THE DEVIL LEAVES THE HOUSE IN FLAMES

I

Despite the rain, Daniel and Benda strolled around the city moat until

midnight.

The very thing that lay heaviest on Daniel's heart, as was obvious from

the expression on his face, he never mentioned. He told of his work, his

travels in connection with the old manuscripts, his position as organist

and in the conservatory, but all in such a general, detached, and

distraught way, so tired and bewildered, that Benda was filled with an

embarrassed anguish that made courteous attention difficult if not

impossible.

In order to get him to talk more freely, Benda remarked that he had not

heard of the death of Gertrude and Eleanore until his return. He said he

was terribly pained to hear of it, and, try as he might, he could not

help but brood over it. But he had no thought of persuading Daniel to

give him the mournful details. He merely wished to convince himself that

Daniel had become master of the anguish he had gone through,--master of

it at least inwardly.

Instead of making a direct and logical reply, Daniel said with a

twitching of his lips: "Yes, I know, you have been here for quite a

while already. Inwardly I was surprised at your silence. But it is not

easy to start up a renewed friendship with such a problematic creature

as I am."

"You know you are wrong when you say that," responded Benda calmly, "and

therefore I refuse to explain my long waiting. You never were

problematic to me, nor are you now. I find you at this moment just as

true and whole as you always were, despite the fact that you avoid me,

crouch before me, barricade yourself against me."

Daniel's breast heaved as if in the throes of a convulsion. He said

falteringly: "First let that old confidence return and grow. I must

first become accustomed to the thought that there is a man near me who

feels with me, sympathises with me, understands me. To be sure, you want

me to talk. But I cannot talk, at least not of those things about which

you would like to hear. I am afraid: I shudder at the thought; I have

forgotten how; words mock me, make me feel ashamed. Even when I have

good dreams, I personally am as happily and blessedly silent in them as

the beast of the field. I shudder at the thought of reaching down into

my soul and pulling out old, rusty things and showing them to

you--mouldy fruit, slag, junk--showing them to you, you who knew me when

all within me was crystal."

He fixed his eyes on the clouds and then continued: "But there is

probably another means, Friedrich. Look, friend, look! It was always

your affair to look, to behold. Look, but see to it that you do not make

me writhe before you like a worm in the dust! And when you have

looked--wisdom needs only one spoken word for ten that are unspoken.

This one word you will surely draw from me."

Benda, deeply moved, remained silent: "Is it the fault of a woman?" he

asked gently, as they crossed the drawbridge and entered the desolate

old door leading to the castle.

"The fault of a woman? No! Not really the fault of a woman. It is rather

the fault of a man--my fault. Many a fate reaches the decisive point in

happiness, many not until coloured with guilt. And guilt is bitter. The

fault of a woman!" he repeated, in a voice that threw off a gruesome

echo in the vaulted arch of the gateway to the castle. "There is to be

sure a woman there; and when one has anything to do with her, he finds

himself with nothing left but his eyes for weeping."

They left the gateway. Benda laid one hand on Daniel's shoulder, and

pointed in silence at the sky with the other. There were no stars to be

seen; nothing but clouds. Benda however had the stars in mind. Daniel

understood his gesture. His eyelids closed; around his mouth there was

an expression of vehement grief.

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