup or finger-bowls they served for the

first course."

"I know--stylish broth. Let me warm you up a little of my thick barley

soup that's left over from--"

He pressed her down. "Please, ma! I'm full up. I couldn't. They had pink

ice-cream, too, with pink cake and--"

"Such mess-food what is bad for you. I'm surprised how Clara keeps her

good complexion. Let me fix you some fried--"

"Ma, I tell you I couldn't. It's ten o'clock. You mustn't try to fatten

me up so. In war-time a man has got to be lean."

She sat back suddenly and whitely quiet. "That's--twice already to-day,

Sam, you talk like that."

He took up her lax hand, moving each separate finger up and down, eyes

lowered. "Why not? Doesn't it ever strike you, mamma, that you and me

are--are kidding ourselves along on this war business, pretending to

each other there ain't no war?"

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