ADELE.

We direct ourselves to the great building, and, surrounding it, again

halt. The old men are still upon the roof, standing along the parapet.

They are frightened, and tremble like children.

"Do not fear; we are friends!" cried Seguin, speaking in a strange

language, and making signs to them.

His voice is not heard amidst the shrieks and shouting that still

continue.

The words are repeated, and the sign given in a more emphatic manner.

The old men crowd along the edge of the parapet. There is one among

them who differs from the rest. His snow-white hair reaches below his

waist. There are bright ornaments hanging from, his ears and over his

breast. He is attired in white robes. He appears to be a chief; for

the rest obey him. He makes a signal with his hands, and the screaming

subsides. He stands forward on the parapet, as if to speak to us.

"Amigos, amigos!" (friends!) cries he, speaking in Spanish.

"Yes, yes; we are friends," replies Seguin, in the same language. "Do

not fear us! We came not to harm you."

"Why harm us? We are at peace with the white pueblos to the east. We

are the children of Montezuma; we are Navajoes. What want you with us?"

"We come for our relatives, your white captives. They are our wives and

daughters."

"White captives! You mistake us. We have no captives. Those you seek

are among the nations of the Apache, away far to the south."

"No; they are with you," replies Seguin. "I have certain information

that they are here. Delay us not, then! We have come a far journey for

them, and will not go without them."

The old man turns to his companions. They converse in a low voice, and

exchange signs. Again he faces round to Seguin.

"Believe me, senor chief," says he, speaking with emphasis, "you have

been wrongly informed. We have no white captives."

"Pish! 'Ee dod-rotted ole liar!" cries Rube, pushing out of the crowd,

and raising his cat-skin cap as he speaks. "'Ee know this child, do

'ee?"

The skinless head is discovered to the gaze of the Indians. A murmur,

indicative of alarm, is heard among them. The white-haired chief seems

disconcerted. He knows the history of that scalp!

A murmur, too, runs through the ranks of the hunters. They had seen

white faces as they rode up. The lie exasperates them, and the ominous

click of rifles being cocked is heard on all sides.

"You have spoken falsely, old man," cries Seguin. "We know you have

white captives. Bring them forth, then, if you would save your own

lives!"

"Quick!" shouts Garey, raising his rifle in a threatening manner;

"quick! or I'll dye the flax on yer old skull."

"Patience, amigo! you shall see our white people; but they are not

captives. They are our daughters, the children of Montezuma."

The Indian descends to the third story of the temple. He enters a door,

and presently returns, bringing with him five females dressed in the

Navajo costume. They are women and girls, and, as anyone could tell at

a glance, of the Hispano-Mexican race.

But there are those present who know them still better. Three of them

are recognised by as many hunters, and recognise them in turn. The

girls rush out to the parapet, stretch forth their arms, and utter

exclamations of joy. The hunters call to them--

"Pepe!" "Rafaela!" "Jesusita!" coupling their names with expressions

of endearment. They shout to them to come down, pointing to the

ladders.

"Bajan, ninas, bajan! aprisa, aprisa!" (Come down, dear girls! quickly,

quickly!)

The ladders rest upon the upper terraces. The girls cannot move them.

Their late masters stand beside them, frowning and silent.

"Lay holt thar!" cries Garey, again threatening with his piece; "lay

holt, and help the gals down, or I'll fetch some o' yerselves a-tumblin'

over!"

"Lay holt! lay holt!" shouted several others in a breath.

The Indians place the ladders. The girls descend, and the next moment

leap into the arms of their friends.

Two of them remain above; only three have come down. Seguin has

dismounted, and passes these three with a glance. None of them is the

object of his solicitude!

He rushes up the ladder, followed by several of the men. He springs

from terrace to terrace, up to the third. He presses forward to the

spot where stand the two captive girls. His looks are wild, and his

manner that of one frantic. They shrink back at his approach, mistaking

his intentions. They scream with terror!

He pierces them with his look. The instincts of the father are busy:

they are baffled. One of the females is old, too old; the other is

slave-like and coarse.

"Mon Dieu! it cannot be!" he exclaims, with a sigh. "There was a mark;

but no, no, no! it cannot be!"

He leans forward, seizing the girl, though not ungently, by the wrist.

Her sleeve is torn open, and the arm laid bare to the shoulder.

"No, no!" he again exclaims; "it is not there. It is not she."

He turns from them. He rushes forward to the old Indian, who falls back

frightened at the glare of his fiery eye.

"These are not all!" cries he, in a voice of thunder; "there are others.

Bring them forth, old man, or I will hurl you to the earth!"

"There are no other white squaws," replied the Indian, with a sullen and

determined air.

"A lie! a lie! your life shall answer. Here! confront him, Rube!"

"'Ee dratted old skunk! That white har o' yourn ain't a-gwine to stay

thur much longer ev you don't bring her out. Whur is she? the young

queen?"

"Al sur," and the Indian points to the south.

"Oh! mon Dieu! mon Dieu!" cries Seguin, in his native tongue, and with

an accentuation that expresses his complete wretchedness.

"Don't believe him, cap! I've seed a heap o' Injun in my time; an' a

lyiner old varmint than this'n I never seed yet. Ye heerd him jest now

'bout the other gals?"

"Yes, true; he lied directly; but she--she might have gone--"

"Not a bit o' it. Lyin's his trade. He's thur great medicine, an'

humbugs the hul kit o' them. The gal is what they call Mystery Queen.

She knows a heap, an' helps ole whitey hyur in his tricks an'

sacrifiches. He don't want to lose her. She's hyur somewhur, I'll be

boun'; but she ur cached: that's sartin."

"Men!" cries Seguin, rushing forward to the parapet, "take ladders!

Search every house! Bring all forth, old and young. Bring them to the

open plain. Leave not a corner unsearched. Bring me my child!"

The hunters rush for the ladders. They seize those of the great

building, and soon possess themselves of others. They run from house to

house, and drag out the screaming inmates.

There are Indian men in some of the houses--lagging braves, boys, and

"dandies." Some of these resist. They are slaughtered, scalped, and

flung over the parapets.

Crowds arrive, guarded, in front of the temple: girls and women of all

ages.

Seguin's eye is busy; his heart is yearning. At the arrival of each new

group, he scans their faces. In vain! Many of them are young and

pretty, but brown as the fallen leaf. She is not yet brought up.

I see the three captive Mexicans standing with their friends. They

should know where she may be found.

"Question them," I whisper to the chief.

"Ha! you are right. I did not think of that. Come, come!"

We run together down the ladders, and approach the delivered captives.

Seguin hurriedly describes the object of his search.

"It must be the Mystery Queen," says one.

"Yes, yes!" cries Seguin, in trembling anxiety; "it is; she is the

Mystery Queen."

"She is in the town, then," adds another.

"Where? where?" ejaculates the halt-frantic father.

"Where? where?" echo the girls, questioning one another.

"I saw her this morning, a short time ago, just before you came up."

"I saw him hurry her off," adds a second, pointing upward to the old

Indian. "He has hidden her."

"Caval!" cries another, "perhaps in the estufa!"

"The estufa! what is it?"

"Where the sacred fire burns; where he makes his medicine."

"Where is it? lead me to it!"

"Ay de mi! we know not the way. It is a sacred place where they burn

people! Ay de mi!"

"But, senor, it is in this temple; somewhere under the ground. He

knows. None but he is permitted to enter it. Carrai! The estufa is a

fearful place. So say the people."

An indefinite idea that his daughter may be in danger crosses the mind

of Seguin. Perhaps she is dead already, or dying by some horrid means.

He is struck, so are we, with the expression of sullen malice that

displays itself upon the countenance of the medicine chief. It is

altogether an Indian expression--that of dogged determination to die

rather than yield what he has made up his mind to keep. It is a look of

demoniac cunning, characteristic of men of his peculiar calling among

the tribes.

Haunted by this thought, Seguin runs to the ladder, and again springs

upward to the root, followed by several of the band. He rushes upon the

lying priest, clutching him by the long hair.

"Lead me to her!" he cries, in a voice of thunder; "lead me to this

queen, this Mystery Queen! She is my daughter."

"Your daughter! the Mystery Queen!" replies the Indian, trembling with

fear for his life, yet still resisting the appeal. "No, white man; she

is not. The queen is ours. She is the daughter of the Sun. She is the

child of a Navajo chief."

"Tempt me no longer, old man! No longer, I say. Look forth! If a hair

of her head has been harmed, all these shall suffer. I will not leave a

living thing in your town. Lead on! Bring me to the estufa!"

"To the estufa! to the estufa!" shout several voices.

Strong hands grasp the garments of the Indian, and are twined into his

loose hair. Knives, already red and reeking, are brandished before his

eyes. He is forced from the roof, and hurried down the ladders.

He ceases to resist, for he sees that resistance is death; and

half-dragged, half-leading, he conducts them to the ground-floor of the

building.

He enters by a passage covered with the shaggy hides of the buffalo.

Seguin follows, keeping his eye and hand upon him. We crowd after,

close upon the heels of both.

We pass through dark ways, descending, as we go, through an intricate

labyrinth. We arrive in a large room, dimly lighted. Ghastly images

are before us and around us, the mystic symbols of a horrid religion!

The walls are hung with hideous shapes and skins of wild beasts. We can

see the fierce visages of the grizzly bear, of the white buffalo, of the

carcajou, of the panther, and the ravenous wolf. We can recognise the

horns and frontlets of the elk, the cimmaron, and the grim bison. Here

and there are idol figures, of grotesque and monster forms, carved from

wood and the red claystone of the desert.

A lamp is flickering with a feeble glare; and on a brazero, near the

centre of the room, burns a small bluish flame. It is the sacred fire--

the fire that for centuries has blazed to the god Quetzalcoatl!

We do not stay to examine these objects. The fumes of the charcoal

almost suffocate us. We run in every direction, overturning the idols

and dragging down the sacred skins.

There are huge serpents gliding over the floor, and hissing around our

feet. They have been disturbed and frightened by the unwonted

intrusion. We, too, are frightened, for we hear the dreaded rattle of

the crotalus!

The men leap from the ground, and strike at them with the butts of their

rifles. They crush many of them on the stone pavement.

There are shouts and confusion. We suffer from the exhalations of the

charcoal. We shall be stifled. Where is Seguin? Where has he gone?

Hark! There are screams! It is a female voice! There are voices of

men, too!

We rush towards the spot where they are heard. We dash aside the walls

of pendant skins. We see the chief. He has a female in his arms--a

girl, a beautiful girl, robed in gold and bright plumes.

She is screaming as we enter, and struggling to escape him. He holds

her firmly, and has torn open the fawn-skin sleeve of her tunic. He is

gazing on her left arm, which is bared to the bosom!

"It is she! it is she!" he cries, in a voice trembling with emotion.

"Oh, God! it is she! Adele! Adele! do you not know me? Me--your

father?"

Her screams continue. She pushes him off, stretching out her arms to

the Indian, and calling upon him to protect her!

The father entreats her in wild and pathetic words. She heeds him not.

She turns her face from him, and crouches down, hugging the knees of the

priest!

"She knows me not! Oh, God! my child! my child!"

The Scalp Hunters · 第 95 / 142 题