THE RUINS

My mother died when I was six years old. After her death my father

surrendered himself entirely to his own grief, and seemed to forget

my existence. He caressed my little sister at times, and saw to her

welfare in his own way, because he could trace her mother’s features in

her face, but I grew up like a wild sapling of the fields; no one gave

me any especial care, though, on the other hand, no one restricted my

freedom.

The little village where we lived was called Kniazh Gorodok or

Princetown. It belonged to a proud but impoverished race of Polish

noblemen, and presented all the typical features of any small town

in Southwestern Russia, where the pitiful remnants of stately Polish

grandeur drag out their weary days in a gently flowing current of

incessant toil mingled with the trivial bustle of Jewish “geschäft” or

business.

If you approached the village from the east, the first thing that

caught your eye was the prison--the great architectural ornament of the

town. The village itself lay spread below you on the shores of its

slumberous ponds, and you descended to it by a steep highway that was

barred at last by the traditional city gates. The drowsy veteran who

was toasting his red face in the sun, the very embodiment of tranquil

sleep, would lazily raise the barrier, and behold! you were in the

town, although at first you might not perceive it. Grey fences and

vacant lots littered with piles of rubbish were interspersed here and

there among the crumbling and staring-eyed little “khatkas” or huts.

Farther on, the wide market place appeared, bright with the roofs of

the Jewish “travellers’ rests,” while the Government buildings gave

an air of melancholy to the scene, with their white walls and their

barrack-like regularity of outline. The wooden bridge thrown across

the little river would groan and tremble under the wheels of your

carriage, swaying like a decrepit old man. A Jewish street led away

from the bridge, lined with warehouses, shops, miserable bazaars, and

bakers’ booths, while the Hebrew money-changers sat at their tables on

the sidewalks under their parasols. Everywhere were dirt and swarms of

children tumbling in the dust of the street. Another minute, however,

and you were already beyond the village. Softly the birches would be

whispering over the graves in the cemetery, while the breeze stirred

the wheat fields, and sang in mournful cadences among the roadside

telegraph wires.

The little river, spanned by the above mentioned bridge, flowed

from one pond into another, and thus enclosed the town at the north

and south by swamps and broad expanses of water. The ponds had grown

shallower from year to year, until at last they had become choked by

vegetation, and tall, thickly-growing reeds now rippled like the sea

upon the wide marshes. In the centre of one of these ponds was an

island, and on the island stood an old, half-ruined castle.

I remember with what terror I used always to contemplate this mighty,

decaying pile. Stories and legends, each one more frightful than the

last, were current about it. The island, it was said, was artificial,

piled up by the hands of captive Turks. “The castle is built upon

human bones;” so ran the saying among the old people of the village,

and my childish imagination pictured with horror thousands of Turkish

skeletons supporting with bony hands the island, the castle, and the

tall, pyramidal poplar trees. Of course this only made the castle

appear more terrible than ever, and even on bright days, if, emboldened

by the sunlight and the loud voices of the birds, we approached it

too closely, it would ofttimes throw us into spasms of panic fear, so

horribly did the dark cavities of its windows glower down upon us. A

mysterious rustling would seem to stray through its deserted halls, and

pebbles and bits of plaster would come rattling down, awakening the

muffled echoes. At such times we would scamper away without even a

glance behind us, seeming to hear, long after, sounds of clattering and

banging and laughter resounding in our ears.

But, on autumn nights, when the giant poplars swayed and chanted under

the wind that came flying to them across the ponds, this horror would

spread from the island to the mainland and would reign over the whole

village. “Oi vei mir!” the Jews would whisper with terror, while

God-fearing old citizens crossed themselves, and even our nearest

neighbour, the blacksmith, the very incarnation of diabolical strength,

would come out into his little yard and, making the sign of the cross,

would mutter under his breath a prayer for the peace of departed souls.

Old, grey-bearded Yanush, who, for lack of any other abode, had taken

refuge in a cellar of the castle, had often told us that on such nights

as these he could clearly hear cries rising from under the ground. It

was the Turks stirring under the island, knocking their bones together,

and loudly charging their Polish masters with cruelty. Then in the old

castle halls and on the island would resound the clanking of arms,

and the lords would call their liegemen together with loud shouts.

Yanush could hear quite plainly, through the moaning and howling of

the storm, the stamping of horses’ hoofs, the clashing of swords, and

the words of command. He even heard, once, the great-grandfather of

the present Count, immortalised by the memory of his ruthless deeds,

come trampling out on his blooded steed, and, riding to the centre of

the island, cry out with a dreadful oath: “Silence there, you yelping

heathen dogs!”

The descendants of this Count had long since abandoned the home of

their ancestors. The greater part of the ducats and treasure with which

their coffers had once been filled to overflowing had crossed over the

bridge into the hands of the Jews, and the last representatives of the

glorious line had built themselves a commonplace white house on a hill

a little farther from the town. Here their tedious but vainglorious

lives were spent in contemptuous and dignified isolation.

Only at rare intervals did the old Count, himself a ruin as gloomy as

the castle and the island, appear in the little town, mounted on an

old nag of English breed. At his side through the streets rode his

daughter, majestic and thin, in a black riding-habit, while their head

groom followed respectfully behind. The stately Countess was fated

to remain forever unwed. Any possible suitors who were her equals in

birth had faint-heartedly scattered across the world in search of the

rich daughters of merchants in foreign lands, and had either deserted

their ancestral castles or had turned them over to be pulled down by

the Jews. As for the little town which lay spread out at the foot of

the hill, not a youth could be found there who would dare to raise his

eyes to the beautiful Countess. We little boys, on catching sight of

these three riders, would pick ourselves up out of the soft dust of

the street, and, scattering timidly like a flock of birds into various

houses, would follow the gloomy lords of the terrible castle with eyes

full of curiosity and fear.

On a hill west of the town, among decaying crosses and sunken graves,

there stood a long-deserted dissenting chapel, the offspring of a city

in the valley proper below. Hither, in days of yore, the chapel bell

had summoned the townsfolk in their clean if plain surtouts, with

staves in their hands in place of the swords which rattled at the sides

of the small farmers, also called hither from the neighbouring villages

and farms by the clear notes of the chapel bell.

From here could be seen the island, with its great, sombre poplars,

but the castle kept itself angrily and contemptuously hidden from

the chapel behind their dense greenery. Only when the southwest wind

rose from the reed-beds and descended upon the island did the sighing

poplars sway aside and the castle windows gleam between them, allowing

the castle to cast dark glances at the little chapel. Both were corpses

now. The castle’s eyes were dim and no longer reflected the rays of

the setting sun; the chapel’s roof had fallen in, and, in place of its

sonorous, high-toned copper bell, the screech owls now raised their

evil, midnight voices among its rafters.

But the old, historic gulf that had, in former times, divided the

proud, lordly castle from the bourgeois dissenting chapel, continued

even after their death, kept open by the worms that had burrowed into

the crumbling corpses and had occupied the safest corners of their

vaults and cellars. The coffin-worms infesting these lifeless buildings

were men.

There had been a time when the ancient castle had served as a free

refuge without restrictions of any kind for every poor wretch that

needed it. Every one who could find no shelter in the town, every poor

creature that had fallen on evil days and had lost, for one reason or

another, the power to pay even the few copecks needed for a roof and

fire by night and in stormy weather--all these poor wretches found

their way to the island, and there hid their vanquished heads among the

gloomy, threatening, tottering ruins, paying for the hospitality they

found there only by the danger they ran of being buried alive under a

pile of débris. “He lives in the castle” had come to be the expression

used to denote the last stages of beggardom and civilian degradation.

The old castle gladly received and sheltered every variety of wandering

destitution: poor writers temporarily ruined, forlorn old women, and

homeless vagabonds. These persons tore down the interior of the rotting

building, broke up its floors and ceilings, lit their stoves, cooked

heaven knows what, and, in a word, fulfilled in some way or another

their functions of life.

Nevertheless, there came a day when dissension broke out among the

company roosting under the roof of those hoary ruins. Then it was that

old Yanush, who had once been one of the Count’s smaller “officials,”

prepared a sort of gubernatorial manifesto for himself and seized the

reins of power. He set himself to reorganise things, and for several

days such a hubbub ensued and such cries arose on the island that it

seemed at times as if the Turks had torn themselves from their prison

underground in order to avenge themselves upon their Polish tyrants.

This Yanush sorted out the inhabitants of the ruins, dividing the

sheep from the goats. The sheep, who remained in the castle as before,

helped him to expel the unhappy goats, who were stubborn and put up a

desperate but ineffectual resistance. When, at last, with the silent

but no less effective coöperation of the policeman, order was once more

restored on the island it appeared that the change effected had been

distinctly aristocratic in character. Yanush had allowed only “good

Christians,” that is, Roman Catholics, to remain in the castle, and,

besides this, most of them were either former servants or descendants

of servants of the Count’s family. They were all either old men in

long, tattered cloaks with huge red noses, or hideous, scolding hags

who still clung, in the last stages of destitution, to their caps and

mantles. They formed a homogeneous, closely united, aristocratic circle

that had established, as it were, a monopoly in the trade of beggary.

On week-days these old dames and gaffers would go with prayers on their

lips from house to house of the more prosperous townspeople, carrying

gossip, complaining of their hard lot, and pouring forth tears and

supplications; but on Sundays they would appear as the most honoured

members of those long lines that, in Western Russia, extend from the

doors of Roman Catholic churches. There they would proudly accept

offerings in the name of the “Lord Jesus” and the “Lady Mother of God.”

Attracted by the uproar and shouts that came to us from the island

during the revolution, I betook myself thither with a few of my

companions, and, hiding behind the thick trunks of the poplars,

we watched Yanush at the head of an army of red-nosed dotards and

unsightly shrews drive out the last inhabitants of the castle that were

liable to expulsion. Evening fell. Drops of rain were already falling

from a cloud that was hanging over the high summits of the poplars. A

few unhappy wretches, wrapping their impossibly tattered rags about

them, still lingered about the island, piteous, confused, and scared,

and, like toads that have been poked out of their holes by boys, tried

to crawl back unnoticed into some cranny of the castle wall. But Yanush

and the beldames drove them away with curses and cries, threatening

them with sticks and pitchforks, while the silent policeman stood by,

also grasping a stout oaken cudgel, and preserving an armed neutrality,

although he plainly favoured the conquering party. So this unhappy

riffraff disappeared grumbling over the bridge, leaving the island

forever, until one by one they were swallowed up in the rainy darkness

of the rapidly falling night.

After that memorable evening both Yanush and the old castle, which

had both, until then, impressed me with their vague grandeur, lost

all their attraction in my eyes. Before that night I had liked to

cross over to the island and to contemplate the grey castle walls and

mossy roof, even from afar. When the motley figures of its inmates

crawled out into the brightness of morning, yawning, coughing, and

crossing themselves in the sunlight, I had looked upon them with a

sort of reverence, as upon creatures clothed in the same mystery that

surrounded the whole castle. “They sleep there at night,” thought I;

“they hear everything that happens when the moon looks in at the broken

windows and the wind howls through the great halls.” I had loved to

listen to Yanush, when, with all the loquacity of seventy years, he had

taken his seat beneath a poplar tree and told me tales of the glorious

past of the dying building. Images of this past would rise before my

childish imagination, and there would be wafted into my heart a solemn

melancholy and a vague sympathy for the life lived here of old inside

these dismal walls. Romantic shades of an antiquity unknown to me would

flit across my young soul as the light shadows of clouds flit across a

bright field on a windy day.

But after that evening the castle and its bard appeared to me in a new

light. Meeting me the following day near the island, Yanush called me

to him and assured me with satisfaction that “the son of such honoured

parents as mine” could now boldly visit the island, as he would find

an absolutely orderly population upon it. He even led me by the hand

up to the very castle, but I snatched my hand out of his almost in

tears, and ran away as fast as my legs could carry me; the castle had

become odious to me. The windows of the upper story had been boarded

up, while the lower floor was ruled over by the “mantles and caps.”

The old women crawled out, looking so unattractive, fawning upon me so

mawkishly, and at the same time scolding one another so loudly that

I honestly wondered how the old Count who was wont to discipline his

Turks on stormy nights could stand having these old crones so near him.

But chiefly I could not forget the cold ruthlessness with which the

triumphant inhabitants of the castle had driven away their unfortunate

fellow-inmates, and my heart contracted at the remembrance of the poor

creatures left without a roof over their heads.

However this may be, the old castle taught me for the first time the

great fact that, from the sublime to the ridiculous is but a step. That

which was sublime in the castle was all overgrown with convolvulus and

ivy, and that which was ridiculous was revolting to me, and wounded

my childish susceptibility too keenly for me to feel the irony of the

contrast; this was still inaccessible to me.

Makar's Dream, and Other Stories · 第 22 / 59 题