FRANCK

César-Auguste Franck was born at Liège, Belgium, December 10th, 1822.

His father hoped to make a piano-virtuoso of him, and supervised his

musical education. At the age of eleven the young Franck was touring

Belgium as a pianist. In 1835 the family emigrated to Paris, and two

years later César was admitted to the Conservatoire. He studied

composition with Leborne and the piano with Zimmermann. He took the

first prize for fugue in 1840. In 1842 his father compelled him to leave

the Conservatory and return to Belgium, but two years later he was once

more in Paris, seeking to gain his living by teaching and playing.

"Ruth" was performed in 1846. He was married in 1848. In 1851 he was

appointed organist at the church of Saint-Jean-Saint-François, later of

the church of Sainte-Clotilde, which post he occupied during the

remainder of his years. In 1872 he was appointed professor of

organ-playing at the Conservatoire. "Rédemption" was performed in 1873.

"Les Béatitudes" was performed for the first time in 1880. Shortly

after, the professorship of composition at the Conservatory was refused

him, and five years later he was decorated with the ribbon of the Legion

of Honor as "professor of organ-playing." In 1887 a "Festival Franck"

was given under the direction of Pasdeloup at the Cirque d'hiver. His

symphony was performed for the first time in 1889. He died November 8th,

1890.

The dates of the composition of his principal works are as follows:

"Ruth," 1843-46; "Six pièces pour grand orgue," 1860-62; "Trois

offertoires," 1871; "Rédemption," 1871-72 (first version), 1874 (second

version); "Prélude, fugue et variation," 1873; "Trois pièces pour grand

orgue," 1878; "String-quintet," 1878-79; "Les Béatitudes," 1869-79; "Le

Chasseur maudit," 1882; "Les Djinns," 1884; "Prélude, choral et fugue,"

1884; "Hulda," 1882-85; "Variations symphoniques," 1885; "Sonate," 1886;

"Prélude, aria et finale," 1886-87; "Psyche," 1887-88; "Symphonie,"

1886-88; "Quatuor," 1889; "Trois chorales," 1890.

Musical Portraits : Interpretations of Twenty Modern Composers · 第 30 / 44 题