OATS FOR THE WOMAN

That women who toil not neither do they spin might know the feel of

fabrics so cunningly devised that they lay to the flesh like the inner

petals of buds, three hundred and fifty men, women, and children

contrived, between strikes, to make the show-rooms of the Kessler

Costume Company, Incorporated, a sort of mauve and mirrored Delphi where

buyers from twenty states came to invoke forecast of the mood of skirts,

the caprice of sleeves, and the rumored flip to the train. Before these

flips and moods, a gigantic industry held semi-annual pause, destinies

of lace-factories trembling before a threatened season of strictly

tailor-mades, velvet-looms slowing at the shush of taffeta. When woman

would be sleazy, petticoat manufacturers went overnight into an oblivion

from which there might or might not be returning. The willow plume waved

its day, making and unmaking merchants.

Destiny loves thus to spring from acorn beginnings. Helen smiled, and

Troy fell. Roast pork, and I doubt not then and there the apple sauce,

became a national institution because a small boy burnt his fingers.

That is why, out from the frail love of women for the flesh and its

humors, and because for the webby cling of chiffon too often no price is

too high, the Kessler Costume Company employed, on the factory side of

the door, the three hundred and fifty sewers and cutters, not one of

whose monthly wage could half buy the real-lace fichu or the

painted-chiffon frock of his own handiwork.

On the show-room side of the door, painted mauve within and not without,

_mannequins_, so pink finger-tipped, so tilted of instep, and so bred in

the thrust to the silhouette, trailed these sleazy products of thick

ringers across mauve-colored carpet and before the appraising eyes of

twenty states.

Often as not, smoke rose in that room from the black cigar of the Omaha

Store, Omaha, or Ladies' Wear, Cleveland. In season, and particularly

during the frenzied dog-days of August, when the fate of the new

waist-line or his daring treatment of cloth of silver hung yet in the

balance, and the spirit of Detroit must be browbeaten by the dictum of

the sleeveless thing in evening frocks, Leon Kessler himself smoked a

day-long chain of cigarettes, lighting one off the other.

In the model-room, a long, narrow slit, roaringly ventilated by a

whirling machine, lined in frocks suspended from hangers, and just wide

enough for two very perfect thirty-sixes to stand abreast, August fell

heavily. So heavily that occasionally a cloak-model, her lot to show

next December's conceit in theater wraps, fainted on the show-dais; or a

cloth-of-gold evening gown, donned for the twentieth time that

sweltering day, would suddenly, with its model, crumple, a glittering

huddle, to the floor.

Upon Miss Hattie Becker, who within the narrow slit had endured eight of

these Augusts with only two casual faints and a swoon or two nipped in

the bud, this ninth August came in so furiously that, sliding out of her

sixth showing of a cloth-of-silver and blue-fox opera wrap, a shivering

that amounted practically to chill took hold of her.

"Br-r-r!" she said, full of all men's awe at the carbon-dioxide paradox.

"I'm so hot I'm cold!"

Miss Clarice Delehanty slid out of a shower of tulle-of-gold

dancing-frock and into an Avenue gown of rough serge. The tail of a very

arched eyebrow threatened, and then ran down in a black rill.

"If Niagara Falls was claret lemonade,

You'd see me beat it to a watery grave."

"That'll be enough canary-talk out of you, Clare. Hand me my shirt-waist

there off the hook."

"Didn't Kess say we had to show Keokuk the line before lunch?"

"If the King of England was buying ermine sport coats this morning, I

wouldn't show 'em before I had a cold cut and a long drink in me. Hurry!

Hand me my waist, Clare, before the girls come in from showing the

bridesmaid line."

Miss Delehanty flung the garment down the narrow length of the room.

"Minneapolis don't know it, but after this showing he's going to blow me

to the frappiest little lunch on the Waldorf roof."

Miss Becker buttoned her flimsy blouse with three pearl beads down its

front, wiping constantly at a constantly dampening brow.

"You'd shove over the Goddess of Liberty if you thought she had her foot

on a meal ticket."

"Yes; and if I busted her, you could build a new one on the lunch money

you've saved in your time."

"Waldorf! You've got a fine chance with Minneapolis. You mean the

Automat, and two spoons for the ice-cream."

Miss Delehanty adjusted a highly eccentric hat, a small green velvet,

outrageously tilted off the rear of its _bandeau_, and a wide black

streamer flowing down over one shoulder. It was the match to the

explosive effect of the _trotteur_ gown. She was Fashion's humoresque,

except that Fashion has no sense of humor. Very presently Minneapolis

would appraise her at two hundred and seventy-five as is. Miss Delehanty

herself came cheaper.

"Say, Hattie, don't let being an old man's darling go to your head. The

grandchildren may issue an injunction."

A flare of crimson rushed immediately over Miss Becker's face, spreading

down into her neck.

"You let him alone! He's a darn sight better than anything I've seen you

girls picking for yourselves. You never met a man in your life whose

name wasn't Johnnie. You couldn't land a John in a million years."

Miss Delehanty raised her face from over a shoe-buckle. A stare began to

set in, as obviously innocent as a small boy's between spitballs.

"Well, who said anything about old St. Louis, I'd like to know?"

"You did, and you leave him alone! What do you know about a real man?

You'd pass up a Ford ride to sit still in a pasteboard limousine

every time!"

"Well, of all things! Did I say anything?"

"Yes, you did!"

"Why, for my part, he can show you a good time eight nights in the week

and Sundays, too."

"He 'ain't got grandchildren--if you want to know it."

"Did I say he had?"

"Yes, you did!"

"Why, I don't blame any girl for showing grandpa a good time."

"You could consider yourself darn lucky, Clarice Delehanty, if one half

as good ever--"

"Ask the girls if I don't always say old St. Louis is all to the good.

Three or four years ago, right after his wife died, I said to Ada,

I said--"

A head showed suddenly through the lining side of the mauve portières,

blue-eyed, blue-shaved, and with a triple ripple of black hair

trained backward.

"Hurry along there with fifty-seven, Delehanty! Heyman's got to see the

line and catch that six-two Chicago flier."

Miss Delehanty fell into pose, her profile turned back over one

shoulder.

"Tell him to chew a clove; it's good for breathless haste," she said,

disappearing through portières into the show-room.

Miss Becker thrust herself from a hastily-found-out aperture, patting,

with final touch, her belt into place.

"Have I been asking you for five years, Kess, to knock before you poke

your head in on us girls?"

Mr. Leon Kessler appeared then fully between the curtains, letting them

drape heavily behind him. Gotham garbs her poets and her brokers, her

employers and employees, in the national pin-stripes and sack coat.

Except for a few pins stuck upright in his coat lapel, Mr. Kessler might

have been his banker or his salesman. Typical New-Yorker is the pseudo,

half enviously bestowed upon his kind by _hinter_ America. It signifies

a bi-weekly manicure, femininely administered; a hotel lobbyist who can

outstare a seatless guest; the sang-froid to add up a dinner check;

spats. When Mr. Kessler tipped, it did not clink; it rustled. In

theater, at each interval between acts, he piled out over ladies' knees

and returned chewing a mint. He journeyed twice a year to a famous

Southern spa, and there won or lost his expenses. He regarded Miss

Becker, peering at her around the fluff of a suspended frock of

pink tulle.

"What's the idea, Becker? Keokuk wants to see you in the wrap line."

Miss Becker swallowed hard, jamming down and pinning into a small

taffy-colored turban, her hair, the exact shade of it, escaping in

scallops. Carefully powdered-out lines of her face seemed to emerge

suddenly through the conserved creaminess of her skin. Thirty-four, in

its unguarded moments, will out. Miss Becker had almost detained

twenty's waistline and twenty-two's ardent thrust of face. It was only

the indentures of time that had begun to tell slightly--indentures that

powder could not putty out. There was a slight bagginess of throat where

the years love to eat in first, and out from the eyes a spray of fine

lines. It was these lines that came out now indubitably.

"If you want me to lay down on you, Kess, for sure, just ask me to show

the line again before lunch. I'm about ready to keel. And you can't put

me off again. I'm ready, and you got to come now."

He dug so deeply into his pockets that his sleeves crawled up.

"Say, look here. I've got my business to attend to, and, when my trade's

in town, my trade comes first. See? Take off and show Keokuk a few

numbers. I want him to see that chinchilla drape."

She reached out, closing her hand over his arm.

"I'll show him the whole line, Kess, when we're back from lunch. I got

to talk to you, I tell you. You put me off yesterday and the day before,

and this--this is the last."

"The last what?"

"Please, Kess, if you only run over to Rinehardt's with me. I got to

tell you something. Something about me and--and--"

Humoresque: A Laugh on Life with a Tear Behind It · 第 8 / 30 题