VIII

One might go on and tell the tale of continued rebellion, of angry words

on both sides, of pleas and complaints and fruitless arguments, of

bitter controversy and yet bitterer silence.

Daniel fled and returned and let the slothful days glide by, stormed

about in the vicinity, and lay in the high grass beside the pools or

opened his window at night, cursing the silence and envying the clouds

their speed.

His mother followed him when he went to his little room and pressed her

ear to the door, and then entered and saw the candle still lit, and went

to his bed and was frightened at his gleaming eyes which grew sombre at

her approach. Full of the memories of her early cares and fears for him,

and thinking that the darkness and the sight of her weakness would

prevail upon him, she pleaded and begged once more. And he looked up at

her and something broke in his soul, and he promised to do as she

demanded.

So we see him next at the house of the leather merchant Hamecher in

Ansbach. He sits on a bale of leather in the long, dismal passage way or

on the cellar steps or in the store room, and dreams and dreams and

dreams. And gradually the worthy Hamecher's indulgent surprise turned to

blank astonishment and then to indignation, and at the end of six months

he showed the useless fellow the door.

Once more Jason Philip condescended to grant his favour, and chose a new

scene and new people for his nephew, if only to remove him from

Spindler's baneful influence. At the mention of the city of Bayreuth no

one became aware of Daniel's fiery ecstasy, for they had never heard of

the name of Richard Wagner but always of the name of the wine merchant

Maier. And so he came to Bayreuth, the Jerusalem of his yearning, and

forced himself to an appearance of industry in order to remain in that

spot where sun and air and earth and the very beasts and stones and

refuse breathe that music of which Spindler had said that he himself had

a profound presentiment of its nature but was too old to grasp and love

it wholly.

Daniel did his best to make himself useful. But in spite of himself he

scrawled music notes on the invoices, roared strange melodies in lonely

vaults, and let the contents of a whole keg of wine leak out, because in

front of him, on the floor, lay the score of the English Suites.

At a rehearsal he slipped into the Festival Playhouse, but was put out

by a zealous watchman, and on this occasion made the acquaintance of

Andreas Doederlein, who was a professor at the Nuremberg conservatory and

a tireless apostle of the redeemer. Doederlein seemed not disinclined to

understand and to help, and expressed a real delight at the deep,

original enthusiasm and burning devotion of his protege. And Daniel,

intoxicated by a rather vague and not at all binding promise of a

scholarship at the conservatory, fled from Bayreuth by night, made his

way on foot back to Eschenbach, threw himself at his mother's feet, and

almost writhed there before her and begged and implored her, and in

words almost wild sought to prevail on her to attempt to change the mind

of Jason Philip. He tried to explain to her that his life and happiness,

his very blood and heart were dedicated to this one thing. But she, who

was once kindly, was now hard--hard as stone, cold as ice. She

understood nothing, felt nothing, believed nothing, saw only the

frightfulness, as she called it, of his incurable aberration.

All these matters might have been related at length. But they are as

inevitable in their character and sequence as the sparks and smoke that

follow upon fire. They are quite determinable; they have often happened,

and have always had the same final effect.

What clung to Marian's soul was an immemorial prejudice against a

gipsy's life and a stroller's fate. Her ancestors and her husband's had

always earned their livelihood in the honest ways of a trade. She could

not see what the free tuition at Doederlein's conservatory would avail

Daniel, since he had nothing wherewithal to sustain life. He told her

that Spindler had taught him how to play on the piano, that he would

perfect his skill and so earn his sustenance. She shook her head. Then

he spoke to her of the greatness of art, of the ecstasy which an artist

could communicate and the immortality he might win, and that perhaps it

would be granted him to create something unique and incomparable. But

these words she thought mad and pretentious delusions, and smiled

contemptuously. And at that his soul turned away from her, and she

seemed a mother to him no more.

When Jason Philip Schimmelweis learned what was afoot, he would not let

the troublesome journey deter him, but appeared in Marian's shop like an

avenging angel. Daniel feared him no longer, since he had given up

hoping for anything from him. He laughed to himself at the sight of the

stubby, short-necked man in his rage. Gleams of mockery and of cunning

still played over the red cheeks of Jason Philip, for he had a very high

opinion of himself, and did not think the windy follies of a boy of

nineteen worthy of the whole weight of his personality.

While he talked his little eyes sparkled, and his red, little tongue

pushed away the recalcitrant hairs of his moustache from his voluble

lips. Daniel stood by the door, leaning against the post, his arms

folded across his chest, and regarded now his mother, who, dumb and

suddenly old, sat in a corner of the sofa, now the oil portrait of his

father on the opposite wall. A friend of Gottfried Nothafft's youth, a

painter who had been long lost and forgotten like his other works, had

once painted it. It showed a man of serious bearing, and brought to mind

the princely guildsman of the Middle Ages. Seeing the picture at that

moment enlightened Daniel as to the ancestral strain that had brought

him to this mood and to this hour.

And turning now once more to Jason Philip's face, he thought he

perceived in it the restlessness of an evil conscience. It seemed to him

that this man was not acting from conviction but from an antecedent

determination. It seemed to him further that he was faced, not merely by

this one man and his rage and its accidental causes, but by a whole

world in arms that was pledged to enmity against him. He had no

inclination now to await the end of Jason Philip's oratorical efforts,

and left the room.

Jason Philip grew pale. "Don't let us deceive ourselves, Marian," he

said. "You have nursed a viper on your bosom."

Daniel stood by the Wolfram fountain in the square, and let the purple

of the setting sun shine upon him. Round about him the stones and the

beams of the ancient houses glowed, and the maids who came with pails to

fetch water at the fountain gazed with astonishment into the brimming

radiance of the sky. At this hour his native town grew very dear to

Daniel. When Jason Philip entered the square, at the corner of which the

stage-coach was waiting, he did his best not to be seen by Daniel and

avoided him in a wide semi-circle. But Daniel turned around and fastened

his eyes on the man, who strode rapidly and gazed stubbornly aside.

This thing too has happened before and will happen again. Nor is it

amazing that the fugitive should turn and inspire terror in his pursuer.

The Goose Man · 第 29 / 219 题