CHAPTER XL

FINISH OF THE COMEDY

Those who may have seen Hilary driving towards the little model's

lodgings saw one who, by a fixed red spot on either cheek, and the

over-compression of his quivering lips, betrayed the presence of that

animality which underlies even the most cultivated men.

After eighteen hours of the purgatory of indecision, he had not so much

decided to pay that promised visit on which hung the future of two lives,

as allowed himself to be borne towards the girl.

There was no one in the passage to see him after he had passed Bianca in

the doorway, but it was with a face darkened by the peculiar stabbing

look of wounded egoism that he entered the little model's room.

The sight of it coming so closely on the struggle she had just been

through was too much for the girl's self-control.

Instead of going up to him, she sat down on the corded trunk and began to

sob. It was the sobbing of a child whose school-treat has been

cancelled, of a girl whose ball-dress has not come home in time. It only

irritated Hilary, whose nerves had already borne all they could bear. He

stood literally trembling, as though each one of these common little sobs

were a blow falling on the drum-skin of his spirit; and through every

fibre he took in the features of the dusty, scent-besprinkled room--the

brown tin trunk, the dismantled bed, the rust-red doors.

And he realised that she had burned her boats to make it impossible for a

man of sensibility to disappoint her!

The little model raised her face and looked at him. What she saw must

have been less reassuring even than the first sight had been, for it

stopped her sobbing. She rose and turned to the window, evidently trying

with handkerchief and powder-puff to repair the ravages caused by her

tears; and when she had finished she still stood there with her back to

him. Her deep breathing made her young form quiver from her waist up to

the little peacock's feather in her hat; and with each supple movement it

seemed offering itself to Hilary.

In the street a barrel-organ had begun to play the very waltz it had

played the afternoon when Mr. Stone had been so ill. Those two were

neither of them conscious of that tune, too absorbed in their emotions;

and yet, quietly, it was bringing something to the girl's figure like the

dowering of scent that the sun brings to a flower. It was bringing the

compression back to Hilary's lips, the flush to his ears and cheeks, as a

draught of wind will blow to redness a fire that has been choked.

Without knowing it, without sound, inch by inch he moved nearer to her;

and as though, for all there was no sign of his advance, she knew of it,

she stayed utterly unmoving except for the deep breathing that so stirred

the warm youth in her. In that stealthy progress was the history of life

and the mystery of sex. Inch by inch he neared her; and she swayed,

mesmerising his arms to fold round her thus poised, as if she must fall

backward; mesmerising him to forget that there was anything there,

anything in all the world, but just her young form waiting for

him--nothing but that!

The barrel-organ stopped; the spell had broken! She turned round to him.

As a wind obscures with grey wrinkles the still green waters of

enchantment into which some mortal has been gazing, so Hilary's reason

suddenly swept across the situation, and showed it once more as it was.

Quick to mark every shade that passed across his face, the girl made as

though she would again burst into tears; then, since tears had been so

useless, she pressed her hand over her eyes.

Hilary looked at that round, not too cleanly hand. He could see her

watching him between her fingers. It was uncanny, almost horrible, like

the sight of a cat watching a bird; and he stood appalled at the terrible

reality of his position, at the sight of his own future with this girl,

with her traditions, customs, life, the thousand and one things that he

did not know about her, that he would have to live with if he once took

her. A minute passed, which seemed eternity, for into it was condensed

every force of her long pursuit, her instinctive clutching at something

that she felt to be security, her reaching upwards, her twining round

him.

Conscious of all this, held back by that vision of his future, yet

whipped towards her by his senses, Hilary swayed like a drunken man. And

suddenly she sprang at him, wreathed her arms round his neck, and

fastened her mouth to his. The touch of her lips was moist and hot. The

scent of stale violet powder came from her, warmed by her humanity. It

penetrated to Hilary's heart. He started back in sheer physical revolt.

Thus repulsed, the girl stood rigid, her breast heaving, her eyes

unnaturally dilated, her mouth still loosened by the kiss. Snatching

from his pocket a roll of notes, Hilary flung them on the bed.

"I can't take you!" he almost groaned. "It's madness! It's impossible!"

And he went out into the passage. He ran down the steps and got into his

cab. An immense time seemed to pass before it began to move. It started

at last, and Hilary sat back in it, his hands clenched, still as a dead

man.

His mortified face was recognised by the landlady, returning from her

morning's visit to the shops. The gentleman looked, she thought, as if

he had received bad news! She not unnaturally connected his appearance

with her lodger. Tapping on the girl's door, and receiving no answer,

she went in.

The little model was lying on the dismantled bed, pressing her face into

the blue and white ticking of the bolster. Her shoulders shook, and a

sound of smothered sobbing came from her. The landlady stood staring

silently.

Coming of Cornish chapel-going stock, she had never liked this girl, her

instinct telling her that she was one for whom life had already been too

much. Those for whom life had so early been too much, she knew, were

always "ones for pleasure!" Her experience of village life had enabled

her to construct the little model's story--that very simple, very

frequent little story. Sometimes, indeed, trouble of that sort was soon

over and forgotten; but sometimes, if the young man didn't do the right

thing by her, and the girl's folk took it hardly, well, then---! So had

run the reasoning of this good woman. Being of the same class, she had

looked at her lodger from the first without obliquity of vision.

But seeing her now apparently so overwhelmed, and having something soft

and warm down beneath her granitic face and hungry eyes, she touched her

on the back.

"Come, now!" she said; "you mustn't take on! What is it?"

The little model shook off the hand as a passionate child shakes itself

free of consolation. "Let me alone!" she muttered.

The landlady drew back. "Has anyone done you a harm?" she said.

The little model shook her head.

Baffled by this dumb grief, the landlady was silent; then, with the

stolidity of those whose lives are one long wrestling with fortune, she

muttered:

"I don't like to see anyone cry like that!"

And finding that the girl remained obstinately withdrawn from sight or

sympathy, she moved towards the door.

"Well," she said, with ironical compassion, "if you want me, I'll be in

the kitchen."

The little model remained lying on her bed. Every now and then she

gulped, like a child flung down on the grass apart from its comrades,

trying to swallow down its rage, trying to bury in the earth its little

black moment of despair. Slowly those gulps grew fewer, feebler, and at

last died away. She sat up, sweeping Hilary's bundle of notes, on which

she had been lying, to the floor.

At sight of that bundle she broke out afresh, flinging herself down

sideways with her cheek on the wet bolster; and, for some time after her

sobs had ceased again, still lay there. At last she rose and dragged

herself over to the looking-glass, scrutinising her streaked, discoloured

face, the stains in the cheeks, the swollen eyelids, the marks beneath

her eyes; and listlessly she tidied herself. Then, sitting down on the

brown tin trunk, she picked the bundle of notes off the floor. They gave

forth a dry peculiar crackle. Fifteen ten-pound notes--all Hilary's

travelling money. Her eyes opened wider and wider as she counted; and

tears, quite suddenly, rolled down on to those thin slips of paper.

Then slowly she undid her dress, and forced them down till they rested,

with nothing but her vest between them and the quivering warm flesh which

hid her heart.

Complete Project Gutenberg John Galsworthy Works · 第 40 / 67 章