113. Don Antonio Faraster.
114. Jacques Galos, the Printer.
115. Don Manuel Garcia, the celebrated Musician.
116. Don Ignacio Garcini, the Engineer.
117. Doña Josefa Castilla Portugal de Garcini.
118. Joaquin Rodriguez Costellares, the Bull-fighter.
119. Joaquin Rodriguez Costellares, the Bull-fighter.
120. Don Juan Antonio Cuervo, Director of the Academia de San Fernando.
121. Doña Maria Ildefonsa Dabalos y Santa Maria.
122. Don Juan Martin, nicknamed El Empecinado.
123. Doña Tadea Arias de Enriquez.
124. Don Carlos España, Conde de España.
125. Doña Josefa de Alvarado Lero, Marquesa de Espeja.
126. Don Rafael Esteve y Vilella.
127. Fray Miguel Fernandez.
128. Don Carlos Gutierrez de los Rios, Duque de Fernán Nuñez.
129. Monsieur Gasparini.
130. Don Miguel de Muzquiz, Conde de Gausa.
131. Don Manuel Godoy, Prīncipe de la Paz.
132. Don Manuel Godoy, Prīncipe de la Paz.
133. Doña Juana Galarza de Goicoechea.
134. Don Cornelio van der Gosen.
135. Don Francisco de Goya y Lucientes.
136. Don Francisco de Goya y Lucientes.
137. Don Francisco de Goya y Lucientes.
138. Don Francisco de Goya y Lucientes.
139. Don Francisco de Goya y Lucientes.
140. Don Francisco de Goya y Lucientes.
141. Don Francisco de Goya y Lucientes.
142. Don Francisco de Goya y Lucientes.
143. Don Francisco de Goya y Lucientes.
144. Don Francisco de Goya y Lucientes.
145. Don Francisco de Goya y Lucientes.
146. Don Francisco de Goya y Lucientes.
147. Don Francisco de Goya y Lucientes.
148. Don Francisco de Goya y Lucientes.
149. Don Francisco de Goya y Lucientes and the Duquesa de Alba.
150. D. Francisco de Goya y Lucientes and Dr. Arieta.
151. Doña Josefa Bayeu y Goya, the Painter’s Wife.
152. Doña Hermengilda Goya y Bayeu, Daughter of the Painter, aged 18
months.
153. Don Francisco Javier de Goya y Bayeu, Son of the Artist.
154. Don Francisco Javier de Goya y Bayeu.
155. Don Francisco Javier de Goya y Bayeu.
156. Doña Gracia Lucientes y Goya, Mother of the Painter (?).
157. Doña Gracia Lucientes y Goya (?).
158. Doña Gumersinda de Goicoechea y Goya, Daughter-in-law of the
Painter.
159. Mariano de Goya y Goicoechea, Marques de Espinar, Grandson of the
Painter, as a Child (ten years).
160. Doña Rita de Goya.
161. Don J. M. de Goicoechea.
1789.
162. The same.
Signed, 1810.
163. Mariano de Goya, Grandson of the Painter.
164. Ferdinand Guillemardet, French Ambassador.
1798.
165. Condesa de Haro.
Madrid.
166. The Minister Jovellanos.
Madrid.
167. The same.
Gijon.
168. The Painter Asensio Julia, ‘el Pescadoret.’
Signed. The Comtesse de Paris.
169. The same.
M. Bamberger.
170. The Milkmaid of Bordeaux.
Madrid.
171. Francisco Larrumbe.
The Bank of Spain, Madrid.
172. The Marquesa de Lazan.
Madrid.
173. The Bookseller of the Calle Carretas.
174. The Actress Rita Luna.
Madrid.
175. Manuel Lucientes, aged twelve.
Zaragoza.
176. Llorente, Historian of the Inquisition.
Doubtful. Madrid.
177. The Duque de San Carlos.
1815. Zaragoza.
178. The Actor Isidoro Maiquez.
Madrid.
179. Don Juan Antonio Melon.
180. Menippus (after Velazquez).
181. The Conde de Miranda.
182. The Condesa Miranda de Castañar.
183. Don Pedro Mocarte, the Singer.
184. Doña Maria Amalia Zuargo de Acedo, Marquesa de Monte Hermoso.
185. Doña Vincenta Solis, Duquesa de Montellano.
186. The Family of the Condesa de Montijo.
187. Don Leandro Fernandez de Moratin, the Poet.
188. Don Leandro Fernandez de Moratin, the Poet.
189. Marshal Mouchy, Governor of French Guiana.
190. Don Juan Bautista de Muguiro.
191. Don José Luis de Munárriz.
192. Marqués de Nibbiano.
193. Don Manuel Osorio.
194. Don Pedro de Alcantara Tellez Giron y Pacheco, Marqués de Penafiel,
9th Duque de Osuna; with his wife, Doña Maria Josefa Pimentel Tellez
Giron Borga, Condesa and Duquesa of Benavente and Osuna, and their four
eldest children--D. Francisco de Borga, 10th Duque; D. Pedro de
Alcantara, Prīncipe de Anglona; Da. Josefa Manuela, later Marquesa de
Camarasa; and Da. Joaquina Maria del Pilar, Marquesa de Santa Cruz.
195. Cardinal Lorenzana.
Toledo.
196. Admiral Mazaredo.
Madrid.
197. The Toreador Martineto.
Madrid.
198. The Poet Melendez Valdez.
Barnard Castle.
199. José Pio de Molina.
199A. Don Evaristo Perez de Castro.
Madrid.
200. The 9th Duque de Osuna.
Paris.
201. The 10th Duque de Osuna, aged ten.
Doubtful. Madrid.
202. The same.
Paris.
203. The Duquesa del Parque.
Madrid.
204. Doctor Peral.
National Gallery, London. Presented in 1904.
205. General Palafox, Duque de Zaragoza.
Equestrian portrait. The Prado.
206. Manuel Garcia de la Prada.
1810. Paris.
207. Antonio Cobos de Porcel.
Painted on wood.
Granada.
208. Doña Isabel de Porcel.
National Gallery, London.
209. Don Manuel de la Prada.
Paris.
210. Tiburcio Perez.
Madrid.
211. Don Mariano de Urquijo.
Academia de la Historia, Madrid.
212. Tomas Perez Estala.
Madrid.
213. Don Pantaleon Perez de Nenin.
1808. Madrid.
214. Don Ramon de Pignatelli.
Several copies at Zaragoza and Madrid.
215. The Marquesa de Pontejos.
216. Don Martin Zapater y Claveria.
1790. Zaragoza.
217. The same.
1797. An oval. Zaragoza.
217A. Don Ramon de Posada y Solo.
Madrid.
218. The Conde de Puñonrostro.
Madrid.
219. General Ricardos.
Madrid.
220. The Architect Ventura Rodriguez.
Madrid.
221. The same.
Copy of a picture which is lost.
Academia de San Fernando, Madrid.
222. Bishop Rojas.
Doubtful.
Academia de la Historia, Madrid.
223. Don Manuel Romero, Minister of Joseph Buonaparte.
Madrid.
224, 225, 226. The Toreador José Romero.
Madrid and Seville.
227. The Marqués de San Adrian.
Madrid.
228. The Marquesa de San Adrian.
Madrid.
229. Doña Joaquina Tellez Giron, Marquesa de Santa Cruz.
Madrid.
230. Marquesa de Santiago,
Mentioned by Conde de la Viñaza.
231. Don Miguel Cayetano Soler.
Mentioned by Goya himself.
232. Don Ramon Satué, Alcalde de Corte.
1823. Madrid.
233. Manuel Silvela.
Madrid.
234. Doña Maria Apodaca de Sesma.
Madrid.
235. The Marquesa de la Solana.
Madrid.
236. The Engraver Selma.
Engraved by Selma himself.
237. Don Bartolomé Sureda.
In possession of Señora Sureda.
238. Doña Teresa Sureda, Wife of preceding.
Companion picture of preceding; in possession of Señora Sureda.
239. The Conde de Teba.
Mentioned by the Conde de la Viñaza.
240. The Actress Maria del Rosario Fernandez, surnamed La Tirana.
Academia de San Fernando, Madrid.
241. The same.
Painted in 1794. Madrid.
242. ‘Tio Paquete,’ a well-known Madrid Mendicant.
Madrid.
243. The Duque de Trastamara, aged twelve.
Madrid.
244. The Marques de Tolosa.
The Bank of Spain, Madrid.
245. General Urrutia.
The Prado, Madrid.
246. Don José de Vargas Ponce, Naval Officer and Man of Letters.
Signed by Goya.
Academia de la Historia, Madrid.
247. The Architect Don Juan de Villanueva.
Academia de San Fernando, Madrid.
248. The Marqués and Marquesa de Villafranca with their Son.
In the possession of the Duque de Medina Sidonia, Madrid.
249. The Marquesa de Villafranca.
Same owner.
250. The Dowager Marquesa de Villafranca.
Same owner.
251. Doña Catalina Viola.
Mentioned by the Conde de la Viñaza.
252. The Duke of Wellington.
Unfinished. Equestrian portrait.
Strathfieldsaye.
253. The same.
Madrid.
254. Don Bernardo Yriarte, a Collector of Pictures.
Paris.
255. Don Toro Zambrano.
The Bank of Spain, Madrid.
256. Doña Antonia Zarate.
Madrid.
257. The same.
Madrid.
258. Doña Lola Jiménez.
Paris.
259. A Lady about twenty-five years of age, believed to have been the
Painter’s Mistress.
M. Bamberger, Paris.
260. A Lady playing a Guitar, said to have been the Painter’s Mistress.
M. de Pommereal, Paris.
261. Ferdinando IV., King of Naples.
Marqués de la Vega Inclan, Madrid.
Portraits unidentified:--
262. Group of Heads.
Formerly at San Telmo, Seville. Comtesse de Paris.
263. An Actor.
Formerly in the collection of Don V. de Carderera.
Madrid.
264. A Child.
A boy of about seven years.
Mme. de Lacy, Bordeaux-Caudéron.
265. Victoriano Her ...
An infant. Signed ‘F. Goya, Año 1806.’ Doubtful.
Herr Kleinschmidt. Cassel.
266. A Spanish Gentleman.
Painted in 1815. Museum, Castres.
267. A Spanish Gentleman of the Old School.
Don Manuel Soler y Alarcon, Madrid.
268. A Spanish Gentleman.
Doubtful.
Formerly in collection of Don Sebastian de Borbon y Braganza, Aranjuez.
269. A Spanish Gentleman of the early years of the nineteenth century.
M. Ch. Cherfils, Biarritz.
270. A Spanish Gentleman in costume of the seventeenth century.
Doubtful.
Formerly in Collection Cepero, Seville.
271. A Spanish Gentleman.
Don José Toran, Valencia.
272. A Spanish Gentleman.
Don Enrique Salazar, Bilbao.
273. A Spanish Gentleman.
Formerly in Collection Candamo, Paris.
274. An Old Man.
Formerly in collection of Don Sebastian de Borbon y Braganza, Aranjuez.
275. An Old Man.
Signed ‘Fco. Goya.’
Don José Lázaro Galdeano, Madrid.
276. A Little Girl.
In a white dress.
Don Patricio de Lozano, Madrid.
277. A Little Girl.
Of five or six years, in peasant’s dress.
Marqués de Casa Torres, Madrid.
278. A Little Girl.
Of about five years.
Mme. de Lacy, Bordeaux-Caudéron.
279. A Little Girl.
In company of a dog.
Mme. de Lacy, Bordeaux-Caudéron.
280. A Girl.
Royal Museum of Painting and Sculpture, Brussels.
281. A Girl.
This portrait was long regarded as a presentment of Charlotte Corday.
Heirs of Baron N. de Rothschild, Paris.
282. A Girl.
M. C. G----, Paris.
283. A Woman. Seated figure.
Purchased Antwerp, 1898--29,000 francs.
The Louvre, Paris.
284. A Woman. Standing figure.
The Louvre, Paris.
285. A Woman, in a garden.
M. C. G----, Paris.
286. A Woman, seated on a sofa.
Purchased in Paris, 1882--1100 francs
M. C. G----, Paris.
287. A Woman.
Head covered with white mantilla.
This picture was at the San Telmo, Seville.
Comtesse de Paris.
288. A Woman.
White dress, black ribbons.
Don Aureliano de Beruete, Madrid.
289. A Woman.
Don Joaquin Gutierrez Martin, Madrid.
290. A Woman.
In décolletée dress; black mantilla.
M. Dannat, Paris.
291. A Woman.
In ‘Maja’ costume.
Don José Maria Cienfuegos, Gijon.
292. A Woman.
This canvas has been considerably cut from its original dimensions.
M. H. Rouart, Paris.
293. A Woman.
In décolletée dress.
M. H. Rouart, Paris. Doubtful.
294. A Woman.
Her face framed in black mantilla.
Painted on panel.
Formerly in Wilson Collection. Paris sale, 1881.
295. A Woman.
With curling chestnut hair upon her forehead; bodice décolletée.
Signed ‘Goya.’
Purchased in Paris, 1900--7500 francs.
Formerly in Debrousse Collection.
296. A Woman.
In pink dress, with hair powdered.
Marqués de la Ve a Inclan, Madrid.
297. A Woman.
In ‘Maja’ costume; her long black hair falls about her shoulders.
Mme. de Lacy, Bordeaux-Caudéron.
298. A Woman.
Seated figure; a little dog in her lap. M. C. G----, Paris.
299. A General of the French Republic.
Sold in Paris for 3600 francs.
Tapestry Cartoons.
300. A Nun.
Painted at Bordeaux.
Aranjuez.
The following Oval Busts were formerly in the Palace of San Telmo,
Seville:--
1. King Charles IV.
Oval Bust. Life size.
In the possession of the Comtesse de Paris.
2. Queen Maria Luisa.
Oval Bust. Life size.
Companion picture to the foregoing.
Comtesse de Paris.
3. The Infante Fernando, Prince of the Asturias (afterwards Fernando
VII.).
Oval bust. Life size.
Comtesse de Paris.
4. The Infanta Doña Isabel, afterwards Queen of Naples.
Comtesse de Paris.
HISTORICAL SUBJECTS
1. The 2nd of May 1808.
The people of Madrid attacking the French cavalry in the Puerta del Sol.
The Prado, Madrid.
2. The 3rd of May 1808.
A group of Spanish patriots being shot by French troops at Madrid.
The Prado, Madrid.
3. Episode of the War of Independence.
A heap of slain in the foreground.
Aranjuez.
4. Episode of the War of Independence.
Two women defending themselves against the French soldiery.
Aranjuez.
5. Episode of the War of Independence.
Women, one with a child, struggling against French soldiery.
Biarritz.
6. A Battle.
Women endeavouring to come between the French troops and the Spanish
peasantry. Doubtful.
Hamburg.
7. A Battle.
Marqués de Casa Torres, Madrid. Doubtful.
8. An Assembly of Notables.
Museum of Castres, France.
9. Sketch of the preceding, described as ‘The Congress.’
Royal Museum, Berlin.
10. Promulgation of the Decree of Expulsion against the Jesuits.
Sketch. Sold in Paris for 500 francs.
11. Execution of the Decree of Expulsion against the Jesuits.
Sold in Paris in 1898.
12. Making Cannon-balls by Moonlight in the Hills of Tardienta.
The Royal Palace, Madrid.
13. Making Powder in a Valley of the Sierra de Tardienta.
The Royal Palace, Madrid.
14. The Tribunal of the Holy Inquisition.
Academia de San Fernando, Madrid.
By a decree dated 12th September 1901 it was ordered that the pictures
at the Academia de San Fernando be transferred to the Prado Museum.
15. The Inquisition: Judges, Monks, and Condemned.
The Royal Museum, Brussels.
16. Dungeon of the Inquisition.
The Bowes Museum, Barnard Castle, England.
17. Monk flogging a Woman; several Onlookers.
Don José de la Bastida, Madrid.
18. The Flagellants.
A procession of penitents advancing in order and scourging each other.
Academia de San Fernando, Madrid.
19. The Garotte.
Clothed in a san-benito, the criminal has just expired. A crowd,
horrified.
Museum, Lille.
20. The Pilgrimage to Lombas.
Sold in Paris, 1875.
21. The Procession.
Monks and pilgrims traversing a barren country.
Conde de Candilla, Madrid.
22. Hannibal surveying Italy from the Apennines.
This picture earned for Goya the second prize offered by the Academy of
Parma in 1772.
VARIOUS SUBJECTS
1. Venus.
Mentioned by the Conde de la Viñaza as forming part of Godoy’s
collection at Madrid.
2 and 3. The Madhouse.
Academia de San Fernando, Madrid, and copy in the collection of Don A.
de Beruete, Madrid.
4. ‘La Maja Vestida’ and ‘La Maja Denuda.’
The two famous pictures in the Academy of San Fernando at Madrid are
regarded as portraying a favourite of Manuel Godoy, the ‘Prince of the
Peace’; others maintain that they are portraits of the painter’s
mistress. Both paintings are from the same model. The one represents a
young and beautiful woman reclining at full length upon a couch, her
shoulders sustained by soft cushions, her head somewhat advanced by her
hand crossed at the back of her neck, the upper part of the left arm
supported by the cushions. Her lustrous, expressive eyes are turned
towards the spectator. She is habited in Oriental costume, a diaphanous
yellow vest, and clinging skirt beneath, of tender rose colour,
revealing the contour of the lower limbs.
The second figure is entirely nude, and in precisely the same attitude
as the companion picture. Relieved of the head-dress, her curling
tresses fall luxuriantly about her shoulders; the lace-bedecked pillows
and drapery upon the couch in charming contrast with the lovely
flesh-tints. In short, these life-size figures are amongst the choicest
examples of the master. Had Goya always painted thus it had been vain to
blame, and useless to praise him.
5. The Majas of the Balcony.
Two young women are seated on a balcony, one in a white robe with black
mantilla, the other in a dark dress with white mantilla. Behind them two
attendant cavaliers.
Duque de Marchena, Madrid.
6. The Majas of the Balcony.
Repetition of foregoing with variations.
Comtesse de Paris.
7. The Majas of the Balcony.
Repetition.
Formerly at Salamanca. Bought in Paris, 1875, by ‘C.G.’
8. The Majas at the Theatre.
In the front of a box three young ladies are seated; a gentleman
standing behind.
Don Joaquin Miguel y Polo, Valencia. Doubtful.
9. A Cavalier playing the Guitar.
The Prado, Madrid.
10. A Cavalier.
He is represented smoking a cigarette. A lace frill about his neck; a
black cape is thrown across his left shoulder.
Academia de Bellas Artes, Cadiz. Doubtful.
11. A Maja, veiled.
Standing on a terrace, the lady lightly lifts a black scarf from her
head. Black skirt, red shoes. To her left a block of stone; a cloak on
the ground.
Herr H. O. Miethke, Vienna. Doubtful.
12. Two Girls.
Two girls in white mantillas are followed by a young man.
W. Rotheinstein, Esq., London.
13. Two Girls at a Window.
Are exchanging pleasantries with a student passing the house.
Doña S. España, Briviesca.
14. Youth.
A girl is confiding the contents of a letter to another. In the distance
young women are hanging linen to dry.
Museum, Lille. Doubtful.
15. Old Age.
Two faded beauties in ball-dress are discussing their earlier days. One
is looking in a mirror, on which is inscribed, ‘Que tal?’ (Can this be
me?). In the middle distance, Time, with a besom, prepares to sweep them
from the world. Companion picture to the preceding.
Museum, Lille. Doubtful.
16. The Knife-Grinder.
Bare-headed, in his shirt sleeves, engaged at his trade.
Formerly in the Esterhazy Collection, Vienna; now in the National
Gallery, Buda-Pesth.
17. The Water-Carrier.
A woman holding in her right hand a large pitcher which rests upon her
hip. From her left hand is suspended a basketful of tumblers. Companion
picture to the preceding.
Formerly in the Esterhazy Collection; now in the National Gallery,
Buda-Pesth.
18. Girl delivering a Letter.
Formerly in the collection of Don Ricardo Heredia.
Paris sale, 1890.
19. Children at Play.
Stirling-Maxwell Collection, Keir, Perthshire.
20. Children Playing.
Stirling-Maxwell Collection, Keir, Perthshire.
21. Children Playing.
M. Mège, Paris.
22. The School.
A number of young urchins look on at the schoolmaster whipping one of
their number.
M. Mège, Paris.
23. Fight between Brigands and Soldiers.
The scene is on the bank of a river.
Sold from the collection of Don Eustaquio Lopez, 1866.
24. Priest and Brigand.
At the gate of a convent the bandit El Margaroto points with a carbine
at Fra Pedro de Zaldivia, who offers the brigand a pair of shoes.
M. Lafitte, Madrid.
25. Priest and Brigand.
Fra Pedro de Zaldivia seizes the carbine of El Margaroto, and brings
retribution upon the bandit. Three brethren are hastening to the monk’s
assistance.
M. Lafitte, Madrid.
26. Brigands in a Convent.
Fight between monks and bandits.
M. Lafitte, Madrid.
27. Priest and Brigands.
A bandit attempts to escape. The monk, having possession of a carbine,
wounds him in the leg. In the background a horse is galloping away.
M. Lafitte, Madrid.
28. Priest and Brigand.
El Margaroto submits to the priest, who, master of the situation, in
turn threatens the brigand.
M. Lafitte, Madrid.
29. Priest and Brigand.
The bandit, conquered, yields to the priest, who binds him securely. In
the background countrymen are hastening to the scene.
M. Lafitte, Madrid.
30. Bandits.
A post-chaise held up by Spanish highwaymen.
Marqués de Castro Serna, Madrid.
31. Bandits.
Two women are supplicating brigands to spare their lives; a third is
lying dead.
In this picture the colour is said to be wholly laid on with a knife.
Mentioned by Z. Aranjo.
32. Brigands stopping a Carriage.
Marqués de Riscal, Madrid. Doubtful.
33. Brigands.
A brigand is holding a woman to the ground; a monk, inactive, is
contemplating the scene. In the background, two women, stripped, are
tied to trees.
Formerly in possession of Don Constantino Ardanaz. Mentioned by Aranjo.
34. Brigands.
A kneeling woman struggling with a bandit. In the distance two bandits
are carrying a dead woman.
Formerly in the possession of Don Constantino Ardanaz, Madrid. Mentioned
by Aranjo.
35. Brigands.
At the entrance to a cave a bandit is murdering a woman bound to a rock.
Marqués de la Romana, Madrid.
36. Brigands.
Slaughter of a group of men, women, and children.
Marqués de la Romana, Madrid.
37. Brigands’ Cave.
In the cave, brigands are stripping women whom they have captured.
Marqués de la Romana, Madrid.
38. Brigands’ Cave.
A brigand slaughtering a woman.
Marqués de la Romana, Madrid.
39. Brigands’ Cave.
Bandits asleep.
Marqués de la Romana, Madrid.
40. The Promenade.
A lady and gentleman conversing as they walk. Tradition has it that the
two persons represented are the Duquesa de Alba y Goya.
Marqués de la Romana, Madrid.
41. The Plague Terror.
The stricken ones, stretched upon the ground, are tended by scared
doctors.
Marqués de la Romana, Madrid.
42. Interior.
Several women have met together for a gossip.
Marqués de la Romana, Madrid.
43. The Monk’s Visit.
A monk and a young woman.
Marqués de la Romana, Madrid.
44. Brigands Quarrelling.
Museum, Besançon.
45. Brigands Quarrelling.
An old man, seated, is looking on.
Museum, Besançon.
46. A Cannibal Scene.
Eight men are gathered round a fire; one is grinning, and holding in his
right hand a human arm, in his left a head. His companions, naked like
himself, are engaged in the orgie.
Museum, Besançon.
47. A Cannibal Scene.
At the foot of a cliff men occupied in stripping and carving corpses.
Museum, Besançon.
48. The Funeral of the Sardine.
An episode at the close of the carnival at Madrid. Men and women are
masquerading on the banks of the Manzanares.
Academia de San Fernando, Madrid.
49. A Carnival Scene.
Masked figures dance extravagantly at the entrance of a cave.
M. Ch. Cherfils, Biarritz.
50. A Carnival Scene.
A singer entertaining his audience.
Museum, Bayonne. Doubtful.
51. A Masquerade.
In the foreground two principal figures are dancing; others engaged in
flirtation and conversation.
Duquesa de Villahermosa, Madrid.
52. Children’s Masquerade.
Don Patricio Lozano, Madrid.
53. Bal Champêtre.
Groups of peasants dancing under an arch.
Mentioned by Aranjo.
54. Bal Champêtre.
A village population dancing; spectators on a hill.
Paris.
55. Bal Champêtre.
Same subject as Goya’s tapestry cartoon.
Conde de Torrecilla, Madrid.
56. A Popular Pastime.
Near an old city-gate in ruins delighted spectators are regarding a
number of girls dancing.
Formerly in collection of Don Eustaquio Lopez. Sold 1866.
57. A Fête.
Don Juan Perez Calvo, Madrid.
58. Outside the Booth.
Mountebanks attracting an audience at a fair.
Marqués de Castro Serna, Madrid.
59. The Tight-Rope Dancers.
A comic troupe, in which it is said there is an allusion to Queen
Maria-Luisa and Godoy.
Marqués de Castro Serna, Madrid.
60. The Greasy Pole.
The pole is erected in the foreground; in mid-distance a village built
on a rock; mountainous background.
Marqués de Casa Torres, Madrid.
61. The Bonfire.
Don Cristobal Ferriz, Madrid.
62. The Bonfire.
Repetition of preceding.
Conde de Villagonzalo, Madrid.
63. The Puppet Merchant.
A toyman offering his wares; women and children around him; a gentleman
seated, whose features recall those of the painter.
Formerly in Martinet Collection. Paris sale, 1896.
64. The Balloon.
A balloon rises, while a considerable group of persons watch its ascent.
Formerly in Madrazo Collection, Madrid.
65. The Siesta.
Two couples asleep on a lawn.
66. The Picnic.
Same subject as No. 1 of Goya’s tapestry cartoons.
Marqués de Torrecilla, Madrid.
67. The House of the Cock.
The _patio_ of an inn. Reproduced as No. 3 of Goya’s Tapestry Cartoons.
Formerly in Yriarte Collection. Paris sale, 1898.
68. The Inundation.
Marqués de Castro Serna, Madrid.
69. The Hurricane.
Surprised by a tornado, a crowd of people run distractedly.
Formerly in collection Eustaquio Lopez. Sale, 1866.
69A. The Burning Village; an Episode of War.
The inhabitants fleeing from their burning houses.
Marqués de Castro Serna, Madrid.
Reproduction of Disasters of War, No. 44.
70. An Aragonese.
Formerly in collection of M. Vallet, Bordeaux.
71. Peasants.
A group of three; a young man, a girl, and an old woman.
Formerly in collection Vallet. Paris sale, 1884.
72. The Angler.
On the bank of a winding river a solitary figure.
Formerly in collection of Don J. M. d’Estoup de Murcia. Doubtful.
73. Country Scene.
Formerly in collection of Don J. M. d’Estoup de Murcia. Doubtful.
74. Sea Piece.
Formerly in collection of Don J. M. d’Estoup de Murcia. Doubtful.
75. The Infuriated Dog.
The maddened animal tries to break away from his chain.
M. Carvalhido, Paris.
76 and 77. Sketches.