X.

Ray’s voice broke a little as he said this; but he hoped Mr. Brandreth

did not notice, and he made haste to get out into the crowded street,

and be alone with his emotions. He was quite giddy with the turn that

Fortune’s wheel had taken, and he walked a long way up town before he

recovered his balance. He had never dreamt of such prompt consideration

as Mr. Brandreth had promised to give his novel. He had expected to

carry it round from publisher to publisher, and to wait weeks, and

perhaps whole months, for their decision. Most of them he imagined

refusing to look at it at all; and he had prepared himself for rebuffs.

He could not help thinking that Mr. Brandreth’s different behavior was

an effect of his goodness of heart, and of his present happiness. Of

course he was a little ridiculous about that baby of his; Ray supposed

that was natural, but he decided that if he should ever be a father he

would not gush about it to the first person he met. He did not like Mr.

Brandreth’s interrupting him with the account of those amateur

theatricals when he was outlining the plot of his story; but that was

excusable, and it showed that he was really interested. If it had not

been for the accidental fact that Mr. Brandreth had taken the part of

Romeo in those theatricals, he might not have caught on to the notion of

_A Modern Romeo_ at all. The question whether he was not rather silly

himself to enter so fully into his plot, helped him to condone Mr.

Brandreth’s weakness, which was not incompatible with shrewd business

sense. All that Mr. Brandreth had said of the state of the trade and its

new conditions was sound; he was probably no fool where his interest was

concerned. Ray resented for him the cruelty of Mr. Kane in turning the

baby’s precocity into the sort of joke he had made of it; but he admired

his manner of saying things, too. He would work up very well in a story;

but he ought to be made pathetic as well as ironical; he must be made to

have had an early unhappy love-affair; the girl either to have died, or

to have heartlessly jilted him. He could be the hero’s friend at some

important moment; Ray did not determine just at what moment; but the

hero should be about to wreck his happiness, somehow, and Mr. Kane

should save him from the rash act, and then should tell him the story of

his own life. Ray recurred to the manuscript he had left with Mr.

Brandreth, and wondered if Mr. Brandreth would read it himself, and if

he did, whether he would see any resemblance between the hero and the

author. He had sometimes been a little ashamed of that mesmerization

business in the story, but if it struck a mood of the reading public, it

would be a great piece of luck; and he prepared himself to respect it.

If Chapley & Co. accepted the book, he was going to write all that

passage over, and strengthen it.

He was very happy; and he said to himself that he must try to be very

good and to merit the fortune that had befallen him. He must not let it

turn his head, or seem more than it really was; after all it was merely

a chance to be heard that he was given. He instinctively strove to

arrest the wheel which was bringing him up, and must carry him down if

it kept on moving. With an impulse of the old heathen superstition

lingering in us all, he promised his god, whom he imagined to be God,

that he would be very grateful and humble if He would work a little

miracle for him, and let the wheel carry him up without carrying him

over and down. In the unconscious selfishness which he had always

supposed morality, he believed that the thing most pleasing to his god

would be some immediate effort in his own behalf, of prudent industry or

frugality; and he made haste to escape from the bliss of his high hopes

as if it were something that was wrong in itself, and that he would

perhaps be punished for.

He went to the restaurant where he had breakfasted, and bargained for

board and lodging by the week. It was not so cheap as he had expected to

get it; with an apparent flexibility, the landlord was rigorous on the

point of a dollar a day for the room; and Ray found that he must pay

twelve dollars a week for his board and lodging instead of the ten he

had set as a limit. But he said to himself that he must take the risk,

and must make up the two dollars, somehow. His room was at the top of

the house, and it had a view of the fourth story of a ten-story

apartment-house opposite; but it had a southerly exposure, and there

was one golden hour of the day when the sun shone into it, over the

shoulder of a lower edifice next to the apartment-house, and round the

side of a clock tower beyond the avenue. He could see a bit of the

châlet-roof of an elevated railroad station; he could see the tops of

people’s heads in the street below if he leaned out of his window far

enough, and he had the same bird’s-eye view of the passing carts and

carriages. He shared it with the sparrows that bickered in the

window-casing, and with the cats that crouched behind the chimneys and

watched the progress of the sparrows’ dissensions with furtive and

ironical eyes.

Within, the slope of the roof gave a picturesque slant to the ceiling.

The room was furnished with an American painted set; there was a clock

on the little shelf against the wall that looked as if it were French;

but it was not going, and there was no telling what accent it might tick

with if it were wound up. There was a little mahogany table in one

corner near the window to write on, and he put his books up on the shelf

on each side of the clock.

It was all very different from the dignified housing of his life at

Midland, where less than the money he paid here got him a stately

parlor, with a little chamber out of it, at the first boarding-house in

the place. But still he would not have been ashamed to have any one from

Midland see him in his present quarters. They were proper to New York in

that cosmopolitan phase which he had most desired to see. He tried

writing at the little table, and found it very convenient. He forced

himself, just for moral effect, and to show himself that he was master

of all his moods, to finish his letter to the _Echo_, and he pleased

himself very well with it. He made it light and lively, and yet

contrived to give it certain touches of poetry and to throw in bits of

description which he fancied had caught something of the thrill and

sparkle of the air, and imparted some sense of such a day as he felt it

to be. He fancied different friends turning to the letter the first

thing in the paper; and in the fond remembrance of the kindness he had

left behind there, he became a little homesick.

The World of Chance · 第 18 / 53 题