CHAPTER XIV

WALLS HAVE TONGUES

"Now," said Fleming Stone, after he had learned all he desired from

the Schuyler household, "now, if you please, I would like to go over

the Van Allen house. You have the keys, Mr. Calhoun?"

"I have a latchkey to the street door." I replied, "the rooms are not

locked."

I don't know why exactly, but I hated to have him go through Vicky

Van's house. Of course, it must have been because she had begged me

not to let Stone get into the case at all. But I hadn't been able to

prevent that, the two Schuyler sisters being determined to have him.

And I had no desire to impede justice or stand in the way of law and

order, but, somehow or other, I felt the invasion of Vicky's home

would bring about trouble for the girl, and my mind was filled with

vague foreboding.

"We will go with you," announced Miss Rhoda. "I've wanted to see that

house from the first. You'll go, Ruth?"

"Oh, no," and Ruth Schuyler shrank at the idea. "I've no wish to see

the place where my husband was killed! How could you think of it? If I

could do any good by going--"

"No, Mrs. Schuyler," said Fleming Stone, "you could do no good, and I

quite understand why you would rather not go. The Misses Schuyler and

Mr. Calhoun will accompany me, and we will start at once."

"Can't I go?" asked Winnie, who had come in recently, "I'm just crazy

to see that house. You don't mind my going, do you, Ruth?"

"No, indeed, child. I'm perfectly willing."

Mr. Stone raised no objection, so Winnie went with us.

It was nearly five o'clock, full daylight, though the dusk was just

beginning to fall. We went round to Vicky Van's and I opened the door

for the party to enter.

The house had begun to show disuse. There was dust on the shining

surfaces of the furniture and on the polished floors. The clocks had

all stopped and the musty chill of a closed house was in the

atmosphere.

"Ugh!" cried Winnie, "what a creepy feeling! And this house is too

pretty to be so neglected! Why, it's a darling house. Look at that

heavenly color scheme!"

Winnie had darted into the living-room, with its rose and gray

appointments, and we all followed her.

"Don't touch anything, Miss Calhoun," cautioned Stone, and Win

contented herself with gazing about, her hands clasped behind her.

The Schuyler sisters sniffed, and though they said little, they

conveyed the idea that to their minds the bijou residence savored of

reprehensible frivolity.

Fleming Stone lived up to his reputation as a detective, and

scrutinized everything with quick, comprehensive glances. We went

through the long living-room, and into the dining-room, whose pale

green and silver again enchanted Winnie.

"The walls are exquisite," Stone agreed, looking closely at the panels

of silk brocade, framed with a silver tracery.

"If walls have ears, they must burn at your praise," I said, in an

effort to speak lightly, for Stone's face had an ominous look, as if

he were learning grave truths.

"Walls not only have ears, they have tongues," he returned. "These

walls have already told me much of Miss Van Allen's character."

"Oh, how?" cried Winnie, "do tell us how you deduce and all that!"

I looked hastily at Stone, thinking he might be annoyed by Winnie's

volatile speech.

But he said kindly, "To the trained eye, Miss Calhoun, much is

apparent that escapes the casual observer. But you can understand that

the taste displayed in the wall decoration, shows a refined and

cultured nature. A woman of the adventuress type would prefer more

garish display. Of course, I am generalizing, but there is much to

bear me out. Then, I see, by certain tiny marks and cracks, that

these walls have lately been done over, and that they were also

redecorated another time not long before. This proves that Miss Van

Allen has money enough to gratify her whims and she chooses to spend

it in satisfying her aesthetic preferences. Further, the walls have

been carefully cared for, showing an interested and capable

housekeeperly instinct and traits of extreme orderliness and tidiness.

Cleverness, even, for here, you see, is a place, where a bit of the

plaster has been defaced by a knock or scratch, and it has been

delicately painted over with a little pale green paint which matches

exactly. It is not the work of a professional decorator, so reason

tells me that probably Miss Van Allen herself remedied the defect."

"Good gracious!" exclaimed Winnie, "I can see all that myself, now you

tell me, but I never should have thought of it! Tell me more."

"Then the pictures, which are so well chosen and placed, that they

seem part of the walls, are, as you notice, all figure pieces. There

are no landscapes. This, of course, means that Miss Van Allen is not

distinctly a nature lover, but prefers humanity and society. This

argues for the joy of living and the appreciation of mental pleasures

and occupations. No devotee of nature would have failed to have

pictures of flowers or harmonizing landscapes on these walls. So, you

see, to be edified by the tongues of walls, you must not only listen

to them but understand their language."

And then Stone began taking in the rest of the dining-room's contents.

The table, hastily cleared by the caterer's men, was empty of the

china and glass which they had supplied, but still retained the

candlesticks and epergnes that were Vicky Van's own. These were of

plated silver, not sterling, which fact Stone noted. The lace-trimmed

linen, however, was of the finest and most elaborate sort.

"An unholy waste of money!" declared Rhoda Schuyler, looking at the

marvellous monogram of V. V. A. embroidered on the napkins.

But I gazed sadly at the table, only partially dismantled, which had

been so gaily decked for Vicky's birthday supper.

Scanning the sideboard, Stone remarked the absence of the small

carving knife. I told him I, too, had observed that, and that I had

made search for it.

"Did you ask the caterer's people if they took it by mistake?" said

the detective.

"No," I admitted, ashamed that I hadn't thought of it, and I promised

to do so.

As Stone stood, silently contemplating the place where Randolph

Schuyler had met his death, I stepped out into the hall. I had no

conscious reason for doing so, but I did, and chancing to glance

toward the stairs, I with difficulty repressed an exclamation.

For half-way up the staircase, I saw Vicky Van!

I was sure it was no hallucination, I positively saw her! She was

leaning over the banister, listening to what Stone was saying.

Suddenly, even as I looked, she ran upstairs and disappeared.

Was she safe? Could she escape? Perhaps by a back staircase, or could

she manage to elude us and slip away somehow?

Then I was conscience-stricken. Was I conniving at the escape of a

guilty person? Did I want to do this? I didn't know. Something told me

I must tell Stone of her presence, and yet something else made it

impossible for me to do so.

I turned back to the dining-room, and Miss Sarah was saying, "That's

the spot, then, that's where Randolph was killed by that awful woman!

Mr. Stone you _must_ get her! An eye for an eye--a life for a life!

She must pay the penalty of her guilt!"

Winnie was listening, and tears stood in her eyes. Like Ruth Schuyler,

from whom she doubtless took a cue, Win wasn't so ready to condemn

Vicky Van unheard, as the two sisters were. She looked steadily at

Fleming Stone, as if expecting him to produce Vicky then and there,

and I quivered with the thought of what would happen if he knew that

even at that moment Vicky was under the same roof with ourselves!

But Stone completed his survey of the dining-room, and as a matter of

course, started next up the stairs. I pushed ahead a little, in my

eagerness to precede him, but a vague desire to protect Vicky urged me

on. I stood in the upper hall as the rest came up, and I imagined that

Stone gave me a curious glance as he noted my evident embarrassment.

But Winnie dashed into the music room, and the Schuyler sisters

quickly followed. Trust a woman to feel and show curiosity about her

neighbor's home!

Again Stone examined the walls, but the immaculate white and gold

sides of the music room said nothing intelligible to me, and if they

spoke to him he did not divulge the message. The women exclaimed at

the beautiful room, and, as Stone's examination here was short, we all

filed back to Vicky's bedroom.

I heard no sound of her, and I breathed more freely, as we did not

find her in bedroom or in the boudoir beyond. She had, then, succeeded

in getting away, and trusted to me not to betray her presence there.

The boudoir or dressing-room, all pink satin and white enameled wicker

called forth new exclamations from Winnie, and even Rhoda Schuyler

expressed a grudging admiration.

"It _is_ beautiful," she conceded. "I wish Ruth had come, after all.

She loves this sort of furniture. Don't you remember, Sarah, she

wanted Randolph to do up her dressing-room in wicker?"

"Yes, but he didn't like it, he said it was gim-crackery. And the

Circassian walnut of Ruth's room is much handsomer."

"Of course it is. Ruth has a charming suite. Oh, do look at the

dresses!"

Fleming Stone had flung open a wardrobe door, and the costumes

disclosed, though not numerous, were of beautiful coloring and design.

Winnie, unable to resist the temptation, fingered them lovingly, and

called my attention to certain wonderful confections.

"What did she wear the night of the crime?" Stone asked, and I told

him. Having Win for a sister, I am fairly good at describing women's

clothes, and I drew a vivid word picture of Vicky's gold fringed gown.

"Heavenly!" exclaimed Winnie, although she had had me describe the

gown to her on the average of twice a day for a week. "I wish I could

see it! Some day, Chet, I'm going to have one like it."

"Fringe?" said Stone, curiously, "do women wear fringe nowadays?"

"Oh, yes," I responded. "But it was a long fringe of gilt beads that

really formed an overdress to the tulle skirt. Stay, I've a piece of

it," and I took out my pocketbook. "See, here it is. I found it caught

in those gilded leaves at the lower corner of the mirror frame--that

long dressing-mirror."

They all looked at the mirror, which hung flat against the wall; its

foliated Florentine frame full of irregular protuberances.

"Of course," said Winnie, nodding her head, "I know just how she stood

in front of it, whirling around to see her gown from all sides, like

this." Win whirled herself around, before the glass, and succeeded in

catching a bit of her own full skirt on the frame.

"You little goose!" I cried, as the fabric tore, "we don't need a

demonstration at the expense of your frock!"

Fleming Stone was studying the strand of gold fringe. It was composed

of tiny beads, of varying shapes, and had already begun to ravel into

shreds.

"I'll keep this," he said, and willy-nilly, I lost my little souvenir

of Vicky Van. But, of course, if he considered it evidence, I had to

give it up, and the fact of doing so, partly salved my conscience of

its guilty feeling at concealing the fact of Vicky's presence in her

own house just then.

And, too, I said to myself, Mr. Stone is out to find her. Surely a

detective of his calibre can accomplish that without help of an humble

layman! So I kept my own counsel, and further search, of the next

story, and later, of the basement rooms, gave no hint of Vicky's

presence or departure.

Indeed, I began to wonder if I had really seen her. Could she have

been so clearly in my mind, that I visualized her in a moment of

clairvoyance? My reason rebelled at this, for I knew I saw her, as

well as I knew I was alive. She had on the same little hat in which I

had last seen her. She had on no cloak, and her tailor-made street

dress was of a dark cloth. I couldn't be sure how she got away, for

the basement door we found bolted on the inside, but she must have

warily evaded and eluded us and slipped here and there as we pursued

our course through the house, and then have gone out by the front door

when we were, say, on the upper floors.

Returning to Vicky's boudoir, where her little writing-desk was,

Fleming Stone began to run over the letters and papers therein.

It was locked, but he picked the flimsy fastening and calmly took up

the task with his usual quick-moving, efficient manner.

I stayed with him, and the three women wandered back over the house

again. He ran through letters with glancing quickness, flipped over

sheafs of bills, and examined pens, ink and paper.

"There's so much that's characteristic about a desk," he said, as he

observed the penwiper, stamps, pin-tray, and especially the pencils.

"Indeed, I feel now that I know Miss Van Allen as well, if not better

than you do yourself, Mr. Calhoun."

"In that case, then, you can't believe her guilty," I flashed back,

for the very atmosphere of the dear little room made me more than ever

Vicky's friend.

"But you see," and he spoke a bit sadly, "what I know of her is the

real woman. I can't be deceived by her wiles and coquetries. I see

only the actual traces of her actual self."

I knew what he meant, and there was some truth in it. For Vicky was a

mystery, and I was not by any means sure, that she didn't hoodwink us

when she chose to. Much as I liked and admired the girl, I was forced

to believe she was not altogether disingenuous. And she was clever

enough to hoodwink anybody. But if Stone's deductions were to be

depended on, they were doubtless true evidence.

"Is she guilty?" I sighed.

"I can't say that, yet, but I've found nothing that absolutely

precludes her guilt. On the contrary, I've found things, which if she

is guilty, will go far toward proving it."

This sounded a bit enigmatical, but Stone was so serious, that I

grasped his general meaning and let it go at that.

"I mean," he said, divining my thoughts, "that things may or may not

be evidence according to the guilt or innocence of the suspect. If you

find a little boy in the pantry beside an empty jampot, you suspect

him of stealing jam. Now, if lots of other circumstances prove that

child did take the jam, the empty pot is evidence. But, if

circumstances develop that convince you the child did not have any jam

whatever, that day, then the jampot is no evidence at all."

"And you have found empty jampots?" I asked.

"I have. But, so far, I'm not sure that they are condemnatory

evidence. Though, in justice to my own work, I must add, that they

have every appearance of being so."

"You already like Vicky Van, then," I said, quickly, moved to do so,

by a certain note of regret in his voice.

"No man could help liking a woman who possesses her traits. She has

delightful taste and tastes. She is most charitable, her accounts

show sums wisely expended on worthy charities. And letters from

friends prove her a truly loyal and lovable character."

"Such a girl _couldn't_ kill a man!" I broke out.

"Don't say that. There is no one incapable of crime. But such a nature

would require very strong provocation and desperate conditions. These

granted, it is by no means impossible. Now, I am through for to-day,

but, if you please I will keep the key of the house. As the case is

now in my hands, you will not object?"

"No," I said, a little reluctantly. For suppose Vicky should give me

another commission or ask me to perform another errand in the house.

"You have a transparent face, Mr. Calhoun," and Fleming Stone smiled

quizzically. "Why do you want to keep the key?"

"My aunt is most desirous of seeing this house," I deliberately

prevaricated, "and I thought--"

But I didn't deceive the astute detective. "No, that isn't it," he

said, quietly. "I'm not sure, but I think you are in touch with Miss

Van Allen."

"And if I am?" I flared up.

"Very well," he returned, "it is, as you imply, none of my business.

But I want to know your attitude, and if it is antagonistic to my

work, I am sorry, but I will conduct my course accordingly."

"Mr. Stone," I confessed, "I am not antagonistic, but I do know a

little about Miss Van Allen's movements that I haven't told. I cannot

see that it would assist you in any way to know it--"

"That's enough," and Fleming Stone spoke heartily. "Your assurance of

that is sufficient. Now, are we working together?"

I hesitated. Then I suddenly thought of Ruth Schuyler. I owed her a

business fealty, and somehow I liked to feel that I also owed her a

personal allegiance, and both these demanded my efforts to avenge the

death of her husband, irrespective of where the blow might fall.

So I said, honestly, "We are, Mr. Stone. I will help you, if I can,

and if at any time I think my withheld information will help you, I

will make it known. Is that satisfactory?"

"Entirely so," and the handshake that Stone gave me was like a signed

and sealed bond, to which I tacitly but none the less truthfully

subscribed.

Vicky Van · 第 14 / 20 章