CHAPTER I

THE STRANGE STORY OF

THE DUNMOW FLITCH

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[Illustration: EARLIEST OFFICIAL RECORDS OF THE FLITCH.]

EARLIEST OFFICIAL RECORDS OF THE FLITCH.--Entries in the Chartulary

of Dunmow Priory, in the British Museum, recording the presentation

of the Baron in 1445 and 1510, now reproduced for the first time.

The top entry is the earliest surviving record of the custom. The

recipient in the first case is Richard Wright; in the second, Thomas

le Fuller.

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[Illustration: TWO BACON RECEIPTS.]

TWO BACON RECEIPTS.--The Parsleys and Reynoldses received their Bacon

in 1701, the Shakeshafts in 1751. This 1751 presentation was the

last legitimate ceremony.

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The Strange Story of

the Dunmow Flitch

By

J. W. ROBERTSON-SCOTT

("HOME COUNTIES")

WITH 34 ILLUSTRATIONS

Nil nisi jurantibus ("Nothing unless you are able to swear")

--_Motto of a former Dunmow Lord of the Manor_

Two Shillings

DUNMOW: D. CARTER

TO

H. W.

W. H.

CONTENTS

Twas thought a sumptuous treat

On Birthdays, Festivals, or Days of State,

A salt dry Flitch of Bacon to prepare.

--Congreve.

INTRODUCTION

CHAPTER I

A Narrative of Nine Hundred Years

CHAPTER II

The Priory and the Rhymester

CHAPTER III

A Yeoman, a Husbandman and Thomas le Fuller

CHAPTER IV

The Vanished Cloisters

CHAPTER V

A Tale of Tyranny and War

CHAPTER VI

The Jury of Spinsters

CHAPTER VII

--And Bachelors

CHAPTER VIII

The Bacon Refused

CHAPTER IX

Enter The Novelist

CHAPTER X

The Winners of the Bacon

CHAPTER XI

The Scene at the Modern Ceremony

CHAPTER XII

Another Flitch Custom

CHAPTER XIII

The Bacon Over Sea

APPENDIX

The Last Prior and the "Fair Matilda"

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[Illustration: LAST LEGITIMATE PRESENTATION OF THE BACON.]

LAST LEGITIMATE PRESENTATION OF THE BACON.--This record of the

Shakeshaft ceremony is from an old print, "The Manner of Claiming the

Bacon," etc., published by Bowles and appearing in _Hone's Everyday

Book_. Note the realistic "sharp-pointed stones"; also that the

headgear of the Shakeshafts agrees with that represented in

Ogbourne's picture.

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[Illustration: PROCESSION AT THE LAST LEGITIMATE PRESENTATION OF THE

BACON.]

PROCESSION AT THE LAST LEGITIMATE PRESENTATION OF THE BACON.--This

Hogarthian record of the Shakeshafts carried in procession with their

Bacon is from a painting by David Ogbourne, a local artist who

witnessed the ceremony. Local personages are represented in the

crowd. The ladies in front of the laden basket are said to be

members of the Strutt family. The man mopping his head is Pownall,

"the fat butcher of Stebbing."

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INTRODUCTION

Although, as in duty bound, a member of his county Archæological

Society, no claim to what may be dignified by antiquarian research is

made by the Author of this modest publication.

If he is entitled to any credit at all, it can be merely in respect

of the fact that (in addition to making the best use of the

historical stores and constant kindness of Mr. Hastings Worrin), he

has regarded it as a kind of minor act of local patriotism to try to

gather together and set forth, in as simple and attractive a fashion

as possible, such data as, with a little trouble, may be collected

concerning a Custom all the surviving records of which are of

interest and importance to those who live in Great or Little Dunmow

or their vicinity.

The subject has, however, a wider appeal. It is so familiar that

throughout the land there can be few persons who have never heard of

the Dunmow Flitch. It is so old as to be enshrined, for as long as

English Literature shall endure, in Chaucer and Langland.

It is proper to mention, perhaps, that most of the subjects

illustrated have not before been photographed for publication.

For corrections or for any light on difficulties still confronting

the historian of the Flitch, the Author will be greatly obliged.

In order to save labour to other students of the subject, he may

perhaps mention that he has searched the following MSS. at the

British Museum: "Registrum Cartarum Prioratus de Dunmawe," "Exscripta

è Chronico de Dunmow," "Collectanea ex Chronico de Dunmowe,"

"Excerpta ex Chronico de Parva Dunmowe," "Memorandum de Pernis, a

Prioratu de Dunmowe," the household accounts of the last Prior of

Dunmow, and "Transcripta ex Libro Rubeo in Scarrario," and has

glanced through certain Court Rolls. One list of presentations of

the Bacon (which appears in Leland) is described in the catalogue at

the British Museum as "perhaps a fragment of some larger work on the

subject." Does it still exist?

GREAT CANFIELD, DUNMOW. _Christmas_, 1909.

CHAPTER I

A Narrative of Nine Hundred Years

Everybody knows that delightful Shakespearean scene in which Sir John

Falstaff robs the travellers at Gadshill. But some readers of the

play must have been puzzled a little by the sorry Knight's

ejaculation--

"On, bacons, on!"

From the Conquest, however, it had been common to call the multitude

hogs. To this practice, it has been declared, we owe the phrase "to

save one's bacon." Is not bacon the back and sides of the hog--the

part, therefore, on which a blow would generally fall? And is not

"to save one's bacon," obviously, to escape a blow?

But it is possible that "to save one's bacon" may have had, in part

at any rate, another origin. In "The Wife of Bath's Prologue" in the

_Canterbury Tales_, which were given to the world as long ago as the

fourteenth century, Chaucer's free-spoken dame says--

The bacon wae not fet for hem, I trow,

That som men have in Essex at Donmow.

May not this conceivably be the Bacon of the popular saying?

The curious Dunmow Custom, by which a Flitch of Bacon has been given

to married folk who have sworn that, for a year and a day, they have

neither had differences nor wished themselves unwed, is certainly

very old.

It may, indeed, have come over with the Conqueror. More than one

book of antiquities avers that "at the abbey of Saint Melaine near

Rennes"--the old capital of Brittany--there had been hanging, for

more than six centuries, a side of Bacon "still quite fresh," which

had been set apart for the first pair who "for a year and a day had

lived without dispute and grumbling" and without repenting of their

marriage.

To the Dunmow Custom we have a reference not only in old Chaucer, but

in that great song of England, The Vision of William concerning Piers

the Plowman, written under the shadow of the Black Death. Says the

good Langland--

Many a couple since the Pestilence

Have plighted them together;

The fruit that they bring forth

Is foul words

In jealousy without happiness,

And quarrelling in bed;

They have no children but strife,

And slapping between them,

And though they go to Dunmow

(Unless the Devil help!)

To follow after the Flitch

They never after obtain it;

And unless they both are perjured,

They lose the bacon.[*]

[*] The last four lines appear as follows in the "C-text" of

Professor Skeat's monumental two volume edition of the poem--

Thauh thei don hem to Donemowe . bote the deuel hem helpe

To folwen for the flicche . feccheth thei hit neuere;

Bote thei bothe be for-swore . that bacon thei tyne.

Then in _Reliquiae Antiquae_, which dates back to the fifteenth

century, another poet, discoursing in relation to the Seventh

Commandment, laments that he can

fynd no man that will enquere

The parfyte wais unto Dunmow;

For they repent them within a year,

And many within a week and souner men trow.

Yet another century later one Howell says choicely--

Do not fetch your wife from Dunmow

For so you may bring home two sides of a sow!

In fact, up and down our literature there are plenty of references to

the Dunmow Flitch.

The strange story of the Dunmow flitch · 第 1 / 13 章