CHAPTER XI

To the amazement of Elsa, the shrinking little model came in, hesitating

on the threshold. She wore a red woolen jersey over her bodice that

fitted her tightly and made her look very slight and shivering. She

looked with wide-open eyes at the beautiful girl and dropped a courtesy

as she sat in the seat Millar drew out for her. Elsa nodded at her in

silence, and Millar, after watching them a few seconds with a smile of

amusement, walked out of the room, whistling softly. Mimi was the first

to break the silence, squirming under Elsa's direct scrutiny.

"Madam is waiting for the artist?"

"Yes," Elsa replied shortly.

"So am I," Mimi said, adding, with engaging frankness:

"He went on a spree last night. When he does that he always sleeps

late."

Elsa was embarrassed, and there was another interval of silence. Then

Mimi said:

"Is madam to have her portrait painted?"

"Yes."

"I know all those who come here to be painted," Mimi went on. "This is

quite like home to me. I am his model. I don't have to pay for my

portraits. Madam has a splendid profile."

"Please do not call me madam," Elsa said impatiently. "I am miss, like

yourself."

"I beg your pardon," Mimi said. "I am not madam, either. My name is

Mimi."

"My name is Elsa."

"Oh, I know; I have heard of you. You are very rich as well as very

beautiful. I know what it means to be rich. Once our family was well

off, and I did not have to work as a model."

"I am sorry you have been unfortunate," Elsa said.

"But I have heard much of you," the girl went on. She was now

tremendously interested in this beautiful woman whose coming, she

believed, meant that she would no longer be Karl's model. "You see, I

know all the things that go on here; I look out for the artist's

laundry and sew his buttons on; and I almost know his thoughts."

"And do they interest you?"

"Oh, yes; but it will not be so any more."

"Why not?"

"Because he is to be married; because you have come and he will not need

me."

"Why not? He will still paint. He must have models."

"Yes, but it will not be the same, and I will not come any more."

"Do you like Monsieur Karl?"

"Very much."

"Does he paint you now?"

"Ah, no; nothing but landscapes."

"Then you did not come as a model to-day?" Elsa asked.

"I come always as a model. If the artist does not treat me as such it is

not my fault."

She noticed that Elsa looked offended, and went on hurriedly,

apologetically:

"Please, if I offend you I will be quiet. But you seem to be so nice. If

I were you and you were the model I should not be angry with you."

Elsa was touched by the pathos in Mimi's eyes.

"Pardon me; I am very, very sorry if I have hurt you," she cried

impulsively. "Let us be friends."

"Yes, let's," Mimi cried. "You can talk to me about everything. I am not

a bad sort, but I have known him for a long while. I was crying when I

went away yesterday and he felt sorry for me. He came to the house on

his way to the ball last night in his evening clothes, but I would not

see him. It must be finished."

"Was he fond of you?"

"I liked him very much," Mimi replied simply.

"And now?"

"Ah, now it is different. If a man wants to have another sweetheart,

what can we do? It is like the railway. The train comes in and goes and

the little station must wait until another train comes."

"And you are going to wait for another train? You were fond of him and

can speak like that?"

"I was fond of him," Mimi said. "But I am not silly enough to believe

it will last just because I wanted it to last. I knew when it started

that I should have to give him up some day. I have learned that. I shall

forget him--and hope that he and you will be happy."

Mimi's tears came unrestrainedly now, and as she looked for her

handkerchief Elsa picked up Millar's weeping satchel, where he had left

it on the table, and gave it to the model. Mimi dabbed vigorously at her

streaming eyes.

"I am glad that I met you here," she said when she could control her

voice. "I shall be clever to-day and not see him at all. I will go away

now and never come back. What time is it?"

"It is 3 o'clock," Elsa said, looking at her watch.

"Then I must go. Another artist in the next block expects me to pose for

him, and his laundress comes at 3. He is very clever."

She stood up and looked around the room at the things on the walls--her

own pictures--the place that seemed like home to her. She sobbed as she

started toward the door.

"Good-by, miss," she said.

Elsa looked after her as she went out. Then she looked around the room

and was seized with panic.

"Mimi! Mimi!" she called out.

The model did not return. Elsa seized her hat and fled, just as Millar

entered from the adjoining room. His chuckle of Satanic amusement

reached her as she hurried from the house.

The Devil: A Tragedy of the Heart and Conscience · 第 11 / 14 章