MOUSSORGSKY

Modest Petrovitch Moussorgsky was born March 16th, 1839, in the village

of Karevo in the government of Pskow, Russia. His parents were members

of the lesser nobility. His mother gave him his first piano lessons. At

the age of ten he was sent to the School of St. Peter and St. Paul in

Petrograd. His piano-studies were continued with a certain Professor

Herke. At the age of twelve he played in public a _Rondo de concert_ by

Herz. In 1852 he matriculated at the school for ensigns, and the same

year had his first composition, a polka, published. In 1856, while

serving as an officer in the Preobrajensky Guards, he made the

acquaintance of Borodin. Soon after, he met Dargomyjski. It was with

him that, in his own words, "he for the first time lived the musical

life." Later, he became acquainted also with Cui, Balakirew and

Rimsky-Korsakoff. He took lessons in composition of Balakirew, and

finally realized what his direction really was. A nervous malady

prevented him from working in 1859. But directly after his

convalescence, he resigned from the guards, and set to work in earnest.

In order to support himself, he accepted a position in the government

service. He lived in Petrograd with five friends. In 1865 he was once

more attacked by his malady, and had to retire to the country for three

years. In 1869 he returned to Petrograd, living with his friends the

Opotchinines. His moment of success came in 1874, with the performance

of "Boris." Directly after, his health commenced to fail. In 1879 he

resigned his office, and sought to support himself by playing

accompaniments. He died in 1881 in a military hospital.

The dates of composition of his principal works are:

"Boris Godounow," 1868-71; "Khovanchtchina," 1872-81; "The Marriage"

(one act), 1868; "The Fair at Sorotchinsk" (fragment), 1877-81; "The

Defeat of Sennacherib," 1867-74; "Jesus Navine," 1877; "Sans Soleil,"

1874; "La Chambre d'Enfants," 1874; "Chants et Danses de la Mort," 1875;

"Marcia all Turka," 1880; "La Nuit sur le Mont-Chauve," 1867-75;

"Tableaux d'une Exposition," 1874; "Hopak," 1877.

Musical Portraits : Interpretations of Twenty Modern Composers · 第 27 / 44 题