PERSONAGES.

King Dodo I.

Pedro, Court chamberlain.

Dr. Fizz, Court physician.

Mudge, Court historian.

Sancho, an innkeeper.

Bonilla, prime minister to Queen Lili.

Lo Baswood.

Lopez.

Diego.

José.

Unio.

Queen Lili.

Angela, the King's ward.

Piola, a soldier of fortune.

Annette.

[Courtiers, knights, ladies, etc.]

The scene is laid in Dodoland and the South Sea islands; time, the

present.

"King Dodo," though usually set down on the programmes as a comic opera,

strictly speaking, is a musical comedy, or comedy opera. Its plot turns

upon the efforts of King Dodo to find the elixir of youth. His adventures

carry him from his own kingdom in the land of nowhere in particular to

the South Sea islands and back, a few absurd love episodes adding to the

humor of the situations in which he finds himself. The old King is

enamoured of the Princess Angela, and to secure her he determines to find

the fountain which will renew his youth. His Court physician has failed

in the attempt; but Piola, "a soldier of fortune," claims to know where

the fountain is, but demands that when he finds it he shall have the hand

of Angela as his reward. The King reluctantly consents, and starts with

his whole establishment to find it. The wonderful spring is discovered in

the land of the Spoopjus, and there King Dodo also finds Queen Lili, who

promptly falls in love with him, because her ideal for a husband is a man

full of years and experience. The King, however, accidentally drinks from

the fountain, and is transformed into a child, whereupon the Queen

rejects him. As the waters fortunately work both ways, when Dodo is

thrown into them by conspirators, he becomes himself again, and the Queen

devotes herself to him anew with such assiduity that they are united.

Pedro and Annette and Piola and Angela also improve the occasion to get

married, and all return in great glee to Dodoland.

The musical numbers in "King Dodo," are all of a light, catchy kind,

their success depending much upon the sprightliness of the performers.

The most popular are the "Cats' Quartette"; "The Tale of the Bumble-bee";

Piola's song, "I'll do or die," which is accompanied by a stirring

chorus; the melodious "Zamoña," sung by Angela and chorus; a

drinking-song of a spirited sort by Annette and chorus; "The Eminent Dr.

Fizz," sung by the doctor himself; and "The Jolly old Potentate" and the

topical song, "They gave me a Medal for that," sung by King Dodo.

The Prince of Pilsen.

[A musical comedy, in two acts; text by Pixley. First produced in the

Tremont Theatre, Boston, May 21, 1902.]

The Standard Light Operas, Their Plots and Their Music · 第 57 / 116 题