The owner's bath is largely a matter of personal taste and cost.

Usually this has a floor of 2 in. white, unglazed hexagonal tile, with

a 4 × 6 in. white glazed tile for walls, with cap and sanitary base,

marble thresholds and plinth blocks. The height of the wainscot is

optional; but 4 ft. 6 in. is usual, with the walls and ceilings above

it oil painted. The room should not be smaller than 8 ft. × 10 ft. and

may open from the owner's chamber or dressing-room. Its equipment

usually comprises two lavatories of vitreous china, placed at least six

inches apart, unless a double lavatory is used in one slab, over which

may be a medicine closet built into the wall with mirror door set in;

the bathroom door should have a full-length mirror. In the illustration

that appears on page 95 is shown a silent syphon-jet closet with

low-down tank finished in mahogany. The "low-down combinations," as

they are called, are made in oak, cherry, mahogany, and white enamel.

The tub should be at least 5 ft. long, of enameled iron or porcelain,

finished on both sides if enameled, and supported on porcelain block

feet, with standing waste and mixing cocks. The tub must be set far

enough from the wall to permit cleaning.

[Illustration:

The great problem in planning a bathroom is not to sacrifice all

warmth and color to sanitation. At present there are washable and

sanitary papers made by the decorators that are very proper for

bathroom furnishings. The seagull design in blues and greens and the

kingfisher in a brilliant, cool green are both suitable and

attractive

]

[Illustration:

The upper left hand plan shows excellent spacing and good

arrangement combining all the desirable features and conveniences of

a bathroom. The upper right hand plan shows a desirable arrangement

for minimum space. The lower left hand plan shows a modern idea of

dividing the bathroom into two sections. In the lower right hand

plan there is a complete equipment, well arranged, but with few more

than the necessary conveniences

]

Every fitting or exposed pipe in the bathroom should be nickel-plated.

The shower may be installed over the tub, as in one of the

illustrations, or made a separate fixture with a floor receptor to

drain off the water. It may be inclosed with a cotton duck curtain,

which is more agreeable to the body than rubber or marble slabs. The

merits of each fixture and its equipment I shall leave to the reader,

because these things he can readily determine for himself; but the

arrangements and number of fixtures required must be considered--the

quality is a matter of price. The general bathroom of a house should

be similar to the owner's--in some cases it is divided into two

compartments, as shown in one plan, with the water-closet by

itself--permitting independent use.

[Illustration:

One especial convenience that should not be neglected is the shower

with the duck curtain arranged over the top. For bathroom floors the

hexagonal tile is very suitable and enduring

]

In homes costing from $15,000 up, the number of bathrooms is in

proportion to the number of occupants. Every room may have a connecting

bath with tile floor and wainscot, completely equipped--in such a case

the visit of a guest is not fraught with hasty skirmishes to the

nearest bath, perhaps only to retreat, and wait and listen for an

opportunity to use it.

Plumbing fixtures are made in many materials; the most popular of

these, on account of durability and cost, is cast iron with an enamel

glaze fused on the iron. This ware will stand hard usage, is not easily

fractured, does not craze, and therefore holds its color. The vitreous

china ware is, I think, more appropriate for bathrooms finished in

tile, because the materials, being similar, are in harmony, while the

enameled iron is not quite as heavy or substantial looking when used

with tile. Vitreous china is potter's clay, properly fired, with a

vitreous glaze baked on; porcelain is similar and their cost is about

the same, except that this increases rapidly with the larger pieces;

because fewer perfect fixtures are obtained. Fixtures cut from solid

marble block are the most expensive and their relative merit with their

relation to cost is a question for the owner to determine.

[Illustration:

A sunken bathtub is a form of luxury that is desirable but requires

low ceiling in the room below, or that the bathroom be built on the

ground floor. This is oftentimes an impossible arrangement

]

There is little difference between the enameled iron, vitreous china

and porcelain or marble as far as the retention of heat is concerned,

or the feeling from bodily contact. There are in every kiln some

fixtures that are not quite perfect; they are called "seconds," and

catalogued as "Class B" goods, with a lower price.

The weight of massive plumbing in a frame dwelling is considerable and

will cause a settlement of the floors unless carefully supported.

The fashions in tubs are many. The usual shape is square at the foot

and round at the head-at the foot are the waste and supply pipes which

are made in several combinations. The double bath cock, which gives hot

or cold water or a mixture of both, is advisable for tubs-the small cup

between the faucets is a ring tray and can be replaced with a soap dish

if desired. Most shower-baths have a shampoo attachment or body spray

that can be used instead of the overhead shower, so that the head and

hair are kept dry if desired, and if a shower is not to be installed

this can be provided in the tub.

[Illustration:

The bathroom to-day finds great need of such built-in conveniences

as wall chests and cupboards. These should be arranged for at the

time the house is built

]

A tub incased in tile is a perfectly sanitary treatment, and in some

cases the tub has been sunk into the floor a foot and then incased to

avoid the high step necessary to get into the tub. The plunge--sunk in

the floor--is an unusual treatment that permits more freedom of

movement than the tub; but the tile, when wet, is slippery, and I

should expect one might carelessly slip in with fatal results. Roman

tubs are alike at each end--with fixtures in the middle of one side of

the rim. Solid porcelain tubs rest on the floor, set into the tile. The

ideal position for the tub, if there is available room, is with the

foot against a wall and ample room on either side to get in or out of

it. Tubs are made in lengths ranging from 4 ft. to 6 feet, and about 30

inches in width over rims.

[Illustration:

This room contains the desirable articles and fixtures for the

modern bathroom in a very satisfactory arrangement. There is the

latest thing in nickel plumbing and modern equipment, but at the

same time there is an attractiveness that is so lacking in the cold,

hospital type of room

]

[Illustration:

The small hexagonal floor tiles permit sections to be taken up with

little difficulty and replaced at small expense. Wall tile, however,

should be made of the larger rectangular units with a cornice at the

top and a rounded surbase that obviates a sharp angle at the

junction with the floor

]

The lavatory is an important fixture that is made in a great many

varieties. The old-fashioned bowl is obsolete--the oval has taken its

place, though probably the best is the kidney-shaped bowl, as it

permits a free and natural movement of the arms in raising water to

lave the face. The bowl should be at least 14 × 17 inches, in a slab 22

× 32, with a space surrounding the bowl countersunk a little to form a

border that tends to confine the splashed water. All the fixtures

manufactured by responsible concerns are equipped with nickel-plated

faucets, wastes, traps, and supplies that are very satisfactory; but

quite often the plumber who installs the work buys the fixtures without

the selected trimmings and substitutes a cheaper pattern. Some tubs and

lavatories are sold in "A" and "B" qualities, and it will be to your

advantage to select the fixtures with your architect, who knows the

grades and fittings.

[Illustration:

All the wood that is in these bathrooms is heavily enameled in

white. Both rooms show a good use of colored tile worked in

attractive designs. The room on the left has a mosaic pattern in

several shades as a decoration, while in the right hand room there

is a bright border and vertical strips making panels. The tiles

between them are laid in herring-bone fashion. Both tubs are without

supports and rest flat on the floor

]

[Illustration:

This European treatment is particularly effective for the owner's

bath, which opens into his bedroom. The glass doors provide all the

lighting necessary and are very decorative with their curved

segments

]

A particularly pleasing treatment is the bath opening from the owner's

chamber, and separated from it by glass partition. This arrangement is

good where outside light cannot be afforded or obtained, and a curtain

effectively screens it.

[Illustration:

A simple bathroom where waterproof enameled paint was used in

several coats instead of a tiled wainscot, and above this an

attractive waterproof paper that suggests tiling. Such an

arrangement is a possibility where tiles may not be purchased

]

Bath-room accessories should be arranged with care and consist of the

following devices: Plate glass shelves supported on nickel-plated

brackets are the best; towel-racks; toothbrush holders; clothes-brush

hangers; clothes hooks; soap dishes; and soiled towel baskets. Hardware

is usually of nickel-plated tubing screwed into the tile. The

accompanying photographs and plans will illustrate the subject further

and are self-explanatory.

A. RAYMOND ELLIS

[Illustration]

The Proper Treatment for the Nursery

Furnishings for the modern child's room, like everything else that

belongs to that important personage, are as complete in the smallest

detail as skill and ingenuity can make them, and every feature of a

well-appointed bedroom may be duplicated in miniature for the

youngsters.

The wall-papers and draperies especially designed for nurseries and

children's rooms are in a way more distinctively juvenile than the

actual pieces of furniture, and are a most important consideration in

fitting out such apartments. If one does not care to go to the expense

of furnishing a nursery completely, paper and curtains that will leave

no doubt as to the identity of the room may be had at small cost, and

from this simple touch the scheme of decorations and the furniture, to

say nothing of the cost, may be indefinitely extended.

Strictly hygienic parents who scout the idea of wall-paper as being

unhealthy and will have nothing but painted walls in a bedroom are

confronted by a bare expanse that may be sanitary, but is neither

attractive nor interesting for the child. With walls treated in this

way a decorative frieze may be used with good effect. The friezes,

which come in panels varying in depth from fourteen to nineteen and

one-half inches, are printed in gay colors on backgrounds of blue-gray,

ivory-white, drab, and other neutral tones that can be matched exactly

in the color of the walls. The designs include processions of Noah's

ark inhabitants, farmyard animals, chickens and ducks, Normandy

peasants going to market, toy villages with stiff little soldiers and

prim-looking trees, hunting scenes, and a row of Dutch kiddies

indulging in a mad race across the paper.

If wall-paper is used it also matches the background of the frieze, the

paper being either in a solid color or with a figure so inconspicuous

that it gives the impression of a single tone.

One of the new papers for children's rooms is a reproduction of the

quaint Kate Greenaway figures that are quite as fascinating to little

people in these days as they were years ago. The background is a pale

yellow and the figures are printed in rather delicate colors, each

group representing one of the calendar months. The effect is

particularly dainty and the designs are diverting for the children

without becoming tiresome from too great contrast in color. Another

paper that shows groups quite as charming is printed from designs by

Boutet de Monvel, the famous French illustrator of child life.

A new idea, and one that is proving popular, is a decided departure

from the conventional wall-paper, with its figures at regularly

repeated intervals. This consists in first putting on the walls a paper

of solid color to be used as a background for single figures or groups

that are cut from friezes and pasted on to suit one's individual taste.

The figures, of course, must be quite large, in order to be effective,

and in some favorite groups cut from a frieze showing little Dutch

girls and yellow chicks the latter are even larger than life. For

nurseries, when the children are very small, the figures are often

arranged in a frieze just above the foot-board, so that they come on a

line with the child's eye, and are therefore vastly more entertaining

than when placed at the infinite distance of the top of the wall.

Blue and white seems to be the favorite combination of colors for

nursery draperies, and among the all-over patterns are a lot of

roly-poly children picking gigantic daisies on a pale blue ground, and

also a Delft design on a white ground covered with black cross lines

that are far enough apart to give a tiled effect. A number of other

colors and patterns may be had as well as the gay printed borders that

come two strips to a width of the material. When figured wallpaper is

used, draperies of solid color with the printed border are rather more

satisfactory, as one set of children or animals tumbling over the

walls, and another set chasing across the draperies, create a

bewildering impression that is anything but restful and quieting for

the small occupant. The borders are particularly attractive for

curtains made of plain scrim or some soft white material, and are

stitched on in strips or cut out and put on in silhouette.

[Illustration:

The playroom in this house was to be made use of by the grown folks

occasionally for their handicraft work. Special attention was paid

to built-in closets convenient for toys and tools

]

Floor coverings especially suitable for children's rooms are to be

found in the more or less recently revived rag carpet rugs, either

plain or with figured borders. Almost any of these rugs with their

decorative strips showing queerly constructed landscapes are suitable,

but most appropriate is one that has a solemn procession of geese

across either end, or another that is ornamented with a family of black

and white bunnies lined up against a red brick wall. They come in

various sizes, from the small hearthrug up to the one that is large

enough for the center of an average size room.

A new rug for nurseries that is rather more practical than pretty is

woven in the same way as the rag rugs, but instead of cotton materials,

strips of oilcloth are used, rolled so that the glossy side is

uppermost. The idea was first employed in making small rugs for

bathrooms, as they are waterproof and easy to keep clean, but they are

quite as serviceable and sanitary for children's rooms, and are cleaned

by wiping off with a damp cloth. They are made in different sizes, and

in a mixed design, like the ordinary rag rug, or with white centers and

borders of solid color.

In the way of furniture, chairs and beds are to be had in a much

greater variety than the other pieces, and the miniature Morris chair

is no doubt the most attractive piece of furniture that is made for the

little folks. It comes in almost as many different styles and prices as

the grown-up variety, and may be had in light or dark wood, with

cushions of velour or leather or figured cotton material, and is a

perfect reproduction of the large chair. Little sets consisting of

table and two chairs, one straight, the other with arms, are decorated

with juvenile figures in color, and may be had for prices that are

quite reasonable. They are especially useful when no attempt can be

made at arranging a regulation nursery. One of the most serviceable of

these sets is of dark wood with leather seat chairs and a table of good

size, the top of which is hinged and may be raised disclosing a

receptacle for toys or books.

Small willow and wicker tables and chairs are made in attractive

shapes, many of them copies of the larger pieces, and are used either

in the natural color or stained to harmonize with the color scheme of

the room. Less substantial than the pieces made of solid wood, they are

rather more practical for older children than for small ones who are no

respecters of furniture, and, while designed for use all the year

round, they are particularly suitable for summer rooms or to be carried

outdoors.

In spite of the fact that the little white bed is always associated

with the child's room in story and song, to say nothing of the popular

imagination, there are various kinds of brass and wooden beds made in

small sizes that are thoroughly in keeping with one's idea of a typical

nursery. The white enamel beds, which may be had as plain or as

elaborate as one desires, are always dainty, and have the advantage of

harmonizing perfectly with furniture and hangings of almost every

description. Brass beds have the same characteristic, but they are much

more expensive than those of iron, and seem to require rather more

elaborate surroundings. The newest brass beds for children are quite

low, only about half as high as the ordinary bed, which is a distinct

advantage, as it is much easier for the child to climb into, and less

dangerous in case he falls out.

[Illustration:

The sense of possession that the child has in its own room produces

much satisfaction. Substantial furniture may be purchased in small

sizes and a variety of wall treatments are suggested with

interesting friezes

]

A recently designed wooden bed of attractive appearance shows severely

plain lines in the head and foot boards, and in the sides long narrow

panels are cut out, through which the covering of the box spring is

seen. This bed is made only to order, and is intended for elaborately

decorated rooms in which a definite color scheme is carried out. It may

be had in any desired width and stained any color to match the other

furniture, while the box spring and little pillow and mattress are

covered with the same material as the draperies of the room.

[Illustration:

Japanese prints are being received with increasing favor and

thousands of beautiful designs are particularly appropriate for the

children's room. The subjects are chiefly natural history figures

and they serve as an inspiration to have stories woven about them

]

Furniture of a special size for children's rooms is made in a design

that is substantial and handsome, by the manufacturer of a well-known

and widely used type. There is a wardrobe just five feet high, with

compartments for hats, clothing, and shoes; a bureau twenty-nine inches

high, with a twenty-inch mirror on it; a bed with high sides, the

simple decorations of which match those of the bureau; rocking chairs

and straight chairs with leather seats, a settle, and tables of

different sizes and shapes. Nothing could be more attractive or

complete than a room furnished in this way for a child of six or seven

years who has outgrown the daintier surroundings of the nursery. It has

all of the dignity of a well-appointed grown-up room, but with

everything in proportion to the size of its owner.

Even washstand sets, suitable as to shape and decoration, may be had

for the child's room in which no detail is to be omitted. They are

little if any smaller than the usual sets, but the decorations are in

keeping with those of the other appointments, and the pitchers are

designed with a view to their being handled easily by small hands.

They are not unlike milk jugs in shape, with a substantial handle over

the top and another at the back, so that there is small chance of their

slipping while in transit, and the mouth is a definitely formed one

that will not fail to pour in the direction intended.

For a comparatively small amount a room may be fitted up with enough

distinctive juvenile furnishings to impart individuality and to give

the child a sense of possession that it will never have in grown-up

surroundings. Even though circumstances are such that it has not had an

elaborate nursery, as soon as a child is old enough to have a room of

its own there is no reason why the furnishings should not be in

keeping, and with the expenditure of a little money a dainty and

attractive room may be arranged. High-priced beds and other pieces of

furniture are by no means necessary, and, as is often the case, the

most reasonably furnished room may be the most satisfactory if a little

ingenuity and good taste are brought into service.

[Illustration:

There are various ways that Japanese prints may be used in the

child's room. This and the opposite illustration show prints put on

the wall and held by a molding at top and bottom. This also may

contain a glass to protect each picture

]

[Illustration:

There are decorations such as this that have an educational value

and that take the place of toys. These little figures on the left

are really companions, while the plaster plaque illustrates

Stevenson's Verses

]

[Illustration:

These bas-reliefs make interesting decorations and at the same time

serve as object lessons in illustrating good poetry

]

Thirty to thirty-two dollars can be made to cover the cost of

wall-paper, curtains, bed and mattress, a rug and a bureau, all in

sizes and designs suitable for children. The wall-papers in juvenile

patterns are not expensive, and the cost of papering a room of average

size would be about five dollars. A little white iron bed may be had

for as low as five dollars, with seven dollars additional for the

mattress, and a rug 3 × 6 feet in size with a decorative border is

$3.50. A bureau of small size, such as comes in an inexpensive grade of

the so-called antique oak, costs about $8.00. For the very reason that

the furnishings of the room are only temporary, and soon to be outgrown

and discarded, it is quite satisfactory to buy a cheap grade of

furniture whenever possible, if price is a consideration. A small

bureau is less expensive than one made especially in a child's size,

and is equally practical if not so substantially made. Such a bureau

can be done over in white enamel to match the bed, or in any dark color

that may be preferred in place of the shiny oak finish.

For curtains that hang straight from the top of the window to the lower

edge of the sash, scrim at twenty-five cents a yard would cost two

dollars. Allowing four yards for each of two windows, and enough

printed cretonne to make a decorative border, it would cost a dollar

and a half additional.

These figures are of the very lowest for which a child's room can be

fitted up, but even with everything of the most inexpensive grade it

will give more real pleasure than one on which a much greater amount

has been spent if the room is nondescript in its furnishings and fails

to impress the child with a sense of ownership.

SARAH LEYBURN COE

[Illustration]

Characteristic Staircase Types and Hall Treatments

[Illustration:

In the right place half-timber work on plaster has many

possibilities for hall decoration

]

[Illustration:

Japanese grass cloth in golden color is an excellent combination for

chestnut stained light brown. Wood strips are used instead of

paneling

]

[Illustration:

In certain old Colonial halls the entrance is fashioned in a

semicircular recess up which the stairs curve in a spiral. The

effect is exceedingly beautiful but requires much space

]

[Illustration:

The front door in this house opens directly into the living-room,

into which stairs come down at one side. The wood has natural

treatment and part of the banister forms the wainscot of the room

]

[Illustration:

Some of the best Colonial detail is to be found in newel posts where

careful craftsmen worked a variety of spirals

]

[Illustration:

One method of securing pleasing decorative effects was the use of

balusters in three different designs

]

[Illustration:

In the old farmhouses for the sake of warmth the main stairway was

made with the smallest possible well and often closed with a door at

the main hall

]

[Illustration:

This is a modern example by Wilson Eyre of the stair well inclosed

for the greater part of its length. Such arrangement is only

possible under certain lighting conditions

]

[Illustration:

The stairs that rise from this living-room are designed to take up

as little room as possible. In this they are very successful and

little of the banister rail and stair woodwork can be seen

]

[Illustration:

Where there is a large room made dignified by architectural

decoration the twin stairways curving either side of a main flight

are decidedly impressive; but one should not plan to make use of

this effect in any but a pretentious house

]

[Illustration:

A Book of Distinctive Interiors · 第 2 / 3 段