III

He was there again. She saw him when she took her first glance

at the restless Manhattan audience--down in the front row with

his head bent a bit forward and his gray eyes fixed on her. And

she knew that to him they were alone together in a world where

the high-rouged row of ballet faces and the massed whines of the

violins were as imperceivable as powder on a marble Venus. An

instinctive defiance rose within her.

"Silly boy!" she said to herself hurriedly, and she didn't take

her encore.

"What do they expect for a hundred a week--perpetual motion?"

she grumbled to herself in the wings.

"What's the trouble? Marcia?"

"Guy I don't like down in front."

During the last act as she waited for her specialty she had an

odd attack of stage fright. She had never sent Horace the

promised post-card. Last night she had pretended not to see him--

had hurried from the theatre immediately after her dance to

pass a sleepless night in her apartment, thinking--as she had

so often in the last month--of his pale, rather intent face, his

slim, boyish fore, the merciless, unworldly abstraction that

made him charming to her.

And now that he had come she felt vaguely sorry--as though an

unwonted responsibility was being forced on her.

"Infant prodigy!" she said aloud.

"What?" demanded the negro comedian standing beside her.

"Nothing--just talking about myself."

On the stage she felt better. This was her dance--and she

always felt that the way she did it wasn't suggestive any more

than to some men every pretty girl is suggestive. She made it

a stunt.

"Uptown, downtown, jelly on a spoon,

After sundown shiver by the moon."

He was not watching her now. She saw that clearly. He was looking

very deliberately at a castle on the back drop, wearing that

expression he had worn in the Taft Grill. A wave of exasperation

swept over her--he was criticising her.

"That's the vibration that thrills me,

Funny how affection fi-lls me

Uptown, downtown---"

Unconquerable revulsion seized her. She was suddenly and horribly

conscious of her audience as she had never been since her first

appearance. Was that a leer on a pallid face in the front row, a

droop of disgust on one young girl's mouth? These shoulders of

hers--these shoulders shaking--were they hers? Were they real?

Surely shoulders weren't made for this!

"Then--you'll see at a glance

I'll need some funeral ushers with St. Vitus dance

At the end of the world I'll---"

The bassoon and two cellos crashed into a final chord. She paused

and poised a moment on her toes with every muscle tense, her

young face looking out dully at the audience in what one young

girl afterward called "such a curious, puzzled look," and then

without bowing rushed from the stage. Into the dressing-room she

sped, kicked out of one dress and into another, and caught a taxi

outside.

Her apartment was very warm--small, it was, with a row of

professional pictures and sets of Kipling and O. Henry which she

had bought once from a blue-eyed agent and read occasionally. And

there were several chairs which matched, but were none of them

comfortable, and a pink-shaded lamp with blackbirds painted on it

and an atmosphere of other stifled pink throughout. There were

nice things in it--nice things unrelentingly hostile to each

other, offspring of a vicarious, impatient taste acting in stray

moments. The worst was typified by a great picture framed in oak

bark of Passaic as seen from the Erie Railroad--altogether a

frantic, oddly extravagant, oddly penurious attempt to make a

cheerful room. Marcia knew it was a failure.

Into this room came the prodigy and took her two hands awkwardly.

"I followed you this time," he said.

"Oh!"

"I want you to marry me," he said.

Her arms went out to him. She kissed his mouth with a sort of

passionate wholesomeness.

"There!"

"I love you," he said.

She kissed him again and then with a little sigh flung herself

into an armchair and half lay there, shaken with absurd laughter.

"Why, you infant prodigy!" she cried.

"Very well, call me that if you want to. I once told you that I

was ten thousand years older than you--I am."

She laughed again.

"I don't like to be disapproved of."

"No one's ever going to disapprove of you again."

"Omar," she asked, "why do you want to marry me?"

The prodigy rose and put his hands in his pockets.

"Because I love you, Marcia Meadow."

And then she stopped calling him Omar.

"Dear boy," she said, "you know I sort of love you. There's

something about you--I can't tell what--that just puts my heart

through the wringer every time I'm round you. But honey--" She

paused.

"But what?"

"But lots of things. But you're only just eighteen, and I'm

nearly twenty."

"Nonsense!" he interrupted. "Put it this way--that I'm in my

nineteenth year and you're nineteen. That makes us pretty

close--without counting that other ten thousand years I

mentioned."

Marcia laughed.

"But there are some more 'buts.' Your people---

"My people!" exclaimed the prodigy ferociously. "My people tried

to make a monstrosity out of me." His face grew quite crimson at

the enormity of what he was going to say. "My people can go way

back and sit down!"

"My heavens!" cried Marcia in alarm. "All that? On tacks, I

suppose."

"Tacks--yes," he agreed wildly--"on anything. The more I think of

how they allowed me to become a little dried-up mummy---"

"What makes you thank you're that?" asked Marcia quietly--"me?"

"Yes. Every person I've met on the streets since I met you has

made me jealous because they knew what love was before I did. I

used to call it the 'sex impulse.' Heavens!"

"There's more 'buts,'" said Marcia

"What are they?"

"How could we live?"

"I'll make a living."

"You're in college."

"Do you think I care anything about taking a Master of Arts

degree?"

"You want to be Master of Me, hey?"

"Yes! What? I mean, no!"

Marcia laughed, and crossing swiftly over sat in his lap. He put

his arm round her wildly and implanted the vestige of a kiss

somewhere near her neck.

"There's something white about you," mused Marcia "but it doesn't

sound very logical."

"Oh, don't be so darned reasonable!"

"I can't help it," said Marcia.

"I hate these slot-machine people!"

"But we---"

"Oh, shut up!"

And as Marcia couldn't talk through her ears she had to.

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