II

The Egeria of the “Russian Mazzini” produced, at first view, a strong

effect by the death-like immobility of an obviously painted face. The

eyes appeared extraordinarily brilliant. The figure, in a close-fitting

dress, admirably made, but by no means fresh, had an elegant stiffness.

The rasping voice inviting him to sit down; the rigidity of the upright

attitude with one arm extended along the back of the sofa, the white

gleam of the big eyeballs setting off the black, fathomless stare of the

enlarged pupils, impressed Razumov more than anything he had seen since

his hasty and secret departure from St. Petersburg. A witch in Parisian

clothes, he thought. A portent! He actually hesitated in his advance,

and did not even comprehend, at first, what the rasping voice was

saying.

“Sit down. Draw your chair nearer me. There--”

He sat down. At close quarters the rouged cheekbones, the wrinkles, the

fine lines on each side of the vivid lips, astounded him. He was being

received graciously, with a smile which made him think of a grinning

skull.

“We have been hearing about you for some time.”

He did not know what to say, and murmured some disconnected words. The

grinning skull effect vanished.

“And do you know that the general complaint is that you have shown

yourself very reserved everywhere?”

Razumov remained silent for a time, thinking of his answer.

“I, don’t you see, am a man of action,” he said huskily, glancing

upwards.

Peter Ivanovitch stood in portentous expectant silence by the side of

his chair. A slight feeling of nausea came over Razumov. What could be

the relations of these two people to each other? She like a galvanized

corpse out of some Hoffman’s Tale--he the preacher of feminist gospel

for all the world, and a super-revolutionist besides! This ancient,

painted mummy with unfathomable eyes, and this burly, bull-necked,

deferential...what was it? Witchcraft, fascination.... “It’s for

her money,” he thought. “She has millions!”

The walls, the floor of the room were bare like a barn. The few pieces

of furniture had been discovered in the garrets and dragged down into

service without having been properly dusted, even. It was the refuse the

banker’s widow had left behind her. The windows without curtains had an

indigent, sleepless look. In two of them the dirty yellowy-white blinds

had been pulled down. All this spoke, not of poverty, but of sordid

penuriousness.

Under Western Eyes · 第 48 / 68 题