THE TESTAMENT OF ST. FRANCIS 172
_Chapter I_
_The Problem of St. Francis_
A sketch of St. Francis of Assisi in modern English may be written in
one of three ways. Between these the writer must make his selection; and
the third way, which is adopted here, is in some respects the most
difficult of all. At least, it would be the most difficult if the other
two were not impossible.
First, he may deal with this great and most amazing man as a figure in
secular history and a model of social virtues. He may describe this
divine demagogue as being, as he probably was, the world's one quite
sincere democrat. He may say (what means very little) that St. Francis
was in advance of his age. He may say (what is quite true) that
St. Francis anticipated all that is most liberal and sympathetic in the
modern mood; the love of nature; the love of animals; the sense of
social compassion; the sense of the spiritual dangers of prosperity and
even of property. All those things that nobody understood before
Wordsworth were familiar to St. Francis. All those things that were
first discovered by Tolstoy had been taken for granted by St. Francis.
He could be presented, not only as a human but a humanitarian hero;
indeed as the first hero of humanism. He has been described as a sort of
morning star of the Renaissance. And in comparison with all these
things, his ascetical theology can be ignored or dismissed as a
contemporary accident, which was fortunately not a fatal accident. His
religion can be regarded as a superstition, but an inevitable
superstition, from which not even genius could wholly free itself; in
the consideration of which it would be unjust to condemn St. Francis for
his self-denial or unduly chide him for his chastity. It is quite true
that even from so detached a standpoint his stature would still appear
heroic. There would still be a great deal to be said about the man who
tried to end the Crusades by talking to the Saracens or who interceded
with the Emperor for the birds. The writer might describe in a purely
historical spirit the whole of that great Franciscan inspiration that
was felt in the painting of Giotto, in the poetry of Dante, in the
miracle plays that made possible the modern drama, and in so many other
things that are already appreciated by the modern culture. He may try to
do it, as others have done, almost without raising any religious
question at all. In short, he may try to tell the story of a saint
without God; which is like being told to write the life of Nansen and
forbidden to mention the North Pole.
Second, he may go to the opposite extreme, and decide, as it were, to be
defiantly devotional. He may make the theological enthusiasm as
thoroughly the theme as it was the theme of the first Franciscans. He
may treat religion as the real thing that it was to the real Francis of
Assisi. He can find an austere joy, so to speak, in parading the
paradoxes of asceticism and all the holy topsy-turvydom of humility. He
can stamp the whole history with the Stigmata, record fasts like fights
against a dragon; till in the vague modern mind St. Francis is as dark a
figure as St. Dominic. In short he can produce what many in our world
will regard as a sort of photographic negative, the reversal of all
lights and shades; what the foolish will find as impenetrable as
darkness and even many of the wise will find almost as invisible as if
it were written in silver upon white. Such a study of St. Francis would
be unintelligible to anyone who does not share his religion, perhaps
only partly intelligible to anyone who does not share his vocation.
According to degrees of judgment, it will be regarded as something too
bad or too good for the world. The only difficulty about doing the thing
in this way is that it cannot be done. It would really require a saint
to write the life of a saint. In the present case the objections to such
a course are insuperable.
Third, he may try to do what I have tried to do here; and, as I have
already suggested, the course has peculiar problems of its own. The
writer may put himself in the position of the ordinary modern outsider
and enquirer; as indeed the present writer is still largely and was once
entirely in that position. He may start from the standpoint of a man who
already admires St. Francis, but only for those things which such a man
finds admirable. In other words he may assume that the reader is at
least as enlightened as Renan or Matthew Arnold; but in the light of
that enlightenment he may try to illuminate what Renan and Matthew
Arnold left dark. He may try to use what is understood to explain what
is not understood. He may say to the modern English reader: "Here is an
historical character which is admittedly attractive to many of us
already, by its gaiety, its romantic imagination, its spiritual courtesy
and camaraderie, but which also contains elements (evidently equally
sincere and emphatic) which seem to you quite remote and repulsive. But
after all, this man was a man and not half a dozen men. What seems
inconsistency to you did not seem inconsistency to him. Let us see
whether we can understand, with the help of the existing understanding,
these other things that seem now to be doubly dark, by their intrinsic
gloom and their ironic contrast." I do not mean, of course, that I can
really reach such a psychological completeness in this crude and curt
outline. But I mean that this is the only controversial condition that I
shall here assume; that I am dealing with the sympathetic outsider. I
shall not assume any more or any less agreement than this. A materialist
may not care whether the inconsistencies are reconciled or not. A
Catholic may not see any inconsistencies to reconcile. But I am here
addressing the ordinary modern man, sympathetic but sceptical, and I can
only rather hazily hope that, by approaching the great saint's story
through what is evidently picturesque and popular about it, I may at
least leave the reader understanding a little more than he did before of
the consistency of a complete character; that by approaching it in this
way, we may at least get a glimmering of why the poet who praised his
lord the sun, often hid himself in a dark cavern, of why the saint who
was so gentle with his Brother the Wolf was so harsh to his Brother the
Ass (as he nicknamed his own body), of why the troubadour who said that
love set his heart on fire separated himself from women, of why the
singer who rejoiced in the strength and gaiety of the fire deliberately
rolled himself in the snow, of why the very song which cries with all
the passion of a pagan, "Praised be God for our Sister, Mother Earth,
which brings forth varied fruits and grass and glowing flowers," ends
almost with the words "Praised be God for our Sister, the death of the
body."
Renan and Matthew Arnold failed utterly at this test. They were content
to follow Francis with their praises until they were stopped by their
prejudices; the stubborn prejudices of the sceptic. The moment Francis
began to do something they did not understand or did not like, they did
not try to understand it, still less to like it; they simply turned
their backs on the whole business and "walked no more with him." No man
will get any further along a path of historical enquiry in that fashion.
These sceptics are really driven to drop the whole subject in despair,
to leave the most simple and sincere of all historical characters as a
mass of contradictions, to be praised on the principle of the curate's
egg. Arnold refers to the asceticism of Alverno almost hurriedly, as if
it were an unlucky but undeniable blot on the beauty of the story; or
rather as if it were a pitiable break-down and bathos at the end of the
story. Now this is simply to be stone-blind to the whole point of any
story. To represent Mount Alverno as the mere collapse of Francis is
exactly like representing Mount Calvary as the mere collapse of Christ.
Those mountains are mountains, whatever else they are, and it is
nonsense to say (like the Red Queen) that they are comparative hollows
or negative holes in the ground. They were quite manifestly meant to be
culminations and landmarks. To treat the Stigmata as a sort of scandal,
to be touched on tenderly but with pain, is exactly like treating the
original five wounds of Jesus Christ as five blots on His character. You
may dislike the idea of asceticism; you may dislike equally the idea of
martyrdom; for that matter you may have an honest and natural dislike of
the whole conception of sacrifice symbolised by the cross. But if it is
an intelligent dislike, you will still retain the capacity for seeing
the point of a story; of the story of a martyr or even the story of a
monk. You will not be able rationally to read the Gospel and regard the
Crucifixion as an afterthought or an anti-climax or an accident in the
life of Christ; it is obviously the point of the story like the point of
a sword, the sword that pierced the heart of the Mother of God.
And you will not be able rationally to read the story of a man presented
as a Mirror of Christ without understanding his final phase as a Man of
Sorrows, and at least artistically appreciating the appropriateness of
his receiving, in a cloud of mystery and isolation, inflicted by no
human hand, the unhealed everlasting wounds that heal the world.
The practical reconciliation of the gaiety and austerity I must leave
the story itself to suggest. But since I have mentioned Matthew Arnold
and Renan and the rationalistic admirers of St. Francis, I will here
give the hint of what it seems to me most advisable for such readers to
keep in mind. These distinguished writers found things like the Stigmata
a stumbling-block because to them a religion was a philosophy. It was an
impersonal thing; and it is only the most personal passion that provides
here an approximate earthly parallel. A man will not roll in the snow
for a stream of tendency by which all things fulfil the law of their
being. He will not go without food in the name of something, not
ourselves, that makes for righteousness. He will do things like this, or
pretty nearly like this, under quite a different impulse. He will do
these things when he is in love. The first fact to realise about
St. Francis is involved in the first fact with which his story starts;
that when he said from the first that he was a Troubadour, and said
later that he was a Troubadour of a newer and nobler romance, he was not
using a mere metaphor, but understood himself much better than the
scholars understand him. He was, to the last agonies of asceticism, a
Troubadour. He was a Lover. He was a lover of God and he was really and
truly a lover of men; possibly a much rarer mystical vocation. A lover
of men is very nearly the opposite of a philanthropist; indeed the
pedantry of the Greek word carries something like a satire on itself. A
philanthropist may be said to love anthropoids. But as St. Francis did
not love humanity but men, so he did not love Christianity but Christ.
Say, if you think so, that he was a lunatic loving an imaginary person;
but an imaginary person, not an imaginary idea. And for the modern
reader the clue to the asceticism and all the rest can best be found in
the stories of lovers when they seemed to be rather like lunatics. Tell
it as the tale of one of the Troubadours, and the wild things he would
do for his lady, and the whole of the modern puzzle disappears. In such
a romance there would be no contradiction between the poet gathering
flowers in the sun and enduring a freezing vigil in the snow, between
his praising all earthly and bodily beauty and then refusing to eat,
between his glorifying gold and purple and perversely going in rags,
between his showing pathetically a hunger for a happy life and a thirst
for a heroic death. All these riddles would easily be resolved in the
simplicity of any noble love; only this was so noble a love that nine
men out of ten have hardly even heard of it. We shall see later that
this parallel of the earthly lover has a very practical relation to the
problems of his life, as to his relations with his father and with his
friends and their families. The modern reader will almost always find
that if he could only feel this kind of love as a reality, he could feel
this kind of extravagance as a romance. But I only note it here as a
preliminary point because, though it is very far from being the final
truth in the matter, it is the best approach to it. The reader cannot
even begin to see the sense of a story that may well seem to him a very
wild one, until he understands that to this great mystic his religion
was not a thing like a theory but a thing like a love-affair. And the
only purpose of this prefatory chapter is to explain the limits of this
present book; which is only addressed to that part of the modern world
which finds in St. Francis a certain modern difficulty; which can admire
him yet hardly accept him, or which can appreciate the saint almost
without the sanctity. And my only claim even to attempt such a task is
that I myself have for so long been in various stages of such a
condition. Many thousand things that I now partly comprehend I should
have thought utterly incomprehensible, many things I now hold sacred I
should have scouted as utterly superstitious, many things that seem to
me lucid and enlightened now they are seen from the inside I should
honestly have called dark and barbarous seen from the outside, when long
ago in those days of boyhood my fancy first caught fire with the glory
of Francis of Assisi. I too have lived in Arcady; but even in Arcady I
met one walking in a brown habit who loved the woods better than Pan.
The figure in the brown habit stands above the hearth in the room where
I write, and alone among many such images, at no stage of my pilgrimage
has he ever seemed to me a stranger. There is something of harmony
between the hearth and the firefight and my own first pleasure in his
words about his brother fire; for he stands far enough back in my memory
to mingle with all those more domestic dreams of the first days. Even
the fantastic shadows thrown by fire make a sort of shadow pantomime
that belongs to the nursery; yet the shadows were even then the shadows
of his favourite beasts and birds, as he saw them, grotesque but haloed
with the love of God. His Brother Wolf and Brother Sheep seemed then
almost like the Brer Fox and Brer Rabbit of a more Christian Uncle
Remus. I have come slowly to see many and more marvellous aspects of
such a man, but I have never lost that one. His figure stands on a sort
of bridge connecting my boyhood with my conversion to many other things;
for the romance of his religion had penetrated even the rationalism of
that vague Victorian time. In so far as I have had this experience, I
may be able to lead others a little further along that road; but only a
very little further. Nobody knows better than I do now that it is a road
upon which angels might fear to tread; but though I am certain of
failure I am not altogether overcome by fear; for he suffered fools
gladly.
_Chapter II_
_The World St. Francis Found_
The modern innovation which has substituted journalism for history, or
for that tradition that is the gossip of history, has had at least one
definite effect. It has insured that everybody should only hear the end
of every story. Journalists are in the habit of printing above the very
last chapters of their serial stories (when the hero and heroine are
just about to embrace in the last chapter, as only an unfathomable
perversity prevented them from doing in the first) the rather misleading
words, "You can begin this story here." But even this is not a complete
parallel; for the journals do give some sort of a summary of the story,
while they never give anything remotely resembling a summary of the
history. Newspapers not only deal with news, but they deal with
everything as if it were entirely new. Tutankamen, for instance, was
entirely new. It is exactly in the same fashion that we read that
Admiral Bangs has been shot, which is the first intimation we have that
he has ever been born. There is something singularly significant in the
use which journalism makes of its stores of biography. It never thinks
of publishing the life until it is publishing the death. As it deals
with individuals it deals with institutions and ideas. After the Great
War our public began to be told of all sorts of nations being
emancipated. It had never been told a word about their being enslaved.
We were called upon to judge of the justice of the settlements, when we
had never been allowed to hear of the very existence of the quarrels.
People would think it pedantic to talk about the Serbian epics and they
prefer to speak in plain every-day modern language about the
Yugo-Slavonic international new diplomacy; and they are quite excited
about something they call Czecho-Slovakia without apparently having ever
heard of Bohemia. Things that are as old as Europe are regarded as more
recent than the very latest claims pegged out on the prairies of
America. It is very exciting; like the last act of a play to people who
have only come into the theatre just before the curtain falls. But it
does not conduce exactly to knowing what it is all about. To those
content with the mere fact of a pistol-shot or a passionate embrace,
such a leisurely manner of patronising the drama may be recommended. To
those tormented by a merely intellectual curiosity about who is kissing
or killing whom, and why, it is unsatisfactory.
Most modern history, especially in England, suffers from the same
imperfection as journalism. At best it only tells half of the history of
Christendom; and that the second half without the first half. Men for
whom reason begins with the Revival of Learning, men for whom religion
begins with the Reformation, can never give a complete account of
anything, for they have to start with institutions whose origin they
cannot explain, or generally even imagine. Just as we hear of the
admiral being shot but have never heard of his being born, so we all
heard a great deal about the dissolution of the monasteries, but we
heard next to nothing about the creation of the monasteries. Now this
sort of history would be hopelessly insufficient, even for an
intelligent man who hated the monasteries. It is hopelessly insufficient
in connection with institutions that many intelligent men do in a quite
healthy spirit hate. For instance, it is possible that some of us have
occasionally seen some mention, by our learned leader-writers, of an
obscure institution called the Spanish Inquisition. Well, it really is
an obscure institution, according to them and the histories they read.
It is obscure because its origin is obscure. Protestant history simply
begins with the horrible thing in possession, as the pantomime begins
with the demon king in the goblin kitchen. It is likely enough that it
was, especially towards the end, a horrible thing that might be haunted
by demons; but if we say this was so, we have no notion why it was so.
To understand the Spanish Inquisition it would be necessary to discover
two things that we have never dreamed of bothering about; what Spain was
and what an Inquisition was. The former would bring in the whole great
question about the Crusade against the Moors; and by what heroic
chivalry a European nation freed itself of an alien domination from
Africa. The latter would bring in the whole business of the other
Crusade against the Albigensians, and why men loved and hated that
nihilistic vision from Asia. Unless we understand that there was in
these things originally the rush and romance of a Crusade, we cannot
understand how they came to deceive men or drag them on towards evil.
The Crusaders doubtless abused their victory, but there was a victory to
abuse. And where there is victory there is valour in the field and
popularity in the forum. There is some sort of enthusiasm that
encourages excesses or covers faults. For instance, I for one have
maintained from very early days the responsibility of the English for
their atrocious treatment of the Irish. But it would be quite unfair to
the English to describe even the devilry of '98 and leave out altogether
all mention of the war with Napoleon. It would be unjust to suggest that
the English mind was bent on nothing but the death of Emmett, when it
was more probably full of the glory of the death of Nelson.
Unfortunately '98 was very far from being the last date of such dirty
work; and only a few years ago our politicians started trying to rule by
random robbing and killing, while gently remonstrating with the Irish
for their memory of old unhappy far-off things and battles long ago. But
however badly we may think of the Black-and-Tan business, it would be
unjust to forget that most of us were not thinking of Black-and-Tan but
of khaki; and that khaki had just then a noble and national connotation
covering many things. To write of the war in Ireland and leave out the
war against Prussia, and the English sincerity about it, would be unjust
to the English. So to talk about the torture-engine as if it had been a
hideous toy is unjust to the Spanish. It does not tell sensibly from the
start the story of what the Spaniard did, and why. We may concede to our
contemporaries that in any case it is not a story that ends well. We do
not insist that in their version it should begin well. What we complain
of is that in their version it does not begin at all. They are only in
at the death; or even, like Lord Tom Noddy, too late for the hanging. It
is quite true that it was sometimes more horrible than any hanging; but
they only gather, so to speak, the very ashes of the ashes; the fag-end
of the faggot.
The case of the Inquisition is here taken at random, for it is one among
any number illustrating the same thing; and not because it is especially
connected with St. Francis, in whatever sense it may have been connected
with St. Dominic. It may well be suggested later indeed that St. Francis
is unintelligible, just as St. Dominic is unintelligible, unless we do
understand something of what the thirteenth century meant by heresy and
a crusade. But for the moment I use it as a lesser example for a much
larger purpose. It is to point out that to begin the story of
St. Francis with the birth of St. Francis would be to miss the whole
point of the story, or rather not to tell the story at all. And it is to
suggest that the modern tail-foremost type of journalistic history
perpetually fails us. We learn about reformers without knowing what they
had to reform, about rebels without a notion of what they rebelled
against, of memorials that are not connected with any memory and
restorations of things that had apparently never existed before. Even at
the expense of this chapter appearing disproportionate, it is necessary
to say something about the great movements that led up to the entrance
of the founder of the Franciscans. It may seem to mean describing a
world, or even a universe, in order to describe a man. It will
inevitably mean that the world or the universe will be described with a
few desperate generalisations in a few abrupt sentences. But so far from
its meaning that we see a very small figure under so large a sky, it
will mean that we must measure the sky before we can begin to measure
the towering stature of the man.
And this phrase alone brings me to the preliminary suggestions that seem
necessary before even a slight sketch of the life of St. Francis. It is
necessary to realise, in however rude and elementary a fashion, into
what sort of a world St. Francis entered and what has been the history
of that world, at least in so far as it affected him. It is necessary to
have, if only in a few sentences, a sort of preface in the form of an
Outline of History, if we may borrow the phrase of Mr. Wells. In the
case of Mr. Wells himself, it is evident that the distinguished novelist
suffered the same disadvantage as if he had been obliged to write a
novel of which he hated the hero. To write history and hate Rome, both
pagan and papal, is practically to hate nearly everything that has
happened. It comes very near to hating humanity on purely humanitarian
grounds. To dislike both the priest and the soldier, both the laurels of
the warrior and the lilies of the saint, is to suffer a division from
the mass of mankind for which not all the dexterities of the finest and
most flexible of modern intelligences can compensate. A much wider
sympathy is needed for the historical setting of St. Francis, himself
both a soldier and a saint. I will therefore conclude this chapter with
a few generalisations about the world that St. Francis found.
Men will not believe because they will not broaden their minds. As a
matter of individual belief, I should of course express it by saying
that they are not sufficiently catholic to be Catholic. But I am not
going to discuss here the doctrinal truths of Christianity, but simply
the broad historical fact of Christianity, as it might appear to a
really enlightened and imaginative person even if he were not a
Christian. What I mean at the moment is that the majority of doubts are
made out of details. In the course of random reading a man comes across
a pagan custom that strikes him as picturesque or a Christian action
that strikes him as cruel; but he does not enlarge his mind sufficiently
to see the main truth about pagan custom or the Christian reaction
against it. Until we understand, not necessarily in detail, but in their
big bulk and proportion that pagan progress and that Christian reaction,
we cannot really understand the point of history at which St. Francis
appears or what his great popular mission was all about.
Now everybody knows, I imagine, that the twelfth and thirteenth
centuries were an awakening of the world. They were a fresh flowering of
culture and the creative arts after a long spell of much sterner and
even more sterile experience which we call the Dark Ages. They may be
called an emancipation; they were certainly an end; an end of what may
at least seem a harsher and more inhuman time. But what was it that was
ended? From what was it that men were emancipated? That is where there
is a real collision and point at issue between the different
philosophies of history. On the merely external and secular side, it has
been truly said that men awoke from a sleep; but there had been dreams
in that sleep of a mystical and sometimes of a monstrous kind. In that
rationalistic routine into which most modern historians have fallen, it
is considered enough to say that they were emancipated from mere savage
superstition and advanced towards mere civilised enlightenment. Now this
is the big blunder that stands as a stumbling-block at the very
beginning of our story. Anybody who supposes that the Dark Ages were
plain darkness and nothing else, and that the dawn of the thirteenth
century was plain daylight and nothing else, will not be able to make
head or tail of the human story of St. Francis of Assisi. The truth is
that the joy of St. Francis and his Jongleurs de Dieu was not merely an
awakening. It was something which cannot be understood without
understanding their own mystical creed. The end of the Dark Ages was not
merely the end of a sleep. It was certainly not merely the end of a
superstitious enslavement. It was the end of something belonging to a
quite definite but quite different order of ideas.
It was the end of a penance; or, if it be preferred, a purgation. It
marked the moment when a certain spiritual expiation had been finally
worked out and certain spiritual diseases had been finally expelled from
the system. They had been expelled by an era of asceticism, which was
the only thing that could have expelled them. Christianity had entered
the world to cure the world; and she had cured it in the only way in
which it could be cured.
Viewed merely in an external and experimental fashion, the whole of the
high civilisation of antiquity had ended in the learning of a certain
lesson; that is, in its conversion to Christianity. But that lesson was
a psychological fact as well as a theological faith. That pagan
civilisation had indeed been a very high civilisation. It would not
weaken our thesis, it might even strengthen it, to say that it was the
highest that humanity ever reached. It had discovered its still
unrivalled arts of poetry and plastic representation; it had discovered
its own permanent political ideals; it had discovered its own clear
system of logic and of language. But above all, it had discovered its
own mistake.
That mistake was too deep to be ideally defined; the short-hand of it is
to call it the mistake of nature-worship. It might almost as truly be
called the mistake of being natural; and it was a very natural mistake.
The Greeks, the great guides and pioneers of pagan antiquity, started
out with the idea of something splendidly obvious and direct; the idea
that if man walked straight ahead on the high road of reason and nature,
he could come to no harm; especially if he was, as the Greek was,
eminently enlightened and intelligent. We might be so flippant as to say
that man was simply to follow his nose, so long as it was a Greek nose.
And the case of the Greeks themselves is alone enough to illustrate the
strange but certain fatality that attends upon this fallacy. No sooner
did the Greeks themselves begin to follow their own noses and their own
notion of being natural, than the queerest thing in history seems to
have happened to them. It was much too queer to be an easy matter to
discuss. It may be remarked that our more repulsive realists never give
us the benefit of their realism. Their studies of unsavoury subjects
never take note of the testimony which they bear to the truths of a
traditional morality. But if we had the taste for such things, we could
cite thousands of such things as part of the case for Christian morals.
And an instance of this is found in the fact that nobody has written, in
this sense, a real moral history of the Greeks. Nobody has seen the
scale or the strangeness of the story. The wisest men in the world set
out to be natural; and the most unnatural thing in the world was the
very first thing they did. The immediate effect of saluting the sun and
the sunny sanity of nature was a perversion spreading like a pestilence.
The greatest and even the purest philosophers could not apparently avoid
this low sort of lunacy. Why? It would seem simple enough for the people
whose poets had conceived Helen of Troy, whose sculptors had carved the
Venus of Milo, to remain healthy on the point. The truth is that people
who worship health cannot remain healthy. When Man goes straight he goes
crooked. When he follows his nose he manages somehow to put his nose out
of joint, or even to cut off his nose to spite his face; and that in
accordance with something much deeper in human nature than
nature-worshippers could ever understand. It was the discovery of that
deeper thing, humanly speaking, that constituted the conversion to
Christianity. There is a bias in man like the bias in the bowl; and
Christianity was the discovery of how to correct the bias and therefore
hit the mark. There are many who will smile at the saying; but it is
profoundly true to say that the glad good news brought by the Gospel was
the news of original sin.
Rome rose at the expense of her Greek teachers largely because she did
not entirely consent to be taught these tricks. She had a much more
decent domestic tradition; but she ultimately suffered from the same
fallacy in her religious tradition; which was necessarily in no small
degree the heathen tradition of nature-worship. What was the matter with
the whole heathen civilisation was that there was nothing for the mass
of men in the way of mysticism, except that concerned with the mystery
of the nameless forces of nature, such as sex and growth and death. In
the Roman Empire also, long before the end, we find nature-worship
inevitably producing things that are against nature. Cases like that of
Nero have passed into a proverb, when Sadism sat on a throne brazen in
the broad daylight. But the truth I mean is something much more subtle
and universal than a conventional catalogue of atrocities. What had
happened to the human imagination, as a whole, was that the whole world
was coloured by dangerous and rapidly deteriorating passions; by natural
passions becoming unnatural passions. Thus the effect of treating sex as
only one innocent natural thing was that every other innocent natural
thing became soaked and sodden with sex. For sex cannot be admitted to a
mere equality among elementary emotions or experiences like eating and
sleeping. The moment sex ceases to be a servant it becomes a tyrant.
There is something dangerous and disproportionate in its place in human
nature, for whatever reason; and it does really need a special
purification and dedication. The modern talk about sex being free like
any other sense, about the body being beautiful like any tree or flower,
is either a description of the Garden of Eden or a piece of thoroughly
bad psychology, of which the world grew weary two thousand years ago.
This is not to be confused with mere self-righteous sensationalism about
the wickedness of the pagan world. It was not so much that the pagan
world was wicked as that it was good enough to realise that its paganism
was becoming wicked, or rather was on the logical high road to
wickedness. I mean that there was no future for "natural magic"; to
deepen it was only to darken it into black magic. There was no future
for it; because in the past it had only been innocent because it was
young. We might say it had only been innocent because it was shallow.
Pagans were wiser than paganism; that is why the pagans became
Christians. Thousands of them had philosophy and family virtues and
military honour to hold them up; but by this time the purely popular
thing called religion was certainly dragging them down. When this
reaction against the evil is allowed for, it is true to repeat that it
was an evil that was everywhere. In another and more literal sense its
name was Pan.
It was no metaphor to say that these people needed a new heaven and a
new earth; for they had really defiled their own earth and even their
own heaven. How could their case be met by looking at the sky, when
erotic legends were scrawled in stars across it; how could they learn
anything from the love of birds and flowers after the sort of love
stories that were told of them? It is impossible here to multiply
evidences, and one small example may stand for the rest. We know what
sort of sentimental associations are called up to us by the phrase "a
garden"; and how we think mostly of the memory of melancholy and
innocent romances, or quite as often of some gracious maiden lady or
kindly old parson pottering under a yew hedge, perhaps in sight of a
village spire. Then, let anyone who knows a little Latin poetry recall
suddenly what would once have stood in place of the sun-dial or the
fountain, obscene and monstrous in the sun; and of what sort was the god
of their gardens.
Nothing could purge this obsession but a religion that was literally
unearthly. It was no good telling such people to have a natural religion
full of stars and flowers; there was not a flower or even a star that
had not been stained. They had to go into the desert where they could
find no flowers or even into the cavern where they could see no stars.
Into that desert and that cavern the highest human intellect entered for
some four centuries; and it was the very wisest thing it could do.
Nothing but the stark supernatural stood up for its salvation; if God
could not save it, certainly the gods could not. The Early Church called
the gods of paganism devils; and the Early Church was perfectly right.
Whatever natural religion may have had to do with their beginnings,
nothing but fiends now inhabited those hollow shrines. Pan was nothing
but panic. Venus was nothing but venereal vice. I do not mean for a
moment, of course, that all the individual pagans were of this character
even to the end; but it was as individuals that they differed from it.
Nothing distinguishes paganism from Christianity so clearly as the fact
that the individual thing called philosophy had little or nothing to do
with the social thing called religion. Anyhow it was no good to preach
natural religion to people to whom nature had grown as unnatural as any
religion. They knew much better than we do what was the matter with them
and what sort of demons at once tempted and tormented them; and they
wrote across that great space of history the text: "This sort goeth not
out but by prayer and fasting."
Now the historic importance of St. Francis and the transition from the
twelfth to the thirteenth century, lies in the fact that they marked the
end of this expiation. Men at the close of the Dark Ages may have been
rude and unlettered and unlearned in everything but wars with heathen
tribes, more barbarous than themselves, but they were clean. They were
like children; the first beginnings of their rude arts have all the
clean pleasure of children. We have to conceive them in Europe as a
whole living under little local governments, feudal in so far as they
were a survival of fierce wars with the barbarians, often monastic and
carrying a more friendly and fatherly character, still faintly imperial
in so far as Rome still ruled as a great legend. But in Italy something
had survived more typical of the finer spirit of antiquity: the
republic. Italy was dotted with little states, largely democratic in
their ideals, and often filled with real citizens. But the city no
longer lay open as under the Roman peace, but was pent in high walls for
defence against feudal war and all the citizens had to be soldiers. One
of these stood in a steep and striking position on the wooded hills of
Umbria; and its name was Assisi. Out of its deep gate under its high
turrets was to come the message that was the gospel of the hour, "Your
warfare is accomplished, your iniquity is pardoned." But it was out of
all these fragmentary things of feudalism and freedom and remains of
Roman Law that there was to rise, at the beginning of the thirteenth
century, vast and almost universal, the mighty civilisation of the
Middle Ages.
It is an exaggeration to attribute it entirely to the inspiration of any
one man, even the most original genius of the thirteenth century. Its
elementary ethics of fraternity and fair play had never been entirely
extinct and Christendom had never been anything less than Christian. The
great truisms about justice and pity can be found in the rudest monastic
records of the barbaric transition or the stiffest maxims of the
Byzantine decline. And early in the eleventh and twelfth centuries a
larger moral movement had clearly begun. But what may fairly be said of
it is this, that over all those first movements there was still
something of that ancient austerity that came from the long penitential
period. It was the twilight of morning; but it was still a grey
twilight. This may be illustrated by the mere mention of two or three of
these reforms before the Franciscan reform. The monastic institution
itself, of course, was far older than all these things; indeed it was
undoubtedly almost as old as Christianity. Its counsels of perfection
had always taken the form of vows of chastity and poverty and obedience.
With these unworldly aims it had long ago civilised a great part of the
world. The monks had taught people to plough and sow as well as to read
and write; indeed they had taught the people nearly everything that the
people knew. But it may truly be said that the monks were severely
practical, in the sense that they were not only practical but also
severe; though they were generally severe with themselves and practical
for other people. All this early monastic movement had long ago settled
down and doubtless often deteriorated; but when we come to the first
medieval movements this sterner character is still apparent. Three
examples may be taken to illustrate the point.
First, the ancient social mould of slavery was already beginning to
melt. Not only was the slave turning into the serf, who was practically
free as regards his own farm and family life, but many lords were
freeing slaves and serfs altogether. This was done under the pressure of
the priests; but especially it was done in the spirit of a penance. In
one sense, of course, any Catholic society must have an atmosphere of
penance; but I am speaking of that rather sterner spirit of penance
which had expiated the excesses of paganism. There was about such
restitutions the atmosphere of the death-bed; as many of them doubtless
were examples of death-bed repentance. A very honest atheist with whom I
once debated made use of the expression, "Men have only been kept in
slavery by the fear of hell." As I pointed out to him, if he had said
that men had only been freed from slavery by the fear of hell, he would
at least have been referring to an unquestionable historical fact.
Another example was the sweeping reform of Church discipline by Pope
Gregory the Seventh. It really was a reform, undertaken from the highest
motives and having the healthiest results; it conducted a searching
inquisition against simony or the financial corruptions of the clergy;
it insisted on a more serious and self-sacrificing ideal for the life of
a parish priest. But the very fact that this largely took the form of
making universal the obligation of celibacy will strike the note of
something which, however noble, would seem to many to be vaguely
negative. The third example is in one sense the strongest of all. For
the third example was a war; a heroic war and for many of us a holy war;
but still something having all the stark and terrible responsibilities
of war. There is no space here to say all that should be said about the
true nature of the Crusades. Everybody knows that in the very darkest
hour of the Dark Ages a sort of heresy had sprung up in Arabia and
become a new religion of a military but nomadic sort, invoking the name
of Mahomet. Intrinsically it had a character found in many heresies from
the Moslem to the Monist. It seemed to the heretic a sane simplification
of religion; while it seems to the Catholic an insane simplification of
religion, because it simplifies all to a single idea and so loses the
breadth and balance of Catholicism. Anyhow its objective character was
that of a military danger to Christendom and Christendom had struck at
the very heart of it, in seeking to reconquer the Holy Places. The great
Duke Godfrey and the first Christians who stormed Jerusalem were heroes
if there were ever any in the world; but they were the heroes of a
tragedy.
Now I have taken these two or three examples of the earlier medieval
movements in order to note about them one general character, which
refers back to the penance that followed paganism. There is something in
all these movements that is bracing even while it is still bleak, like a
wind blowing between the clefts of the mountains. That wind, austere and
pure, of which the poet speaks, is really the spirit of the time, for it
is the wind of a world that has at last been purified. To anyone who can
appreciate atmospheres there is something clear and clean about the
atmosphere of this crude and often harsh society. Its very lusts are
clean; for they have no longer any smell of perversion. Its very
cruelties are clean; they are not the luxurious cruelties of the
amphitheatre. They come either of a very simple horror at blasphemy or a
very simple fury at insult. Gradually against this grey background
beauty begins to appear, as something really fresh and delicate and
above all surprising. Love returning is no longer what was once called
platonic but what is still called chivalric love. The flowers and stars
have recovered their first innocence. Fire and water are felt to be
worthy to be the brother and sister of a saint. The purge of paganism is
complete at last.
For water itself has been washed. Fire itself has been purified as by
fire. Water is no longer that water into which slaves were flung to feed
the fishes. Fire is no longer that fire through which children were
passed to Moloch. Flowers smell no more of the forgotten garlands
gathered in the garden of Priapus; stars stand no more as signs of the
far frigidity of gods as cold as those cold fires. They are all like
things newly made and awaiting new names, from one who shall come to
name them. Neither the universe nor the earth have now any longer the
old sinister significance of the world. They await a new reconciliation
with man, but they are already capable of being reconciled. Man has
stripped from his soul the last rag of nature-worship, and can return to
nature.
While it was yet twilight a figure appeared silently and suddenly on a
little hill above the city, dark against the fading darkness. For it was
the end of a long and stern night, a night of vigil, not unvisited by
stars. He stood with his hands lifted, as in so many statues and
pictures, and about him was a burst of birds singing; and behind him was
the break of day.
_Chapter III_
_Francis the Fighter_
According to one tale, which if not true would be none the less typical,
the very name of St. Francis was not so much a name as a nickname. There
would be something akin to his familiar and popular instinct in the
notion that he was nicknamed very much as an ordinary schoolboy might be
called "Frenchy" at school. According to this version, his name was not
Francis at all but John; and his companions called him "Francesco" or
"The little Frenchman" because of his passion for the French poetry of
the Troubadours. The more probable story is that his mother had named
him John when he was born in the absence of his father, who shortly
returned from a visit to France, where his commercial success had filled
him with so much enthusiasm for French taste and social usage that he
gave his son the new name signifying the Frank or Frenchman. In either
case the name has a certain significance, as connecting Francis from the
first with what he himself regarded as the romantic fairyland of the
Troubadours.
The name of the father was Pietro Bernardone and he was a substantial
citizen of the guild of the cloth merchants in the town of Assisi. It is
hard to describe the position of such a man without some appreciation of
the position of such a guild and even of such a town. It did not exactly
correspond to anything that is meant in modern times either by a
merchant or a man of business or a tradesman, or anything that exists
under the conditions of capitalism. Bernardone may have employed people
but he was not an employer; that is, he did not belong to an employing
class as distinct from an employed class. The person we definitely hear
of his employing is his son Francis; who, one is tempted to guess, was
about the last person that any man of business would employ if it were
convenient to employ anybody else. He was rich, as a peasant may be rich
by the work of his own family; but he evidently expected his own family
to work in a way almost as plain as a peasant's. He was a prominent
citizen, but he belonged to a social order which existed to prevent him
being too prominent to be a citizen. It kept all such people on their
own simple level, and no prosperity connoted that escape from drudgery
by which in modern times the lad might have seemed to be a lord or a
fine gentleman or something other than the cloth merchant's son. This is
a rule that is proved even in the exception. Francis was one of those
people who are popular with everybody in any case; and his guileless
swagger as a Troubadour and leader of French fashions made him a sort of
romantic ringleader among the young men of the town. He threw money
about both in extravagance and benevolence, in a way native to a man who
never, all his life, exactly understood what money was. This moved his
mother to mingled exultation and exasperation and she said, as any
tradesman's wife might say anywhere: "He is more like a prince than our
son." But one of the earliest glimpses we have of him shows him as
simply selling bales of cloth from a booth in the market; which his
mother may or may not have believed to be one of the habits of princes.
This first glimpse of the young man in the market is symbolic in more
ways than one. An incident occurred which is perhaps the shortest and
sharpest summary that could be given of certain curious things which
were a part of his character, long before it was transfigured by
transcendental faith. While he was selling velvet and fine embroideries
to some solid merchant of the town, a beggar came imploring alms;
evidently in a somewhat tactless manner. It was a rude and simple
society and there were no laws to punish a starving man for expressing
his need for food, such as have been established in a more humanitarian
age; and the lack of any organised police permitted such persons to
pester the wealthy without any great danger. But there was, I believe,
in many places a local custom of the guild forbidding outsiders to
interrupt a fair bargain; and it is possible that some such thing put
the mendicant more than normally in the wrong. Francis had all his life
a great liking for people who had been put hopelessly in the wrong. On
this occasion he seems to have dealt with the double interview with
rather a divided mind; certainly with distraction, possibly with
irritation. Perhaps he was all the more uneasy because of the almost
fastidious standard of manners that came to him quite naturally. All are
agreed that politeness flowed from him from the first, like one of the
public fountains in such a sunny Italian market place. He might have
written among his own poems as his own motto that verse of Mr. Belloc's
poem—
'Of Courtesy, it is much less
Than courage of heart or holiness,
Yet in my walks it seems to me
That the grace of God is in Courtesy.'
Nobody ever doubted that Francis Bernardone had courage of heart, even
of the most ordinary manly and military sort; and a time was to come
when there was quite as little doubt about the holiness and the grace of
God. But I think that if there was one thing about which he was
punctilious, it was punctiliousness. If there was one thing of which so
humble a man could be said to be proud, he was proud of good manners.
Only behind his perfectly natural urbanity were wider and even wilder
possibilities, of which we get the first flash in this trivial incident.
Anyhow Francis was evidently torn two ways with the botheration of two
talkers, but finished his business with the merchant somehow; and when
he had finished it, found the beggar was gone. Francis leapt from his
booth, left all the bales of velvet and embroidery behind him apparently
unprotected, and went racing across the market place like an arrow from
the bow. Still running, he threaded the labyrinth of the narrow and
crooked streets of the little town, looking for his beggar, whom he
eventually discovered; and loaded that astonished mendicant with money.
Then he straightened himself, so to speak, and swore before God that he
would never all his life refuse help to a poor man. The sweeping
simplicity of this undertaking is extremely characteristic. Never was
any man so little afraid of his own promises. His life was one riot of
rash vows; of rash vows that turned out right.
The first biographers of Francis, naturally alive with the great
religious revolution that he wrought, equally naturally looked back to
his first years chiefly for omens and signs of such a spiritual
earthquake. But writing at a greater distance, we shall not decrease
that dramatic effect, but rather increase it, if we realise that there
was not at this time any external sign of anything particularly mystical
about the young man. He had not anything of that early sense of his
vocation that has belonged to some of the saints. Over and above his
main ambition to win fame as a French poet, he would seem to have most
often thought of winning fame as a soldier. He was born kind; he was
brave in the normal boyish fashion; but he drew the line both in
kindness and bravery pretty well where most boys would have drawn it;
for instance, he had the human horror of leprosy of which few normal
people felt any need to be ashamed. He had the love of gay and bright
apparel which was inherent in the heraldic taste of medieval times and
seems altogether to have been rather a festive figure. If he did not
paint the town red, he would probably have preferred to paint it all the
colours of the rainbow, as in a medieval picture. But in this story of
the young man in gay garments scampering after the vanishing beggar in
rags there are certain notes of his natural individuality that must be
assumed from first to last.
For instance, there is the spirit of swiftness. In a sense he continued
running for the rest of his life, as he ran after the beggar. Because
nearly all the errands he ran on were errands of mercy, there appeared
in his portraiture a mere element of mildness which was true in the
truest sense, but is easily misunderstood. A certain precipitancy was
the very poise of his soul. This saint should be represented among the
other saints as angels were sometimes represented in pictures of angels;
with flying feet or even with feathers; in the spirit of the text that
makes angels winds and messengers a flaming fire. It is a curiosity of
language that courage actually means running; and some of our sceptics
will no doubt demonstrate that courage really means running away. But
his courage was running, in the sense of rushing. With all his
gentleness, there was originally something of impatience in his
impetuosity. The psychological truth about it illustrates very well the
modern muddle about the word "practical." If we mean by what is
practical what is most immediately practicable, we mean merely what is
easiest. In that sense St. Francis was very unpractical, and his
ultimate aims were very unworldly. But if we mean by practicality a
preference for prompt effort and energy over doubt or delay, he was very
practical indeed. Some might call him a madman, but he was the very
reverse of a dreamer. Nobody would be likely to call him a man of
business; but he was very emphatically a man of action. In some of his
early experiments he was rather too much of a man of action; he acted
too soon and was too practical to be prudent. But at every turn of his
extraordinary career we shall find him flinging himself round corners in
the most unexpected fashion, as when he flew through the crooked streets
after the beggar.
Another element implied in the story, which was already partially a
natural instinct, before it became a supernatural ideal, was something
that had never perhaps been wholly lost in those little republics of
medieval Italy. It was something very puzzling to some people; something
clearer as a rule to Southerners than to Northerners, and I think to
Catholics than to Protestants; the quite natural assumption of the
equality of men. It has nothing necessarily to do with the Franciscan
love for men; on the contrary one of its merely practical tests is the
equality of the duel. Perhaps a gentleman will never be fully an
egalitarian until he can really quarrel with his servant. But it was an
antecedent condition of the Franciscan brotherhood; and we feel it in
this early and secular incident. Francis, I fancy, felt a real doubt
about which he must attend to, the beggar or the merchant; and having
attended to the merchant, he turned to attend to the beggar; he thought
of them as two men. This is a thing much more difficult to describe, in
a society from which it is absent, but it was the original basis of the
whole business; it was why the popular movement arose in that sort of
place and that sort of man. His imaginative magnanimity afterwards rose
like a tower to starry heights that might well seem dizzy and even
crazy; but it was founded on this high table-land of human equality.
I have taken this the first among a hundred tales of the youth of
St. Francis, and dwelt on its significance a little, because until we
have learned to look for the significance there will often seem to be
little but a sort of light sentiment in telling the story. St. Francis
is not a proper person to be patronised with merely "pretty" stories.
There are any number of them; but they are too often used so as to be a
sort of sentimental sediment of the medieval world, instead of being, as
the saint emphatically is, a challenge to the modern world. We must take
his real human development somewhat more seriously; and the next story
in which we get a real glimpse of it is in a very different setting. But
in exactly the same way it opens, as if by accident, certain abysses of
the mind and perhaps of the unconscious mind. Francis still looks more
or less like an ordinary young man; and it is only when we look at him
as an ordinary young man, that we realise what an extraordinary young
man he must be.
War had broken out between Assisi and Perugia. It is now fashionable to
say in a satirical spirit that such wars did not so much break out as go
on indefinitely between the city-states of medieval Italy. It will be
enough to say here that if one of these medieval wars had really gone on
without stopping for a century, it might possibly have come within a
remote distance of killing as many people as we kill in a year, in one
of our great modern scientific wars between our great modern industrial
empires. But the citizens of the medieval republic were certainly under
the limitation of only being asked to die for the things with which they
had always lived, the houses they inhabited, the shrines they venerated
and the rulers and representatives they knew; and had not the larger
vision calling them to die for the latest rumours about remote colonies
as reported in anonymous newspapers. And if we infer from our own
experience that war paralysed civilisation, we must at least admit that
these warring towns turned out a number of paralytics who go by the
names of Dante and Michael Angelo, Ariosto and Titian, Leonardo and
Columbus, not to mention Catherine of Siena and the subject of this
story. While we lament all this local patriotism as a hubbub of the Dark
Ages, it must seem a rather curious fact that about three quarters of
the greatest men who ever lived came out of these little towns and were
often engaged in these little wars. It remains to be seen what will
ultimately come out of our large towns; but there has been no sign of
anything of this sort since they became large; and I have sometimes been
haunted by a fancy of my youth, that these things will not come till
there is a city wall round Clapham and the tocsin is rung at night to
arm the citizens of Wimbledon.
Anyhow, the tocsin was rung in Assisi and the citizens armed, and among
them Francis the son of the cloth merchant. He went out to fight with
some company of lancers and in some fight or foray or other he and his
little band were taken prisoners. To me it seems most probable that
there had been some tale of treason or cowardice about the disaster; for
we are told that there was one of the captives with whom his
fellow-prisoners flatly refused to associate even in prison; and when
this happens in such circumstances, it is generally because the military
blame for the surrender is thrown on some individual. Anyhow, somebody
noted a small but curious thing, though it might seem rather negative
than positive. Francis, we are told, moved among his captive companions
with all his characteristic courtesy and even conviviality, "liberal and
hilarious" as somebody said of him, resolved to keep up their spirits
and his own. And when he came across the mysterious outcast, traitor or
coward or whatever he was called, he simply treated him exactly like all
the rest, neither with coldness nor compassion, but with the same
unaffected gaiety and good fellowship. But if there had been present in
that prison someone with a sort of second sight about the truth and
trend of spiritual things, he might have known he was in the presence of
something new and seemingly almost anarchic; a deep tide driving out to
uncharted seas of charity. For in this sense there was really something
wanting in Francis of Assisi, something to which he was blind that he
might see better and more beautiful things. All those limits in good
fellowship and good form, all those landmarks of social life that divide
the tolerable and the intolerable, all those social scruples and
conventional conditions that are normal and even noble in ordinary men,
all those things that hold many decent societies together, could never
hold this man at all. He liked as he liked; he seems to have liked
everybody, but especially those whom everybody disliked him for liking.
Something very vast and universal was already present in that narrow
dungeon; and such a seer might have seen in its darkness that red halo
of _caritas caritatum_ which marks one saint among saints as well as
among men. He might have heard the first whisper of that wild blessing
that afterwards took the form of a blasphemy; "He listens to those to
whom God himself will not listen."
But though such a seer might have seen such a truth, it is exceedingly
doubtful if Francis himself saw it. He had acted out of an unconscious
largeness, or in the fine medieval phrase largesse, within himself,
something that might almost have been lawless if it had not been
reaching out to a more divine law; but it is doubtful whether he yet
knew that the law was divine. It is evident that he had not at this time
any notion of abandoning the military, still less of adopting the
monastic life. It is true that there is not, as pacifists and prigs
imagine, the least inconsistency between loving men and fighting them,
if we fight them fairly and for a good cause. But it seems to me that
there was more than this involved; that the mind of the young man was
really running towards a military morality in any case. About this time
the first calamity crossed his path in the form of a malady which was to
revisit him many times and hamper his headlong career. Sickness made him
more serious; but one fancies it would only have made him a more serious
soldier, or even more serious about soldiering. And while he was
recovering, something rather larger than the little feuds and raids of
the Italian towns opened an avenue of adventure and ambition. The crown
of Sicily, a considerable centre of controversy at the time, was
apparently claimed by a certain Gauthier de Brienne, and the Papal cause
to aid which Gauthier was called in aroused enthusiasm among a number of
young Assisians, including Francis, who proposed to march into Apulia on
the count's behalf; perhaps his French name had something to do with it.
For it must never be forgotten that though that world was in one sense a
world of little things, it was a world of little things concerned about
great things. There was more internationalism in the lands dotted with
tiny republics than in the huge homogeneous impenetrable national
divisions of to-day. The legal authority of the Assisian magistrates
might hardly reach further than a bow-shot from their high embattled
city walls. But their sympathies might be with the ride of the Normans
through Sicily or the palace of the Troubadours at Toulouse; with the
Emperor throned in the German forests or the great Pope dying in the
exile of Salerno. Above all, it must be remembered that when the
interests of an age are mainly religious they must be universal. Nothing
can be more universal than the universe. And there are several things
about the religious position at that particular moment which modern
people not unnaturally fail to realise. For one thing, modern people
naturally think of people so remote as ancient people, and even early
people. We feel vaguely that these things happened in the first ages of
the Church. The Church was already a good deal more than a thousand
years old. That is, the Church was then rather older than France is now,
a great deal older than England is now. And she looked old then; almost
as old as she does now; possibly older than she does now. The Church
looked like great Charlemagne with the long white beard, who had already
fought a hundred wars with the heathen, and in the legend was bidden by
an angel to go forth and fight once more though he was two hundred years
old. The Church had topped her thousand years and turned the corner of
the second thousand; she had come through the Dark Ages in which nothing
could be done except desperate fighting against the barbarians and the
stubborn repetition of the creed. The creed was still being repeated
after the victory or escape; but it is not unnatural to suppose that
there was something a little monotonous about the repetition. The Church
looked old then as now; and there were some who thought her dying then
as now. In truth orthodoxy was not dead but it may have been dull; it is
certain that some people began to think it dull. The Troubadours of the
Provençal movement had already begun to take that turn or twist towards
Oriental fancies and the paradox of pessimism, which always come to
Europeans as something fresh when their own sanity seems to be something
stale. It is likely enough that after all those centuries of hopeless
war without and ruthless asceticism within, the official orthodoxy
seemed to be something stale. The freshness and freedom of the first
Christians seemed then as much as now a lost and almost prehistoric age
of gold. Rome was still more rational than anything else; the Church was
really wiser but it may well have seemed wearier than the world. There
was something more adventurous and alluring, perhaps, about the mad
metaphysics that had been blown across out of Asia. Dreams were
gathering like dark clouds over the Midi to break in a thunder of
anathema and civil war. Only the light lay on the great plain round
Rome; but the light was blank and the plain was flat; and there was no
stir in the still air and the immemorial silence about the sacred town.
High in the dark house of Assisi Francesco Bernardone slept and dreamed
of arms. There came to him in the darkness a vision splendid with
swords, patterned after the cross in the Crusading fashion, of spears
and shields and helmets hung in a high armoury, all bearing the sacred
sign. When he awoke he accepted the dream as a trumpet bidding him to
the battlefield, and rushed out to take horse and arms. He delighted in
all the exercises of chivalry; and was evidently an accomplished
cavalier and fighting man by the tests of the tournament and the camp.
He would doubtless at any time have preferred a Christian sort of
chivalry; but it seems clear that he was also in a mood which thirsted
for glory, though in him that glory would always have been identical
with honour. He was not without some vision of that wreath of laurel
which Cæsar has left for all the Latins. As he rode out to war the great
gate in the deep wall of Assisi resounded with his last boast, "I shall
come back a great prince."
A little way along his road his sickness rose again and threw him. It
seems highly probable, in the light of his impetuous temper, that he had
ridden away long before he was fit to move. And in the darkness of this
second and far more desolating interruption, he seems to have had
another dream in which a voice said to him, "You have mistaken the
meaning of the vision. Return to your own town." And Francis trailed
back in his sickness to Assisi, a very dismal and disappointed and
perhaps even derided figure, with nothing to do but to wait for what
should happen next. It was his first descent into a dark ravine that is
called the valley of humiliation, which seemed to him very rocky and
desolate, but in which he was afterwards to find many flowers.
But he was not only disappointed and humiliated; he was also very much
puzzled and bewildered. He still firmly believed that his two dreams
must have meant something; and he could not imagine what they could
possibly mean. It was while he was drifting, one may even say mooning,
about the streets of Assisi and the fields outside the city wall, that
an incident occurred to him which has not always been immediately
connected with the business of the dreams, but which seems to me the
obvious culmination of them. He was riding listlessly in some wayside
place, apparently in the open country, when he saw a figure coming along
the road towards him and halted; for he saw it was a leper. And he knew
instantly that his courage was challenged, not as the world challenges,
but as one would challenge who knew the secrets of the heart of a man.
What he saw advancing was not the banner and spears of Perugia, from
which it never occurred to him to shrink; not the armies that fought for
the crown of Sicily, of which he had always thought as a courageous man
thinks of mere vulgar danger. Francis Bernardone saw his fear coming up
the road towards him; the fear that comes from within and not without;
though it stood white and horrible in the sunlight. For once in the long
rush of his life his soul must have stood still. Then he sprang from his
horse, knowing nothing between stillness and swiftness, and rushed on
the leper and threw his arms round him. It was the beginning of a long
vocation of ministry among many lepers, for whom he did many services;
to this man he gave what money he could and mounted and rode on. We do
not know how far he rode, or with what sense of the things around him;
but it is said that when he looked back, he could see no figure on the
road.
_Chapter IV_
_Francis the Builder_
We have now reached the great break in the life of Francis of Assisi;
the point at which something happened to him that must remain greatly
dark to most of us, who are ordinary and selfish men whom God has not
broken to make anew.
In dealing with this difficult passage, especially for my own purpose of
making things moderately easy for the more secular sympathiser, I have
hesitated as to the proper course; and have eventually decided to state
first of all what happened, with little more than a hint of what I
imagine to have been the meaning of what happened. The fuller meaning
may be debated more easily afterwards, when it was unfolded in the full
Franciscan life. Anyhow what happened was this. The story very largely
revolves round the ruins of the Church of St. Damian, an old shrine in
Assisi which was apparently neglected and falling to pieces. Here
Francis was in the habit of praying before the crucifix during these
dark and aimless days of transition that followed the tragical collapse
of all his military ambitions, probably made bitter by some loss of
social prestige terrible to his sensitive spirit. As he did so he heard
a voice saying to him, "Francis, seest thou not that my house is in
ruins? Go and restore it for me."
Francis sprang up and went. To go and do something was one of the
driving demands of his nature; probably he had gone and done it before
he had at all thoroughly thought out what he had done. In any case what
he had done was something very decisive and immediately very disastrous
for his singular social career. In the coarse conventional language of
the uncomprehending world, he stole. From his own enthusiastic point of
view, he extended to his venerable father Peter Bernardone the exquisite
excitement and inestimable privilege of assisting, more or less
unconsciously, in the rebuilding of St. Damian's Church. In point of
fact what he did was first to sell his own horse and then to go off and
sell several bales of his father's cloth, making the sign of the cross
over them to indicate their pious and charitable destination. Peter
Bernardone did not see things in this light. Peter Bernardone indeed had
not very much light to see by, so far as understanding the genius and
temperament of his extraordinary son was concerned. Instead of
understanding in what sort of a wind and flame of abstract appetites the
lad was living, instead of simply telling him (as the priest practically
did later) that he had done an indefensible thing with the best
intentions, old Bernardone took up the matter in the hardest style; in a
legal and literal fashion. He used absolute political powers like a
heathen father, and himself put his son under lock and key as a vulgar
thief. It would appear that the cry was caught up among many with whom
the unlucky Francis had once been popular; and altogether, in his
efforts to build up the house of God he had only succeeded in bringing
his own house about his ears and lying buried under the ruins. The
quarrel dragged drearily through several stages; at one time the
wretched young man seems to have disappeared underground, so to speak,
into some cavern or cellar where he remained huddled hopelessly in the
darkness. Anyhow, it was his blackest moment; the whole world had turned
over; the whole world was on top of him.
When he came out, it was only perhaps gradually that anybody grasped
that something had happened. He and his father were summoned in the
court of the bishop; for Francis had refused the authority of all legal
tribunals. The bishop addressed some remarks to him, full of that
excellent common sense which the Catholic Church keeps permanently as
the background for all the fiery attitudes of her saints. He told
Francis that he must unquestionably restore the money to his father;
that no blessing could follow a good work done by unjust methods; and in
short (to put it crudely) if the young fanatic would give back his money
to the old fool, the incident would then terminate. There was a new air
about Francis. He was no longer crushed, still less crawling, so far as
his father was concerned; yet his words do not, I think, indicate either
just indignation or wanton insult or anything in the nature of a mere
continuation of the quarrel. They are rather remotely akin to mysterious
utterances of his great model, "What have I to do with thee?" or even
the terrible "Touch me not."
He stood up before them all and said, "Up to this time I have called
Pietro Bernardone father, but now I am the servant of God. Not only the
money but everything that can be called his I will restore to my father,
even the very clothes he has given me." And he rent off all his garments
except one; and they saw that that was a hair-shirt.
He piled the garments in a heap on the floor and tossed the money on top
of them. Then he turned to the bishop, and received his blessing, like
one who turns his back on society; and, according to the account, went
out as he was into the cold world. Apparently it was literally a cold
world at the moment, and snow was on the ground. A curious detail, very
deep in its significance, I fancy, is given in the same account of this
great crisis in his life. He went out half-naked in his hair-shirt into
the winter woods, walking the frozen ground between the frosty trees; a
man without a father. He was penniless, he was parentless, he was to all
appearance without a trade or a plan or a hope in the world; and as he
went under the frosty trees, he burst suddenly into song.
It was apparently noted as remarkable that the language in which he sang
was French, or that Provençal which was called for convenience French.
It was not his native language; and it was in his native language that
he ultimately won fame as a poet; indeed St. Francis is one of the very
first of the national poets in the purely national dialects of Europe.
But it was the language with which all his most boyish ardours and
ambitions had been identified; it was for him pre-eminently the language
of romance. That it broke from him in this extraordinary extremity seems
to me something at first sight very strange and in the last analysis
very significant. What that significance was, or may well have been, I
will try to suggest in the subsequent chapter; it is enough to indicate
here that the whole philosophy of St. Francis revolved round the idea of
a new supernatural light on natural things, which meant the ultimate
recovery not the ultimate refusal of natural things. And for the purpose
of this purely narrative part of the business, it is enough to record
that while he wandered in the winter forest in his hair-shirt, like the
very wildest of the hermits, he sang in the tongue of the Troubadours.
Meanwhile the narrative naturally reverts to the problem of the ruined
or at least neglected church, which had been the starting point of the
saint's innocent crime and beatific punishment. That problem still
predominated in his mind and was soon engaging his insatiable
activities; but they were activities of a new sort; and he made no more
attempts to interfere with the commercial ethics of the town of Assisi.
There had dawned on him one of those great paradoxes that are also
platitudes. He realised that the way to build a church is not to become
entangled in bargains and, to him, rather bewildering questions of legal
claim. The way to build a church is not to pay for it, certainly not
with somebody else's money. The way to build a church is not even to pay
for it with your own money. The way to build a church is to build it.
He went about by himself collecting stones. He begged all the people he
met to give him stones. In fact he became a new sort of beggar,
reversing the parable; a beggar who asks not for bread but a stone.
Probably, as happened to him again and again throughout his
extraordinary existence, the very queerness of the request gave it a
sort of popularity; and all sorts of idle and luxurious people fell in
with the benevolent project, as they would have done with a bet. He
worked with his own hands at the rebuilding of the church, dragging the
material like a beast of burden and learning the very last and lowest
lessons of toil. A vast number of stories are told about Francis at this
as at every other period of his life; but for the purpose here, which is
one of simplification, it is best to dwell on this definite re-entrance
of the saint into the world by the low gate of manual labour. There does
indeed run through the whole of his life a sort of double meaning, like
his shadow thrown upon the wall. All his action had something of the
character of an allegory; and it is likely enough that some
leaden-witted scientific historian may some day try to prove that he
himself was never anything but an allegory. It is true enough in this
sense that he was labouring at a double task, and rebuilding something
else as well as the church of St. Damian. He was not only discovering
the general lesson that his glory was not to be in overthrowing men in
battle but in building up the positive and creative monuments of peace.
He was truly building up something else, or beginning to build it up;
something that has often enough fallen into ruin but has never been past
rebuilding; a church that could always be built anew though it had
rotted away to its first foundation-stone, against which the gates of
hell shall not prevail.
The next stage in his progress is probably marked by his transferring
the same energies of architectural reconstruction to the little church
of St. Mary of the Angels at the Portiuncula. He had already done
something of the same kind at a church dedicated to St. Peter; and that
quality in his life noted above, which made it seem like a symbolical
drama, led many of his most devout biographers to note the numerical
symbolism of the three churches. There was at any rate a more historical
and practical symbolism about two of them. For the original church of
St. Damian afterwards became the seat of his striking experiment of a
female order, and of the pure and spiritual romance of St. Clare. And
the church of the Portiuncula will remain for ever as one of the great
historic buildings of the world; for it was there that he gathered the
little knot of friends and enthusiasts; it was the home of many homeless
men. At this time, however, it is not clear that he had the definite
idea of any such monastic developments. How early the plan appeared in
his own mind it is of course impossible to say; but on the face of
events it first takes the form of a few friends who attached themselves
to him one by one because they shared his own passion for simplicity.
The account given of the form of their dedication is, however, very
significant; for it was that of an invocation of the simplification of
life as suggested in the New Testament. The adoration of Christ had been
a part of the man's passionate nature for a long time past. But the
imitation of Christ, as a sort of plan or ordered scheme of life, may in
that sense be said to begin here.