CHAPTER XX

Zoe ended the discussion by driving half an inch of pen-knife into

Coleman’s left arm and running out of the flat, slamming the door behind

her. Coleman was used to this sort of thing; this sort of thing, indeed,

was what he was there for. Carefully he pulled out the pen-knife which

had remained sticking in his arm. He looked at the blade and was

relieved to see that it wasn’t so dirty as might have been expected. He

found some cotton-wool, mopped up the blood as it oozed out, and dabbed

the wound with iodine. Then he set himself to bandage it up. But to tie

a bandage round one’s own left arm is not easy. Coleman found it

impossible to keep the lint in place, impossible to get the bandage

tight enough. At the end of a quarter of an hour he had only succeeded

in smearing himself very copiously with blood, and the wound was still

unbound. He gave up the attempt and contented himself with swabbing up

the blood as it came out.

“And forthwith came there out blood and water,” he said aloud, and

looked at the red stain on the cotton wool. He repeated the words again

and again, and at the fiftieth repetition burst out laughing.

The bell in the kitchen suddenly buzzed. Who could it be? He went to the

front door and opened it. On the landing outside stood a tall slender

young woman with slanting Chinese eyes and a wide mouth, elegantly

dressed in a black frock piped with white. Keeping the cotton-wool still

pressed to his bleeding arm, Coleman bowed as gracefully as he could.

“Do come in,” he said. “You are just in the nick of time. I am on the

point of bleeding to death. And forthwith came there out blood and

water. Enter, enter,” he added, seeing the young woman still standing

irresolutely on the threshold.

“But I wanted to see Mr. Coleman,” she said, stammering a little and

showing her embarrassment by blushing.

“I am Mr. Coleman.” He took the cotton-wool for a moment from his arm

and looked with the air of a connoisseur at the blood on it. “But I

shall very soon cease to be that individual unless you come and tie up

my wounds.”

“But you’re not the Mr. Coleman I thought you were,” said the young

lady, still more embarrassed. “You have a beard, it is true; but....”

“Then I must resign myself to quit this life, must I?” He made a gesture

of despair, throwing out both hands, “Out, out brief Coleman. Out,

damned spot,” and he made as though to close the door.

The young lady checked him. “If you really need tying up,” she said,

“I’ll do it of course. I passed my First-Aid Exam, in the war.”

Coleman reopened the door. “Saved!” he said. “Come in.”

It had been Rosie’s original intention yesterday to go straight on from

Mr. Mercaptan’s to Toto’s. She would see him at once, she would ask him

what he meant by playing that stupid trick on her. She would give him a

good talking to. She would even tell him that she would never see him

again. But, of course, if he showed himself sufficiently contrite and

reasonably explanatory, she would consent—oh, very reluctantly—to take

him back into favour. In the free, unprejudiced circles in which she now

moved, this sort of joke, she imagined, was a mere trifle. It would be

absurd to quarrel seriously about it. But still, she was determined to

give Toto a lesson.

When, however, she did finally leave Mr. Mercaptan’s delicious boudoir,

it was too late to think of going all the way to Pimlico, to the address

which Mr. Mercaptan had given her. She decided to put it off till the

next day.

And so the next day, duly, she had set out for Pimlico—to Pimlico, and

to see a man called Coleman! It seemed rather dull and second-rate after

Sloane Street and Mr. Mercaptan. Poor Toto!—the sparkle of Mr. Mercaptan

had made him look rather tarnished. That essay on the “Jus Primæ

Noctis”—ah! Walking through the unsavoury mazes of Pimlico, she thought

of it, and, thinking of it, smiled. Poor Toto! And also, she mustn’t

forget, stupid, malicious, idiotic Toto! She had made up her mind

exactly what she should say to him; she had even made up her mind what

Toto would say to her. And when the scene was over they would go and

dine at the Café Royal—upstairs, where she had never been. And she would

make him rather jealous by telling him how much she had liked Mr.

Mercaptan; but not too jealous. Silence is golden, as her father used to

say when she used to fly into tempers and wanted to say nasty things to

everybody within range. Silence, about some things, is certainly golden.

In the rather gloomy little turning off Lupus Street to which she had

been directed, Rosie found the number, found, in the row of bells and

cards, the name. Quickly and decidedly she mounted the stairs.

“Well,” she was going to say as soon as she saw him, “I thought you were

a civilized being.” Mr. Mercaptan had dropped a hint that Coleman wasn’t

really civilized; a hint was enough for Rosie. “But I see,” she would go

on, “that I was mistaken. I don’t like to associate with boors.” The

fastidious lady had selected him as a young poet, not as a ploughboy.

Well rehearsed, Rosie rang the bell. And then the door had opened on

this huge bearded Cossack of a man, who smiled, who looked at her with

bright, dangerous eyes, who quoted the Bible and who was bleeding like a

pig. There was blood on his shirt, blood on his trousers, blood on his

hands, bloody finger-marks on his face; even the blond fringe of his

beard, she noticed, was dabbled here and there with blood. It was too

much, at first, even for her aristocratic equanimity.

In the end, however, she followed him across a little vestibule into a

bright, whitewashed room empty of all furniture but a table, a few

chairs and a large box-spring and mattress, which stood like an island

in the middle of the floor and served as bed or sofa as occasion

required. Over the mantelpiece was pinned a large photographic

reproduction of Leonardo’s study of the anatomy of love. There were no

other pictures on the walls.

“All the apparatus is here,” said Coleman, and he pointed to the table.

“Lint, bandages, cotton-wool, iodine, gauze, oiled silk. I have them all

ready in preparation for these little accidents.”

“But do you often manage to cut yourself in the arm?” asked Rosie. She

took off her gloves and began to undo a fresh packet of lint.

“One gets cut,” Coleman explained. “Little differences of opinion, you

know. If your eye offend you, pluck it out; love your neighbour as

yourself. Argal: if his eye offend you—you see? We live on Christian

principles here.”

“But who are ‘we’?” asked Rosie, giving the cut a last dressing of

iodine and laying a big square of lint over it.

“Merely myself and—how shall I put it?—my helpmate,” Coleman answered.

“Ah! you’re wonderfully skilful at this business,” he went on. “You’re

the real hospital nurse type; all maternal instincts. When pain and

anguish wring the brow, an interesting mangle thou, as we used to say in

the good old days when the pun and the Spoonerismus were in fashion.”

Rosie laughed. “Oh, I don’t spend all my time tying up wounds,” she

said, and turned her eyes for an instant from the bandage. After the

first surprise she was feeling her cool self again.

“Brava!” cried Coleman. “You make them too, do you? Make them first and

cure them afterwards in the grand old homœopathic way. Delightful! You

see what Leonardo has to say about it.” With his free hand he pointed to

the photograph over the mantelpiece.

Rosie, who had noticed the picture when she came into the room,

preferred not to look at it too closely a second time. “I think it’s

rather revolting,” she said, and was very busy with the bandage.

“Ah! but that’s the point, that’s the whole point,” said Coleman, and

his clear blue eyes were alive with dancing lights. “That’s the beauty

of the grand passion. It _is_ revolting. You read what the Fathers of

the Church have to say about love. They’re the men. It was Odo of Cluny,

wasn’t it, who called woman a _saccus stercoris_, a bag of muck. _Si

quis enim considerat quæ intra nares et quæ intra fauces et quæ intra

ventrem lateant, sordes ubique reperiet._” The Latin rumbled like

eloquent thunder in Coleman’s mouth. “_Et si nec extremis digitis flegma

vel stercus tangere patimur, quomodo ipsum stercoris saccum amplecti

desideramus._” He smacked his lips. “Magnificent!” he said.

“I don’t understand Latin,” said Rosie, “and I’m glad of it. And your

bandage is finished. Look.”

“Interesting mangle!” Coleman smiled his thanks. “But Bishop Odo, I

fear, wouldn’t even have spared you; not even for your good works. Still

less for your good looks, which would only have provoked him to dwell

with the more insistency on the visceral secrets which they conceal.”

“Really,” Rosie protested. She would have liked to get up and go away,

but the Cossack’s blue eyes glittered at her with such a strange

expression and he smiled so enigmatically, that she found herself still

sitting where she was, listening with a disgusted pleasure to his quick

talk, his screams of deliberate and appalling laughter.

“Ah!” he exclaimed, throwing up his hands, “what sensualists these old

fellows were! What a real voluptuous feeling they had for dirt and gloom

and sordidness and boredom, and all the horrors of vice. They pretended

they were trying to dissuade people from vice by enumerating its

horrors. But they were really only making it more spicy by telling the

truth about it. _O esca vermium, O massa pulveris!_ What nauseating

embracements! To conjugate the copulative verb, boringly, with a sack of

tripes—what could be more exquisitely and piercingly and deliriously

vile?” And he threw back his head and laughed; the blood-dabbled tips of

his blond beard shook. Rosie looked at them, fascinated with disgust.

“There’s blood on your beard,” she felt compelled to say.

“What of it? Why shouldn’t there be?” Coleman asked.

Confused, Rosie felt herself blushing. “Only because it’s rather

unpl—leasant. I don’t know why. But it is.”

“What a reason for immediately falling into my arms!” said Coleman. “To

be kissed by a beard is bad enough at any time. But by a bloody

beard—imagine!”

Rosie shuddered.

“After all,” he said, “what interest or amusement is there in doing the

ordinary things in the obvious way? Life _au naturel_.” He shook his

head. “You must have garlic and saffron. Do you believe in God?”

“Not m—much,” said Rosie, smiling.

“I pity you. You must find existence dreadfully dull. As soon as you do,

everything becomes a thousand times life-size. Phallic symbols five

hundred feet high,” he lifted his hand. “A row of grinning teeth you

could run the hundred yards on.” He grinned at her through his beard.

“Wounds big enough to let a coach-and-six drive into their purulent

recesses. Every slightest act eternally significant. It’s only when you

believe in God, and especially in hell, that you can really begin

enjoying life. For instance, when in a few moments you surrender

yourself to the importunities of my bloody beard, how prodigiously much

more you’d enjoy it if you could believe you were committing the sin

against the Holy Ghost—if you kept thinking calmly and dispassionately

all the time the affair was going on: All this is not only a horrible

sin, it is also ugly, grotesque, a mere defæcation, a——”

Rosie held up her hand. “You’re really horrible,” she said. Coleman

smiled at her. Still, she did not go.

“He who is not with me is against me,” said Coleman. “If you can’t make

up your mind to be with, it’s surely better to be positively against

than merely negatively indifferent.”

“Nonsense!” exclaimed Rosie feebly.

“When I call my lover a nymphomaniacal dog, she runs the pen-knife into

my arm.”

“Well, do you enjoy it?” asked Rosie.

“Piercingly,” he answered. “It is at once sordid to the last and lowest

degree and infinitely and eternally significant.”

Coleman was silent and Rosie too said nothing. Futilely she wished it

_had_ been Toto instead of this horrible, dangerous Cossack. Mr.

Mercaptan ought to have warned her. But then, of course, he supposed

that she already knew the creature. She looked up at him and found his

bright eyes fixed upon her; he was silently laughing.

“Don’t you want to know who I am?” she asked. “And how I got here?”

Coleman blandly shook his head. “Not in the very least,” he said.

Rosie felt more helpless, somehow, than ever. “Why not?” she asked as

bravely and impertinently as she could.

Coleman answered with another question. “Why should I?”

“It would be natural curiosity.”

“But I know all I want to know,” he said. “You are a woman, or, at any

rate, you have all the female stigmata. Not too sumptuously

well-developed, let me add. You have no wooden legs. You have eyelids

that flutter up and down over your eyes like a moving shutter in front

of a signalling lamp, spelling out in a familiar code the letters:

A.M.O.R., and not, unless I am very much mistaken, those others:

C.A.S.T.I.T.A.S. You have a mouth that looks as though it knew how to

taste and how to bite. You....”

Rosie jumped up. “I’m going away,” she said.

Coleman leaned back in his chair and hallooed with laughter. “Bite,

bite, bite,” he said. “Thirty-two times.” And he opened and shut his

mouth as fast as he could, so that his teeth clicked against one another

with a little dry, bony noise. “Every mouthful thirty-two times. That’s

what Mr. Gladstone said. And surely Mr. Gladstone”—he rattled his sharp,

white teeth again—“surely Mr. Gladstone should know.”

“Good-bye,” said Rosie from the door.

“Good-bye,” Coleman called back; and immediately afterwards jumped to

his feet and made a dash across the room towards her.

Rosie uttered a cry, slipped through the door and, slamming it behind

her, ran across the vestibule and began fumbling with the latches of the

outer door. It wouldn’t open, it wouldn’t open. She was trembling; fear

made her feel sick. There was a rattling at the door behind her. There

was a whoop of laughter, and then the Cossack’s hands were on her arms,

his face came peering over her shoulder, and the blond beard dabbled

with blood prickled against her neck and face.

“Oh, don’t, don’t, don’t!” she implored, turning away her head. Then all

at once she began violently crying.

“Tears!” exclaimed Coleman in rapture, “genuine tears!” He bent eagerly

forward to kiss them away, to drink them as they fell. “What an

intoxication,” he said, looking up to the ceiling like a chicken that

has taken a sip of water; he smacked his lips.

Sobbing uncontrollably, Rosie had never in all her life felt less like a

great, fastidious lady.

Antic Hay · 第 20 / 22 章