BILL NYE STOPS AT A PLACE WHERE TWO ROADS FORK.

HIS MOURNFUL PILGRIMAGE THROUGH DESOLATE WILDS IN COMPANY WITH THE

SOULFUL HOOSIER POET--A TALE OF GLOOM WITHOUT A RAY OF HOPE.

We are moving about over the country, James Whitcomb Riley and I, in the

capacity of a moral and spectacular show, I attend to the spectacular

part of the business. That is more in my line.

I am writing this at an imitation hotel where the roads fork. I will

call it the Fifth Avenue Hotel because the hotel at a railroad junction

is generally called the Fifth Avenue, or the Gem City House, or the

Palace Hotel. I stopped at an inn some years since called the Palace,

and I can truly say that if it had ever been a palace it was very much

run down when I visited it.

Just as the fond parent of a white-eyed, two-legged freak of nature

loves to name his mentally-diluted son Napoleon, and for the same reason

that a prominent horse owner in Illinois last year socked my name on a

tall, buckskin-colored colt that did not resemble me, intellectually or

physically, a colt that did not know enough to go around a barbed-wire

fence, but sought to sift himself through it into an untimely grave, so

this man has named his sway-backed wigwam the Fifth Avenue Hotel.

It is different from the Fifth Avenue in many ways. In the first place

there is not so much travel and business in its neighborhood. As I said

before, this is where two railroads fork. In fact, that is the leading

industry here. The growth of the town is naturally slow, but it is a

healthy growth. There is nothing in the nature of dangerous or wild-cat

speculation in the advancement of this place, and while there has been

no noticeable or rapid advance in the principal business, there has

been no falling off at all, and these roads are forking as much to-day

as they did before the war, while the same three men who were present

for the first glad moment are still here to witness its operation.

Sometimes a train is derailed, as the papers call it, and two or three

people have to remain over, as we did, all night. It is at such a time

that the Fifth Avenue Hotel is the scene of great excitement. A large

codfish, with a broad and sunny smile, and his bosom full of rock salt,

is tied in the creek to freshen and fit himself for the responsible

position of floor manager of the codfish ball.

A pale chambermaid, wearing a black jersey with large pores in it,

through which she is gently percolating, now goes joyously up the stairs

to make the little post-office lock-box rooms look ten times worse than

they ever did before. She warbles a low refrain as she nimbly knocks

loose the venerable dust of centuries, and sets it afloat throughout the

rooms. All is bustle about the house.

Especially the chambermaid.

We were put into the guest's chamber here. It has two atrophied beds

made up of pains and counterpanes.

This last remark conveys to the reader the presence of a light, joyous

feeling which is wholly assumed on my part.

The door of our room is full of holes where locks have been wrenched off

in order to let the coroner in. Last night I could imagine that I was in

the act of meeting, personally, the famous people who have tried to

sleep here and who moaned through the night and who died while waiting

for the dawn.

I have no doubt in the world but there is quite a good-sized delegation

from this hotel of guests who hesitated about committing suicide,

because they feared to tread the sidewalks of perdition, but who became

desperate at last and resolved to take their chances, and they have

never had any cause to regret it.

We washed our hands on door-knob soap, wiped them on a slippery elm

court-plaster, that had made quite a reputation for itself under the

non-de-plume of "Towel," tried to warm ourselves at a pocket inkstand

stove, that gave out heat like a dark lantern and had a deformed elbow

at the back of it.

The chambermaid is very versatile, and waits on the table while not

engaged in agitating the overworked mattresses and puny pillows

upstairs. In this way she imparts the odor of fried pork to the pillow

cases and kerosene to the pie.

She has a wild, nervous and apprehensive look in her eye as though she

feared that some Herculean guest might seize her in his great, strong

arms and bear her away to a justice of the peace and marry her. She

certainly cannot fully realize how thoroughly secure she is from such a

calamity. She is just as safe as she was forty years ago, when she

promised her aged mother that she would never elope with anyone.

Still, she is sociable at times and converses freely with me at the

table, as she leans over my shoulder, pensively brushing the crumbs into

my lap with a general utility towel which accompanies her in her various

rambles through the house, and she asks which we would rather have--"tea

or eggs?"

This afternoon we will pay our bill, in accordance with a life-long

custom of ours, and go away to permeate the busy haunts of men. It will

be sad to tear ourselves away from the Fifth Avenue Hotel at this place;

still, there is no great loss without some small gain, and at our next

hotel we may not have to chop our own wood and bring it up-stairs when

we want to rest. The landlord of a hotel who goes away to a political

meeting and leaves his guests to chop their own wood, and then charges

them full price for the rent of a boisterous and tempest-tossed bed,

will never endear himself to those with whom he is thrown in contact.

We leave at 2:30 this afternoon, hoping that the two railroads may

continue to fork here just the same as though we had remained.

Bill Nye's Cordwood · 第 57 / 69 题