Every time Eleanore looked at Daniel her heart was filled with the same
anxiety. She did not understand him; she could not comprehend a single
one of his movements. Such joy as she had arose from meditation on the
past.
He did not seem to be able to recall her. One word, any word, from him
would have relieved her of her anguish; but he spoke to her precisely as
he spoke to Philippina or to Frau Kuett, the woman who came in to do the
housework.
It was bad enough to live with Philippina, to feel the incessant hatred
of this secretive person; to suspect that she knew things that would not
stand the light of day. But to see the child handed over to her, treated
by her as though it were her own and guarded by her with a jealousy that
made her face wrinkle with rage if Eleanore presumed to stay with it for
as much as five minutes, this was infinitely worse.
It was bad enough to have to accept with filial obedience the society of
the speechless old father who spent his days and nights in his own
mysterious way, striving without peace of any kind to reach an unknown
goal. This made it hard for Eleanore. It was spooky in the rooms
upstairs, and equally spooky in the ones downstairs. Eleanore dreaded
the coming winter. At times she felt that her own voice had an unreal
sound, and that her most commonplace remark echoed with the gloom of
unhappy premonitions.
She sought refuge in the old pictures of her longings--southern
landscapes with groves and statues and a sea of supernatural blue. But
she was too mature to find enduring satisfaction in empty dreams; she
preferred, and felt it were better, to forget her grief in the
distractions of hard work. It was not until the pen fell from her hand,
weighed down with distress at the thought of so many unadorned and
unrelieved hours, that something drew her back into the realm of spirits
and visions. And then it was that she sought support, that she
endeavoured to get a footing, in the world of actual objects round about
her.
She would take a pear, and think herself, so to speak, into the very
heart of this bit of fruit, just as if it were possible to find
protection, shelter in so small a space. Or she would take a piece of
coloured glass, hold it in her hand, and look at the world of reality
about her, hoping that the commonplace would in this way be made to seem
more beautiful. Or she looked into the burning fire, and studied, with a
smile on her face, the romantic tongues of flames. Or she had a longing
to look at old pictures: she went to the Germanic Museum, and spent an
entire morning there, standing before a Crucifixion, a Last Supper, her
eye and her heart filled with flowing emotion.
Her love for flowers became stronger than ever, and she began to study
them. The most of them she picked herself; those that grew only in
gardens she bought from the florists, paying very little for them. After
she had made several purchases, they refused to take any more money from
her; they gave her just as many flowers as she wanted. She took them
home, and made bouquets out of them.
One evening she was frightened by Philippina, who came rushing up to her
just as she was arranging her flowers and told her that little Agnes had
a high fever. Eleanore went out and got the doctor, who immediately
reassured her. As she returned, her astonishment was intense and
unusual. Reaching the door, her eyes fell on the flowers: they seemed
wonderfully beautiful to her; the harmony and play of their colours was
so striking that she involuntarily looked around in the illusion that a
stranger had called during her absence, brought the flowers, and
arranged them in their artistic bouquets.
In the meantime poverty was haunting the house in very tangible form.
Neither the butcher nor the baker was willing any longer to deliver
goods on credit. It was quite impossible for Eleanore to support five
people with her clerical work, to say nothing of keeping them in clothes
and paying the rent. However hard she might work, the most she could do
was to get enough money for the barest necessities. Her cares multiplied
day by day.
She had always been an implacable foe of debts; she would not make them.
But after all, the people could not starve, and so she had to contract
debts now. Bitter humiliations were unavoidable; she looked into the
future with untempered dread. She racked her brain trying to devise
plans, deplored her weakness and the gaps in her training, bemoaned the
neglect both she and Daniel were suffering, and was quite disturbed to
see that Philippina's heart was filled with joy at the thought that the
destitution of the household with its accompanying mental anguish was
rapidly increasing.
Twice a day the druggist sent in his bill; finally he came in person. It
was along toward evening when he rang. Philippina treated him so
impolitely that he became impudent, and made such a noise that the
people on the lower floors came out into the hall and leaned over the
railing of the stairs. Eleanore ran down and stood before the man with
folded hands. Jordan also left his room and looked on, sighing.
Others came in and started trouble. Philippina came up to Eleanore, and,
with a smile on her face as if she were going to tell of some great good
fortune that had come to the family, said: "There's another down there,
Eleanore; come down and give him a piece of your mind, or I'm thinking
he's going to call the police."
After quiet had been restored, Philippina began to rage and rant:
"Daniel's a dunderhead. He could live like a Kaiser if he'd mix with the
right people. I know a woman who is lousy with money, and she's going to
git a lot more; but Daniel, the poor bloke, ain't got a ghost of an idea
as to how to work people." She laughed furiously; or, in order to
ventilate her spiteful rage, she picked up some object and smashed it to
pieces on the floor.
Eleanore did not hear what she had said. Her hope was gone. Daniel had
been out of work for three months: who could explain his strange
inactivity? The rent would be due in a short while, and then what?
One morning she went to Daniel's room and said: "Daniel, we are out of
money."
He was sitting at the table reading; he looked at her as if he had to
think for a while who she was: "Just have patience," he said, "you are
not going to starve."
"I am doing all that I possibly can, Daniel," continued Eleanore; "but
tell me, please, how are you planning to keep the house going? I see no
way out. Tell me, Daniel, tell me, please, what you are going to do."
"A musician must be poor, Eleanore," replied Daniel, and looked at her
with eyes that seemed to be frozen.
"But he has got to live, I should think."
"You can't live from husks alone, and I am not going to work my head off
for husks."
"Daniel, oh Daniel, where is your mind? And where is your heart?" cried
Eleanore in despair.
"Where I should have been long ago," he replied, without the shadow of a
ray of hope. He got up, and turning his face away from Eleanore, said in
a half-audible voice: "Let's have no argument, no cogency, no urgency.
Not now! Not now when I am creeping along on the earth with such light
as is left me, trying to grope my way out of the hole. A man doesn't
give up the ghost so quickly as all that, Eleanore. The stomach is a
very elastic piece of skin."
He went into the other room, sat down at the piano, and struck a
slow-moving bass chord.
Eleanore turned to the wall, and buried her feverish brow in her hands.