STARS OF THE STAGE.

A Series of Illustrated Biographies of the Leading Actors, Actresses,

and Dramatists.

Edited by J. T. GREIN.

Crown 8vo. Price 2/6 each net.

ELLEN TERRY. By Christopher St. John.

SIR HERBERT BEERBOHM TREE. By Mrs. George Cran.

SIR W. S. GILBERT. By Edith A. Browne.

SIR CHARLES WYNDHAM. By Florence Teignmouth Shore.

_A CATALOGUE OF MEMOIRS, BIOGRAPHIES, ETC._

THE LIFE AND LETTERS OF WILLIAM COBBETT IN ENGLAND AND AMERICA. By Lewis

Melville. Author of “William Makepeace Thackeray.” With two

Photogravures and numerous other Illustrations. 2 vols. Demy 8vo. 32s.

net.

THE LETTER-BAG OF LADY ELIZABETH SPENCER STANHOPE. By A. M. W. Stirling.

Author of “Coke of Norfolk,” and “Annals of a Yorkshire House.” With a

Colour Plate, 3 in Photogravure, and 27 other Illustrations. 2 vols.

Demy 8vo. 32s. net.

⁂ “Extracts might be multiplied indefinitely, but we have given enough

to show the richness of the mine. We have nothing but praise for the

editor’s work, and can conscientiously commend this book equally to

the student of manners and the lover of lively anecdote.”—_Standard._

MEMOIRS OF THE COURT OF ENGLAND IN 1675. By Marie Catherine Comtesse

d’Aulnoy. Translated from the original French by Mrs. William Henry

Arthur. Edited, Revised, and with Annotations (including an account of

Lucy Walter) by George David Gilbert. With Illustrations. Demy 8vo. 21s.

net.

⁂ When the Comte de Gramont went back to France and Mr. Pepys decided

that to save his eyesight it was essential that he should suspend his

Diary, the records of delectable gossip of the ever interesting

Restoration Court became, of necessity, sadly curtailed. Indeed, of

the second decade of the Golden Days the sedate Evelyn has hitherto

been almost the only source of information available to the public.

Though the Memoirs of the Countess d’Aulnoy have always been known to

students, they have never received the respect they undoubtedly merit,

for until Mr. Gilbert, whose hobby is the social history of this

period, took the matter in hand, no-one had succeeded in either

deciphering the identity of the leading characters of the Memoirs or

of verifying the statements made therein. To achieve this has been for

some years his labour of love and an unique contribution to Court and

Domestic history is the crown of his labours. The Memoirs, which have

only to be known to rank with the sparkling “Comte de Gramont” (which

they much resemble), contain amusing anecdotes and vivid portraits of

King Charles II., his son the Duke of Monmouth, Prince Rupert,

Buckingham, and other ruffling “Hectors” of those romantic days. Among

the ladies we notice the Queen, the Duchess of Norfolk and Richmond,

and the lively and vivacious Maids of Honour. The new Nell Gwynn

matter is of particular interest. The Memoirs are fully illustrated

with portraits, not reproduced before, from the collection of the Duke

of Portland and others.

AUSTRIA: HER PEOPLE AND THEIR HOMELANDS. By James Baker, F.R.G.S. With

48 Pictures in Colour by Donald Maxwell. Demy 8vo. 21s. net.

⁂ The Empire of Austria with its strangely diversified population of

many tongues is but little known to English readers. The Capital and a

few famous interesting places, such as Carlsbad, Marienbad, the

glorious Tyrol, and such cities as Golden Prague and Innsbruck are

known to the English and Americans; but the remarkable scenery of the

Upper Elbe, the Ultava or Moldau and the Danube, the interesting

peasantry in their brilliant costumes, the wild mountain gorges, are

quite outside the ken of the ordinary traveller. The volume is written

by one who since 1873 has continually visited various parts of the

Empire and has already written much upon Austria and her people. Mr.

Baker was lately decorated by the Emperor Francis Joseph for his

literary work and was also voted the Great Silver Medal by the Prague

Senate. The volume is illustrated with 48 beautiful water-colour

pictures by Mr. Donald Maxwell, the well-known artist of the

_Graphic_, who has made several journeys to Austria for studies for

this volume.

TAPESTRIES: THEIR ORIGIN, HISTORY, AND RENAISSANCE. By George Leland

Hunter. With four full-page Plates in Colour, and 147 Half-tone

Engravings. Square 8vo. Cloth. 16s. net.

⁂ This is a fascinating book on a fascinating subject. It is written

by a scholar whose passion for accuracy and original research did not

prevent him from making a story easy to read. It answers the questions

people are always asking as to how tapestries differ from paintings,

and good tapestries from bad tapestries. It will interest lovers of

paintings and rugs and history and fiction, for it shows how

tapestries compare with paintings in picture interest, with rugs in

texture interest, and with historic and other novels in romantic

interest; presenting on a magnificent scale the stories of the Iliad

and the Odyssey, the Æneid and the Metamorphoses, the Bible and the

Saints, Ancient and Medieval History and Romance. In a word, the book

is indispensable to lovers of art and literature in general, as well

as to tapestry amateurs, owners and dealers.

FROM STUDIO TO STAGE. By Weedon Grossmith. With 32 full-page

Illustrations. Demy 8vo. 16s. net.

⁂ Justly famous as a comedian of unique gifts, Mr. Weedon Grossmith is

nevertheless an extremely versatile personality, whose interests are

by no means confined to the theatre. These qualities have enabled him

to write a most entertaining book. He gives an interesting account of

his early ambitions and exploits as an artist, which career he

abandoned for that of an actor. He goes on to describe some of his

most notable rôles, and lets us in to little intimate glimpses “behind

the scenes,” chats pleasantly about all manner of celebrities in the

land of Bohemia and out of it, tells many amusing anecdotes, and like

a true comedian is not bashful when the laugh is against himself. The

book is well supplied with interesting illustrations, some of them

reproductions of the author’s own work.

FANNY BURNEY AT THE COURT OF QUEEN CHARLOTTE. By Constance Hill. Author

of “The House in St. Martin Street,” “Juniper Hall,” etc. With numerous

Illustrations by Ellen G. Hill and reproductions of contemporary

Portraits, etc. Demy 8vo. 16s. net.

⁂ This book deals with the Court life of Fanny Burney covering the

years 1786-91, and therefore forms a link between the two former works

on Fanny Burney by the same writer, viz. “The House in St. Martin

Street,” and “Juniper Hall.” The writer has been fortunate in

obtaining much unpublished material from members of the Burney family

as well as interesting contemporary portraits and relics. The scene of

action in this work is constantly shifting—now at Windsor, now at Kew,

now sea-girt at Weymouth, and now in London; and the figures that pass

before our eyes are endowed with a marvellous vitality by the pen of

Fanny Burney. When the court was at St. James’s the Keeper of the

Robes had opportunities of visiting her own family in St. Martin

Street, and also of meeting at the house of her friend Mrs. Ord

“everything delectable in the blue way.” Thither Horace Walpole would

come in all haste from Strawberry Hill for the sole pleasure of

spending an evening in her society. After such a meeting Fanny

writes—“he was in high spirits, polite, ingenious, entertaining,

quaint and original.” A striking account of the King’s illness in the

winter of 1788-9 is given, followed by the widespread rejoicings for

his recovery; when London was ablaze with illuminations that extended

for many miles around, and when “even the humblest dwelling exhibited

its rush-light.” The author and the illustrator of this work have

visited the various places, where King George and Queen Charlotte

stayed when accompanied by Fanny Burney. Among these are Oxford,

Cheltenham, Worcester, Weymouth and Dorchester; where sketches have

been made, or old prints discovered, illustrative of those towns in

the late 18th century savours of Georgian days. There the national

flag may still be seen as it appeared before the union.

MEMORIES OF SIXTY YEARS AT ETON, CAMBRIDGE AND ELSEWHERE. By Oscar

Browning. Illustrated. Demy 8vo. 14s. net.

THE STORY OF DON JOHN OF AUSTRIA. By Padre Luis Coloma, S.J., of the

Real Academia Española. Translated by Lady Moreton. With Illustrations.

Demy 8vo. 16_s._ net.

⁂ “A new type of book, half novel and half history,” as it is very

aptly called in a discourse delivered on the occasion of Padre

Coloma’s election to the Academia de España, the story of the heroic

son of Charles V. is retold by one of Spain’s greatest living writers

with a vividness and charm all his own. The childhood of Jeromin,

afterwards Don John of Austria reads like a mysterious romance. His

meteoric career is traced through the remaining chapters of the book;

first as the attractive youth; the cynosure of all eyes that were

bright and gay at the court of Philip II., which Padre Coloma

maintains was less austere than is usually supposed; then as conqueror

of the Moors, culminating as the “man from God” who saved Europe from

the terrible peril of a Turkish dominion; triumphs in Tunis; glimpses

of life in the luxury loving Italy of the day; then the sad story of

the war in the Netherlands, when our hero, victim of an infamous

conspiracy, is left to die of a broken heart; his end hastened by

fever, and, maybe, by the “broth of Doctor Ramirez.” Perhaps more

fully than ever before is laid bare the intrigue which led to the

cruel death of the secretary, Escovedo, including the dramatic

interview between Philip II. and Antonio Perez, in the lumber room of

the Escorial. A minute account of the celebrated _auto da fe_ in

Valladolid cannot fail to arrest attention, nor will the details of

several of the imposing ceremonies of Old Spain be less welcome than

those of more intimate festivities in the Madrid of the sixteenth

century, or of everyday life in a Spanish castle.

⁂ “This book has all the fascination of a vigorous _roman à clef_ . .

. the translation is vigorous and idiomatic.”—_Mr. Owen Edwards in

Morning Post._

THIRTEEN YEARS OF A BUSY WOMAN’S LIFE. By Mrs. Alec Tweedie. With

Nineteen Illustrations. Demy 8vo. 16_s._ net. Third Edition.

⁂ It is a novel idea for an author to give her reasons for taking up

her pen as a journalist and writer of books. This Mrs. Alec Tweedie

has done in “Thirteen Years of a Busy Woman’s Life.” She tells a

dramatic story of youthful happiness, health, wealth, and then

contrasts that life with the thirteen years of hard work that followed

the loss of her husband, her father, and her income in quick

succession in a few weeks. Mrs. Alec Tweedie’s books of travel and

biography are well-known, and have been through many editions, even to

shilling copies for the bookstalls. This is hardly an autobiography,

the author is too young for that, but it gives romantic, and tragic

peeps into the life of a woman reared in luxury, who suddenly found

herself obliged to live on a tiny income with two small children, or

work—and work hard—to retain something of her old life and interests.

It is a remarkable story with many personal sketches of some of the

best-known men and women of the day.

⁂ “One of the gayest and sanest surveys of English society we have

read for years.”—_Pall Mall Gazette._

⁂ “A pleasant laugh from cover to cover.”—_Daily Chronicle._

THE ENGLISH AND FRENCH IN THE XVIITH CENTURY. By Charles Bastide. With

Illustrations. Demy 8vo. 12_s._ 6_d._ net.

⁂ The author of this book of essays on the intercourse between England

and France in the seventeenth century has gathered much curious and

little-known information. How did the travellers proceed from London

to Paris? Did the Frenchmen who came over to England learn, and did

they ever venture to write English? An almost unqualified admiration

for everything French then prevailed: French tailors, milliners,

cooks, even fortune-tellers, as well as writers and actresses, reigned

supreme. How far did gallomania affect the relations between the two

countries? Among the foreigners who settled in England none exercised

such varied influence as the Hugenots; students of Shakespeare and

Milton can no longer ignore the Hugenot friends of the two poets,

historians of the Commonwealth must take into account the “Nouvelles

ordinaires de Londres.” the French gazette, issued on the Puritan

side, by some enterprising refugee. Is it then possible to determine

how deeply the refugees impressed English thought? Such are the main

questions to which the book affords an answer. With its numerous

hitherto unpublished documents and illustrations, drawn from

contemporary sources, it cannot fail to interest those to whom a most

brilliant and romantic period in English history must necessarily

appeal.

THE VAN EYCKS AND THEIR ART. By W. H. James Weale, with the co-operation

of Maurice Brockwell. With numerous Illustrations. Demy 8vo. 12_s._

6_d._ net.

⁂ The large book on “Hubert and John Van Eyck” which Mr. Weale

published in 1908 through Mr. John Lane was instantly recognised by

the reviewers and critics as an achievement of quite exceptional

importance. It is now felt that the time has come for a revised and

slightly abridged edition of that which was issued four years ago at

£5 5s. net. The text has been compressed in some places and extended

in others, while certain emendations have been made, and after due

reflection, the plan of the book has been materially recast. This

renders it of greater assistance to the student.

The large amount of research work and methodical preparation of a

revised text obliged Mr. Weale, through failing health and eyesight,

to avail himself of the services of Mr. Brockwell, and Mr. Weale gives

it as his opinion in the new Foreword that he doubts whether he could

have found a more able collaborator than Mr. Brockwell to edit this

volume.

“The Van Eycks and their Art,” so far from being a mere reprint at a

popular price of “Hubert and John Van Eyck,” contains several new

features, notable among which are the inclusion of an Appendix giving

details of all the sales at public auction in any country from 1662 to

1912 of pictures reputed to be by the Van Eycks. An entirely new and

ample Index has been compiled, while the bibliography, which extends

over many pages, and the various component parts of the book have been

brought abreast of the most recent criticism. Detailed arguments are

given for the first time of a picture attributed to one of the

brothers Van Eyck in a private collection in Russia.

In conclusion it must be pointed out that Mr. Weale has, with

characteristic care, read through the proofs and passed the whole book

for press.

The use of a smaller _format_ and of thinner paper renders the present

edition easier to handle as a book of reference.

COKE OF NORFOLK AND HIS FRIENDS. The Life of Thomas Coke, First Earl of

Leicester and of Holkham. By A. M. W. Stirling. New Edition, revised,

with some additions. With 19 Illustrations. In one volume. Demy 8vo.

12_s._ 6_d._ net.

THE EMPRESS JOSEPHINE. By Joseph Turquan. Author of “The Love Affairs of

Napoleon,” “The Wife of General Bonaparte.” Illustrated. Demy 8vo.

12_s._ 6_d._ net.

⁂ “The Empress Josephine” continues and completes the graphically

drawn life story begun in “The Wife of General Bonaparte” by the same

author, takes us through the brilliant period of the Empire, shows us

the gradual development and the execution of the Emperor’s plan to

divorce his middle-aged wife, paints in vivid colours the picture of

Josephine’s existence after her divorce, tells us how she, although

now nothing but his friend, still met him occasionally and

corresponded frequently with him, and how she passed her time in the

midst of her miniature court. This work enables us to realise the very

genuine affection which Napoleon possessed for his first wife, an

affection which lasted till death closed her eyes in her lonely

hermitage at La Malmaison, and until he went to expiate at Saint

Helena his rashness in braving all Europe. Comparatively little is

known of the period covering Josephine’s life after her divorce, and

yet M. Turquan has found much to tell us that is very interesting; for

the ex-Empress in her two retreats, Navarre and La Malmaison, was

visited by many celebrated people, and after the Emperor’s downfall

was so ill-judged as to welcome and fete several of the vanquished

hero’s late friends, now his declared enemies. The story of her last

illness and death forms one of the most interesting chapters in this

most complete work upon the first Empress of the French.

NAPOLEON IN CARICATURE: 1795-1821. By A. M. Broadley. With an

Introductory Essay on Pictorial Satire as a Factor in Napoleonic

History, by J. Holland Rose, Litt. D. (Cantab.). With 24 full-page

Illustrations in Colour and upwards of 200 in Black and White from rare

and unique originals. 2 Vols. Demy 8vo. 42s. net.

_Also an Edition de Luxe._ 10 guineas net.

NAPOLEON’S LAST CAMPAIGN IN GERMANY. By F. Loraine Petre. Author of

“Napoleon’s Campaign in Poland,” “Napoleon’s Conquest of Prussia,” etc.

With 17 Maps and Plans. Demy 8vo. 12_s._ 6_d._ net.

⁂ In the author’s two first histories of Napoleon’s campaigns (1806

and 1807) the Emperor is at his greatest as a soldier. The third

(1809) showed the commencement of the decay of his genius. Now, in

1813, he has seriously declined. The military judgment of Napoleon,

the general, is constantly fettered by the pride and obstinacy of

Napoleon, the Emperor. The military principles which guided him up to

1807 are frequently abandoned; he aims at secondary objectives, or

mere geographical points, instead of solely at the destruction of the

enemy’s army; he hesitates and fails to grasp the true situation in a

way that was never known in his earlier campaigns. Yet frequently, as

at Bautsen and Dresden, his genius shines with all its old brilliance.

The campaign of 1813 exhibits the breakdown of his over-centralised

system of command, which left him without subordinates capable of

exercising semi-independent command over portions of armies which had

now grown to dimensions approaching those of our own day.

The autumn campaign is a notable example of the system of interior

lines, as opposed to that of strategical envelopment. It marks, too,

the real downfall of Napoleon’s power, for, after the fearful

destruction of 1813, the desperate struggle of 1814, glorious though

it was, could never have any real probability of success.

FOOTPRINTS OF FAMOUS AMERICANS IN PARIS. By John Joseph Conway, M.A.

With 32 Full-page Illustrations. With an Introduction by Mrs. John Lane.

Demy 8vo. 12_s._ 6_d._ net.

⁂ Franklin, Jefferson, Munroe, Tom Paine, La Fayette, Paul Jones,

etc., etc., the most striking figures of a heroic age, working out in

the City of Light the great questions for which they stood, are dealt

with here. Longfellow the poet of the domestic affections; matchless

Margaret Fuller who wrote so well of women in the nineteenth century;

Whistler master of American artists; Saint-Gaudens chief of American

sculptors; Rumford, most picturesque of scientific knight-errants and

several others get a chapter each for their lives and achievements in

Paris. A new and absorbing interest is opened up to visitors. Their

trip to Versailles becomes more pleasurable when they realise what

Franklyn did at that brilliant court. The Place de la Bastille becomes

a sacred place to Americans realizing that the principles of the young

republic brought about the destruction of the vilest old dungeon in

the world. The Seine becomes silvery to the American conjuring up that

bright summer morning when Robert Fulton started from the Place de la

Concorde in the first steam boat. The Louvre takes on a new attraction

from the knowledge that it houses the busts of Washington and Franklyn

and La Fayette by Houdon. The Luxembourg becomes a greater temple of

art to him who knows that it holds Whistler’s famous portrait of his

mother. Even the weather-beaten bookstalls by the banks of the Seine

become beautiful because Hawthorne and his son loitered among them on

sunny days sixty years ago. The book has a strong literary flavour.

Its history is enlivened with anecdote. It is profusely illustrated.

MEMORIES OF JAMES McNEILL WHISTLER: The Artist. By Thomas R. Way. Author

of “The Lithographs of J. M. Whistler,” etc. With numerous

Illustrations. Demy 4to. 10_s._ 6_d._ net.

⁂ This volume contains about forty illustrations, including an

unpublished etching drawn by Whistler and bitten in by Sir Frank

Short, A.R.A., an original lithograph sketch, seven lithographs in

colour drawn by the Author upon brown paper, and many in black and

white. The remainder are facsimiles by photo-lithography. In most

cases the originals are drawings and sketches by Whistler which have

never been published before, and are closely connected with the matter

of the book. The text deals with the Author’s memories of nearly

twenty year’s close association with Whistler, and he endeavours to

treat only with the man as an artist, and perhaps, especially as a

lithographer.

* Also an Edition de Luxe on hand-made paper, with the etching printed

from the original plate. Limited to 50 copies.

* This is Out of Print with the Publisher.

HISTORY OF THE PHILHARMONIC SOCIETY: A Record of a Hundred Years’ Work

in the Cause of Music. Compiled by Myles Birket Foster, F.R.A.M., etc.

With 16 Illustrations. Demy 8vo. 10_s._ 6_d._ net.

⁂ As the Philharmonic Society, whose Centenary is now being

celebrated, is and has ever been connected, during its long existence,

with the history of musical composition and production, not only in

this country, but upon the Continent, and as every great name in

Europe and America in the last hundred years (within the realm of

high-class music), has been associated with it, this volume will, it

is believed, prove to be an unique work, not only as a book of

reference, but also as a record of the deepest interest to all lovers

of good music. It is divided into ten Decades, with a small narrative

account of the principal happenings in each, to which are added the

full programmes of every concert, and tables showing, at a glance, the

number and nationality of the performers and composers, with other

particulars of interest. The book is made of additional value by means

of rare illustrations of MS. works specially composed for the Society,

and of letters from Wagner, Berlioz, Brahms, Liszt, etc., etc.,

written to the Directors and, by their permission, reproduced for the

first time.

IN PORTUGAL. By Aubrey F. G. Bell. Author of “The Magic of Spain.” Demy

8vo. 7_s._ 6_d._ net.

⁂ The guide-books give full details of the marvellous convents,

gorgeous palaces, and solemn temples of Portugal, and no attempt is

here made to write complete descriptions of them, the very name of

some of them being omitted. But the guide-books too often treat

Portugal as a continuation, almost as a province of Spain. It is hoped

that this little book may give some idea of the individual character

of the country, of the quaintnesses of its cities, and of peasant life

in its remoter districts. While the utterly opposed characters of the

two peoples must probably render the divorce between Spain and

Portugal eternal, and reduce hopes of union to the idle dreams of

politicians. Portugal in itself contains an infinite variety. Each of

the eight provinces (more especially those of the _alemtejanos_,

_minhotos_ and _beiröes_) preserves many peculiarities of language,

customs, and dress; and each will, in return for hardships endured,

give to the traveller many a day of delight and interest.

A TRAGEDY IN STONE, AND OTHER PAPERS. By Lord Redesdale, G.C.V.O.,

K.C.C., etc. Demy 8vo. 7_s._ 6_d._ net.

⁂ “From the author of ‘Tales of Old Japan’ his readers always hope for

more about Japan, and in this volume they will find it. The earlier

papers, however, are not to be passed over.”—_Times._

⁂ “Lord Redesdale’s present volume consists of scholarly essays on a

variety of subjects of historic, literary and artistic

appeal.”—_Standard._

⁂ “The author of the classic ‘Tales of Old Japan’ is assured of

welcome, and the more so when he returns to the field in which his

literary reputation was made. Charm is never absent from his

pages.”—_Daily Chronicle._

MY LIFE IN PRISON. By Donald Lowrie. Crown 8vo. 6_s._ net.

⁂ This book is absolutely true and vital. Within its pages passes the

myriorama of prison life. And within its pages may be found

revelations of the divine and the undivine; of strange humility and

stranger arrogance; of free men brutalized and caged men humanized; of

big and little tragedies; of love, cunning, hate, despair, hope. There

is humour, too though sometimes the jest is made ironic by its sequel.

And there is romance—the romance of the real; not the romance of

Kipling’s 9.15, but the romance of No. 19,093, and of all the other

numbers that made up the arithmetical hell of San Quentin prison.

Few novels could so absorb interest. It is human utterly. That is the

reason. Not only is the very atmosphere of the prison preserved, from

the colossal sense of encagement and defencelessness, to the smaller

jealousies, exultations and disappointments; not only is there a

succession of characters emerging into the clearest individuality and

genuineness,—each with its distinctive contribution and separate

value; but beyond the details and through all the contrasted variety,

there is the spell of complete drama,—the drama of life. Here is the

underworld in continuous moving pictures, with the overworld watching.

True, the stage is a prison; but is not all the world a stage?

It is a book that should exercise a profound influence on the lives of

the caged, and on the whole attitude of society toward the problems of

poverty and criminality.

AN IRISH BEAUTY OF THE REGENCY: By Mrs. Warrenne Blake. Author of

“Memoirs of a Vanished Generation, 1813-1855.” With a Photogravure

Frontispiece and other Illustrations. Demy 8vo. 16s. net.

⁂ The Irish Beauty is the Hon. Mrs. Calvert, daughter of Viscount

Pery, Speaker of the Irish House of Commons, and wife of Nicholson

Calvert, M.P., of Hunsdon. Born in 1767, Mrs. Calvert lived to the age

of ninety-two, and there are many people still living who remember

her. In the delightful journals, now for the first time published,

exciting events are described.

THE FOUNDATIONS OF THE NINETEENTH CENTURY. By Stewart Houston

Chamberlain. A Translation from the German by John Lees. With an

Introduction by Lord Redesdale. Demy 8vo. 2 vols. 25s. net. Second

Edition.

⁂ “A man who can write such a really beautiful and solemn appreciation

of true Christianity, of true acceptance of Christ’s teachings and

personality, as Mr. Chamberlain has done. . . . represents an

influence to be reckoned with and seriously to be taken into

account.”—_Theodore Roosevelt in the Outlook, New York._

⁂ “It is a masterpiece of really scientific history. It does not make

confusion, it clears it away. He is a great generalizer of thought, as

distinguished from the crowd of mere specialists. It is certain to

stir up thought. Whoever has not read it will be rather out of it in

political and sociological discussions for some time to come.”—_George

Bernard Shaw in Fabian News._

⁂ “This is unquestionably one of the rare books that really matter.

His judgments of men and things are deeply and indisputably sincere

and are based on immense reading . . . But even many well-informed

people . . . will be grateful to Lord Redesdale for the biographical

details which he gives them in the valuable and illuminating

introduction contributed by him to this English translation.”—_Times_.

THE SPEAKERS OF THE HOUSE OF COMMONS from the Earliest Times to the

Present Day, with a Topographical Account of Westminster at Various

Epochs, Brief Notes on Sittings of Parliament and a Retrospect of the

principal Constitutional Changes during Seven Centuries. By Arthur Irwin

Dasent, Author of “The Life and Letters of John Delane,” “The History of

St. James’s Square,” etc., etc. With numerous Portraits, including two

in Photogravure and one in Colour. Demy 8vo. 21s. net.

ROMANTIC TRIALS OF THREE CENTURIES. By Hugh Childers. With numerous

Illustrations. Demy 8vo. 12s. 6d. net.

⁂ This volume deals with some famous trials, occurring between the

years 1650 and 1850, All of them possess some exceptional interest, or

introduce historical personages in a fascinating style, peculiarly

likely to attract attention.

The book is written for the general reading public, though in many

respects it should be of value to lawyers, who will be especially

interested in the trials of the great William Penn and Elizabeth

Canning. The latter case is one of the most enthralling interest.

Twenty-two years later the same kind of excitement was aroused over

Elizabeth Chudleigh, alias Duchess of Kingston, who attracted more

attention in 1776 than the war of American independence.

Then the history of the fluent Dr. Dodd, a curiously pathetic one, is

related, and the inconsistencies of his character very clearly brought

out; perhaps now he may have a little more sympathy than he has

usually received. Several important letters of his appear here for the

first time in print.

Among other important trials discussed we find the libel action

against Disraeli and the story of the Lyons Mail. Our knowledge of the

latter is chiefly gathered from the London stage, but there is in it a

far greater historical interest than would be suspected by those who

have only seen the much altered story enacted before them.

THE OLD GARDENS OF ITALY—HOW TO VISIT THEM. By Mrs. Aubrey Le Blond.

With 100 Illustrations from her own Photographs. Crown 8vo. 5s. net.

⁂ Hitherto all books on the old gardens of Italy have been large,

costly, and incomplete, and designed for the library rather than for

the traveller. Mrs. Aubrey Le Blond, during the course of a series of

visits to all parts of Italy, has compiled a volume that garden lovers

can carry with them, enabling them to decide which gardens are worth

visiting, where they are situated, how they may be reached, if special

permission to see them is required, and how this may be obtained.

Though the book is practical and technical, the artistic element is

supplied by the illustrations, one at least of which is given for each

of the 71 gardens described. Mrs. Aubrey Le Blond was the illustrator

of the monumental work by H. Inigo Triggs on “The Art of Garden Design

in Italy,” and has since taken three special journeys to that country

to collect material for her “The Old Gardens of Italy.”

The illustrations have been beautifully reproduced by a new process

which enables them to be printed on a rough light paper, instead of

the highly glazed and weighty paper necessitated by half-tone blocks.

Thus not only are the illustrations delightful to look at, but the

book is a pleasure to handle instead of a dead weight.

DOWN THE MACKENZIE AND UP THE YUKON. By E. Stewart. With 30

Illustrations and a Map. Crown 8vo. 5s. net.

⁂ Mr. Stewart was former Inspector of Forestry to the Government of

Canada, and the experience he thus gained, supplemented by a really

remarkable journey, will prove of great value to those who are

interested in the commercial growth of Canada. The latter portion of

his book deals with the various peoples, animals, industries, etc., of

the Dominion; while the story of the journey he accomplished provides

excellent reading in Part I. Some of the difficulties he encountered

appeared insurmountable, and a description of his perilous voyage in a

native canoe with Indians is quite haunting. There are many

interesting illustrations of the places of which he writes.

AMERICAN SOCIALISM OF THE PRESENT DAY. By Jessie Wallace Hughan. With an

Introduction by John Spargo. Crown 8vo. 5s. net.

⁂ All who are interested in the multitudinous political problems

brought about by the changing conditions of the present day should

read this book, irrespective of personal bias. The applications of

Socialism throughout the world are so many and varied that the book is

of peculiar importance to English Socialists.

THE STRUGGLE FOR BREAD. By “A Rifleman” Crown 8vo. 5s. net.

⁂ This book is a reply to Mr. Norman Angell’s well-known work, “The

Great Illusion” and also an enquiry into the present economic state of

Europe. The author, examining the phenomenon of the high food-prices

at present ruling in all great civilized states, proves by statistics

that these are caused by a relative decline in the production of

food-stuffs as compared with the increase in general commerce and the

production of manufactured-articles, and that consequently there has

ensued a rise in the exchange-values of manufactured-articles, which

with our system of society can have no other effect than of producing

high food-prices and low wages. The author proves, moreover, that this

is no temporary fluctuation of prices, but the inevitable outcome of

an economic movement, which whilst seen at its fullest development

during the last few years has been slowly germinating for the last

quarter-century. Therefore, food-prices must continue to rise whilst

wages must continue to fall.

THE LAND OF TECK & ITS SURROUNDINGS. By Rev. S. Baring-Gould. With

numerous Illustrations (including several in Colour) reproduced from

unique originals. Demy 8vo. 10s. 6d. net.

GATES OF THE DOLOMITES. By L. Marion Davidson. With 32 Illustrations

from Photographs and a Map. Crown 8vo. Second Edition. 5s. net.

⁂ Whilst many English books have appeared on the Lande Tirol, few have

given more than a chapter on the fascinating Dolomite Land, and it is

in the hope of helping other travellers to explore the mountain land

with less trouble and inconvenience than fell to her lot that the

author has penned these attractive pages. The object of this book is

not to inform the traveller how to scale the apparently inaccessible

peaks of the Dolomites, but rather how to find the roads, and thread

the valleys, which lead him to the recesses of this most lovely part

of the world’s face, and Miss Davidson conveys just the knowledge

which is wanted for this purpose; especially will her map be

appreciated by those who wish to make their own plans for a tour, as

it shows at a glance the geography of the country.

KNOWLEDGE AND LIFE. By William Arkwright. Crown 8vo. 3s. 6d. net.

⁂ This is a remarkably written book—brilliant and vital. Mr. Arkwright

illumines a number of subjects with jewelled flashes of word harmony

and chisels them all with the keen edge of his wit. Art, Letters, and

Religion of different appeals move before the reader in vari-coloured

array, like the dazzling phantasmagoria of some Eastern dream.

CHANGING RUSSIA. A Tramp along the Black Sea Shore and in the Urals. By

Stephen Graham. Author of “Undiscovered Russia,” “A Vagabond in the

Caucasus,” etc. With Illustrations and a Map. Demy 8vo. 7s. 6d. net.

⁂ In “Changing Russia,” Mr. Stephen Graham describes a journey from

Rostof-on-the-Don to Batum and a summer spent on the Ural Mountains.

The author has traversed all the region which is to be developed by

the new railway from Novo-rossisk to Poti. It is a tramping diary with

notes and reflections. The book deals more with the commercial life of

Russia than with that of the peasantry, and there are chapters on the

Russia of the hour, the Russian town, life among the gold miners of

the Urals, the bourgeois, Russian journalism, the intelligentsia, the

election of the fourth Duma. An account is given of Russia at the

seaside, and each of the watering places of the Black Sea shore is

described in detail.

ROBERT FULTON ENGINEER AND ARTIST: HIS LIFE AND WORK. By H. W.

Dickinson, A.M.I.Mech.E. Demy 8vo. 10s 6d. net.

⁂ No Biography dealing as a whole with the life-work of the celebrated

Robert Fulton has appeared of late years, in spite of the fact that

the introduction of steam navigation on a commercial scale, which was

his greatest achievement has recently celebrated its centenary.

The author has been instrumental in bringing to light a mass of

documentary matter relative to Fulton, and has thus been able to

present the facts about him in an entirely new light. The interesting

but little known episode of his career as an artist is for the first

time fully dealt with. His stay in France and his experiments under

the Directory and the Empire with the submarine and with the steamboat

are elucidated with the aid of documents preserved in the Archives

Nationales at Paris. His subsequent withdrawal from France and his

employment by the British Cabinet to destroy the Boulogne flotilla

that Napoleon had prepared in 1804 to invade England are gone into

fully. The latter part of his career in the United States, spent in

the introduction of steam navigation and in the construction of the

first steam-propelled warship, is of the greatest interest. With the

lapse of time facts assume naturally their true perspective. Fulton,

instead of being represented, according to the English point of view,

as a charlatan and even as a traitor, or from the Americans as a

universal genius, is cleared from these charges, and his pretensions

critically examined, with the result that he appears as a

cosmopolitan, an earnest student, a painstaking experimenter and an

enterprising engineer.

It is believed that practically nothing of moment in Fulton’s career

has been omitted. The illustrations, which are numerous, are drawn in

nearly every case from the original sources. It may confidently be

expected, therefore, that this book will take its place as the

authoritative biography which everyone interested in the subjects

enumerated above will require to possess.

A STAINED GLASS TOUR IN ITALY. By Charles H. Sherrill. Author of

“Stained Glass Tours in England,” “Stained Glass Tours in France,” etc.

With 33 Illustrations. Demy 8vo. 7s. 6d. net.

⁂ Mr. Sherrill has already achieved success with his two previous

books on the subject of stained glass. In Italy he finds a new field,

which offers considerable scope for his researches. His present work

will appeal not only to tourists, but to the craftsmen, because of the

writer’s sympathy with the craft. Mr. Sherrill is not only an

authority whose writing is clear in style and full of understanding

for the requirements of the reader, but one whose accuracy and

reliability are unquestionable. This is the most important book

published on the subject with which it deals, and readers will find it

worthy to occupy the position.

SCENES AND MEMORIES OF THE PAST. By the Honble. Stephen Coleridge. With

numerous Illustrations. Demy 8vo. 12s. 6d. net.

⁂ Mr. Stephen Coleridge has seen much of the world in two hemispheres

and has been able to count among his intimate personal friends many of

those whose names have made the Victorian age illustrious.

Mr. Coleridge fortunately kept a diary for some years of his life and

has religiously preserved the letters of his distinguished friends;

and in this book the public are permitted to enjoy the perusal of much

vitally interesting correspondence.

With a loving and appreciative hand the author sketches the characters

of many great men as they were known to their intimate associates.

Cardinals Manning and Newman, G. F. Watts, James Russell Lowell,

Matthew Arnold, Sir Henry Irving, Goldwin Smith, Lewis Morris, Sir

Stafford Northcote, Whistler, Oscar Wilde, Ruskin, and many others

famous in the nineteenth century will be found sympathetically dealt

with in this book.

During his visit to America as the guest of the American Bar in 1883,

Lord Coleridge, the Chief Justice, and the author’s father wrote a

series of letters, which have been carefully preserved, recounting his

impressions of the United States and of the leading citizens whom he

met.

Mr. Coleridge has incorporated portions of these letters from his

father in the volume, and they will prove deeply interesting on both

sides of the Atlantic.

Among the illustrations are many masterly portraits never before

published.

From the chapter on the author’s library, which is full of priceless

literary treasures, the reader can appreciate the appropriate

surroundings amid which this book was compiled.

ANTHONY TROLLOPE: HIS WORK, ASSOCIATES AND ORIGINALS. By T. H. S.

Escott. Demy 8vo. 12s. 6d. net.

⁂ The author of this book has not solely relied for his materials on a

personal intimacy with its subject, during the most active years of

Trollope’s life, but from an equal intimacy with Trollope’s

contemporaries and from those who had seen his early life. He has

derived, and here sets forth, in chronological order, a series of

personal incidents and experiences that could not be gained but for

the author’s exceptional opportunities. These incidents have never

before appeared in print, but that are absolutely essential for a

right understanding of the opinions—social, political, and

religious—of which Trollope’s writings became the medium, as well as

of the chief personages in his stories, from the “Macdermots of

Ballycloran” (1847) to the posthumous “Land Leaguers” (1883). All

lifelike pictures, whether of place, individual, character of

incident, are painted from life. The entirely fresh light now thrown

on the intellectual and spiritual forces, chiefly felt by the novelist

during his childhood, youth and early manhood, helped to place within

his reach the originals of his long portrait gallery, and had their

further result in the opinions, as well as the estimates of events and

men in which his writings abound, and which, whether they cause

agreement or dissent, always reveal life, nature, and stimulate

thought. The man, who had for his Harrow schoolfellows Sidney Herbert

and Sir William Gregory, was subsequently brought into the closest

relations with the first State officials of his time, was himself one

of the most active agents in making penny postage a national and

imperial success, and when he planted the first pillar-box in the

Channel Islands, accomplished on his own initiative a great postal

reform. A life so active, varied and full, gave him a greater

diversity of friends throughout the British Isles than belonged to any

other nineteenth century worker, literary or official. Hence the

unique interest of Trollope’s course, and therefore this, its record.

THE HISTORY OF ENGLISH PATRIOTISM. By Esmé C Wingfield Stratford, Fellow

King’s College, Cambridge. In 2 vols. Demy 8vo. With a Frontispiece to

each volume, (1,300 pages). 25s. net.

⁂ This work compresses into about HALF A MILLION WORDS the substance

of EIGHT YEARS of uninterrupted labour.

The book has been read and enthusiastically commended by the leading

experts in the principal subjects embraced in this encyclopædic survey

of English History.

When this work was first announced under the above title, the

publisher suggested calling it “A New History of England.” Indeed it

is both. Mr. Wingfield Stratford endeavours to show how everything of

value that nations in general, and the English nation in particular,

have at any time achieved has been the direct outcome of the common

feeling upon which patriotism is built. He sees, and makes his readers

see, the manifold development of England as one connected whole with

no more branch of continuity than a living body or a perfect work of

art.

The author may fairly claim to have accomplished what few previous

historians have so much as attempted. He has woven together the

threads of religion, politics, war, philosophy, literature, painting,

architecture, law and commerce, into a narrative of unbroken and

absorbing interest.

The book is a world-book. Scholars will reconstruct their ideas from

it, economics examine the gradual fruition of trade, statesmen devise

fresh creative plans, and the general reader will feel he is no

insignificant unit, but the splendid symbol of a splendid world.

CHARLES CONDER: HIS LIFE AND WORK. By Frank Gibson. With a Catalogue of

the Lithographs and Etchings by Campbell Dodgson, M.S., Keeper of Prints

and Drawings, British Museum. With about 100 reproductions of Conder’s

work, 12 of which are in colour. Demy 4to. 21s. net.

⁂ With the exception of one or two articles in English Art Magazines,

and one or two in French, German, and American periodicals, no book up

to the present has appeared fully to record the life and work of

Charles Condor, by whose death English Art has lost one of its most

original personalities. Consequently it has been felt that a book

dealing with Conder’s life so full of interest, and his work so full

of charm and beauty, illustrated by characteristic examples of his Art

both in colour and in black and white, would be welcome to the already

great and increasing number of his admirers.

The author of this book, Mr. Frank Gibson, who knew Conder in his

early days in Australia and afterwards in England during the rest of

the artist’s life, is enabled in consequence to do full justice, not

only to the delightful character of Conder as a friend, but is also

able to appreciate his remarkable talent.

The interest and value of this work will be greatly increased by the

addition of a complete catalogue of Conder’s lithographs and

engravings, compiled by Mr. Campbell Dodgson, M.A., Keeper of the

Print-Room of the British Museum.

PHILIP DUKE OF WHARTON. By Lewis Melville. Illustrated. Demy 8vo. 21s.

net.

⁂ A character more interesting than Philip, Duke of Wharton, does not

often fall to the lot of a biographer, yet, by some strange chance,

though nearly two hundred years have passed since that wayward genius

passed away, the present work is the first that gives a comprehensive

account of his life. A man of unusual parts and unusual charm, he at

once delighted and disgusted his contemporaries. Unstable as water, he

was like Dryden’s Zimri, “Everything by starts and nothing long.” He

was poet and pamphleteer, wit, statesman, buffoon, and amorist. The

son of one of the most stalwart supporters of the Hanoverian dynasty,

he went abroad and joined the Pretender, who created him a duke. He

then returned to England, renounced the Stuarts, and was by George I.

also promoted to a dukedom—while he was yet a minor. He was the friend

of Attenbury and the President of the Hell-Fire Club. At one time he

was leading Spanish troops against his countrymen, at another seeking

consolation in a monastery. It is said that he was the original of

Richardson’s Lovelace.

THE LIFE OF MADAME TALLIEN NOTRE DAME DE THERMIDOR (A Queen of Shreds

and Patches.) From the last days of the French Revolution, until her

death as Princess Chimay in 1885. By L. Gastine. Translated from the

French by J. Lewis May. With a Photogravure Frontispiece and 16 other

Illustrations Demy 8vo. 12s. 6d. net.

⁂ There is no one in the history of the French Revolution who has been

more eagerly canonised than Madame Tallien; yet according to M.

Gastine, there is no one in that history who merited canonisation so

little. He has therefore set himself the task of dissipating the mass

of legend and sentiment that has gathered round the memory of _“La

Belle Tallien”_ and of presenting her to our eyes as she really was.

The result of his labour is a volume, which combines the scrupulous

exactness of conscientious research with the richness and glamour of a

romance. In the place of the beautiful heroic but purely imaginary

figure of popular tradition, we behold a woman, dowered indeed with

incomparable loveliness, but utterly unmoral, devoid alike of heart

and soul, who readily and repeatedly prostituted her personal charms

for the advancement of her selfish and ignoble aims. Though Madame

Tallien is the central figure of the book, the reader is introduced to

many other personages who played famous or infamous roles in the

contemporary social or political arena, and the volume, which is

enriched by a number of interesting portraits, throws a new and

valuable light on this stormy and perennially fascinating period of

French history.

MINIATURES: A Series of Reproductions in Photogravure of Ninety-Six

Miniatures of Distinguished Personages, including Queen Alexandra, the

Queen of Norway, the Princess Royal, and the Princess Victoria. Painted

by Charles Turrell. (Folio.) The Edition is limited to One Hundred

Copies for sale in England and America, and Twenty-Five Copies for

Presentation, Review, and the Museums. Each will be Numbered and Signed

by the Artist. 15 guineas net.

RECOLLECTIONS OF GUY DE MAUPASSANT. By his Valet François. Translated

from the French by Maurice Reynold. Demy 8vo. 12s. 6d. net.

THE WIFE OF GENERAL BONAPARTE. By Joseph Turquan. Author of “The Love

Affairs of Napoleon,” etc. Translated from the French by Miss Violette

Montagu. With a Photogravure Frontispiece and 16 other Illustrations.

Demy 8vo. 12s. 6d. net.

⁂ Although much has been written concerning the Empress Josephine, we

know comparatively little about the veuve Beauharnais and the

citoyenne Bonaparte, whose inconsiderate conduct during her husband’s

absence caused him so much anguish. We are so accustomed to consider

Josephine as the innocent victim of a cold and calculating tyrant who

allowed nothing, neither human lives nor natural affections, to stand

in the way of his all-conquering will, that this volume will come to

us rather as a surprise. Modern historians are over-fond of blaming

Napoleon for having divorced the companion of his early years; but

after having read the above work, the reader will be constrained to

admire General Bonaparte’s forbearance and will wonder how he ever

came to allow her to play the Queen at the Tuileries.

THE JOURNAL OF A SPORTING NOMAD. By J. T. STUDLEY. With a Portrait and

32 other Illustrations, principally from Photographs by the Author. Demy

8vo. 12s. 6d. net.

⁂ “Not for a long time have we read such straightforward, entertaining

accounts of wild sport and adventure.”—Manchester Guardian.

⁂ “His adventures have the whole world for their theatre. There is a

great deal of curious information and vivid narrative that will appeal

to everybody.”—_Standard_.

SOPHIE DAWES, QUEEN OF CHANTILLY. By Violette M. Montagu. Author of “The

Scottish College in Paris,” etc. With a Photogravure Frontispiece and 16

other Illustrations and Three Plans. Demy 8vo. 12s. 6d. net.

⁂ Among the many queens of France, queens by right of marriage with

the reigning sovereign, queens of beauty or of intrigue, the name of

Sophie Dawes, the daughter of humble fisherfolk in the Isle of Wight,

better known as “the notorious Mme. de Feucheres,” “The Queen of

Chantilly” and “The Montespan de Saint Leu” in the land which she

chose as a suitable sphere in which to exercise her talents for

money-making and for getting on in the world, stand forth as a proof

of what a woman’s will can accomplish when that will is accompanied

with an uncommon share of intelligence.

MARGARET OF FRANCE DUCHESS OF SAVOY. 1523-1574. A Biography with

Photogravure Frontispiece and 16 other Illustrations and Facsimile

Reproductions of Hitherto Unpublished Letters. Demy 8vo. 12s. 6d. net.

⁂ A time when the Italians are celebrating the Jubilee of the Italian

Kingdom is perhaps no unfitting moment in which to glance back over

the annals of that royal House of Savoy which has rendered Italian

unity possible. Margaret of France may without exaggeration be counted

among the builders of modern Italy. She married Emanuel Philibert, the

founder of Savoyard greatness; and from the day of her marriage until

the day of her death she laboured to advance the interests of her

adopted land.

MADAME DE BRINVILLIERS AND HER TIMES. 1630-1676. By Hugh Stokes. With a

Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. 12s. 6d.

net.

⁂ The name of Marie Marguerite d’Aubray, Marquise de Brinvilliers, is

famous in the annals of crime, but the true history of her career is

little known. A woman of birth and rank, she was also a remorseless

poisoner, and her trial was one of the most sensational episodes of

the early reign of Louis XIV. The author was attracted to this curious

subject by Charles le Brun’s realistic sketch of the unhappy Marquise

as she appeared on her way to execution. This chef d’oeuvre of misery

and agony forms the frontispiece to the volume, and strikes a fitting

keynote to an absorbing story of human passion and wrong-doing.

THE VICISSITUDES OF A LADY-IN WAITING. 1735-1821. By Eugene Welvert.

Translated from the French by Lilian O’Neill. With a Photogravure

Frontispiece and 16 other Illustrations. Demy 8vo. 12s. 6d. net.

⁂ The Duchesse de Narbonne-Lara was Lady-in-Waiting to Madame

Adelaide, the eldest daughter of Louis XV. Around the stately figure

of this Princess are gathered the most remarkable characters of the

days of the Old Regime, the Revolution and the first Empire. The great

charm of the work is that it takes us over so much and varied ground.

Here, in the gay crowd of ladies and courtiers, in the rustle of

flowery silken paniers, in the clatter of high-heeled shoes, move the

figures of Louis XV., Louis XVI., Du Barri and Marie-Antoinette. We

catch picturesque glimpses of the great wits, diplomatists and

soldiers of the time, until, finally we encounter Napoleon Bonaparte.

ANNALS OF A YORKSHIRE HOUSE. From the Papers of a Macaroni and his

kindred. By A. M. W. Stirling, author of “Coke of Norfolk and his

Friends.” With 33 Illustrations, including 3 in Colour and 3 in

Photogravure. Demy 8vo. 2 vols. 32s. net.

WILLIAM HARRISON AINSWORTH AND HIS FRIENDS. By S. M. Ellis. With upwards

of 50 Illustrations, 4 in Photogravure. 2 vols. Demy 8vo. 32s. net.

NAPOLEON AND KING MURAT. 1805-1815: A Biography compiled from hitherto

Unknown and Unpublished Documents. By Albert Espitalier. Translated from

the French by J. Lewis May. With a Photogravure Frontispiece and 16

other Illustrations. Demy 8vo. 12s. 6d. net.

LADY CHARLOTTE SCHREIBER’S JOURNALS Confidences of a Collector of

Ceramics and Antiques throughout Britain, France, Germany, Italy, Spain,

Holland, Belgium, Switzerland, and Turkey. From the year 1869 to 1885.

Edited by Montague Guest, with Annotations by Egan Mew. With upwards of

100 Illustrations, including 8 in colour and 2 in Photogravure. Royal

8vo. 2 volumes. 42s. net.

CHARLES DE BOURBON, CONSTABLE OF FRANCE: “The Great Condottiere.” By

Christopher Hare. With a Photogravure Frontispiece and 16 other

Illustrations. Demy 8vo. 12s. 6d. net.

THE NELSONS OF BURNHAM THORPE: A Record of a Norfolk Family compiled

from Unpublished Letters and Note Books, 1787-1843. Edited by M. Eyre

Matcham. With a Photogravure Frontispiece and 16 other illustrations.

Demy 8vo. 16s. net.

⁂ This interesting contribution to Nelson literature is drawn from the

journals and correspondence of the Rev. Edmund Nelson, Rector of

Burnham Thorpe and his youngest daughter, the father and sister of

Lord Nelson. The Rector was evidently a man of broad views and

sympathies, for we find him maintaining friendly relations with his

son and daughter-in-law after their separation. What is even more

strange, he felt perfectly at liberty to go direct from the house of

Mrs. Horatio Nelson in Norfolk to that of Sir William and Lady

Hamilton in London, where his son was staying. This book shows how

completely and without any reserve the family received Lady Hamilton.

MARIA EDGEWORTH AND HER CIRCLE IN THE DAYS OF BONAPARTE AND BOURBON. By

Constance Hill. Author of “Jane Austen: Her Homes and Her Friends,”

“Juniper Hall,” “The House in St. Martin’s Street,” etc. With numerous

Illustrations by Ellen G. Hill and Reproductions of Contemporary

Portraits, etc. Demy 8vo. 21s. net.

CESAR FRANCK: A Study. Translated from the French of Vincent d’Indy,

with an Introduction by Rosa Newmarch. Demy 8vo. 7s. 6d. net.

John Lane, The Bodley Head, Vigo Street, London, W.

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